Bulgaria Box Office for Те живеят в нощта (2016)
Theatrical Performance (US$) | ||
Bulgaria Box Office | $71,932 | Details |
Worldwide Box Office | $21,774,432 | Details |
Home Market Performance | ||
North America DVD Sales | $765,456 | Details |
North America Blu-ray Sales | $806,364 | Details |
Total North America Video Sales | $1,571,820 | |
Further financial details... |
Synopsis
What you put out into this world will always come back to you, but it never comes back how you predict. Taking fatherly advice is not in Joe Coughlin’s nature. Instead, the WWI vet is a self-proclaimed anti-establishment outlaw, despite being the son of the Boston Police Deputy Superintendent. Joe’s not all bad, though; in fact, he’s not really bad enough for the life he’s chosen. Unlike the gangsters he refuses to work for, he has a sense of justice and an open heart, and both work against him, leaving him vulnerable time and again—in business and in love. Driven by a need to right the wrongs committed against him and those close to him, Joe heads down a risky path that goes against his upbringing and his own moral code. Leaving the cold Boston winter behind, he and his reckless crew turn up the heat in Tampa. And while revenge may taste sweeter than the molasses that infuses every drop of illegal rum he runs, Joe will learn that it comes at a price.
Metrics
Movie Details
Production Budget: | $65,000,000 |
Bulgaria Releases: | January 13th, 2017 (Wide), released as Те живеят в нощта |
Video Release: | March 7th, 2017 by Warner Home Video |
MPAA Rating: | R for strong violence, language throughout, and some sexuality/nudity. (Rating bulletin 2437 (Cert #50601), 8/10/2016) |
Running Time: | 129 minutes |
Keywords: | Dysfunctional Family, Directing Yourself, Organized Crime, 1920s, 1930s, Prohibition Era, Voiceover/Narration, Set in Miami, Immigration, Religious, Crime Drama, Faked Death, Revenge, Suicide, Romance, Relationships Gone Wrong, Love Triangle, Betrayal, No Honor Among Thieves |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Warner Bros., Appian Way, Pearl Street, RatPac Entertainment, Dune Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 21st, 2017
March 21st, 2017
It is an interesting week on the home market with Rogue One: A Star Wars Story dominating the competition. However, it is only coming out on Video on Demand and doesn’t come out till Friday. As for Tuesday releases, there are a few contenders, but no film that immediately jumps out as the Pick of the Week. If you go with quality, extras, and overall audience appeal, then Sing on Blu-ray Combo Pack comes out on top. I would also definitely checkout Insecure: Season One and Lifeboat, if you don’t already own the latter.
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Home Market Releases for March 7th, 2017
March 6th, 2017
There are not a lot of releases on this week’s list for two major reasons. Firstly, it is a very, very shallow week. Secondly... Dental Surgery. By the time you read this, I might still be at the dentist. There are only two contenders for Pick of the Week, Jackie on Blu-ray and Moana on Blu-ray Combo Pack. It wasn’t particularly close and Moana is easily the Pick of the Week.
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Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar
January 24th, 2017
Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million.
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Weekend Wrap-Up: Hidden Figures Really Helps the Box Office with $27.51 million
January 18th, 2017
As expected, Hidden Figures remained in first place as the box office was dominated by holdovers. The best of the new releases / wide expansions was The Bye Bye Man, which earned fifth place with $15.20 million. On the positive side, while there was only one film to earn more than $20 million over the weekend, there were seven that earned $10 million or more. That’s really good depth. It’s good enough for an 8.5% increase from last weekend reaching $149 million. However, this is still 10% lower than the same weekend last year. Year-to-date, 2017 is behind 2016 by 15% at $562 million to $659 million, but again, it is way too soon to make any predictions.
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Weekend Estimates: Hidden Figures wins MLK Weekend
January 15th, 2017
A pile-up at the box office this weekend will leave a crush of new releases behind Hidden Figures and La La Land, which remain the top two films at the box office. Hidden Figures will be down just 10% (in part thanks to expanded distribution) to $20.45 million, for $54.8 million in total, as of Sunday evening. Fox is projecting a $25.3 million 4-day weekend for the film. La La Land is even more impressive, growing its box office by 43% and moving from fifth to second on the chart with $14.5 million, and $74.1 million to date. It’s record-breaking performance at the Golden Globes has clearly lifted it to another level with audiences.
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Friday Estimates: Hidden Hogs the Spotlight
January 14th, 2017
Hidden Figures unexpectedly led the way on Friday with $5.53 million. This is 28% lower than last Friday, but that was the film’s first weekend wide and this is a holiday weekend, so it should bounce back a lot over the rest of the weekend. Award-worthy reviews and continued Awards Season presence will also help the film earn about $23 million over the four-day weekend. Its running tally will be about $57 million on Monday, putting it on pace for $100 million domestically.
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Thursday Night Previews: Is Patriots Day Going Bye Bye with $560,000?
January 13th, 2017
Patriots Day earned $560,000 from 2,000 theaters during its Thursday previews. This is less than half of what Hidden Figures made last week. Worse still, Patriots Day’s target audience should be more likely to go see a film’s previews than Hidden Figures’ target audience would be. That said, it is still a holiday weekend and it should bounce back over the next few days. I think it will miss our predictions, but it should come close with about $19 million.
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Weekend Predictions: Will the Patriots Win the Weekend? Or Will Hidden Remain Up Front?
January 12th, 2017
Six films are opening or expanding this weekend, which have a shot at the top ten. However, only one of them, Patriots Day, has a real shot at first place. In fact, it might be the only “new” film in the top five. The biggest wide release of the week is Monster Trucks, which is opening in 2,800 theaters. I didn’t see that coming. [Ed.: The final announced theater count for Monster Trucks is an even more impressive 3,119] Meanwhile, Sleepless is only opening in 1,800 theaters, while Silence is expanding into 750 theaters. We still haven’t mentioned all of the new films. As for holdovers, Hidden Figures has a real shot at first place, while La La Land should get a boost from its Awards Season success. This weekend last year, Ride Along 2 opened with just over $35 million over the three-day weekend. There’s no film that will match that figure during the four-day weekend. On the positive side, there were only four films that earned more than $10 million during the three-day weekend and this year we should have five. That’s not enough to win in the year-over-year competition. It likely won’t even be close.
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2017 Preview: January
January 1st, 2017
December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison.
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Limited and VOD Releases: Which Releases will Make some Noise?
December 23rd, 2016
There are a number of limited releases coming out this week spread from Wednesday through Sunday. This includes several that are aiming for Awards Season glory: 20th Century Women, Hidden Figures, Silence, and others. There might be too many great films on this week's list, which means some will not live up to their box office potential.
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Live by Night Trailer
October 28th, 2016
Historical drama written and directed by, and starring Ben Affleck opens December 25 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/01/13 | 6 | $24,508 | 0 | $24,508 | 1 | ||
2017/01/20 | 10 | $10,841 | -56% | 0 | $48,181 | 2 | |
2017/01/27 | 13 | $5,755 | -47% | 0 | $60,566 | 3 | |
2017/02/03 | 14 | $4,679 | -19% | 0 | $69,362 | 4 | |
2017/02/10 | 15 | $1,575 | -66% | 0 | $71,932 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/27/2017 | $84,000 | 0 | 0 | 0 | $117,569 | 1/1/2019 |
Australia | 1/27/2017 | $360,682 | 218 | 218 | 474 | $704,348 | 2/23/2017 |
Bulgaria | 1/13/2017 | $24,508 | 0 | 0 | 0 | $71,932 | 2/26/2019 |
Czech Republic | 1/13/2017 | $24,388 | 67 | 67 | 101 | $36,635 | 1/1/2019 |
France | 1/20/2017 | $791,000 | 300 | 300 | 300 | $1,681,487 | 6/26/2018 |
Italy | 3/2/2017 | $150,147 | 0 | 0 | 0 | $150,492 | 3/9/2017 |
Lithuania | 1/20/2017 | $19,007 | 75 | 75 | 112 | $39,640 | 2/10/2017 |
Netherlands | 1/26/2017 | $113,490 | 71 | 71 | 141 | $204,384 | 10/25/2018 |
New Zealand | 1/27/2017 | $38,062 | 63 | 63 | 63 | $44,237 | 1/31/2017 |
North America | 12/25/2016 | $33,336 | 4 | 2,822 | 5,978 | $10,378,555 | |
Portugal | 1/13/2017 | $75,300 | 65 | 65 | 161 | $153,782 | 2/9/2017 |
Russia (CIS) | 1/13/2017 | $686,495 | 849 | 849 | 1757 | $1,291,826 | 1/1/2019 |
Slovakia | 1/13/2017 | $24,269 | 46 | 46 | 78 | $47,979 | 2/3/2017 |
Spain | 1/27/2017 | $237,951 | 214 | 215 | 486 | $489,329 | 2/17/2017 |
Taiwan | 1/13/2017 | $265,000 | 0 | 0 | 0 | $265,000 | 1/18/2017 |
Turkey | 2/3/2017 | $42,706 | 48 | 48 | 75 | $76,261 | 2/26/2019 |
United Kingdom | 1/13/2017 | $851,693 | 449 | 449 | 449 | $851,693 | 1/18/2017 |
Rest of World | $5,169,283 | ||||||
Worldwide Total | $21,774,432 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Ben Affleck | Joe Coughlin |
Elle Fanning | Loretta Figgis |
Brendan Gleeson | Thomas Coughlin |
Chris Messina | Dion Bartolo |
Sienna Miller | Emma Gould |
Zoe Saldana | Graciella Suarez |
Chris Cooper | Chief Irving Figgis |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ben Affleck | Director |
Ben Affleck | Screenwriter |
Leonardo DiCaprio | Producer |
Jennifer Davisson* | Producer |
Ben Affleck | Producer |
Jennifer Todd | Producer |
Chris Brigham | Executive Producer |
Dennis Lehane | Executive Producer |
Chay Carter | Executive Producer |
Dennis Lehane | Based on the novel by |
Robert Richardson | Director of Photography |
Jess Gonchor | Production Designer |
William Goldenberg | Editor |
Jacqueline West | Costume Designer |
Harry Gregson-Williams | Composer |
R.A. Rondell | Stunt Coordinator |
Mindy Marin | Casting Director |
Debra James | Unit Production Manager |
David Webb | First Assistant Director |
Eric Lasko | Second Assistant Director |
Gregory L McMurry | Visual Effects Supervisor |
Madison Ainley | Co-Producer |
David Webb | Co-Producer |
Tina Anderson | Post-Production Supervisor |
Bradley Rubin | Supervising Art Director |
Steve Christensen* | Art Director |
Nancy Haigh | Set Decorator |
Kerry Lyn McKissick | Script Supervisor |
Jose Antonio Garcia | Sound Mixer |
Kristin Berge | Hairstylist |
Barbara Cantu | Hairstylist |
Kate Biscoe | Make up |
Ann Pala Williams | Make up |
Deborah Rutherford | Make up |
Bob Morgan | Costume Supervisor |
Steve Cremin | Special Effects Supervisor |
Brett Reed | Additional Editor |
Peter Dudgeon | Assistant Editor |
Brian Spirnak | Assistant Editor |
Erik Aadahl | Supervising Sound Editor |
Ethan Van der Ryn | Supervising Sound Editor |
Erik Aadahl | Sound Designer |
Ethan Van der Ryn | Sound Designer |
Brandon Jones | Sound Designer |
John Reitz | Re-recording Mixer |
Tom Ozanich | Re-recording Mixer |
Ralph Osborn | Dialogue Editor |
James Ashwill | Foley Mixer |
Richard Duarte | Foley Mixer |
John Guentner | Foley Mixer |
J.J. Hook | Location Manager |
Ernie Avila | Set Designer |
Lorrie Campbell | Set Designer |
Jim Hewitt | Set Designer |
Paul Sonski | Set Designer |
Erika McKee | Visual Effects Producer |
Richard Whitfield | Music Editor |
Curt Sobel | Music Editor |
Stephanie Economou | Additional Music |
Al Clay | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.