Australia Box Office for Island of Lemurs: Madagascar (2014)

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Island of Lemurs: Madagascar poster
Theatrical Performance (US$)
Australia Box Office $265,540Details
Worldwide Box Office $12,170,778Details
Further financial details...

Synopsis

A journey to the remote and wondrous world of Madagascar. Lemurs arrived in Madagascar as castaways millions of years ago and evolved into hundreds of diverse species but are now highly endangered. Join scientist Dr. Patricia Wright on her lifelong mission to help these strange and adorable creatures survive in the modern world.

Metrics

Movie Details

Australia Releases: June 19th, 2014 (Wide)
Video Release: March 10th, 2015 by Universal Home Entertainment
MPAA Rating: G
Running Time: 39 minutes
Keywords: Nature Documentary, Animal Lead, Environment, Agitprop, Voiceover/Narration, 3-D, 3-D - Shot in 3-D, Digital Cinematography
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Warner Bros., IMAX Corporation
Production Countries: United States
Languages: English

Per Theater Chart: Tangerine Has Sweet Start

July 14th, 2015

Tangerine

The $10,000 club was busier that it was last week with four films earning a per theater average of more than $10,000. This includes the overall number one film, Minions, which earned an average of $26,905 in over 4,000 theaters. The best limited release was Tangerine with an average $15,171 in four theaters. I thought this might be a little too niche to find a large audience, but perhaps I was wrong. Up next is Baahubali: The Beginning, which was also a surprise hit with an average of $13,559 in 236 theaters. It is very rare for a Bollywood film to do that well. The final film in the $10,000 club was Do I Sound Gay? with $11,000 in its lone theater. More...

DVD and Blu-ray Releases for March 31st, 2015

March 30th, 2015

This week on the home market is another week that is good on top, but shallow in terms of depth. The number one film of the week is Interstellar which is worth checking out, but not Pick of the Week material. There are a quartet of Pick of the Week contenders, including two limited releases (The Imitation Game - Buy from Amazon: DVD or Blu-ray and Wild - Buy from Amazon: DVD or Blu-ray) and two TV on DVD releases (VEEP: Season 3 - Buy from Amazon: DVD or Blu-ray and Silicon Valley: Season 1 - Buy from Amazon: DVD or Blu-ray). Of these four, I went with Veep as the Pick of the Week. More...

Per Theater Chart: A Little Magic at the Box Office

July 29th, 2014

Magic in the Moonlight poster

Magic in the Moonlight led the way on the per theater chart with an average of $24,241 in 17 theaters, which is great for most films, but not as strong as some of Woody Allen's more recent releases. Arguably, Boyhood's weekend was much stronger, as it earned an average of $16,466 in 107 theaters. At this point, I'm not sure how long it will last in theaters, but it has already earned at least a measure of mainstream success. The overall number one film, Lucy, was the only other film in the $10,000 club with an average of $13,835. More...

Per Theater Chart: Coming of Age

July 15th, 2014

Boyhood poster

After a weekend with no films in the $10,000 club, this weekend we had the second best per theater average for the year. Boyhood earned nearly $400,000 in just five theaters for an average of $77,524. This is the second best per theater average for the year; only The Grand Budapest Hotel opened with a better average. The overall box office leader, Dawn of the Planet of the Apes, was next with an average of $18,304 in nearly 4,000 theaters. More...

Per Theater Chart: Putting Thought in the Per Theater Chart

June 24th, 2014

Think Like a Man Too poster

There were three films in the $10,000 club. They were led by the number one film on the overall chart, Think Like a Man Too, with an average of $13,142 in more than 2,000 theaters. Venus in Fur was close behind with an average of $12,381 in two theaters. The final film in this list was Le Chef with $11,290 in one theater. More...

Per Theater Chart: The Full Picture

May 28th, 2014

Words and Pictures poster

There were only two films in the $10,000 club this weekend. X-Men: Days of Future Past led the way with an average of $22,729 in nearly 4,000 theaters. The only other film was The Dance of Reality with an average of $12,384 in two theaters. However, if one were to include holiday Monday, Words and Pictures would also reach the $10,000 club with an average of $11,544 in ten theaters. More...

Per Theater Chart: Most Limited Releases have a Rough Time

April 30th, 2014

From the Rough poster

It was not a good week on the per theater chart, as only one film topped the $10,000 mark. That film was Locke, which earned an average of $20,252 in four theaters. More...

Per Theater Chart: Under Over Everyone Else

April 8th, 2014

Under the Skin poster

Under the Skin opened surprisingly well with a per theater average of $33,289 in four theaters. This is the second best opening per theater average for any film released in 2014, well back of The Grand Budapest Hotel's record-breaking debut. The only other film in the $10,000 club was the overall box office leader, Captain America: The Winter Soldier, which earned an average of $24,130 in nearly 4,000 theaters. More...

Weekend Estimates: Captain America Sets New April Record

April 6th, 2014

Captian America: The Winter Soldier poster

The evolution of the Avengers universe is working out very well for Disney. In November, Thor enjoyed a bump from $65 million to $85 million on opening weekend (and an almost $200 million boost in final worldwide box office). Now, Captain American: Winter Soldier is topping the first movie in its sub-franchise by $30 million or so on opening weekend, with a projected total of $96.2 million, compared to $65 million last time around. With excellent reviews, and a better global launch, we could be looking at another $600 million in the bank before this one is finished. Into the bargain, the film will easily be the record weekend in April, comfortably ahead of the $86 million earned by Fast Five back in 2011. More...

Limited Releases: Afflicting Limited Releases on the Public

April 4th, 2014

Alan Partridge poster

It is a busy week, not only in terms of quantity, but also quality. There are seven films earning 80% positive reviews or higher (at least when I checked last). Some of these, like Afflicted, probably won't find an audience in theaters, because it is just the wrong genre. Others, like The Unknown Known and Watermark, might do well for the genre, but won't find any real measure of mainstream success. On the other hand, Under the Skin and Alan Partridge might find audiences in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/09/12 - $7,132   1 $7,132   $7,132 13
2014/09/19 - $4,398 -38% 1 $4,398   $13,410 14
2014/09/26 - $10,279 +134% 1 $10,279   $33,376 15
2014/10/03 - $15,117 +47% 1 $15,117   $59,799 16
2014/10/10 - $5,197 -66% 1 $5,197   $69,103 17
2014/10/17 - $4,200 -19% 1 $4,200   $75,709 18
2014/10/24 26 $5,666 +35% 1 $5,666   $85,452 19
2014/10/31 25 $5,234 -8% 1 $5,234   $91,674 20
2014/11/07 41 $1,438 -73% 1 $1,438   $93,395 21
2014/11/14 12 $2,285 +59% 1 $2,285   $97,402 22
2014/11/21 17 $1,199 -48% 1 $1,199   $99,806 23
2014/11/28 15 $2,156 +80% 1 $2,156   $102,082 24
2014/12/05 - $2,217 +3% 1 $2,217   $103,025 25
2014/12/12 17 $1,715 -23% 1 $1,715   $106,483 26
2014/12/19 22 $1,654 -4% 1 $1,654   $106,337 27
2014/12/26 22 $854 -48% 1 $854   $108,618 28
2015/01/02 26 $1,170 +37% 1 $1,170   $112,694 29
2015/01/09 28 $3,847 +229% 1 $3,847   $118,916 30
2015/01/16 28 $3,641 -5% 1 $3,641   $124,582 31
2015/01/23 29 $4,200 +15% 1 $4,200   $126,734 32
2015/02/27 33 $6,982   1 $6,982   $132,976 37
2015/03/06 36 $4,216 -40% 1 $4,216   $136,237 38
2015/03/13 38 $3,760 -11% 2 $1,880   $140,229 39
2015/03/20 51 $2,321 -38% 1 $2,321   $146,405 40
2015/03/27 36 $5,939 +156% 2 $2,970   $153,877 41
2015/04/03 36 $6,622 +12% 1 $6,622   $162,368 42
2015/04/10 40 $5,666 -14% 1 $5,666   $172,108 43
2015/04/17 39 $8,970 +58% 2 $4,485   $190,405 44
2015/05/01 60 $1,526   1 $1,526   $198,363 46
2015/05/08 - $2,979 +95% 2 $1,490   $204,311 47
2015/05/15 57 $1,146 -62% 1 $1,146   $209,115 48
2015/05/22 62 $866 -24% 1 $866   $204,704 49
2015/06/05 49 $1,656   2 $828   $202,880 51
2015/06/12 49 $1,506 -9% 1 $1,506   $208,059 52
2015/06/26 48 $1,053   1 $1,053   $206,763 54
2015/07/31 61 $1,410   1 $1,410   $205,580 59
2015/08/07 60 $1,004 -29% 1 $1,004   $208,396 60
2015/09/11 54 $1,653   1 $1,653   $205,139 65
2015/09/18 71 $835 -49% 1 $835   $210,727 66
2015/09/25 52 $1,813 +117% 1 $1,813   $207,081 67
2015/10/02 51 $1,781 -2% 1 $1,781   $210,612 68
2015/10/09 83 $359 -80% 1 $359   $220,821 69
2015/10/16 67 $727 +103% 1 $727   $219,527 70
2015/10/23 53 $1,670 +130% 1 $1,670   $220,539 71
2015/11/13 52 $2,228   1 $2,228   $220,658 74
2015/12/04 54 $1,810   1 $1,810   $231,185 77
2015/12/11 54 $1,610 -11% 1 $1,610   $233,531 78
2016/01/15 51 $1,295   1 $1,295   $224,346 83
2016/01/22 49 $1,027 -21% 1 $1,027   $230,282 84
2016/03/18 63 $878   1 $878   $253,081 92
2016/06/10 52 $2,476   1 $2,476   $251,722 104
2016/09/23 - $926   1 $926   $265,540 119
2024/06/07 - $1,869   1 $1,869   $233,237 521

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/19/2014 $0 0 2 58 $265,540 6/10/2024
New Zealand 9/4/2014 $0 0 2 2 $91 9/5/2019
North America 4/4/2014 $188,307 37 302 3,656 $11,750,928 4/14/2019
United Kingdom 9/5/2014 $0 0 1 1 $7,741 10/20/2015
 
Rest of World $146,478
 
Worldwide Total$12,170,778 6/10/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Narrator(s)

Morgan Freeman Narrator

Interviewee(s)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Douglas Director
Drew Fellman Screenwriter
Drew Fellman Producer
Diane Roberts Co-Producer
Beth Spiegel* Editor
Hamitra* Song Writer
Peter Thillaye Sound Designer
Mark Mothersbaugh Composer
Jill Ferguson Associate Producer
David Douglas Director of Photography