Peter Thillaye
| Best known as a Supervising Sound Editor based on credits in that role in 4 films, with $280,684,939 worldwide aggregate box office (rank #241) |
| Best-known technical roles: Space Station (Supervising Sound Editor), Deep Sea 3D (Supervising Sound Editor), Born to be Wild 3D (Sound Designer), Under the Sea 3D (Supervising Sound Editor), A Beautiful Planet (Sound Designer) |
| Most productive collaborators: Judy Carroll, Cory Mandel, Ed Douglas, Micky Erbe, Maribeth Solomon |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Supervising Sound Editor | 4 | $194,487,622 | $86,197,317 | $280,684,939 |
| Sound Designer | 3 | $64,270,905 | $20,826,555 | $85,097,460 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Sound Designer at the Domestic Box Office (Rank 201-300) | 242 | $64,270,905 |
| Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 201-300) | 204 | $194,487,622 |
| Top Grossing Sound Designer at the International Box Office (Rank 301-400) | 353 | $20,826,555 |
| Top Grossing Supervising Sound Editor at the International Box Office (Rank 301-400) | 301 | $86,197,317 |
| Top Grossing Sound Designer at the Worldwide Box Office (Rank 201-300) | 291 | $85,097,460 |
| Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 201-300) | 241 | $280,684,939 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Apr 29, 2016 | A Beautiful Planet | Sound Designer | $15,650,615 | $9,910,746 | $25,561,361 |
| Apr 4, 2014 | Island of Lemurs: Madagascar | Sound Designer | $11,750,928 | $419,850 | $12,170,778 |
| Oct 1, 2012 | Flight of the Butterflies | Supervising Sound Editor | $498,263 | $498,263 | |
| Apr 8, 2011 | Born to be Wild 3D | Sound Designer | $36,869,362 | $10,495,959 | $47,365,321 |
| Feb 13, 2009 | Under the Sea 3D | Supervising Sound Editor | $37,346,841 | $10,638,746 | $47,985,587 |
| Mar 3, 2006 | Deep Sea 3D | Supervising Sound Editor | $63,909,721 | $41,778,182 | $105,687,903 |
| Apr 19, 2002 | Space Station | Supervising Sound Editor | $93,231,060 | $33,282,126 | $126,513,186 |
| Averages | $43,126,421 | $15,289,125 | $52,254,628 | ||
| Totals | 7 | $258,758,527 | $107,023,872 | $365,782,399 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Sound Designer at the Domestic Box Office (Rank 201-300) | 242 | $64,270,905 |
| Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 201-300) | 204 | $194,487,622 |
| Top Grossing Sound Designer at the International Box Office (Rank 301-400) | 353 | $20,826,555 |
| Top Grossing Supervising Sound Editor at the International Box Office (Rank 301-400) | 301 | $86,197,317 |
| Top Grossing Sound Designer at the Worldwide Box Office (Rank 201-300) | 291 | $85,097,460 |
| Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 201-300) | 241 | $280,684,939 |