Spain Box Office for Hail, Caesar! (2016)
Theatrical Performance (US$) | ||
Spain Box Office | $2,266,707 | Details |
Worldwide Box Office | $64,220,196 | Details |
Home Market Performance | ||
North America DVD Sales | $1,002,843 | Details |
North America Blu-ray Sales | $1,426,568 | Details |
Total North America Video Sales | $2,429,411 | |
Further financial details... |
Synopsis
Hail, Caesar! follows a single day in the life of a studio fixer who is presented with plenty of problems to fix.
Metrics
Movie Details
Production Budget: | $22,000,000 |
Spain Releases: | February 19th, 2016 (Wide) |
Video Release: | May 24th, 2016 by Universal Home Entertainment |
MPAA Rating: | PG-13 for some suggestive content and smoking. (Rating bulletin 2401 (Cert #33030), 11/25/2015) |
Running Time: | 100 minutes |
Keywords: | Movie Business, Film Actor, Kidnap, Ransom, Private Investigator, Investigative Journalist, Media Circus, 1950s, Ensemble, Satire, Satirical Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Mike Zoss, Working Title Films, Universal Pictures |
Production Countries: | United States |
Languages: | English |
2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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2016 - Awards Season: BAFTA - Nominations
January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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Home Market Releases for June 7th, 2016
June 8th, 2016
The list of new home market releases isn't particularly long, but it includes Zootopia the best movie of the year, so it feels like an amazing week. It isn't the only contender for Pick of the Week this week, as Anomalisa, Star Trek II: The Wrath of Khan: Director's Cut, and others are also worth considering. The Martian: Extended Edition is also a must have, if you don't own it yet.
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Home Market Releases for May 24th, 2016
May 24th, 2016
There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it.
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Weekend Wrap-Up: Deadpool Assassinates the Competition
February 17th, 2016
Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage.
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Weekend Predictions: Deadpool Looking for Dead Presidents
February 11th, 2016
It's Valentine's Day weekend and Presidents Day long weekend, so the box office should be very robust, at least compared to last weekend. Deadpool has the best reviews and the best buzz and should have no trouble earning first place at the box office. Zoolander 2 is earning weak reviews, but nostalgia could help during its opening weekend. Finally there's How to be Single, which is a Romantic Comedy. Any romantic film should do well on Valentine's Day, even one earning mixed reviews. This weekend last year, Fifty Shades of Grey came out, which is a movie my mind keeps trying to forget happened. It earned just over $85 million during its opening weekend, but less than that during the rest of its run. Deadpool won't open as fast, but it very likely won't collapse next weekend either. 2016 will lose in the year-over-year comparison in the short run, but perhaps by Monday, the tide will turn.
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Contest: Seize Your Prizes: Winning Announcement
February 9th, 2016
The winners of our Seize Your Prizes contest were determined and the entrants with the closest predictions for Hail, Caesar! opening weekend were...
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Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million
February 8th, 2016
Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday.
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Weekend Estimates: Panda holds off Caesar on Super Bowl weekend
February 7th, 2016
Super Bowl weekend isn’t exactly known for super-sized box office results, and this year will prove to be no exception, with Kung Fu Panda 3 comfortably winning the weekend with $21 million, down 49% from its debut. Hail, Caesar! will land in second place with $11.4 million or so, which is a decent performance from 2,232 theaters, although quite a bit softer than The Ladykillers’ $12.6 million first outing from 1,583 theaters back in 2004, and well behind the kind of numbers posted by True Grit.
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Friday Estimates: Panda Buries Caesar
February 6th, 2016
Kung Fu Panda 3 will easily win the race for top spot at the weekend box office. Not only did it earn first place on Friday with $5.2 million, but of all of the wide releases, it will be among the least affected by Super Bowl Sunday. Unfortunately, this is still a little lower than predicted and it will likely only earn just over $20 million over the weekend. Its worldwide total is closing in on its production budget and it has barely started its international run, so there’s plenty of reason for DreamWorks to be happy, and there’s justification for another installment in the franchise.
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Thursday Night Previews: Hail Storms into Theaters
February 5th, 2016
Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly.
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Weekend Predictions: Hail, Holdovers!
February 4th, 2016
It's a new month and there are three wide releases trying to score and get February off to a fast start. That's probably not going to happen. Not only do the wide releases have to deal with Kung Fu Panda 3, but it is also Super Bowl Weekend with the Carolina Idontknows Playing the Dever Somethingabouthorses. ... Once the Seattle Seahawks were eliminated, I completely stopped caring about the NFL. The best new release of the week is Hail, Caesar!, which is the only film with a real shot at becoming a midlevel hit. Pride and Prejudice and Zombies started out with mixed reviews, but that might not be a dealbreaker for its target audience. Finally there's The Choice. There are still not enough reviews for a Tomatometer Score and the buzz appears to be getting worse. The SpongeBob Movie: Sponge Out of Water led the way this weekend last year, with more than all three new releases will earn this year.
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Contest: Kung Fu Dino: Winning Announcement
February 3rd, 2016
The winners of our Kung Fu Dino contest were determined and the entrants with the closest predictions for Kung Fu Panda 3 opening weekend were...
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2016 Preview: February
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
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Contest: Seize Your Prizes
January 29th, 2016
There are three wide releases coming out next week and I think Hail, Caesar! is the only one that will be even a midlevel hit. The Choice is the latest from Nicholas Sparks, who used to have a box office winning streak, but that ended a while ago. Meanwhile, Pride and Prejudice and Zombies is a relatively new addition to the wide release schedule, as it was expected to open in limited release not too long ago. It looks like Hail, Caesar! will be the biggest of the three wide releases and because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Hail, Caesar!.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/19 | 4 | $842,597 | 278 | $3,031 | $899,763 | 1 | |
2016/02/26 | 7 | $486,736 | -42% | 289 | $1,684 | $1,675,619 | 2 |
2016/03/04 | 10 | $202,728 | -58% | 235 | $863 | $2,010,883 | 3 |
2016/03/11 | 12 | $76,837 | -62% | 119 | $646 | $2,156,279 | 4 |
2016/03/18 | 19 | $27,411 | -64% | 30 | $914 | $2,206,784 | 5 |
2016/03/25 | 27 | $12,673 | -54% | 13 | $975 | $2,234,359 | 6 |
2016/04/01 | 32 | $8,547 | -33% | 9 | $950 | $2,249,924 | 7 |
2016/04/08 | 44 | $2,115 | -75% | 5 | $423 | $2,254,580 | 8 |
2016/04/15 | 56 | $344 | -84% | 2 | $172 | $2,266,707 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/28/2016 | $91,021 | 31 | 231 | 281 | $184,325 | 11/30/2018 |
Australia | 2/12/2016 | $46,175 | 1 | 260 | 1040 | $3,054,261 | 6/2/2021 |
Austria | 2/18/2016 | $58,567 | 19 | 22 | 170 | $304,600 | 7/27/2016 |
Belgium | 2/17/2016 | $151,454 | 32 | 32 | 174 | $412,178 | 6/9/2016 |
Brazil | 4/14/2016 | $146,723 | 72 | 72 | 207 | $422,785 | 6/28/2016 |
Bulgaria | 2/19/2016 | $26,984 | 16 | 16 | 62 | $65,983 | 2/26/2019 |
Croatia | 2/18/2016 | $9,858 | 14 | 14 | 54 | $22,956 | 12/31/2018 |
Czech Republic | 3/3/2016 | $46,414 | 100 | 100 | 195 | $113,114 | 12/31/2018 |
Denmark | 2/18/2016 | $87,715 | 59 | 59 | 164 | $230,241 | 6/9/2016 |
Estonia | 2/19/2016 | $11,737 | 9 | 9 | 9 | $11,737 | 6/9/2016 |
Finland | 3/4/2016 | $73,141 | 57 | 57 | 178 | $244,973 | 6/9/2016 |
France | 2/17/2016 | $2,107,623 | 428 | 428 | 1646 | $5,033,249 | 6/9/2016 |
Germany | 2/18/2016 | $1,030,564 | 150 | 171 | 1337 | $3,993,008 | 9/13/2016 |
Greece | 2/18/2016 | $137,280 | 62 | 62 | 119 | $269,106 | 6/9/2016 |
Hong Kong | 3/10/2016 | $81,227 | 12 | 12 | 23 | $158,151 | 6/9/2016 |
Hungary | 2/25/2016 | $74,880 | 55 | 55 | 162 | $199,888 | 12/31/2018 |
Iceland | 2/19/2016 | $5,619 | 4 | 4 | 4 | $5,619 | 12/31/2018 |
Iraq | 2/18/2016 | $1,538 | 3 | 3 | 4 | $1,871 | 12/31/2018 |
Israel | 2/18/2016 | $106,043 | 21 | 25 | 124 | $411,998 | 12/31/2018 |
Italy | 3/10/2016 | $1,103,207 | 348 | 373 | 938 | $2,778,417 | 6/9/2016 |
Japan | 5/13/2016 | $0 | 0 | 36 | 126 | $540,958 | 7/5/2016 |
Kuwait | 2/18/2016 | $46,838 | 11 | 11 | 12 | $66,796 | 12/31/2018 |
Lebanon | 2/18/2016 | $20,782 | 5 | 5 | 8 | $35,612 | 12/31/2018 |
Malaysia | 2/18/2016 | $18,709 | 15 | 15 | 36 | $38,540 | 6/9/2016 |
Mexico | 4/22/2016 | $206,869 | 192 | 192 | 348 | $404,452 | 8/23/2016 |
Netherlands | 2/18/2016 | $199,359 | 52 | 52 | 297 | $862,547 | 6/28/2016 |
New Zealand | 3/4/2016 | $76,517 | 56 | 64 | 250 | $276,283 | 6/9/2016 |
North America | 2/5/2016 | $11,355,225 | 2,232 | 2,248 | 7,896 | $30,080,225 | 11/15/2019 |
Norway | 3/4/2016 | $52,850 | 54 | 54 | 111 | $221,604 | 6/9/2016 |
Oman | 2/18/2016 | $2,325 | 6 | 6 | 6 | $2,325 | 12/31/2018 |
Peru | 3/24/2016 | $12,990 | 5 | 5 | 7 | $19,454 | 12/31/2018 |
Philippines | 3/16/2016 | $16,189 | 20 | 20 | 40 | $27,237 | 12/31/2018 |
Poland | 2/19/2016 | $199,431 | 119 | 119 | 331 | $511,768 | 11/18/2018 |
Portugal | 2/25/2016 | $71,112 | 41 | 41 | 115 | $178,279 | 6/9/2016 |
Russia (CIS) | 3/3/2016 | $377,421 | 363 | 363 | 897 | $972,805 | 12/31/2018 |
Serbia and Montenegro | 3/3/2016 | $4,667 | 23 | 23 | 38 | $27,744 | 12/31/2018 |
Singapore | 3/10/2016 | $37,599 | 8 | 8 | 37 | $108,622 | 7/19/2016 |
Slovakia | 3/3/2016 | $19,627 | 49 | 49 | 49 | $19,627 | 6/9/2016 |
Slovenia | 2/25/2016 | $5,635 | 9 | 9 | 25 | $16,598 | 6/9/2016 |
South Africa | 2/19/2016 | $13,443 | 11 | 11 | 41 | $51,224 | 6/9/2016 |
South Korea | 3/24/2016 | $10,740 | 0 | 250 | 316 | $237,152 | 9/10/2018 |
Spain | 2/19/2016 | $842,597 | 278 | 289 | 980 | $2,266,707 | 6/9/2016 |
Sweden | 2/19/2016 | $127,072 | 82 | 82 | 203 | $405,280 | 6/9/2016 |
Switzerland | 2/17/2016 | $304,589 | 51 | 53 | 276 | $1,020,271 | 6/8/2016 |
Thailand | 3/3/2016 | $10,859 | 11 | 11 | 15 | $19,092 | 6/9/2016 |
United Arab Emirates | 2/18/2016 | $104,613 | 23 | 23 | 34 | $179,603 | 12/31/2018 |
United Kingdom | 3/4/2016 | $2,163,591 | 494 | 506 | 1814 | $7,166,713 | 6/9/2016 |
Uruguay | 4/14/2016 | $13,323 | 7 | 7 | 7 | $13,323 | 12/31/2018 |
Rest of World | $530,895 | ||||||
Worldwide Total | $64,220,196 | 6/2/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
George Clooney | Baird Whitlock |
Scarlett Johansson | DeeAnna Moran |
Channing Tatum | Burt Gurney |
Josh Brolin | Eddie Mannix |
Ralph Fiennes | Laurence Laurentz |
Tilda Swinton | Thora Thacker |
Jonah Hill | Joe Silverman |
Supporting Cast
Alden Ehrenreich | Hobie Doyle |
Frances McDormand | C.C. Calhoun |
Veronica Osorio | Carlotta Valdez |
Heather Goldenhersh | Natalie (Secretary) |
Alison Pill | Mrs. Mannix |
Max Baker | Head Communist Writer |
Fisher Stevens | Communist Writer |
Patrick Fischler | Communist Writer |
Tom Musgrave | Communist Writer |
David Krumholtz | Communist Writer |
Greg Baldwin | Communist Writer |
Patrick Carroll | Communist Writer |
Fred Melamed | Communist Writer |
John Bluthal | Professor Marcuse |
Alex Karpovsky | Mr. Smitrovich |
Aramazd Stepanian | Eastern Orthodox Clergyman |
Allen Havey | Protestant Clergyman |
Robert Pike Daniel | Catholic Clergyman |
Robert Picardo | Rabbi |
Ian Blackman | Cuddahy |
Geoffrey Cantor | Sid Siegelstein |
Christopher Lambert | Arne Seslum |
Robert Trebor | Producer of "Hail, Caesar!" |
Michael Yama | Chinese Restaurant Maitre'd |
Ming Zhao | Chinese Restaurant Waitress |
Helen Siff | Malibu Maid |
Basil Hoffman | Stu Schwartz, Accounting |
Luke Spencer Roberts | Peanut |
Ralph P. Martin | Director of Action Western |
James Austin Johnson | Studio Assistant at Action Western |
Noah Baron | Water Ballet P.A. |
Timm Perry | Stage 8 Man at the Door |
Noel Conlon | Scotty at the Gate |
Natasha Bassett | Gloria DeLamour |
Richard Abraham | French Postcard Photographer |
Jon Daly | Cops at French Postcard House |
Dennis Cockrum | Cops at French Postcard House |
Clancy Brown | Gracchus (In the Epic, "Hail, Caesar!") |
Mather Zickel | Chunk Mulligan (In the Epic, "Hail, Caesar!") |
Tiffany Lonsdale | Ursulina (In the Epic, "Hail, Caesar!") |
Clement von Franckenstein | Senator Sestimus Amydias (In the Epic, "Hail, Caesar!") |
Wayne Knight | Lurking Extra (In the Epic, "Hail, Caesar!") |
Jeff Lewis | Lurking Extra (In the Epic, "Hail, Caesar!") |
Kyle Bornheimer | Extra A.D. (In the Epic, "Hail, Caesar!") |
Josh Cooke | Box Breakfast A.D. (In the Epic, "Hail, Caesar!") |
Peter Jason | Director (In the Epic, "Hail, Caesar!") |
Stephen Ellis | Clapper Boy (In the Epic, "Hail, Caesar!") |
Jillian Armenante | Script Girl (In the Epic, "Hail, Caesar!") |
Jacob Witkin | Saul of Tarsus (In the Epic, "Hail, Caesar!") |
Jack Huston | Cad in Cab (In "Merrily We Dance") |
Agyness Deyn | Woman in Cab (In "Merrily We Dance") |
Emily Beecham | Deirdre (In "Merrily We Dance") |
Benjamin Beatty | Clapper Boy (In "Merrily We Dance") |
J.R. Horne | Curly (In "Lacy Ol' Moon") |
Caitlin Muelder | Cookhouse Woman (In "Lacy Ol' Moon") |
E.E. Bell | Bartender (In "No Dames!") |
Kate Morgan Chadwick | Departing Woman (In "No Dames!") |
Brian Michael Jones | Sailor (In "No Dames!") |
Peter Banifaz | Sailor (In "No Dames!") |
Clifton Samuels | Sailor (In "No Dames!")/Dancer |
K C Reischerl | Sailor (In "No Dames!") |
Jeremy Daniel Davis | Dancer |
Marcos Ochoa | Dancer |
Colin Bradbury | Dancer |
Ryan Breslin | Dancer |
Tyler Hanes | Dancer |
Casey Garvin | Dancer |
Luke Hawkins | Dancer |
Evan Kasprzak | Dancer |
Patrick LaVallee | Dancer |
Adam Perry | Dancer |
Ryan Vandenboom | Dancer |
Alex Demkin | Dancer |
Dax Hock | Dancer |
Shesha Marvin | Dancer |
Mark Stuart | Dancer |
Forrest Walsh | Dancer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ethan Coen | Director |
Joel Coen | Director |
Joel Coen | Screenwriter |
Ethan Coen | Screenwriter |
Ethan Coen | Producer |
Joel Coen | Producer |
Tim Bevan | Producer |
Eric Fellner | Producer |
Robert Graf | Executive Producer |
Jess Gonchor | Production Designer |
Roderick Jaynes | Editor |
Carter Burwell | Composer |
Roger Deakins | Director of Photography |
Mary Zophres | Costume Designer |
Skip Lievsay | Supervising Sound Editor |
Dan Schrecker | Visual Effects Supervisor |
Ellen Chenoweth | Casting Director |
Karen Ruth Getchell | Unit Production Manager |
Robert Graf | Unit Production Manager |
Betsy Magruder | First Assistant Director |
Bac DeLorme | Second Assistant Director |
Catherine Farrell | Associate Producer |
Nancy Haigh | Set Decorator |
Peter F. Kurland | Sound Mixer |
Katharine McQuerrey | Additional Editor |
Craig Berkey | Co-Supervising Sound Editor |
Colleen Bachman Teree* | Visual Effects Producer |
Tad Griffith | Stunt Coordinator |
Randy Beckman | Stunt Co-Coordinator |
Dawn Swiderski | Supervising Art Director |
Catherine Farrell | Post-Production Supervisor |
David A. Smith | First Assistant Editor |
Cara Brower | Art Director |
Greg Papalia | Set Designer |
Easton Smith | Set Designer |
Barbara Mesney | Set Designer |
Lyn Matsuda Norton | Script Supervisor |
Lynda Foote | Costume Supervisor |
Jean Black | Make up |
Cydney Cornell | Hairstylist |
Pauletta O Lewis-Irwin | Hairstylist |
Susanne Eleazer | Casting Associate |
Daniel Cabeza | Casting Assistant |
Eliza Paley | Supervising Dialogue Editor |
Todd Kasow | Music Editor |
Jim Bruening | Music Editor |
Jennifer Dunnington | Music Editor |
Larry Zipf | Sound Effects Editor |
Don White | Foley Mixer |
Jack Heeren | Foley Mixer |
George Lara | Foley Mixer |
Skip Lievsay | Re-recording Mixer |
Craig Berkey | Re-recording Mixer |
Greg Orloff | Re-recording Mixer |
Steve Cremin | Special Effects Coordinator |
Vanessa Galvez | Visual Effects Producer |
Pat Porter | Animation |
Carlos Sandoval | Animation |
Ryan Moran | Animation |
Michael Farrow | Score Mixer |
Timothy Marchiafava | Score Recordist |
Adam Michalak | Score Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.