Netherlands Box Office for Geostorm (2017)
Theatrical Performance (US$) | ||
Netherlands Box Office | $1,970,688 | Details |
Worldwide Box Office | $220,796,009 | Details |
Home Market Performance | ||
North America DVD Sales | $2,791,276 | Details |
North America Blu-ray Sales | $4,330,423 | Details |
Total North America Video Sales | $7,121,699 | |
Further financial details... |
Synopsis
After an unprecedented series of natural disasters threatened the planet, the world’s leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrong—the system built to protect the Earth is attacking it, and it’s a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything…and everyone along with it.
Metrics
Movie Details
Production Budget: | $100,000,000 |
Netherlands Releases: | October 20th, 2017 (Wide) |
Video Release: | January 2nd, 2018 by Warner Home Video |
MPAA Rating: | PG-13 for destruction, action and violence. (Rating bulletin 2471 (Cert #50332), 4/12/2017) |
Running Time: | 109 minutes |
Keywords: | Extreme Weather, Set in Outer Space, Space Program, Assassination, Political Assassination, Delayed Release, Development Hell, Near Future, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Techno-Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Skydance Productions, Electric Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 23rd, 2018
January 22nd, 2018
It’s a really slow week on the home market. There are only a few releases that went anywhere at the box office, led by Jigsaw, which is a bad movie. Meanwhile, Geostorm is so bad it’s good. It’s fun, if you are into B movies, but it’s not Pick of the Week material. The only real contenders are Jane, which is only coming out on Video on Demand, and Attack of the Killer Tomatoes, which is getting a Two-Disc Special Edition. In the end, I went with Attack of the Killer Tomatoes, mainly because Jane doesn’t come out on DVD / Blu-ray until next month.
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Home Market Releases for January 2nd, 2018
January 2nd, 2018
This is the first Tuesday of the year, so it should be no surprise that there are not a lot of top-tier releases on this week’s list. In fact, there were so few releases worth mentioning that I had to pad the list with some films that were not selling well enough to be worth mentioning during most weeks. As for the Pick of the Week contenders, there were only two: Lucky and Battle of the Sexes. It was a close race, but in the end, I gave that title to Lucky on DVD.
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International Box Office: With $428.7 million, Ragnarok Races to Catch up to Thor
November 9th, 2017
As expected, Thor: Ragnarok remained in first place on the international chart dominating the competition with $151.4 million in 55 markets during its second weekend of release for a two-week total of $306.0 million internationally and $428.7 million worldwide. After just two weeks of release, the film is within striking distance of the original Thor at the worldwide box office and by this time next week, it might surpass The Dark World. As for this past weekend’s highlights, the box office was led by China, where it earned first place with $53.42 million over the weekend for a total opening of $54.53 million. This is the biggest November opening in that market and the biggest total for a Thor film. It had to settle for second place in Mexico, but was still impressive with $7.34 million over the weekend for a total opening of $10.52 million. It also did well in Germany with $5.5 million over the weekend for a total opening of $8.9 million, which is 70% higher than Doctor Strange’s opening there last year. The best holdover came from South Korea, where it was down 47% to $6.39 million on 1,047 screens over the weekend for a two-week total of $25.88 million. The only market left to open in is Trinidad, but even with no major markets, the film will have no trouble getting to $500 million internationally and $800 million worldwide.
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Weekend Wrap-Up: Thor Hammers Competition with $122.74 million
November 7th, 2017
Thor: Ragnarok beat predictions by a substantial margin earning the fourth biggest opening weekend of the year. Its opening weekend haul of $122.74 million helped this weekend rise 135% compared to last weekend hitting $179 million. Unfortunately, while Thor: Ragnarok was a monster hit, the rest of the box office wasn’t able to make much of an impact, leaving the overall box office down 6.6% from this weekend last year. Year-to-date, 2017 has pulled in $8.77 billion, putting it behind 2016's pace at 4.9% or $450 million.
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Weekend Predictions: Will Thor Rule, or is it the End of World for the Box Office?
November 2nd, 2017
November begins with Thor: Ragnarok and A Bad Moms Christmas. Thor: Ragnarok is widely expected to be the sixth film of 2017 to open with $100 million. On the other hand, A Bad Moms Christmas opened yesterday and when I started writing this in the early hours of Thursday morning, there were still no reviews on Rotten Tomatoes. Oh boy. That’s not a good sign. Worse still, no other new release it going to come close to $10 million over the weekend. This weekend last year, there were three wide releases that earned more than $10 million, led by Doctor Strange with $85 million. Thor: Ragnarok will top that, but this year's depth is terrible compared to last year and we will very likely see yet another loss in the year-over-year comparison.
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International Box Office: Thor Hits Century Mark with $107.6 million
November 2nd, 2017
Thor: Ragnarok got its international start off with a bang dominating the market with $107.6 million in 36 markets during its opening weekend of release. The film’s biggest opening came in the U.K. where it dominated the market with $16.22 million in 611 theaters, which is 27% higher than Doctor Strange opened with in that market. This film also dominated South Korea earning $12.00 million on 1,639 screens over the weekend for a total opening of $15.87 million. This total is 12% lower than Doctor Strange, but that was an aberration, because overall, Thor: Ragnarok’s debut was 22% ahead of Doctor Strange’s debuts in the same market. If Thor can have similar legs, it will finish with more than $500 million internationally and possibly even $800 million worldwide.
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Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million
October 31st, 2017
It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case.
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Friday Estimates: Jigsaw Cuts Its Way to the Top with $7.17 million
October 28th, 2017
As predicted, Jigsaw led the way on Friday. However, it didn’t do as well as previews suggested, as it earned $7.17 million during its opening day. I don’t expect its legs to improve during the rest of the weekend, as its reviews are just 37% positive, and it earned a B from CinemaScore. It will still do better than our $14 million prediction, but not by as much as we thought it would yesterday. Look for $17 million over the weekend, which is the second weakest opening in the franchise and the weakest in terms of ticket sales. I really think Lionsgate will end this franchise, at least for a while. Perhaps, in ten years or so, we will get a remake.
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Weekend Predictions: Can Jigsaw Still Fit at the Box Office?
October 26th, 2017
There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno.
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International Box Office: Kingsman Retakes Gold with $48.7 million
October 26th, 2017
Kingsman: The Golden Circle returned to top spot with $48.7 million in 61 markets for totals of $250.3 million internationally and $344.9 million worldwide. Nearly all of the film’s weekend haul came from China, where the movie earned $39.15 million over the weekend for a total opening of $39.83 million. This is almost double what the original opened with in this market, meaning Kingsman: The Golden Circle could top the original’s international numbers making a third film in the franchise almost a sure thing.
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Weekend Wrap-Up: By earning $21.23 million, Boo 2 is the only Non-Disaster Film of the Weekend
October 24th, 2017
The weekend box office was weaker than expected with only one of the new releases topping predictions. Tyler Perry’s Boo 2: A Madea Halloween wasn’t that one film, but it still led the way with $21.23 million. The only other film to top $10 million was Geostorm with $13.71 million, but it lived up to its disaster genre due to its $100 million production budget. Overall, the box office fell 6.5% from last week to $95 million. That decline is positively glowing compared to the year-over-year comparison. Compared to this weekend last year, 2017 was down 25%. Year-to-date, 2017 is now behind last year’s pace by 5.0% or $440 million at $8.46 billion to $8.90 billion. Unless November and December are stellar, there’s no way 2017 is going to catch up to 2017.
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Weekend Estimates: Boo Too Much for the Competition
October 22nd, 2017
Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run.
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Friday Estimates: Boo 2 Scares Up $7.47 Million, Other New Releases are just Scared
October 21st, 2017
As expected, Tyler Perry’s Boo 2: A Madea Halloween led the way on Friday with $7.37 million. Granted, its reviews are terrible, as its Tomatometer Score has fallen into the single-digit range. On the other hand, it earned a A minus from CinemaScore, which is the same score its predecessor earned. If this film has the same legs as the original did, then it will earn $22.4 million during the opening weekend. However, it is a sequel, so it will likely miss that mark with about $22 million. That’s approximately 10% below our prediction, so I’m happy with that result. It is also likely more than the film cost to make, so Lionsgate should also be happy.
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Thursday Night Previews: Boo 2 Misses Boo’s Debut with $760,000
October 20th, 2017
Tyler Perry’s Boo 2: A Madea Halloween earned $760,000 during its previews last night, which is lower than the $855,000 the first Boo! managed last year. Its early reviews are lower than the original’s reviews were, so that will also likely mean lower legs. This will make it difficult to match our $25 million prediction, but it should come relatively close.
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Weekend Predictions: Will Moviegoers Want to View Boo 2?
October 20th, 2017
There are five films opening wide or semi-wide this week, but only one of them, Tyler Perry’s Boo 2: A Madea Halloween, has a real shot at top spot. The best-reviewed new release of the week is Only the Brave, while the Geostorm is the widest release. Then there are the two semi-wide releases, The Snowman and Same Kind of Different as Me. Because there are so many new releases coming out this week, one or two of them are practically guaranteed to slip between the cracks. This weekend last year, the box office was led by the original Boo! with $28.50 million, while the new releases made just over $70 million combined. That seems out of reach for this year’s crop, so 2017 will likely lose in the year-over-year comparison.
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2017 Preview: October
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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Geostorm Trailer
August 29th, 2017
Disaster movie starring Gerard Butler, written and directed by Dean Devlin, opens October 20 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/10/20 | 1 | $832,868 | 87 | $9,573 | $832,868 | 1 | |
2017/10/27 | 4 | $344,408 | -59% | 89 | $3,870 | $1,428,269 | 2 |
2017/11/03 | - | $189,757 | -45% | 82 | $2,314 | $1,692,665 | 3 |
2017/11/10 | 14 | $92,264 | -51% | 87 | $1,061 | $1,835,190 | 4 |
2017/11/17 | 20 | $43,814 | -53% | 87 | $504 | $1,923,028 | 5 |
2017/11/24 | 30 | $16,163 | -63% | 25 | $647 | $1,970,688 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/20/2017 | $884,641 | 0 | 0 | 0 | $2,502,755 | 1/1/2019 |
Australia | 10/20/2017 | $1,202,390 | 324 | 324 | 967 | $2,349,545 | 11/23/2017 |
Brazil | 10/20/2017 | $1,656,201 | 0 | 0 | 0 | $4,500,000 | 6/26/2018 |
Bulgaria | 10/20/2017 | $96,087 | 0 | 0 | 0 | $368,455 | 2/26/2019 |
China | 10/26/2017 | $33,740,000 | 93027 | 93027 | 135701 | $65,300,000 | 2/5/2018 |
Czech Republic | 10/20/2017 | $117,582 | 99 | 99 | 157 | $188,845 | 1/1/2019 |
France | 11/3/2017 | $1,700,000 | 303 | 303 | 598 | $3,400,000 | 2/6/2018 |
Germany | 10/20/2017 | $1,218,245 | 440 | 440 | 440 | $3,000,000 | 2/6/2018 |
Hong Kong | 10/13/2017 | $1,300,000 | 0 | 0 | 0 | $2,700,000 | 11/7/2017 |
Indonesia | 10/13/2017 | $1,300,000 | 0 | 0 | 0 | $2,900,000 | 1/1/2019 |
Italy | 11/3/2017 | $831,116 | 258 | 258 | 507 | $1,846,197 | 11/22/2017 |
Japan | 1/19/2018 | $2,800,000 | 584 | 584 | 1164 | $10,500,000 | 2/22/2018 |
Lithuania | 10/20/2017 | $0 | 0 | 61 | 132 | $169,950 | 11/26/2017 |
Malaysia | 10/13/2017 | $1,400,000 | 400 | 400 | 400 | $3,600,000 | 2/6/2018 |
Mexico | 10/20/2017 | $3,427,985 | 0 | 0 | 0 | $8,800,000 | 2/6/2018 |
Netherlands | 10/20/2017 | $832,868 | 87 | 89 | 457 | $1,970,688 | 11/27/2017 |
New Zealand | 10/20/2017 | $193,138 | 94 | 94 | 297 | $402,433 | 11/13/2017 |
North America | 10/20/2017 | $13,707,376 | 3,246 | 3,246 | 12,315 | $33,700,160 | |
Philippines | 10/13/2017 | $1,200,000 | 0 | 0 | 0 | $1,200,000 | 12/20/2018 |
Poland | 10/20/2017 | $313,609 | 0 | 0 | 0 | $645,279 | 1/1/2019 |
Portugal | 10/20/2017 | $209,369 | 78 | 78 | 295 | $628,134 | 12/6/2017 |
Russia (CIS) | 10/20/2017 | $5,184,782 | 1321 | 1368 | 4222 | $10,100,000 | 1/1/2019 |
Slovakia | 10/20/2017 | $78,598 | 63 | 63 | 117 | $169,404 | 11/15/2017 |
South Korea | 10/16/2017 | $4,639,249 | 854 | 854 | 1490 | $7,500,000 | 12/4/2017 |
Spain | 10/20/2017 | $996,624 | 278 | 289 | 1148 | $2,582,438 | 11/27/2017 |
Taiwan | 10/13/2017 | $2,100,000 | 190 | 190 | 190 | $8,000,000 | 2/6/2018 |
Thailand | 10/13/2017 | $1,300,000 | 0 | 0 | 0 | $1,300,000 | 10/23/2017 |
Turkey | 10/20/2017 | $297,365 | 314 | 314 | 663 | $675,851 | 2/26/2019 |
United Arab Emirates | 10/20/2017 | $0 | 0 | 0 | 0 | $3,300,000 | 1/1/2019 |
United Kingdom | 10/20/2017 | $2,142,719 | 477 | 494 | 1522 | $5,700,000 | 2/6/2018 |
Rest of World | $30,795,875 | ||||||
Worldwide Total | $220,796,009 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gerard Butler | Jake Lawson |
Talitha Bateman | Hannah Lawson |
Supporting Cast
Jim Sturgess | Max Lawson |
Abbie Cornish | Sarah Wilson |
Ed Harris | Secretary Leonard Dekkom |
Andy Garcia | President Andrew Palma |
Alexandra Maria Lara | Ute Fassbinder |
Daniel Wu | Cheng Long |
Eugenio Derbez | Al Hernandez |
Amr Waked | Ray Dussette |
Adepero Oduye | Eni Adisa |
Robert Sheehan | Duncan Taylor |
Richard Schiff | Senator Cross |
Mare Winningham | Dr. Cassandra Jennings |
Zazie Beetz | Dana |
Danielle Garcia | Mickey |
Ritchie Montgomery | Mike |
David S. Lee | Rico |
Billy Slaughter | Karl |
Gregory Alan Williams | General Montgraff |
Richard Regan Paul | Makmoud Habib |
David Jensen | Dr. Brackish Quigley |
Derek Roberts | Major Collner |
Nathan Moore | NASA Techie #1 |
Blake Burt | U.N. Private |
Corey Mendell Parker* | Lammy |
Catherine Ashton | British Tech |
Arnold Chun | Japanese Tech |
Randall Newsome | Vice President Miller |
Sean Paul Braud | Dixon |
Aidan Kumar Singh | Little Mumbai Boy |
Douglas M. Griffin | NASA Tech (Mission Control) |
Eric John Ukleja | Secret Service Agent |
Joe Drago | Senior NASA Tech |
Asher McCleary | Boyfriend |
Evgeny V. Krutov | Russian Man |
Anastasiya Rul | Russian Woman |
Adam Stephenson | Coms Tech |
Carlos Antonio | Uniformed Guard |
Julia Denton | Hannah’s Mom |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dean Devlin | Director |
Dean Devlin | Screenwriter |
Paul Guyot | Screenwriter |
Dean Devlin | Producer |
David Ellison | Producer |
Dana Goldberg | Producer |
Marc Roskin | Executive Producer |
Herbert W. Gains | Executive Producer |
Don Granger | Executive Producer |
Kirk M. Petruccelli | Production Designer |
Ron Rosen | Editor |
Chris Lebenzon | Editor |
John Refoua | Editor |
Lorne Balfe | Composer |
Roberto Schaefer | Director of Photography |
Jeffrey A. Okun | Visual Effects Supervisor |
Ronna Kress | Casting Director |
Susan Matheson | Costume Designer |
Sara Flamm | Unit Production Manager |
Herbert W. Gains | Unit Production Manager |
Cliff Lanning | First Assistant Director |
Rhys Summerhayes | Second Assistant Director |
Chris Watts | Visual Effects Supervisor |
Cliff Lanning | Co-Producer |
Rachel Olschan-Wilson* | Co-Producer |
Page Buckner | Supervising Art Director |
Vlad Bina | Art Director |
Scott Plauche | Art Director |
Domenic Silvestri | Art Director |
Lauren Abiouness | Assistant Art Director |
Gary M. Warshaw* | Assistant Art Director |
Anne Kuljian | Set Decorator |
Ernie Avila | Set Designer |
Suzanne Bingham | Script Supervisor |
Lumi Docan | Post-Production Supervisor |
Richard Mirisch | Post-Production Supervisor |
Joseph Kirkland | Additional Editor |
Christine Kim | First Assistant Editor |
Elaine Walrath | Second Assistant Editor |
Tom MacDonald | Costume Supervisor |
Francisco X. Perez | Make up |
Kimberley Spiteri | Hairstylist |
Marie Elena | Hairstylist |
Pud Cusack | Sound Mixer |
Mike Meinardus | Special Effects Supervisor |
Roy K. Cancino | Special Effects |
Robert Alidon | Special Effects |
Michael John Clarke | Special Effects |
Lawrence Decker | Special Effects |
Steven Kline | Special Effects |
Bruce Y. Kuroyama | Special Effects |
Ryan Meinardus | Special Effects |
Jose A. Paramo | Special Effects |
Mark Sheaffer | Special Effects |
Daniel J. Yates | Special Effects |
John Ziegler | Special Effects |
Douglas D. Ziegler | Special Effects |
Elston James Howard | Location Manager |
Marc Roskin | Second Unit Director |
Gary Capo | Second Unit Director of Photography |
Cameron Frankley | Sound Designer |
Cameron Frankley | Sound Supervisor |
Jon Michaels | Supervising Sound Editor |
Hugh Waddell | Supervising Sound Editor |
Tim LeBlanc | Re-recording Mixer |
Cameron Frankley | Re-recording Mixer |
Patrick Cyccone | Re-recording Mixer |
Myron Nettinga | Re-recording Mixer |
Harrison Meyle | Supervising Dialogue Editor |
Sean Heissinger | Dialogue Editor |
Michael Hertlein | Dialogue Editor |
Dan Kenyon | Sound Designer |
Roland Thai | Sound Effects Editor |
Greg ten Bosch | Sound Effects Editor |
D. Chris Smith | Sound Effects Editor |
Mark Hailstone | Sound Effects Editor |
James Gallavan | Sound Effects Editor |
Csaba Wagner | Sound Effects Editor |
Darrin Mann | Foley Mixer |
Richard Ziegler | Music Editor |
Sally Boldt | Music Editor |
Del Spiva | Music Editor |
Scott Francisco | Music Editor |
Philip Tallman | Music Editor |
Lorne Balfe | Score Producer |
Steffen Thum | Score Producer |
Daniel Kresco | Score Mixer |
Jason LaRocca | Score Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.