Box Office History for Thor Movies
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Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 8, 2022 | Thor: Love and Thunder | $250,000,000 | $144,165,107 | $343,256,830 | $760,928,081 |
Nov 3, 2017 | Thor: Ragnarok | $180,000,000 | $122,744,989 | $315,058,289 | $850,482,778 |
Nov 8, 2013 | Thor: The Dark World | $150,000,000 | $85,737,841 | $206,362,140 | $644,602,516 |
May 6, 2011 | Thor | $150,000,000 | $65,723,338 | $181,030,624 | $449,326,618 |
Averages | $182,500,000 | $104,592,819 | $261,426,971 | $676,334,998 | |
Totals | 4 | $730,000,000 | $1,045,707,883 | $2,705,339,993 |
Video Release Breakdown
Release Date | Title | Domestic Video Sales to Date | Watch Now |
---|---|---|---|
Sep 13, 2011 | Thor | $95,598,464 | Disney+ Amazon iTunes Google Vudu |
Feb 25, 2014 | Thor: The Dark World | $94,031,903 | Amazon iTunes Google Vudu |
Feb 20, 2018 | Thor: Ragnarok | $74,412,351 | Disney+ Amazon iTunes Google Vudu |
Sep 8, 2022 | Thor: Love and Thunder | $18,623,425 | Disney+ Amazon iTunes Vudu |
Totals | $282,666,143 |
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
Theater counts: Bullet Train accelerates to the top as it and Easter Sunday open wide
August 4th, 2022
Like last week, two new wide releases grace movie theaters across North America this weekend in the form of the violent action-comedy Bullet Train, and holiday comedy, Easter Sunday. Opening in 4,317 theaters, Bullet Train is directed by David Leitch and contains a large ensemble cast, led by Brad Pitt as an experienced but unlucky assassin named “Ladybug”. Co-starring with Pitt is Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, and Andrew Koji among others. The Japanese-set film which is based on Kōtarō Isaka’s dark novel “MariaBeetle” will be available on both traditional and IMAX screens. Easter Sunday, which will debut in 3,175 locations, stars Jo Koy as a man who returns home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family.
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Weekend projections: Thor tops chart again, Crawdads opens in third place
July 17th, 2022
Thor: Love and Thunder will easily stay atop the box office chart this weekend, according to Sunday morning projections from the studios. Its 68% decline in its second weekend is right in line with the 67% drop experienced by Doctor Strange in the Multiverse of Madness in its sophomore outing back in mid-May. Of the three new releases hitting the top 10, Where the Crawdads Sing is performing best, with $17 million enough to put it in third place.
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Weekend projections: Disney projects mighty $143 million debut for Love and Thunder
July 10th, 2022
Thor: Love and Thunder will start out with an impressive $143-million opening weekend, according to Disney’s Sunday-morning projection. That’ll comfortably be the best weekend for the Thor franchise, ahead of Ragnarok’s $122.7 million back in 2017. On the downside, Jurassic World: Dominion’s looks likely to keep its place as the second-best debut of 2022, with $145 million, which means Love and Thunder is coming in a bit below where our model expected as of Friday morning.
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Theater counts: Rise of Gru remains widest release as Thor: Love and Thunder rumbles into theaters
July 7th, 2022
Another week, another blockbuster movie arriving to theaters. This week we see the debut of Thor: Love and Thunder. The film is the second of three planned Marvel Cinematic Universe films set for release in 2022 after Doctor Strange in the Multiverse of Madness, and before the November release of Black Panther: Wakanda Forever. Love and Thunder, which has already stirred up $15.7 million from 17 overseas territories starting Wednesday, opens in 4,375 theaters in North America (including IMAX locations) on Friday. The movie features a large ensemble cast, headlined by Chris Hemsworth.
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Theater counts: Rise of Gru hits 4,391 theaters for the Holiday weekend
June 30th, 2022
After an exciting head-to-head contest at the box office last weekend, another newcomer arrives in theaters this week to challenge chart toppers Top Gun: Maverick and Elvis. Minions: The Rise of Gru will open in 4,391 theaters this week, making it the widest release. The prequel to 2015’s Minions and fifth film in the Despicable Me franchise has earned nearly $4 million overseas so far in rollouts that began in mid June. Set in the 1970s, the animated feature follows a 12-year old Gru (voiced by Steve Carell) as he grows up in the suburbs. The animated comedy from Illumination will also be available on IMAX screens throughout North America.
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Featured Blu-ray and DVD Review: Avengers: Infinity War - Spoiler / Detail Free Review
August 14th, 2018
Like we did with The Force Awakens, we are going to do a spoiler-free, detail-free review for Avengers: Infinity War. In other words, we are going to rate all of the movies in the MCU to see where Infinity War and the rest fit into place.
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Featured Blu-ray and DVD Review: Thor: Ragnarok
February 26th, 2018
Thor: Ragnarok opened with some of the best reviews of the MCU and was easily the biggest hit in the Thor franchise. And now it is being completely overshadowed by Black Panther’s success. Is it worth checking out? Is it really one of the best films in the MCU?
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International Box Office: Thor Threepeats with $75.9 million and Overtakes The Dark World
November 15th, 2017
For the third weekend in a row, Thor: Ragnarok dominated the international chart, earning $75.9 million in 56 markets for totals of $438.5 internationally and $650.6 million worldwide. The film fell 59% during its second weekend in China, but this is actually much better than average for the market. It added $21.71 million this past weekend, pushing its running tally to $95.51 million after just two weeks of release in that market. The film held up even better in the U.K., where it dipped just 33% to $4.05 million in 569 theaters for a three-week total of $34.07 million. Its next biggest international market was South Korea, where it has earned $31.07 million, including $3.53 million on 856 screens this past weekend. The film already has more worldwide than either of the previous Thor films earned in total. It has entered the top ten in the MCU and it is on pace to enter the top five on that chart before its done.
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Weekend Estimates: Daddies Sneak into Second Place; Thor Solid in Second Week
November 12th, 2017
Thor: Ragnarok maintains a firm hold on top spot at the domestic and international box office this weekend, with a respectable decline of 54% at home taking it to $56.6 million for the weekend and $211.6 million to date. With another $75.9 million internationally, for a total of $438.5 million overseas,
Ragnarok will pass $650 million worldwide today. That makes it the most successful Thor film already, and it seems like it should retain decent traction into the holidays, even with Justice League coming out next weekend.
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International Box Office: With $428.7 million, Ragnarok Races to Catch up to Thor
November 9th, 2017
As expected, Thor: Ragnarok remained in first place on the international chart dominating the competition with $151.4 million in 55 markets during its second weekend of release for a two-week total of $306.0 million internationally and $428.7 million worldwide. After just two weeks of release, the film is within striking distance of the original Thor at the worldwide box office and by this time next week, it might surpass The Dark World. As for this past weekend’s highlights, the box office was led by China, where it earned first place with $53.42 million over the weekend for a total opening of $54.53 million. This is the biggest November opening in that market and the biggest total for a Thor film. It had to settle for second place in Mexico, but was still impressive with $7.34 million over the weekend for a total opening of $10.52 million. It also did well in Germany with $5.5 million over the weekend for a total opening of $8.9 million, which is 70% higher than Doctor Strange’s opening there last year. The best holdover came from South Korea, where it was down 47% to $6.39 million on 1,047 screens over the weekend for a two-week total of $25.88 million. The only market left to open in is Trinidad, but even with no major markets, the film will have no trouble getting to $500 million internationally and $800 million worldwide.
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Weekend Estimates: Thor Ragna-roks the Box Office
November 5th, 2017
Thor: Ragnarok continues a remarkable record for the Marvel Cinematic Universe this weekend by posting a $121 million opening weekend, according to Disney’s Sunday morning estimate. That’s a significant increase from the $85.7 million of Thor: Dark World, and means that each sub-franchise based on an individual character has had increasing open box office from film to film: Iron Man’s openings went from $102 million, to $128 million, to $174 million; Captain America went $65 million, $95 million, $179 million; and now Thor has gone $65 million, $86 million, and $121 million.
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Theater Counts: Thor’s Four Thousand
November 2nd, 2017
After a dismal end to the summer, Disney will attempt to come to the industry’s rescue with three blockbuster releases in the coming two months: Coco for Thanksgiving, The Last Jedi for Christmas, and, this weekend, Thor: Ragnarok. The Thor sub-franchise has been the weakest link in the Marvel Universe so far, but this outing is getting stellar reviews, and by coming after a seemingly-endless succession of horror movies in September and October, seems well timed. It’ll launch in 4,080 theaters, which is a little more than The Dark World’s 3,841 debut, but quite a bit less than the 4,226 opening-theater count enjoyed by Captain America: Civil War. An opening over $100 million seems assured, but how much over remains an open question.
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2017 Preview: November
November 1st, 2017
October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point.
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Weekend Wrap-Up: Thor Sees the Light
November 11th, 2013
Thor: The Dark World matched expectations nearly perfectly and dominated the box office over the weekend. In fact, it earned more than the rest of the box office pulled in combined. This helped the overall box office rise 32% from last weekend reaching $167 million. Unfortunately, Thor couldn't match Skyfall's opening weekend and the total box office was 3% lower than the same weekend last year. 2013 is still ahead of 2012, but by 0.9% at $8.85 million to $8.77 million. Since there is only one new release next weekend, and it isn't a prime release, we will likely see another year-over-year loss. Fortunately, 2013 should still stay ahead of 2012 and Catching Fire should end 2013's losing streak in a big way.
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Weekend Predictions: Thor Will Rule, But Will It Crack $100 Million?
November 8th, 2013
Thor: The Dark World will easily win the race for the top of the box office this weekend. It really has no competition for top spot, and only token competition as far as new releases are concerned. About Time is the only other new wide release, and quite frankly, I should add quotes around both "new" and "wide", as it opened in limited release last weekend, will expand to 1,400 theaters this weekend and it likely won't reach the top five. It will be interesting to see if Ender's Game will hold up next to the competition from Thor, but that seems unlikely. Thor: The Dark World could do well when compared to last year's number one film, Skyfall, but 2013 just doesn't have the depth to thrive, so 2013 will lose again in the year-over-year comparison.
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2013 Preview: September
September 1st, 2013
August ended, and we should be very grateful for that. Lee Daniels' The Butler was a surprise hit, while We're the Millers did better than expected. However, most other films that were expected to be solid hits failed to live up to expectations. Fortunately, August of 2012 was even worse, so 2013 regained the lead on the year-to-year comparison during the month. Looking forward, there is exactly one film that will likely become more than a midlevel hit in September: Cloudy with a Chance of Meatballs 2. That film has a chance to reach $100 million in total. Most of the rest of the new releases will be lucky if they get halfway there. Fortunately, September of 2012 was even worse. Hotel Transylvania was a surprise hit, earning nearly $150 million, and there were a few others that topped $50 million, but there were also several outright bombs. If we can avoid those types of bombs, then 2013 should continue its winning streak.
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Note: This list contains actors who appeared in at least two movies in the franchise.
Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
---|---|---|---|---|---|
Chris Hemsworth | 4 | Thor | $2,705,339,993 | $14,035,708,191 | 19.3% |
Idris Elba | 4 | Heimdall | $2,705,339,993 | $13,330,240,125 | 20.3% |
Tom Hiddleston | 3 | Loki | $1,944,411,912 | $9,349,887,073 | 20.8% |
Natalie Portman | 3 | Jane Foster | $1,854,857,215 | $8,970,791,110 | 20.7% |
Anthony Hopkins | 3 | Odin | $1,944,411,912 | $6,401,768,060 | 30.4% |
Stellan Skarsgård | 3 | Dr. Erik Selvig | $1,854,857,215 | $11,335,330,771 | 16.4% |
Ray Stevenson | 3 | Volstagg | $1,944,411,912 | $4,025,461,698 | 48.3% |
Jaimie Alexander | 3 | Sif | $1,854,857,215 | $1,904,083,828 | 97.4% |
Tadanobu Asano | 3 | Hogun | $1,944,411,912 | $3,314,928,731 | 58.7% |
Stan Lee | 3 | Mental Ward Patient | $1,944,411,912 | $30,555,948,671 | 6.4% |
Tessa Thompson | 2 | King Valkyrie | $1,611,410,859 | $5,447,200,922 | 29.6% |
Kat Dennings | 2 | Darcy Lewis | $1,093,929,134 | $1,563,628,413 | 70.0% |
Taika Waititi | 2 | Korg | $1,611,410,859 | $5,392,387,778 | 29.9% |
Zachary Levi | 2 | Fandral | $1,495,085,294 | $3,286,130,241 | 45.5% |
Sam Neill | 2 | Odin | $1,611,410,859 | $5,940,811,393 | 27.1% |
Rene Russo | 2 | Frigga | $1,093,929,134 | $6,062,319,885 | 18.0% |
Note: This list contains people who contributed to at least two movies in the franchise.
Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
---|---|---|---|---|---|
Kevin Feige | 4 | Producer (4) | $2,705,339,993 | $35,971,076,821 | 7.5% |
Louis D’Esposito | 4 | Executive Producer (4) | $2,705,339,993 | $31,567,560,336 | 8.6% |
Stan Lee | 4 |
Executive Producer (3) Story Creator (2) |
$2,705,339,993 | $38,856,309,898 | 7.0% |
Victoria Alonso | 4 |
Executive Producer (3) Co-Producer (1) |
$2,705,339,993 | $29,453,904,486 | 9.2% |
Craig Kyle | 3 |
Co-Producer (1) Executive Producer (1) Screenwriter (1) |
$1,944,411,912 | $1,944,411,912 | 100.0% |
Jake Morrison | 3 |
Visual Effects Supervisor (3) Special Effects Supervisor (1) Second Unit Director (1) |
$2,256,013,375 | $3,097,952,013 | 72.8% |
Sarah Halley Finn | 3 | Casting Director (3) | $1,944,411,912 | $31,109,154,886 | 6.3% |
Steve Durkee | 3 |
Supervising Music Editor (3) Score Supervisor (1) |
$1,944,411,912 | $20,552,537,308 | 9.5% |
Taika Waititi | 2 |
Director (2) Screenwriter (1) |
$1,611,410,859 | $1,757,619,023 | 91.7% |
Christopher L. Yost | 2 | Screenwriter (2) | $1,495,085,294 | $1,499,648,374 | 99.7% |
Don Payne | 2 |
Screenwriter (1) Story Creator (1) |
$1,093,929,134 | $1,444,182,681 | 75.7% |
Brad Winderbaum | 2 |
Executive Producer (1) Producer (1) |
$1,611,410,859 | $2,510,020,439 | 64.2% |
Alan Fine | 2 | Executive Producer (2) | $1,093,929,134 | $6,699,745,967 | 16.3% |
Larry Lieber | 2 | Story Creator (2) | $1,210,254,699 | $3,039,433,575 | 39.8% |
Jack Kirby | 2 | Story Creator (2) | $1,210,254,699 | $12,189,082,158 | 9.9% |
Mayes C. Rubeo | 2 | Costume Designer (2) | $1,611,410,859 | $6,142,657,625 | 26.2% |
Dave Jordan | 2 | Music Supervisor (2) | $1,093,929,134 | $26,234,382,217 | 4.2% |
Shannon Mills | 2 |
Supervising Sound Editor (2) Sound Designer (2) |
$1,495,085,294 | $25,893,428,184 | 5.8% |
Juan Peralta | 2 | Re-recording Mixer (2) | $1,495,085,294 | $16,507,965,687 | 9.1% |
Jacob Riehle | 2 |
Foley Editor (1) Dialogue Editor (1) |
$1,611,410,859 | $23,166,080,859 | 7.0% |
Kyle Gardiner | 2 | Stunt Coordinator (2) | $1,611,410,859 | $7,039,265,852 | 22.9% |
Samson Neslund | 2 |
Sound Designer (1) Assistant Supervising Sound Effects Editor (1) |
$1,611,410,859 | $8,683,358,737 | 18.6% |
Steve Orlando | 2 |
Sound Effects Editor (1) Supervising Assistant Editor (1) |
$1,495,085,294 | $16,855,761,265 | 8.9% |
Nia Hansen | 2 |
Foley Editor (1) Sound Designer (1) |
$1,495,085,294 | $12,445,850,824 | 12.0% |
Diana Giorgiutti | 2 | Visual Effects Producer (2) | $1,093,929,134 | $1,827,868,393 | 59.8% |