Gary Capo
| Best known as a Second Unit Camera based on credits in that role in 14 films, with $3,270,023,020 worldwide aggregate box office (rank #5) |
| Best-known technical roles: Dawn of the Planet of the Apes (Second Unit Camera), Night at the Museum: Battle of the Smithsonian (Second Unit Director), X-Men 2 (Second Unit Camera), Mission: Impossible 2 (Second Unit Camera), Live Free or Die Hard (Second Unit Camera) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Second Unit Camera | 14 | $1,338,289,700 | $1,931,733,320 | $3,270,023,020 |
| Second Unit Director | 8 | $677,217,835 | $1,013,369,522 | $1,690,587,357 | |
| Director | 2 | $0 | $0 | $0 | |
| Cinematographer | 1 | $32,003,620 | $29,449,800 | $61,453,420 | |
| Screenwriter | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 501-600) | 581 | $32,003,620 |
| Top Grossing Second Unit Director at the Domestic Box Office | 36 | $677,217,835 |
| Top Grossing Cinematographer at the International Box Office (Rank 601-700) | 603 | $29,449,800 |
| Top Grossing Second Unit Director at the International Box Office | 33 | $1,013,369,522 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 601-700) | 607 | $61,453,420 |
| Top Grossing Second Unit Director at the Worldwide Box Office | 32 | $1,690,587,357 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 9, 2018 | Saf3 | Director | |||
| Oct 20, 2017 | Geostorm | Second Unit Director of Photography | $33,700,160 | $187,095,849 | $220,796,009 |
| Jul 11, 2014 | Dawn of the Planet of the Apes | Second Unit Camera | $208,545,589 | $502,098,977 | $710,644,566 |
| Oct 15, 2010 | Red | Second Unit Director | $90,380,162 | $106,059,531 | $196,439,693 |
| May 22, 2009 | Night at the Museum: Battle… | Second Unit Director | $177,243,721 | $224,987,342 | $402,231,063 |
| Mar 13, 2009 | Race to Witch Mountain | Second Unit Camera | $67,172,595 | $37,931,189 | $105,103,784 |
| Jun 13, 2008 | The Incredible Hulk | Second Unit Director | $134,806,913 | $130,766,946 | $265,573,859 |
| Jun 27, 2007 | Live Free or Die Hard | Second Unit Camera | $134,529,403 | $247,758,744 | $382,288,147 |
| Dec 8, 2006 | Blood Diamond | Second Unit Director | $57,377,916 | $114,000,000 | $171,377,916 |
| Sep 10, 2004 | Cellular | Director of Photography | $32,003,620 | $29,449,800 | $61,453,420 |
| Dec 5, 2003 | The Last Samurai | Second Unit Director | $111,110,575 | $345,700,000 | $456,810,575 |
| May 2, 2003 | X-Men 2 | Second Unit Camera | $214,949,694 | $191,398,936 | $406,348,630 |
| Jul 19, 2002 | K-19: The Widowmaker | Second Unit Director Second Unit Camera |
$35,168,966 | $30,547,160 | $65,716,126 |
| Jul 7, 2000 | The Kid | Second Unit Camera | $69,688,384 | $69,688,384 | |
| May 24, 2000 | Mission: Impossible 2 | Second Unit Camera | $215,409,889 | $334,178,627 | $549,588,516 |
| Jul 28, 1999 | Deep Blue Sea | Second Unit Camera | $73,648,228 | $91,400,000 | $165,048,228 |
| Dec 23, 1998 | The Thin Red Line | Second Unit Director | $36,400,491 | $61,308,543 | $97,709,034 |
| Jul 29, 1998 | The Negotiator | Second Unit Camera | $44,705,766 | $4,400,000 | $49,105,766 |
| Jun 27, 1997 | Face/Off | Second Unit Camera | $112,276,146 | $128,923,838 | $241,199,984 |
| Jul 28, 1995 | Waterworld | Second Unit Camera | $88,246,220 | $176,000,000 | $264,246,220 |
| Sep 11, 1992 | Wind | Second Unit Camera | $5,519,569 | $5,519,569 | |
| Jan 18, 1991 | White Fang | Second Unit Director Second Unit Camera |
$34,729,091 | $34,729,091 | |
| 1978 | Many Classic Moments | Director Screenwriter |
|||
| Averages | $94,172,052 | $163,555,860 | $234,362,790 | ||
| Totals | 23 | $1,977,613,098 | $2,944,005,482 | $4,921,618,580 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Oct 9, 2018 | Saf3 | |||||
| 1978 | Many Classic Moments | |||||
| Averages | n/a | n/a | n/a | n/a | 0.0% | |
| Totals | 2 | n/a | n/a | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| 1978 | Many Classic Moments | |||||
| Averages | n/a | n/a | n/a | n/a | 0.0% | |
| Totals | 1 | n/a | n/a | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 501-600) | 581 | $32,003,620 |
| Top Grossing Second Unit Director at the Domestic Box Office | 36 | $677,217,835 |
| Top Grossing Cinematographer at the International Box Office (Rank 601-700) | 603 | $29,449,800 |
| Top Grossing Second Unit Director at the International Box Office | 33 | $1,013,369,522 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 601-700) | 607 | $61,453,420 |
| Top Grossing Second Unit Director at the Worldwide Box Office | 32 | $1,690,587,357 |