Slovenia Box Office for PASJI SMISEL ŽIVLJENJA 2 (2019)
Theatrical Performance (US$) | ||
Slovenia Box Office | $11,478 | Details |
Worldwide Box Office | $78,867,205 | Details |
Home Market Performance | ||
North America DVD Sales | $2,962,213 | Details |
North America Blu-ray Sales | $1,833,029 | Details |
Total North America Video Sales | $4,795,242 | |
Further financial details... |
Synopsis
The story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.
Metrics
Movie Details
Production Budget: | $16,000,000 |
Slovenia Releases: | October 11th, 2019 (Wide), released as PASJI SMISEL ŽIVLJENJA 2 |
Video Release: | August 6th, 2019 by Universal Home Entertainment |
MPAA Rating: | PG for thematic content, some peril and rude humor. (Rating bulletin 2572 (Cert #52139), 4/3/2019) |
Running Time: | 108 minutes |
Franchise: | A Dog’s Purpose |
Keywords: | Animal Lead, Family Movie, Reincarnation, Talking Animals, Comedy Drama, Same Role, Multiple Actors |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Amblin Entertainment, Walden Media, Alibaba Pictures, Reliance Entertainment, Pariah Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 20th, 2019
August 21st, 2019
I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close.
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Home Market Releases for August 6th, 2019
August 7th, 2019
Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release.
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Weekend Wrap-Up: Aladdin Earns $100 million Opening
May 28th, 2019
It was a great weekend for Aladdin and an okay weekend for the box office as a whole. Aladdin made more over the three-day portion of the weekend than most predicted it would make over four days. Unfortunately, not all of the rest of the films were able to pull their weight. The overall box office still grew 23% from last weekend reaching $181 million, but it slipped when compared to last year. Granted, it fell less than $1 million or 0.5% when compared to the same weekend last year, which is such a small gap that it is practically a tie. Year-to-date, 2019 has pulled in $4.31 billion, which is 9.2% or $440 million lower than 2018’s running tally of $4.75 million and this number needs to improve over the coming weeks.
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International Box Office: Pikachu Tops Russian Box Office and Remains International Champ
May 22nd, 2019
Pokémon: Detective Pikachu remained in first place earning $56.4 million on 32,113 screens in 72 markets for totals of $196.2 million internationally and $290.6 million worldwide. The film’s only major market debut of the weekend, and indeed the last major market of the film’s international run, was Russia. It earned first place there with $4.0 million on 3,085 screens. Its biggest market overall was China, where it added $17.94 million on 15,000 screens to its running tally, which now sits at $69.66 million after two weeks of release. It fell 55% during its sophomore stint, which is an amazing hold for this market. The film has no major market openings going forward, but it should stick around long enough to crack $300 million internationally and even has a slim shot at $500 million worldwide.
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Weekend Wrap-Up: John Wick Wins Weekend, Can’t Stop Deadpool from Killing 2019
May 21st, 2019
The overall weekend was about as good as anyone could hope for with John Wick: Chapter 3 - Parabellum topping expectations with $56.82 million. This mostly made up for A Dog’s Journey and The Sun is Also A Star, both of which missed low expectations. However, the overall weekend still fell 12% when compared to last weekend at $147 million and this is 30% lower than the same weekend last year. To be fair, almost no one was expecting this year to match last year, because last year Deadpool 2 opened. Year-to-date, 2019 is still behind 2018 by a 9.2% or $410 million margin at $4.03 billion to $4.44 billion. Fortunately, if Aladdin does as well next weekend as many are expecting, then this losing streak will end after just one week.
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Weekend Estimates: John Wick Wrecks the Competition
May 19th, 2019
John Wick: Chapter 3 - Parabellum is way ahead of the weekend competition with a projected $57.03 million opening weekend. This is not only more than the next two films combined, it is more than the first film in the John Wick franchise earned domestically. Add in the film’s reviews, its A minus from CinemaScore, and Memorial Day long weekend, which is next weekend, and it should have relatively long legs. $150 million domestically isn’t out of the question. Like the other films in the John Wick franchise, this one isn’t doing as well internationally. However, it is still step up from the second film with an opening weekend of $35.2 million from 66 markets. This includes number one debuts in the U.K. ($4.6 million) and Australia ($2.8 million), while it had to settle for second place in Russia ($3.8 million) and third place in Mexico ($2.1 million). The film likely cost $50 million to make and an equal amount to advertise, while Lionsgate’s share of the global opening weekend is likely north of $40 million. The film is on pace to break even before it reaches the home market.
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Friday Estimates: Parabellum’s Unparalleled Success
May 18th, 2019
John Wick: Chapter 3 - Parabellum got off to a surprisingly strong start on Friday with $22.67 million during its first day of release. Even if we subtract Thursday’s previews, this is still more than the first film made during its opening weekend. It would take incredibly short legs for Parabellum to not earn more during its opening weekend than the first film earned in total. It should have reasonable legs over the weekend. Granted, it is a sequel and its target audience is known to rush out to theaters; however, its reviews are strong and it earned an A minus from CinemaScore, tying it with the second film for best in the franchise. With a little luck, it will crack $60 million over the full weekend.
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Thursday Night Previews: John Wick’s Parabellum is Without Peer
May 17th, 2019
John Wick: Chapter 3 - Parabellum had a stunning debut earning $5.9 million during its Thursday previews. This is not only more than the first two movies made during their previews, but it made almost twice as much as those two films combined. That doesn’t mean Parabellum will open with nearly twice as much as the first two films combined, because the hype for this film will very likely make it more front-loaded at the box office. That said, it would have to have really short legs to not top our $48 million prediction over the full weekend. If audiences like the movie as much as critics did, it could even top $60 million over the full weekend. That would be a huge help to the overall box office.
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Weekend Predictions: John Wick Takes Aim at Top Spot
May 16th, 2019
This weekend likely won’t be a particularly good one at the box office, when compared to last weekend and especially when compared to last year. There are three wide releases, but only John Wick: Chapter 3 - Parabellum is expected to make a significant impact at the box office. A Dog’s Journey could become a midlevel hit, while The Sun is Also A Star might not open in the top five. Fortunately, both Pokémon: Detective Pikachu and Avengers: Endgame should provide some power at the box office. Unfortunately, this weekend last year, Deadpool 2 debuted with just over $125 million. There’s almost no chance 2019 will match 2018 at the box office and the year’s mini-wining streak is about to come to an end.
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2019 Preview: May
May 1st, 2019
April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall.
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A Dog’s Journey Trailer
January 31st, 2019
Family drama starring Dennis Quaid, with the voice of Josh Gad opens May 17 ... Full Movie Details.
The story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/10/11 | 7 | $4,698 | 20 | $235 | $5,534 | 1 | |
2019/10/18 | 12 | $2,309 | -51% | 6 | $385 | $8,280 | 2 |
2019/10/25 | 16 | $823 | -64% | 4 | $206 | $10,135 | 3 |
2019/11/08 | 19 | $669 | 4 | $167 | $11,478 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/16/2019 | $121,723 | 140 | 140 | 254 | $192,723 | 6/13/2019 |
Australia | 8/16/2019 | $428,161 | 245 | 245 | 1134 | $1,383,923 | 1/29/2020 |
Bolivia | 5/16/2019 | $48,672 | 25 | 25 | 66 | $155,758 | 7/3/2019 |
Brazil | 6/6/2019 | $299,102 | 304 | 305 | 702 | $634,523 | 7/29/2020 |
Bulgaria | 6/7/2019 | $0 | 0 | 0 | 0 | $51,621 | 8/8/2019 |
Central America | 5/16/2019 | $106,698 | 103 | 103 | 200 | $244,248 | 6/13/2019 |
Chile | 5/16/2019 | $310,399 | 75 | 76 | 255 | $951,276 | 7/3/2019 |
China | 5/17/2019 | $11,190,000 | 105134 | 105134 | 172204 | $29,158,438 | 9/4/2020 |
Colombia | 5/30/2019 | $261,264 | 196 | 196 | 347 | $529,659 | 6/13/2019 |
Czech Republic | 6/7/2019 | $77,301 | 130 | 130 | 410 | $358,144 | 10/19/2022 |
Ecuador | 5/17/2019 | $215,871 | 46 | 46 | 195 | $767,207 | 7/3/2019 |
France | 8/21/2019 | $0 | 0 | 9 | 9 | $6,785 | 9/18/2019 |
Germany | 6/14/2019 | $126,331 | 256 | 266 | 1209 | $398,192 | 10/11/2019 |
Italy | 7/3/2020 | $802 | 9 | 9 | 27 | $3,673 | 9/4/2020 |
Japan | 9/20/2019 | $1,049,663 | 254 | 296 | 1246 | $4,205,853 | 11/6/2019 |
Lithuania | 9/6/2019 | $2,299 | 5 | 17 | 95 | $178,585 | 6/23/2021 |
Malaysia | 5/16/2019 | $43,316 | 51 | 51 | 144 | $113,210 | 6/13/2019 |
Mexico | 5/17/2019 | $1,379,418 | 0 | 207 | 301 | $3,158,587 | 7/3/2019 |
Netherlands | 6/14/2019 | $37,896 | 51 | 51 | 123 | $82,333 | 8/11/2019 |
New Zealand | 8/15/2019 | $62,495 | 57 | 58 | 256 | $173,561 | 11/5/2019 |
North America | 5/17/2019 | $8,030,085 | 3,267 | 3,279 | 9,710 | $22,782,371 | 9/30/2021 |
Paraguay | 5/16/2019 | $19,200 | 16 | 16 | 41 | $41,403 | 6/26/2019 |
Peru | 5/16/2019 | $443,759 | 98 | 98 | 98 | $934,593 | 6/13/2019 |
Philippines | 5/15/2019 | $66,713 | 87 | 87 | 104 | $84,650 | 5/29/2019 |
Poland | 10/4/2019 | $701,532 | 240 | 240 | 240 | $1,037,166 | 10/19/2022 |
Portugal | 5/17/2019 | $26,696 | 44 | 44 | 96 | $49,285 | 6/11/2019 |
Romania | 6/21/2019 | $0 | 0 | 4 | 10 | $136,131 | 9/17/2019 |
Russia (CIS) | 6/27/2019 | $1,191,808 | 889 | 893 | 2983 | $3,165,449 | 10/19/2022 |
Singapore | 5/16/2019 | $60,234 | 28 | 28 | 65 | $141,861 | 6/19/2019 |
Slovakia | 6/7/2019 | $43,615 | 65 | 65 | 243 | $185,607 | 8/20/2019 |
Slovenia | 10/11/2019 | $4,698 | 20 | 20 | 34 | $11,478 | 11/29/2019 |
South Korea | 9/5/2019 | $240,941 | 184 | 184 | 248 | $407,236 | 10/25/2019 |
Spain | 6/28/2019 | $88,723 | 220 | 220 | 441 | $231,166 | 9/26/2019 |
Taiwan | 5/17/2019 | $176,070 | 87 | 87 | 212 | $389,468 | 6/19/2019 |
Thailand | 7/25/2019 | $45,870 | 29 | 29 | 59 | $97,535 | 8/14/2019 |
Trinidad | 5/29/2019 | $11,930 | 16 | 16 | 20 | $14,295 | 6/13/2019 |
Ukraine | 6/13/2019 | $124,791 | 174 | 174 | 478 | $379,082 | 8/7/2019 |
United Kingdom | 5/3/2019 | $0 | 0 | 411 | 1159 | $1,884,107 | 9/18/2020 |
Uruguay | 5/16/2019 | $14,998 | 21 | 21 | 39 | $33,165 | 7/17/2019 |
Venezuela | 5/17/2019 | $93,446 | 0 | 0 | 0 | $109,895 | 7/3/2019 |
Rest of World | $4,002,963 | ||||||
Worldwide Total | $78,867,205 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Dennis Quaid | Adult Ethan |
Josh Gad | Bailey/Buddy/Tino/Ellie |
Supporting Cast
Marg Helgenberger | Hannah |
Betty Gilpin | Gloria |
Henry Lau | Trent |
Kathryn Prescott | CJ |
Abby Ryder Fortson | Young C.J. |
Ian Chen | Young Trent |
Emma Volk | Toddler CJ |
Johnny Galecki | Henry |
Jake Manley | Shane |
Daniela Barbosa | Liesl |
Conrad Coates | Big Joe |
Arlene Duncan | Hilda |
Kevin Claydon | Barry |
Victoria Sanchez | Andi |
Cherissa Richards | Joan |
Shiong-En Chan | Trent’s Mother |
Kenneth Liu | Trent’s Dad |
Angela Narth | Old Woman |
Reena Shah | Fiona |
Ron Verwymeren | Doorman |
Sarah-Jane Marquez | Dr. Deb |
Stefanie Wiens | Policewoman |
Nancy Sorel | Ringo’s Owner |
Alan Castanaga | Mat at Elevator |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Gail Mancuso | Director |
Bruce Cameron | Screenwriter |
Cathryn Michon | Screenwriter |
Wally Wolodarsky | Screenwriter |
Maya Forbes | Screenwriter |
Bruce Cameron | Story based on the novel by |
Gavin Polone | Producer |
Seth William Meier | Executive Producer |
Lasse Hallström | Executive Producer |
Fan Luyuan | Executive Producer |
Zhang Wei | Executive Producer |
Rogier Stoffers | Director of Photography |
Eric Fraser | Production Designer |
Robert Komatsu | Editor |
Patricia J. Henderson | Costume Designer |
Mark Isham | Composer |
Marny Eng | Stunt Coordinator |
John Papsidera | Casting Director |
Seth William Meier | Unit Production Manager |
Nicole Shizuka Oguchi | Production Manager |
Richard Graves | First Assistant Director |
Martin Ellis | Second Assistant Director |
Holly Bario | Co-Producer |
Ian Dimerman | Co-Producer |
Ben Mossman | Visual Effects Supervisor |
Larry Spittle | Art Director |
Stephen Arndt | Set Decorator |
Leon Johnson | Sound Mixer |
Marc Reichel | Special Effects Coordinator |
Warren Hendriks | Supervising Sound Editor |
Doug Morrow | Make up |
Stacey Mendoza | Hairstylist |
Todd Tucker | Special Make-up Effects |
Bart Mixon | Special Make-up Effects |
Tenille Shockey | Special Make-up Effects |
Renetta G. Amador | Script Supervisor |
Michael Cowles | Location Manager |
Marny Eng | Second Unit Director |
Keith Eidse | Second Unit Director of Photography |
Marc Charlebois | Second Unit Director of Photography |
Marcia Patten | Costume Supervisor |
Matthew Crawford | First Assistant Editor |
Maureen Ross | Second Assistant Editor |
Julie Feiner | Dialogue Editor |
Richard Duarte | Foley Mixer |
Jack Cucci | Foley Mixer |
Matthew Harrison | Foley Editor |
Luke Schwarzweller | Recordist |
Jesse Johnstone | Recordist |
Cindy O’Connor | Additional Music |
Michael D. Simon | Additional Music |
Jason LaRocca | Score Recordist |
Jason LaRocca | Score Mixer |
Clint Bennett | Music Editor |
Michael Borrett | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.