Clint Bennett
Best known as a Music Editor based on credits in that role in 7 films, with $1,858,409,784 worldwide aggregate box office (rank #45) |
Best-known technical roles: Kong: Skull Island (Music Editor), Blue Beetle (Music Editor), Pokémon: Detective Pikachu (Music Editor), Blade Runner 2049 (Music Editor), Godzilla: King of the Monsters (Music Editor) |
Most productive collaborators: Mary Parent, Sarah Halley Finn, Henry Jackman, John Goodman, Brie Larson |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Music Editor | 7 | $618,042,307 | $1,240,367,477 | $1,858,409,784 |
Music Supervisor | 1 | $33,680,992 | $5,037,039 | $38,718,031 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Music Editor at the Domestic Box Office | 60 | $618,042,307 |
Top Grossing Music Supervisor at the Domestic Box Office (Rank 201-300) | 233 | $33,680,992 |
Top Grossing Music Editor at the International Box Office | 38 | $1,240,367,477 |
Top Grossing Music Supervisor at the International Box Office (Rank 201-300) | 289 | $5,037,039 |
Top Grossing Music Editor at the Worldwide Box Office | 45 | $1,858,409,784 |
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 201-300) | 260 | $38,718,031 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Aug 18, 2023 | Blue Beetle | Music Editor | $72,541,501 | $56,235,516 | $128,777,017 |
May 31, 2019 | Godzilla: King of the Monsters | Music Editor | $110,500,138 | $272,799,776 | $383,299,914 |
May 17, 2019 | A Dog’s Journey | Music Editor | $22,782,371 | $56,084,834 | $78,867,205 |
May 10, 2019 | Pokémon: Detective Pikachu | Music Editor | $144,105,346 | $284,814,480 | $428,919,826 |
Oct 6, 2017 | Blade Runner 2049 | Supervising Music Editor | $92,054,159 | $165,754,600 | $257,808,759 |
Mar 10, 2017 | Kong: Skull Island | Music Editor | $168,052,812 | $393,019,247 | $561,072,059 |
Jan 16, 2015 | Blackhat | Music Editor | $8,005,980 | $11,659,024 | $19,665,004 |
Dec 10, 2014 | The Gambler | Music Supervisor | $33,680,992 | $5,037,039 | $38,718,031 |
Averages | $81,465,412 | $155,675,565 | $237,140,977 | ||
Totals | 8 | $651,723,299 | $1,245,404,516 | $1,897,127,815 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Music Editor at the Domestic Box Office | 60 | $618,042,307 |
Top Grossing Music Supervisor at the Domestic Box Office (Rank 201-300) | 233 | $33,680,992 |
Top Grossing Music Editor at the International Box Office | 38 | $1,240,367,477 |
Top Grossing Music Supervisor at the International Box Office (Rank 201-300) | 289 | $5,037,039 |
Top Grossing Music Editor at the Worldwide Box Office | 45 | $1,858,409,784 |
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 201-300) | 260 | $38,718,031 |