Maya Forbes
Best known as a Screenwriter based on credits in that role in 9 films, with $802,847,926 worldwide aggregate box office (rank #345) |
Best-known technical roles: Monsters vs. Aliens (Screenwriter), A Dog’s Purpose (Screenwriter), Diary of a Wimpy Kid: Dog Days (Screenwriter), A Dog’s Journey (Screenwriter), The Rocker (Screenwriter) |
Most productive collaborators: Lasse Hallström, Britt Robertson, Bruce W. Cameron, K.J. Apa, Reese Witherspoon |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 9 | $344,524,392 | $458,323,534 | $802,847,926 |
Director | 3 | $3,650,415 | $724,059 | $4,374,474 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 2,701-2,800) | 2,717 | $3,650,415 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) | 354 | $344,524,392 |
Top Grossing Director at the International Box Office (Rank 5,801-5,900) | 5,879 | $724,059 |
Top Grossing Screenwriter at the International Box Office (Rank 301-400) | 367 | $458,323,534 |
Top Grossing Director at the Worldwide Box Office (Rank 4,401-4,500) | 4,472 | $4,374,474 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 301-400) | 345 | $802,847,926 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Sep 30, 2022 | The Good House | Director Screenwriter |
$2,219,760 | $24,628 | $2,244,388 |
Apr 10, 2020 | Trolls: World Tour | Screenwriter | $48,866,407 | $48,866,407 | |
May 17, 2019 | A Dog’s Journey | Screenwriter | $22,782,371 | $56,084,834 | $78,867,205 |
Jan 12, 2018 | The Polka King | Director Screenwriter |
|||
Jan 27, 2017 | A Dog’s Purpose | Screenwriter | $64,321,890 | $138,733,537 | $203,055,427 |
Jun 19, 2015 | Infinitely Polar Bear | Director Screenwriter |
$1,430,655 | $699,431 | $2,130,086 |
Aug 3, 2012 | Diary of a Wimpy Kid: Dog Days | Screenwriter | $49,008,662 | $28,221,033 | $77,229,695 |
Mar 27, 2009 | Monsters vs. Aliens | Screenwriter | $198,351,526 | $183,335,854 | $381,687,380 |
Aug 20, 2008 | The Rocker | Screenwriter | $6,409,528 | $2,357,810 | $8,767,338 |
Averages | $49,217,770 | $57,290,442 | $100,355,991 | ||
Totals | 9 | $344,524,392 | $458,323,534 | $802,847,926 |
Director Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Sep 30, 2022 | The Good House | $801,568 | 1,061 | $2,219,760 | $2,244,388 | 98.9% |
Jan 12, 2018 | The Polka King | |||||
Jun 19, 2015 | Infinitely Polar Bear | $47,398 | 110 | $1,430,655 | $2,130,086 | 67.2% |
Averages | $424,483 | 586 | $1,825,208 | $2,187,237 | 83.0% | |
Totals | 3 | $3,650,415 | $4,374,474 |
Writer Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Sep 30, 2022 | The Good House | $801,568 | 1,061 | $2,219,760 | $2,244,388 | 98.9% |
Apr 10, 2020 | Trolls: World Tour | $48,866,407 | ||||
May 17, 2019 | A Dog’s Journey | $8,030,085 | 3,279 | $22,782,371 | $78,867,205 | 28.9% |
Jan 12, 2018 | The Polka King | |||||
Jan 27, 2017 | A Dog’s Purpose | $18,222,810 | 3,178 | $64,321,890 | $203,055,427 | 31.7% |
Jun 19, 2015 | Infinitely Polar Bear | $47,398 | 110 | $1,430,655 | $2,130,086 | 67.2% |
Aug 3, 2012 | Diary of a Wimpy Kid: … | $14,623,599 | 3,401 | $49,008,662 | $77,229,695 | 63.5% |
Mar 27, 2009 | Monsters vs. Aliens | $59,321,095 | 4,136 | $198,351,526 | $381,687,380 | 52.0% |
Aug 20, 2008 | The Rocker | $2,636,048 | 2,784 | $6,409,528 | $8,767,338 | 73.1% |
Averages | $14,811,800 | 2,564 | $49,217,770 | $100,355,991 | 59.3% | |
Totals | 9 | $344,524,392 | $802,847,926 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 2,701-2,800) | 2,717 | $3,650,415 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) | 354 | $344,524,392 |
Top Grossing Director at the International Box Office (Rank 5,801-5,900) | 5,879 | $724,059 |
Top Grossing Screenwriter at the International Box Office (Rank 301-400) | 367 | $458,323,534 |
Top Grossing Director at the Worldwide Box Office (Rank 4,401-4,500) | 4,472 | $4,374,474 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 301-400) | 345 | $802,847,926 |