China Box Office for A Dog's Journey 2 (2019)

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A Dog’s Journey
Theatrical Performance (US$)
China Box Office $29,158,438Details
Worldwide Box Office $78,867,205Details
Home Market Performance
North America DVD Sales $2,914,819 Details
North America Blu-ray Sales $1,829,349 Details
Total North America Video Sales $4,744,168
Further financial details...

Synopsis

The story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.

Metrics

Movie Details

Production Budget:$16,000,000
China Releases: May 17th, 2019 (Wide), released as A Dog's Journey 2
Video Release: August 6th, 2019 by Universal Home Entertainment
MPAA Rating: PG for thematic content, some peril and rude humor.
(Rating bulletin 2572 (Cert #52139), 4/3/2019)
Running Time: 108 minutes
Franchise: A Dog’s Purpose
Keywords: Animal Lead, Family Movie, Reincarnation, Talking Animals, Comedy Drama, Same Role, Multiple Actors
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Amblin Entertainment, Walden Media, Alibaba Pictures, Reliance Entertainment, Pariah Productions
Production Countries: United States
Languages: English

Home Market Releases for August 20th, 2019

August 21st, 2019

John Wick: Chapter 3 — Parabellum

I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close. More...

Home Market Releases for August 6th, 2019

August 7th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release. More...

Weekend Wrap-Up: Aladdin Earns $100 million Opening

May 28th, 2019

Aladdin

It was a great weekend for Aladdin and an okay weekend for the box office as a whole. Aladdin made more over the three-day portion of the weekend than most predicted it would make over four days. Unfortunately, not all of the rest of the films were able to pull their weight. The overall box office still grew 23% from last weekend reaching $181 million, but it slipped when compared to last year. Granted, it fell less than $1 million or 0.5% when compared to the same weekend last year, which is such a small gap that it is practically a tie. Year-to-date, 2019 has pulled in $4.31 billion, which is 9.2% or $440 million lower than 2018’s running tally of $4.75 million and this number needs to improve over the coming weeks. More...

International Box Office: Pikachu Tops Russian Box Office and Remains International Champ

May 22nd, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu remained in first place earning $56.4 million on 32,113 screens in 72 markets for totals of $196.2 million internationally and $290.6 million worldwide. The film’s only major market debut of the weekend, and indeed the last major market of the film’s international run, was Russia. It earned first place there with $4.0 million on 3,085 screens. Its biggest market overall was China, where it added $17.94 million on 15,000 screens to its running tally, which now sits at $69.66 million after two weeks of release. It fell 55% during its sophomore stint, which is an amazing hold for this market. The film has no major market openings going forward, but it should stick around long enough to crack $300 million internationally and even has a slim shot at $500 million worldwide. More...

Weekend Wrap-Up: John Wick Wins Weekend, Can’t Stop Deadpool from Killing 2019

May 21st, 2019

John Wick: Chapter 3 - Parabellum

The overall weekend was about as good as anyone could hope for with John Wick: Chapter 3 - Parabellum topping expectations with $56.82 million. This mostly made up for A Dog’s Journey and The Sun is Also A Star, both of which missed low expectations. However, the overall weekend still fell 12% when compared to last weekend at $147 million and this is 30% lower than the same weekend last year. To be fair, almost no one was expecting this year to match last year, because last year Deadpool 2 opened. Year-to-date, 2019 is still behind 2018 by a 9.2% or $410 million margin at $4.03 billion to $4.44 billion. Fortunately, if Aladdin does as well next weekend as many are expecting, then this losing streak will end after just one week. More...

Weekend Estimates: John Wick Wrecks the Competition

May 19th, 2019

John Wick: Chapter 3 - Parabellum

John Wick: Chapter 3 - Parabellum is way ahead of the weekend competition with a projected $57.03 million opening weekend. This is not only more than the next two films combined, it is more than the first film in the John Wick franchise earned domestically. Add in the film’s reviews, its A minus from CinemaScore, and Memorial Day long weekend, which is next weekend, and it should have relatively long legs. $150 million domestically isn’t out of the question. Like the other films in the John Wick franchise, this one isn’t doing as well internationally. However, it is still step up from the second film with an opening weekend of $35.2 million from 66 markets. This includes number one debuts in the U.K. ($4.6 million) and Australia ($2.8 million), while it had to settle for second place in Russia ($3.8 million) and third place in Mexico ($2.1 million). The film likely cost $50 million to make and an equal amount to advertise, while Lionsgate’s share of the global opening weekend is likely north of $40 million. The film is on pace to break even before it reaches the home market. More...

Friday Estimates: Parabellum’s Unparalleled Success

May 18th, 2019

John Wick: Chapter 3 - Parabellum

John Wick: Chapter 3 - Parabellum got off to a surprisingly strong start on Friday with $22.67 million during its first day of release. Even if we subtract Thursday’s previews, this is still more than the first film made during its opening weekend. It would take incredibly short legs for Parabellum to not earn more during its opening weekend than the first film earned in total. It should have reasonable legs over the weekend. Granted, it is a sequel and its target audience is known to rush out to theaters; however, its reviews are strong and it earned an A minus from CinemaScore, tying it with the second film for best in the franchise. With a little luck, it will crack $60 million over the full weekend. More...

Thursday Night Previews: John Wick’s Parabellum is Without Peer

May 17th, 2019

John Wick: Chapter 3 - Parabellum

John Wick: Chapter 3 - Parabellum had a stunning debut earning $5.9 million during its Thursday previews. This is not only more than the first two movies made during their previews, but it made almost twice as much as those two films combined. That doesn’t mean Parabellum will open with nearly twice as much as the first two films combined, because the hype for this film will very likely make it more front-loaded at the box office. That said, it would have to have really short legs to not top our $48 million prediction over the full weekend. If audiences like the movie as much as critics did, it could even top $60 million over the full weekend. That would be a huge help to the overall box office. More...

Weekend Predictions: John Wick Takes Aim at Top Spot

May 16th, 2019

John Wick: Chapter 3 - Parabellum

This weekend likely won’t be a particularly good one at the box office, when compared to last weekend and especially when compared to last year. There are three wide releases, but only John Wick: Chapter 3 - Parabellum is expected to make a significant impact at the box office. A Dog’s Journey could become a midlevel hit, while The Sun is Also A Star might not open in the top five. Fortunately, both Pokémon: Detective Pikachu and Avengers: Endgame should provide some power at the box office. Unfortunately, this weekend last year, Deadpool 2 debuted with just over $125 million. There’s almost no chance 2019 will match 2018 at the box office and the year’s mini-wining streak is about to come to an end. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

A Dog’s Journey Trailer

January 31st, 2019

Family drama starring Dennis Quaid, with the voice of Josh Gad opens May 17 ... Full Movie Details.

The story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/05/17 2 $11,190,000   105,134 $106   $11,230,000 1
2019/05/24 3 $5,160,000 -54% 47,698 $108   $23,990,000 2
2019/05/31 8 $1,310,000 -75% 18,911 $69   $27,530,000 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/16/2019 $121,723 140 140 254 $192,723 6/13/2019
Australia 8/16/2019 $428,161 245 245 1134 $1,383,923 1/29/2020
Bolivia 5/16/2019 $48,672 25 25 66 $155,758 7/3/2019
Brazil 6/6/2019 $299,102 304 305 702 $634,523 7/29/2020
Bulgaria 6/7/2019 $0 0 0 0 $51,621 8/8/2019
Central America 5/16/2019 $106,698 103 103 200 $244,248 6/13/2019
Chile 5/16/2019 $310,399 75 76 255 $951,276 7/3/2019
China 5/17/2019 $11,190,000 105134 105134 172204 $29,158,438 9/4/2020
Colombia 5/30/2019 $261,264 196 196 347 $529,659 6/13/2019
Czech Republic 6/7/2019 $77,301 130 130 410 $358,144 10/19/2022
Ecuador 5/17/2019 $215,871 46 46 195 $767,207 7/3/2019
France 8/21/2019 $0 0 9 9 $6,785 9/18/2019
Germany 6/14/2019 $126,331 256 266 1209 $398,192 10/11/2019
Italy 7/3/2020 $802 9 9 27 $3,673 9/4/2020
Japan 9/20/2019 $1,049,663 254 296 1246 $4,205,853 11/6/2019
Lithuania 9/6/2019 $2,299 5 17 95 $178,585 6/23/2021
Malaysia 5/16/2019 $43,316 51 51 144 $113,210 6/13/2019
Mexico 5/17/2019 $1,379,418 0 207 301 $3,158,587 7/3/2019
Netherlands 6/14/2019 $37,896 51 51 123 $82,333 8/11/2019
New Zealand 8/15/2019 $62,495 57 58 256 $173,561 11/5/2019
North America 5/17/2019 $8,030,085 3,267 3,279 9,710 $22,782,371 9/30/2021
Paraguay 5/16/2019 $19,200 16 16 41 $41,403 6/26/2019
Peru 5/16/2019 $443,759 98 98 98 $934,593 6/13/2019
Philippines 5/15/2019 $66,713 87 87 104 $84,650 5/29/2019
Poland 10/4/2019 $701,532 240 240 240 $1,037,166 10/19/2022
Portugal 5/17/2019 $26,696 44 44 96 $49,285 6/11/2019
Romania 6/21/2019 $0 0 4 10 $136,131 9/17/2019
Russia (CIS) 6/27/2019 $1,191,808 889 893 2983 $3,165,449 10/19/2022
Singapore 5/16/2019 $60,234 28 28 65 $141,861 6/19/2019
Slovakia 6/7/2019 $43,615 65 65 243 $185,607 8/20/2019
Slovenia 10/11/2019 $4,698 20 20 34 $11,478 11/29/2019
South Korea 9/5/2019 $240,941 184 184 248 $407,236 10/25/2019
Spain 6/28/2019 $88,723 220 220 441 $231,166 9/26/2019
Taiwan 5/17/2019 $176,070 87 87 212 $389,468 6/19/2019
Thailand 7/25/2019 $45,870 29 29 59 $97,535 8/14/2019
Trinidad 5/29/2019 $11,930 16 16 20 $14,295 6/13/2019
Ukraine 6/13/2019 $124,791 174 174 478 $379,082 8/7/2019
United Kingdom 5/3/2019 $0 0 411 1159 $1,884,107 9/18/2020
Uruguay 5/16/2019 $14,998 21 21 39 $33,165 7/17/2019
Venezuela 5/17/2019 $93,446 0 0 0 $109,895 7/3/2019
 
Rest of World $4,002,963
 
Worldwide Total$78,867,205 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Dennis Quaid Adult Ethan
Josh Gad Bailey/Buddy/Tino/Ellie

Supporting Cast

Marg Helgenberger Hannah
Betty Gilpin Gloria
Henry Lau Trent
Kathryn Prescott CJ
Abby Ryder Fortson Young C.J.
Ian Chen Young Trent
Emma Volk Toddler CJ
Johnny Galecki Henry
Jake Manley Shane
Daniela Barbosa Liesl
Conrad Coates Big Joe
Arlene Duncan Hilda
Kevin Claydon Barry
Victoria Sanchez Andi
Cherissa Richards Joan
Shiong-En Chan Trent’s Mother
Kenneth Liu Trent’s Dad
Angela Narth Old Woman
Reena Shah Fiona
Ron Verwymeren Doorman
Sarah-Jane Marquez Dr. Deb
Stefanie Wiens Policewoman
Nancy Sorel Ringo’s Owner
Alan Castanaga Mat at Elevator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gail Mancuso Director
Bruce Cameron Screenwriter
Cathryn Michon Screenwriter
Wally Wolodarsky Screenwriter
Maya Forbes Screenwriter
Bruce Cameron Story based on the novel by
Gavin Polone Producer
Seth William Meier Executive Producer
Lasse Hallström Executive Producer
Fan Luyuan Executive Producer
Zhang Wei Executive Producer
Rogier Stoffers Director of Photography
Eric Fraser Production Designer
Robert Komatsu Editor
Patricia J. Henderson Costume Designer
Mark Isham Composer
Marny Eng Stunt Coordinator
John Papsidera Casting Director
Seth William Meier Unit Production Manager
Nicole Shizuka Oguchi Production Manager
Richard Graves First Assistant Director
Martin Ellis Second Assistant Director
Holly Bario Co-Producer
Ian Dimerman Co-Producer
Ben Mossman Visual Effects Supervisor
Larry Spittle Art Director
Stephen Arndt Set Decorator
Leon Johnson Sound Mixer
Marc Reichel Special Effects Coordinator
Warren Hendriks Supervising Sound Editor
Doug Morrow Make up
Stacey Mendoza Hairstylist
Todd Tucker Special Make-up Effects
Bart Mixon Special Make-up Effects
Tenille Shockey Special Make-up Effects
Renetta G. Amador Script Supervisor
Michael Cowles Location Manager
Marny Eng Second Unit Director
Keith Eidse Second Unit Director of Photography
Marc Charlebois Second Unit Director of Photography
Marcia Patten Costume Supervisor
Matthew Crawford First Assistant Editor
Maureen Ross Second Assistant Editor
Julie Feiner Dialogue Editor
Richard Duarte Foley Mixer
Jack Cucci Foley Mixer
Matthew Harrison Foley Editor
Luke Schwarzweller Recordist
Jesse Johnstone Recordist
Cindy O’Connor Additional Music
Michael D. Simon Additional Music
Jason LaRocca Score Recordist
Jason LaRocca Score Mixer
Clint Bennett Music Editor
Michael Borrett Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.