The 33 (2015)

The 33 poster
Theatrical Performance
Domestic Box Office $12,227,722Details
International Box Office $16,059,767Details
Worldwide Box Office $28,287,489
Home Market Performance
Est. Domestic DVD Sales $2,710,243 Details
Est. Domestic Blu-ray Sales $899,199 Details
Total Est. Domestic Video Sales $3,609,442
Further financial details...

Synopsis

In 2010, the eyes of the world turned to Chile, where 33 miners had been buried alive by the catastrophic explosion and collapse of a 100-year-old gold and copper mine. Over the next 69 days, an international team worked night and day in a desperate attempt to rescue the trapped men as their families and friends, as well as millions of people globally, waited and watched anxiously for any sign of hope. But 200 stories beneath the surface, in the suffocating heat and with tensions rising, provisions-and time-were quickly running out.

Metrics

Opening Weekend:$5,787,266 (47.3% of total gross)
Legs:2.11 (domestic box office/biggest weekend)
Domestic Share:43.2% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 1.1 times production budget)
Theater counts:2,452 opening theaters/2,452 max. theaters, 2.7 weeks average run per theater
Infl. Adj. Dom. BO $15,630,590

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 13th, 2015 (Wide) by Warner Bros.
International Releases: August 6th, 2015 (Wide) (Chile)
August 20th, 2015 (Wide) (Central America)
August 20th, 2015 (Wide) (Colombia)
August 27th, 2015 (Wide) (Argentina)
August 27th, 2015 (Wide) (Uruguay)
... Show all releases
Video Release: February 2nd, 2016 by Warner Home Video
MPAA Rating: PG-13 for a disaster sequence and some language.
(Rating bulletin 2388, 8/26/2015)
Running Time: 120 minutes
Comparisons: vs. Florence Foster Jenkins
Create your own comparison chart…
Keywords: Underground, Disaster, Set in Chile, Rescue, Media Circus, Archive Footage, Survival Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Phoenix Pictures, Alcon Entertainment
Production Countries: Chile, United States
Languages: English, Spanish

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Veterans Day (All Movies, 3-Day) 151 $5,787,266 Nov 13, 2015 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 227 $7,595,363 Nov 13, 2015 3
Veterans Day (Opening, 3-Day) 64 $5,787,266 Nov 13, 2015 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 79 $7,595,363 Nov 13, 2015 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 5 $5,787,266   2,452 $2,360   $5,787,266 1
Nov 20, 2015 9 $2,342,030 -60% 2,452 $955   $10,002,722 2
Nov 27, 2015 17 $560,135 -76% 702 $798   $11,319,870 3
Dec 4, 2015 22 $184,005 -67% 303 $607   $11,669,772 4
Dec 11, 2015 29 $120,121 -35% 233 $516   $11,866,969 5
Dec 18, 2015 42 $18,176 -85% 55 $330   $11,936,302 6
Dec 25, 2015 38 $54,168 +198% 111 $488   $12,004,559 7
Jan 1, 2016 39 $73,211 +35% 111 $660   $12,122,453 8
Jan 8, 2016 40 $44,407 -39% 82 $542   $12,188,642 9
Jan 15, 2016 46 $15,108 -66% 34 $444   $12,220,144 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 13, 2015 5 $1,838,134     2,452 $750   $1,838,134 1
Nov 14, 2015 5 $2,361,172 +28%   2,452 $963   $4,199,306 2
Nov 15, 2015 5 $1,587,960 -33%   2,452 $648   $5,787,266 3
Nov 16, 2015 5 $451,288 -72%   2,452 $184   $6,238,554 4
Nov 17, 2015 4 $672,419 +49%   2,452 $274   $6,910,973 5
Nov 18, 2015 5 $404,551 -40%   2,452 $165   $7,315,524 6
Nov 19, 2015 6 $345,168 -15%   2,452 $141   $7,660,692 7
Nov 20, 2015 9 $702,690 +104% -62% 2,452 $287   $8,363,382 8
Nov 21, 2015 9 $940,882 +34% -60% 2,452 $384   $9,304,264 9
Nov 22, 2015 9 $698,458 -26% -56% 2,452 $285   $10,002,722 10
Nov 23, 2015 10 $248,644 -64% -45% 2,452 $101   $10,251,366 11
Nov 24, 2015 10 $284,752 +15% -58% 2,452 $116   $10,536,118 12
Nov 25, 2015 - $108,012 -62% -73% 785 $138   $10,644,130 13
Nov 26, 2015 - $115,605 +7% -67% 785 $147   $10,759,735 14
Nov 27, 2015 - $211,357 +83% -70% 702 $301   $10,971,092 15
Nov 28, 2015 - $222,030 +5% -76% 702 $316   $11,193,122 16
Nov 29, 2015 - $126,748 -43% -82% 702 $181   $11,319,870 17
Nov 30, 2015 - $40,628 -68% -84% 702 $58   $11,360,498 18
Dec 1, 2015 - $52,003 +28% -82% 702 $74   $11,412,501 19
Dec 2, 2015 - $37,962 -27% -65% 702 $54   $11,450,463 20
Dec 3, 2015 - $35,304 -7% -69% 702 $50   $11,485,767 21
Dec 4, 2015 - $51,364 +45% -76% 303 $170   $11,537,131 22
Dec 5, 2015 - $81,421 +59% -63% 303 $269   $11,618,552 23
Dec 6, 2015 - $51,220 -37% -60% 303 $169   $11,669,772 24
Dec 7, 2015 - $17,561 -66% -57% 303 $58   $11,687,333 25
Dec 8, 2015 - $24,234 +38% -53% 303 $80   $11,711,567 26
Dec 9, 2015 - $18,417 -24% -51% 303 $61   $11,729,984 27
Dec 10, 2015 - $16,864 -8% -52% 303 $56   $11,746,848 28
Dec 11, 2015 - $34,044 +102% -34% 233 $146   $11,780,892 29
Dec 12, 2015 - $50,722 +49% -38% 233 $218   $11,831,614 30
Dec 13, 2015 - $35,355 -30% -31% 233 $152   $11,866,969 31
Dec 14, 2015 - $13,081 -63% -26% 233 $56   $11,880,050 32
Dec 15, 2015 - $15,428 +18% -36% 233 $66   $11,895,478 33
Dec 16, 2015 - $12,796 -17% -31% 233 $55   $11,908,274 34
Dec 17, 2015 - $9,852 -23% -42% 233 $42   $11,918,126 35
Dec 18, 2015 - $4,301 -56% -87% 55 $78   $11,922,427 36
Dec 19, 2015 - $7,457 +73% -85% 55 $136   $11,929,884 37
Dec 20, 2015 - $6,418 -14% -82% 55 $117   $11,936,302 38
Dec 21, 2015 - $3,201 -50% -76% 55 $58   $11,939,503 39
Dec 22, 2015 - $5,387 +68% -65% 55 $98   $11,944,890 40
Dec 23, 2015 - $3,634 -33% -72% 55 $66   $11,948,524 41
Dec 24, 2015 - $1,867 -49% -81% 55 $34   $11,950,391 42
Dec 25, 2015 - $16,845 +802% +292% 111 $152   $11,967,236 43
Dec 26, 2015 - $20,621 +22% +177% 111 $186   $11,987,857 44
Dec 27, 2015 - $16,702 -19% +160% 111 $150   $12,004,559 45
Dec 28, 2015 - $10,321 -38% +222% 111 $93   $12,014,880 46
Dec 29, 2015 - $11,758 +14% +118% 111 $106   $12,026,638 47
Dec 30, 2015 - $11,859 +1% +226% 111 $107   $12,038,497 48
Dec 31, 2015 - $10,745 -9% +476% 111 $97   $12,049,242 49
Jan 1, 2016 - $27,603 +157% +64% 111 $249   $12,076,845 50
Jan 2, 2016 - $29,089 +5% +41% 111 $262   $12,105,934 51
Jan 3, 2016 - $16,519 -43% -1% 111 $149   $12,122,453 52
Jan 4, 2016 - $6,107 -63% -41% 111 $55   $12,128,560 53
Jan 5, 2016 - $5,374 -12% -54% 111 $48   $12,133,934 54
Jan 6, 2016 - $4,859 -10% -59% 111 $44   $12,138,793 55
Jan 7, 2016 - $5,442 +12% -49% 111 $49   $12,144,235 56
Jan 8, 2016 - $14,146 +160% -49% 82 $173   $12,158,381 57
Jan 9, 2016 - $18,255 +29% -37% 82 $223   $12,176,636 58
Jan 10, 2016 - $12,006 -34% -27% 82 $146   $12,188,642 59
Jan 11, 2016 - $3,481 -71% -43% 82 $42   $12,192,123 60
Jan 12, 2016 - $4,525 +30% -16% 82 $55   $12,196,648 61
Jan 13, 2016 - $4,072 -10% -16% 82 $50   $12,200,720 62
Jan 14, 2016 - $4,316 +6% -21% 82 $53   $12,205,036 63
Jan 15, 2016 - $4,118 -5% -71% 34 $121   $12,209,154 64
Jan 16, 2016 - $6,049 +47% -67% 34 $178   $12,215,203 65
Jan 17, 2016 - $4,941 -18% -59% 34 $145   $12,220,144 66
Jan 18, 2016 - $3,751 -24% +8% 34 $110   $12,223,895 67
Jan 19, 2016 - $1,312 -65% -71% 34 $39   $12,225,207 68
Jan 20, 2016 - $1,154 -12% -72% 34 $34   $12,226,361 69
Jan 21, 2016 - $1,361 +18% -68% 34 $40   $12,227,722 70

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 5 $7,660,692   2,452 $3,124   $7,660,692 1
Nov 20, 2015 11 $3,099,043 -60% 2,452 $1,264   $10,759,735 2
Nov 27, 2015 17 $726,032 -77% 702 $1,034   $11,485,767 3
Dec 4, 2015 22 $261,081 -64% 303 $862   $11,746,848 4
Dec 11, 2015 29 $171,278 -34% 233 $735   $11,918,126 5
Dec 18, 2015 43 $32,265 -81% 55 $587   $11,950,391 6
Dec 25, 2015 37 $98,851 +206% 111 $891   $12,049,242 7
Jan 1, 2016 39 $94,993 -4% 111 $856   $12,144,235 8
Jan 8, 2016 40 $60,801 -36% 82 $741   $12,205,036 9
Jan 15, 2016 46 $22,686 -63% 34 $667   $12,227,722 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/27/2015 $0 0 8 14 $21,417 11/17/2015
Bolivia 9/3/2015 $28,097 24 24 46 $65,754 12/30/2018
Brazil 10/29/2015 $0 0 9 9 $268,931 11/17/2015
Central America 8/20/2015 $0 0 26 31 $320,698 9/18/2015
Chile 8/6/2015 $0 0 159 439 $4,937,597 12/30/2018
China 3/4/2016 $2,030,000 18,820 18,820 18,820 $3,449,490 10/2/2018
Colombia 8/20/2015 $221,123 197 197 440 $558,614 12/30/2018
Ecuador 9/4/2015 $0 0 33 40 $500,794 12/30/2018
Germany 2/11/2016 $10,214 40 40 40 $10,214 6/9/2016
Hong Kong 1/7/2016 $85,696 18 18 38 $190,699 11/15/2018
India 1/15/2016 $11,743 14 14 14 $11,743 6/9/2016
Iraq 11/12/2015 $990 2 2 3 $4,464 12/30/2018
Lebanon 11/12/2015 $4,309 1 1 2 $6,836 12/30/2018
Malaysia 12/31/2015 $140,797 83 83 212 $280,994 6/9/2016
Mexico 8/28/2015 $1,124,408 0 0 0 $3,074,691 9/7/2018
Peru 9/3/2015 $76,921 18 38 56 $132,085 12/21/2018
Philippines 12/9/2015 $24,336 45 45 45 $24,336 12/30/2018
Portugal 4/14/2016 $16,345 15 15 29 $35,984 6/9/2016
Singapore 11/19/2015 $38,083 8 10 28 $87,633 12/16/2015
South Korea 4/7/2016 $20,183 0 320 336 $274,207 9/10/2018
Taiwan 12/11/2015 $53,670 19 19 43 $117,449 6/9/2016
Thailand 11/12/2015 $71,587 59 59 129 $148,808 12/1/2015
United Arab Emirates 11/12/2015 $120,332 14 14 35 $327,065 12/30/2018
United Kingdom 1/29/2016 $37,174 102 102 114 $86,597 6/9/2016
Uruguay 8/27/2015 $0 0 7 9 $16,847 12/30/2018
Venezuela 10/9/2015 $0 0 23 50 $1,105,820 12/16/2015
 
International Total$16,059,767 12/30/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 21, 2016473,467 82,329$964,622$1,097,4633
Feb 28, 20162511,074-85% 93,403$143,851$1,241,3144

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 21, 20161221,736 23,739$455,372$496,9043

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Antonio Banderas Mario Sepulveda
Rodrigo Santoro Laurence Golborne
Juliette Binoche Maria Segovia
Mario Casas Alex Vega

Supporting Cast

Cote de Pablo Jessica Salgado
Gabriel Byrne Andre Sougarret
James Brolin Jeff Hart
Bob Gunton President Pinera
Lou Diamond Phillips Luis Urzua
Adriana Barraza Marta
Jacob Vargas Edison Pena
Juan Pablo Raba Dario Segovia
Oscar Nuñez Yonni Barrios
Tenoch Huerta Carlos Mamani
Marco Trevino Jose Henriquez
Elizabeth De Razzo Susana Valenzuela
Naomi Scott Escarlette
Gustavo Angarita Mario Gomez
Alejandro Goic Lobos
Raoul Pinno Don Jose
Mario Zaragoza Carlos Castillo
Paulina Garcia Isabel Pereira
Cristian Campos Hurtado
Jorge Diaz Igor Proestakis
Juan Pablo Auger Drill Worker
Leonardo Farkas Leonardo Farkas
Francisca Concha Local Newscaster
Diego Noguera Man in Suit
Sebastian Apiolaza Pablo Rojas
Jorge Godoy Rodrigo
Marcelo Gutierrez Armed Mine Guard 1
Carlos Talamilla Armed Mine Guard 2
Trinidad Gonzalez Mrs. Sougarret
Fernanda Ramirez Ivy Sougarret
Orlando Alfaro Mine Worker
Felipe Alvarez TV Reporter
Ignacio De Vries Communications Technician
Luis Chaparro Mine Worker
Henry Bravo Miner 1
Jaime Correa Miner 2
Juan Carlos Solarte Miner 3
William Winston Miner 4
Santiago Carreno Miner 5
Miguel Ariel Sierra Miner 6
Nicolas Troya Miner 7
Fernando Monge Miner 8
Fredy Yate Miner
Pedro Calvo Miner 10
Jonatan Gomez Miner 11
Edgardo Petliuk Miner 12
Elbert Galeano Miner 13
Juan Saldarriaga Miner 14
Luis Hernando Rodriguez Miner 15
Daniel Ospina Miner 16
Hedras Urrego Miner 20
David Quintero Miner 21
Franklin Gutierrez Miner 22
Fernando Rojas Miner 23
Henry Ortiz Skinny Miner 1
Erik Rodriguez Skinny Miner 2
Edwar Silva Skinny Miner 3
Fernando Esterilla Skinny Miner 4
Karolina Gonzalez Waitress 1
Angela Garcia Waitress 2
Daian Parra Waitress 3
Sojana Ortiz Waitress 4
Lorena Garcia Waitress 5
Rosa Garavito De Vargas Yonni's Mother
Montserrat Alvarez News Reporter
Alexis Catepanopolus Cameraman
Timothy Willcox BBC Reporter
Michel Floquet French TF1 Reporter
Salma Al Jamal Al Jazeera Anchor
Habib Ghribi Al Jazeera Anchor

Cameos

Anderson Cooper CNN Anchor
Mario Kreutzberger Don Francisco

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Patricia Riggen Director
Mikko Alanne Screenwriter
Craig Borten Screenwriter
Michael Thomas Screenwriter
Jose Rivera Screen Story by
Hector Tobar Based on the Book "Deep Down Dark" by
Mike Medavoy Producer
Robert Katz Producer
Edward McGurn Producer
Carlos Eugenio Lavin Executive Producer
Leopoldo Enriquez Executive Producer
Alan Zhang Executive Producer
Jose Luis Escolar Executive Producer
Marco Niro Production Designer
Michael Tronick Editor
James Horner Composer
Checco Varese Director of Photography
Alex Henning Visual Effects Supervisor
Paco Delgado Costume Designer
Lynn Fainchtein Music Supervisor
Carla Hool Casting Director
Jose Luis Escolar Unit Production Manager
Javier Chinchilla First Assistant Director
Giselle Gurza Second Assistant Director
Robert Greenhut Co-Executive Producer
Aida Rodriguez Set Decorator
Hector Rivera Art Director
Nuria Casanueva Art Director
Santiago Nunez Sound Mixer
Daniel Cordero Special Effects Supervisor
Jordi Casares Stunt Coordinator
Lee Michael Sheward* Second Unit Director
Checco Varese Second Unit Director
David Gaines Post-Production Supervisor
Frank Salvino Post-Production Supervisor
Sandy Pereira Additional Editor
Pablo Prietto Assistant Editor
Magdalena Wolf Visual Effects Producer
Jeff Campbell Visual Effects Supervisor
Neishaw Ali Visual Effects Executive Producer
Greg Behrendt Visual Effects Producer
Peter Giliberti Animation Supervisor
Mark P. Stoeckinger Supervising Sound Editor
Mike Prestwood Smith Re-recording Mixer
Martyn Zub Re-recording Mixer
Alan Rankin Sound Designer
Tim Walston Sound Editor
Paul Hackner Sound Editor
Gregory Hedgepath Sound Editor
Julie Feiner Dialogue Editor
Charles Ritter Dialogue Editor
Paul Carden Dialogue Editor
Joe E. Rand Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 16th, 2016

February 15th, 2016

The Kid

There's no major release this week. I was tempted to give Spectre the Pick of the Week honor, but the screener arrived too late to get the review done over the weekend. None of the big releases are worth the Pick of the Week title. There are a number of smaller releases that are worth considering for Pick of the Week, including The Kid, which tops the list.

On a side note, this week's list is a little shorter than I would have liked, because the people who run Amazon are morons. They've changed the New Releases page, again, making it even harder to find a list of new releases for the week. Additionally, there are some films, like Black Mass, that weren't on the list of releases for this week before the changes were made. I understand why physical stores reorganize every once and a while, because if people have to walk to the store to find something, they are more likely to buy something else on a whim. However, these people physically walked to the store, so if they don't buy what they came for, it will be a wasted effort. On the other hand, people go to Amazon by clicking a button. Making it harder to find new releases for that week won't make it more likely they will buy something else. It means they are more likely to not buy anything at all. More...

Weekend Wrap-Up: Moviegoers Satisfied with Final Course of Hunger Games

November 24th, 2015

The Hunger Games: Mockingjay, Part 2

The Curse of the High Expectations strikes again. The Hunger Games: Mockingjay, Part 2 became the fifth film of the year to open with more than $100 million. This should be a reason to celebrate, but it marks a very steep decline from previous films in the Hunger Games franchise. The other two wide releases, The Night Before and Secret in Their Eyes, both failed to meet expectations, leaving the overall box office softer than anticipated. Granted, it still grew 60% from last weekend to $173 million, but this is 10% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by a comfortable margin of 3.6% or $320 million. It would take a sizable collapse for 2015 to not come out on top in terms of raw box office dollars. On the other hand, it wouldn't take too much for it to slip below ticket price inflation, which is about 2% this year. More...

Weekend Wrap-Up: New Releases feel Unloved

November 17th, 2015

Love the Coopers

There's not much in the way of good news to talk about, which is something that is becoming sadly common. Two of the three new releases missed expectations and expectations were low to begin with. Love the Coopers led the new releases, but it is hardly what you would call a box office hit. Even calling it a middling hit is overstating things. The 33 barely managed a spot in the top five and will quickly leave theaters. My All-American missed the Mendoza Line* by a mile and missed the top ten in the process. This meant Spectre and The Peanuts Movie remained on top of the charts, but they could only help the box office avoid becoming a disaster. As it is, the overall box office fell 33% from last weekend to just $108 million. This was 23% less than the same weekend last year. Year-to-date, 2015's lead over 2015 took a real hit and its down to 3.9% at $9.06 billion to $8.72 billion. However, as we've seen recently, the overall box office is weaker than the these numbers look, as we've seen few major hits and many, many bombs. More...

Weekend Estimates: Spectre Set to Be Number Two Bond

November 15th, 2015

Spectre

Sony are predicting a decline of just 50% for Spectre in its second weekend in theaters, putting James Bond’s latest incarnation on track for a final domestic box office in the neighborhood of $200 million. While well short of Skyfall’s $304 million, it welcome news for a film that’s probably right on the bubble as far as profitability is concerned. More...

Friday Estimates: Openers Fall Well Short of Spectre and Peanuts

November 14th, 2015

Spectre

Three new wide releases are all, as expected, struggling to make much headway against Spectre and The Peanuts Movie this weekend, with the two returning films sitting comfortably at the top of the chart. Spectre picked up an estimated $10.2 million on Friday for a total to date of $105.5 million, while Peanuts earned another $5.6 million, for $63.9 million so far. More...

Weekend Predictions: Will the New Releases get any Love?

November 11th, 2015

Love the Coopers

Last week the box office bounced back in an impressive fashion. However, this week it will very likely slump back down again. There are only two truly wide releases coming out this week, The 33 and Love the Coopers, neither of which are expected to be hits. In fact, there's a good chance neither of them will top $10 million over the weekend. This will leave Spectre and The Peanuts Movie on top of the charts once again, while we will have a one or two other holdovers in the top five, depending on how well the new wide releases match low expectations. This weekend last year Dumb and Dumber To opened with $36.11 million. This is more than either new release will earn this weekend, or in total. This might be more than both new releases will finish with combined. Unless the holdovers hold on really well, 2015 will lose in the year-over-year comparison, but it should be close. More...

Contest: Procrastoween

November 6th, 2015

Love the Coopers

It is a bit of a messed up week as far as the contest is concerned. I ended the Halloween trick or treat contests a week early, because I got the release date of Mr. Holmes wrong. I had already set aside the two sets of horror or the one set of bad movies, so I might as well give them away this week. Also, the contest is a mess, because the wide releases next week are a mess. By the Sea was dropped to limited release, while My All-American is opening semi-wide, so that's a reversal of expectations. This leaves The 33 and Love the Coopers as the only true wide releases, neither of which is expected to be a even a midlevel hit. Combined they are not expected to be a midlevel hit. Worse for me, neither is expected to be a significantly bigger hit than the other making it harder to choose which film will be the target film. I'm literally going to have to flip a coin. Love the Coopers is the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Love the Coopers.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: November

November 1st, 2015

The Hunger Games: Mockingjay - Part 2

October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In 2010, the eyes of the world turned to Chile, where 33 miners had been buried alive by the catastrophic explosion and collapse of a 100-year-old gold and copper mine. Over the next 69 days, an international team worked night and day in a desperate attempt to rescue the trapped men as their families and friends, as well as millions of people globally, waited and watched anxiously for any sign of hope. But 200 stories beneath the surface, in the suffocating heat and with tensions rising, provisions-and time-were quickly running out.

Metrics

Opening Weekend:$5,787,266 (47.3% of total gross)
Legs:2.11 (domestic box office/biggest weekend)
Domestic Share:43.2% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 1.1 times production budget)
Theater counts:2,452 opening theaters/2,452 max. theaters, 2.7 weeks average run per theater
Infl. Adj. Dom. BO $15,630,590

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 13th, 2015 (Wide) by Warner Bros.
International Releases: August 6th, 2015 (Wide) (Chile)
August 20th, 2015 (Wide) (Central America)
August 20th, 2015 (Wide) (Colombia)
August 27th, 2015 (Wide) (Argentina)
August 27th, 2015 (Wide) (Uruguay)
... Show all releases
Video Release: February 2nd, 2016 by Warner Home Video
MPAA Rating: PG-13 for a disaster sequence and some language.
(Rating bulletin 2388, 8/26/2015)
Running Time: 120 minutes
Comparisons: vs. Florence Foster Jenkins
Create your own comparison chart…
Keywords: Underground, Disaster, Set in Chile, Rescue, Media Circus, Archive Footage, Survival Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Phoenix Pictures, Alcon Entertainment
Production Countries: Chile, United States
Languages: English, Spanish

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Veterans Day (All Movies, 3-Day) 151 $5,787,266 Nov 13, 2015 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 227 $7,595,363 Nov 13, 2015 3
Veterans Day (Opening, 3-Day) 64 $5,787,266 Nov 13, 2015 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 79 $7,595,363 Nov 13, 2015 3

Leading Cast

Antonio Banderas Mario Sepulveda
Rodrigo Santoro Laurence Golborne
Juliette Binoche Maria Segovia
Mario Casas Alex Vega

Supporting Cast

Cote de Pablo Jessica Salgado
Gabriel Byrne Andre Sougarret
James Brolin Jeff Hart
Bob Gunton President Pinera
Lou Diamond Phillips Luis Urzua
Adriana Barraza Marta
Jacob Vargas Edison Pena
Juan Pablo Raba Dario Segovia
Oscar Nuñez Yonni Barrios
Tenoch Huerta Carlos Mamani
Marco Trevino Jose Henriquez
Elizabeth De Razzo Susana Valenzuela
Naomi Scott Escarlette
Gustavo Angarita Mario Gomez
Alejandro Goic Lobos
Raoul Pinno Don Jose
Mario Zaragoza Carlos Castillo
Paulina Garcia Isabel Pereira
Cristian Campos Hurtado
Jorge Diaz Igor Proestakis
Juan Pablo Auger Drill Worker
Leonardo Farkas Leonardo Farkas
Francisca Concha Local Newscaster
Diego Noguera Man in Suit
Sebastian Apiolaza Pablo Rojas
Jorge Godoy Rodrigo
Marcelo Gutierrez Armed Mine Guard 1
Carlos Talamilla Armed Mine Guard 2
Trinidad Gonzalez Mrs. Sougarret
Fernanda Ramirez Ivy Sougarret
Orlando Alfaro Mine Worker
Felipe Alvarez TV Reporter
Ignacio De Vries Communications Technician
Luis Chaparro Mine Worker
Henry Bravo Miner 1
Jaime Correa Miner 2
Juan Carlos Solarte Miner 3
William Winston Miner 4
Santiago Carreno Miner 5
Miguel Ariel Sierra Miner 6
Nicolas Troya Miner 7
Fernando Monge Miner 8
Fredy Yate Miner
Pedro Calvo Miner 10
Jonatan Gomez Miner 11
Edgardo Petliuk Miner 12
Elbert Galeano Miner 13
Juan Saldarriaga Miner 14
Luis Hernando Rodriguez Miner 15
Daniel Ospina Miner 16
Hedras Urrego Miner 20
David Quintero Miner 21
Franklin Gutierrez Miner 22
Fernando Rojas Miner 23
Henry Ortiz Skinny Miner 1
Erik Rodriguez Skinny Miner 2
Edwar Silva Skinny Miner 3
Fernando Esterilla Skinny Miner 4
Karolina Gonzalez Waitress 1
Angela Garcia Waitress 2
Daian Parra Waitress 3
Sojana Ortiz Waitress 4
Lorena Garcia Waitress 5
Rosa Garavito De Vargas Yonni's Mother
Montserrat Alvarez News Reporter
Alexis Catepanopolus Cameraman
Timothy Willcox BBC Reporter
Michel Floquet French TF1 Reporter
Salma Al Jamal Al Jazeera Anchor
Habib Ghribi Al Jazeera Anchor

Cameos

Anderson Cooper CNN Anchor
Mario Kreutzberger Don Francisco

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Patricia Riggen Director
Mikko Alanne Screenwriter
Craig Borten Screenwriter
Michael Thomas Screenwriter
Jose Rivera Screen Story by
Hector Tobar Based on the Book "Deep Down Dark" by
Mike Medavoy Producer
Robert Katz Producer
Edward McGurn Producer
Carlos Eugenio Lavin Executive Producer
Leopoldo Enriquez Executive Producer
Alan Zhang Executive Producer
Jose Luis Escolar Executive Producer
Marco Niro Production Designer
Michael Tronick Editor
James Horner Composer
Checco Varese Director of Photography
Alex Henning Visual Effects Supervisor
Paco Delgado Costume Designer
Lynn Fainchtein Music Supervisor
Carla Hool Casting Director
Jose Luis Escolar Unit Production Manager
Javier Chinchilla First Assistant Director
Giselle Gurza Second Assistant Director
Robert Greenhut Co-Executive Producer
Aida Rodriguez Set Decorator
Hector Rivera Art Director
Nuria Casanueva Art Director
Santiago Nunez Sound Mixer
Daniel Cordero Special Effects Supervisor
Jordi Casares Stunt Coordinator
Lee Michael Sheward* Second Unit Director
Checco Varese Second Unit Director
David Gaines Post-Production Supervisor
Frank Salvino Post-Production Supervisor
Sandy Pereira Additional Editor
Pablo Prietto Assistant Editor
Magdalena Wolf Visual Effects Producer
Jeff Campbell Visual Effects Supervisor
Neishaw Ali Visual Effects Executive Producer
Greg Behrendt Visual Effects Producer
Peter Giliberti Animation Supervisor
Mark P. Stoeckinger Supervising Sound Editor
Mike Prestwood Smith Re-recording Mixer
Martyn Zub Re-recording Mixer
Alan Rankin Sound Designer
Tim Walston Sound Editor
Paul Hackner Sound Editor
Gregory Hedgepath Sound Editor
Julie Feiner Dialogue Editor
Charles Ritter Dialogue Editor
Paul Carden Dialogue Editor
Joe E. Rand Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 16th, 2016

February 15th, 2016

The Kid

There's no major release this week. I was tempted to give Spectre the Pick of the Week honor, but the screener arrived too late to get the review done over the weekend. None of the big releases are worth the Pick of the Week title. There are a number of smaller releases that are worth considering for Pick of the Week, including The Kid, which tops the list.

On a side note, this week's list is a little shorter than I would have liked, because the people who run Amazon are morons. They've changed the New Releases page, again, making it even harder to find a list of new releases for the week. Additionally, there are some films, like Black Mass, that weren't on the list of releases for this week before the changes were made. I understand why physical stores reorganize every once and a while, because if people have to walk to the store to find something, they are more likely to buy something else on a whim. However, these people physically walked to the store, so if they don't buy what they came for, it will be a wasted effort. On the other hand, people go to Amazon by clicking a button. Making it harder to find new releases for that week won't make it more likely they will buy something else. It means they are more likely to not buy anything at all. More...

Weekend Wrap-Up: Moviegoers Satisfied with Final Course of Hunger Games

November 24th, 2015

The Hunger Games: Mockingjay, Part 2

The Curse of the High Expectations strikes again. The Hunger Games: Mockingjay, Part 2 became the fifth film of the year to open with more than $100 million. This should be a reason to celebrate, but it marks a very steep decline from previous films in the Hunger Games franchise. The other two wide releases, The Night Before and Secret in Their Eyes, both failed to meet expectations, leaving the overall box office softer than anticipated. Granted, it still grew 60% from last weekend to $173 million, but this is 10% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by a comfortable margin of 3.6% or $320 million. It would take a sizable collapse for 2015 to not come out on top in terms of raw box office dollars. On the other hand, it wouldn't take too much for it to slip below ticket price inflation, which is about 2% this year. More...

Weekend Wrap-Up: New Releases feel Unloved

November 17th, 2015

Love the Coopers

There's not much in the way of good news to talk about, which is something that is becoming sadly common. Two of the three new releases missed expectations and expectations were low to begin with. Love the Coopers led the new releases, but it is hardly what you would call a box office hit. Even calling it a middling hit is overstating things. The 33 barely managed a spot in the top five and will quickly leave theaters. My All-American missed the Mendoza Line* by a mile and missed the top ten in the process. This meant Spectre and The Peanuts Movie remained on top of the charts, but they could only help the box office avoid becoming a disaster. As it is, the overall box office fell 33% from last weekend to just $108 million. This was 23% less than the same weekend last year. Year-to-date, 2015's lead over 2015 took a real hit and its down to 3.9% at $9.06 billion to $8.72 billion. However, as we've seen recently, the overall box office is weaker than the these numbers look, as we've seen few major hits and many, many bombs. More...

Weekend Estimates: Spectre Set to Be Number Two Bond

November 15th, 2015

Spectre

Sony are predicting a decline of just 50% for Spectre in its second weekend in theaters, putting James Bond’s latest incarnation on track for a final domestic box office in the neighborhood of $200 million. While well short of Skyfall’s $304 million, it welcome news for a film that’s probably right on the bubble as far as profitability is concerned. More...

Friday Estimates: Openers Fall Well Short of Spectre and Peanuts

November 14th, 2015

Spectre

Three new wide releases are all, as expected, struggling to make much headway against Spectre and The Peanuts Movie this weekend, with the two returning films sitting comfortably at the top of the chart. Spectre picked up an estimated $10.2 million on Friday for a total to date of $105.5 million, while Peanuts earned another $5.6 million, for $63.9 million so far. More...

Weekend Predictions: Will the New Releases get any Love?

November 11th, 2015

Love the Coopers

Last week the box office bounced back in an impressive fashion. However, this week it will very likely slump back down again. There are only two truly wide releases coming out this week, The 33 and Love the Coopers, neither of which are expected to be hits. In fact, there's a good chance neither of them will top $10 million over the weekend. This will leave Spectre and The Peanuts Movie on top of the charts once again, while we will have a one or two other holdovers in the top five, depending on how well the new wide releases match low expectations. This weekend last year Dumb and Dumber To opened with $36.11 million. This is more than either new release will earn this weekend, or in total. This might be more than both new releases will finish with combined. Unless the holdovers hold on really well, 2015 will lose in the year-over-year comparison, but it should be close. More...

Contest: Procrastoween

November 6th, 2015

Love the Coopers

It is a bit of a messed up week as far as the contest is concerned. I ended the Halloween trick or treat contests a week early, because I got the release date of Mr. Holmes wrong. I had already set aside the two sets of horror or the one set of bad movies, so I might as well give them away this week. Also, the contest is a mess, because the wide releases next week are a mess. By the Sea was dropped to limited release, while My All-American is opening semi-wide, so that's a reversal of expectations. This leaves The 33 and Love the Coopers as the only true wide releases, neither of which is expected to be a even a midlevel hit. Combined they are not expected to be a midlevel hit. Worse for me, neither is expected to be a significantly bigger hit than the other making it harder to choose which film will be the target film. I'm literally going to have to flip a coin. Love the Coopers is the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Love the Coopers.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: November

November 1st, 2015

The Hunger Games: Mockingjay - Part 2

October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 5 $5,787,266   2,452 $2,360   $5,787,266 1
Nov 20, 2015 9 $2,342,030 -60% 2,452 $955   $10,002,722 2
Nov 27, 2015 17 $560,135 -76% 702 $798   $11,319,870 3
Dec 4, 2015 22 $184,005 -67% 303 $607   $11,669,772 4
Dec 11, 2015 29 $120,121 -35% 233 $516   $11,866,969 5
Dec 18, 2015 42 $18,176 -85% 55 $330   $11,936,302 6
Dec 25, 2015 38 $54,168 +198% 111 $488   $12,004,559 7
Jan 1, 2016 39 $73,211 +35% 111 $660   $12,122,453 8
Jan 8, 2016 40 $44,407 -39% 82 $542   $12,188,642 9
Jan 15, 2016 46 $15,108 -66% 34 $444   $12,220,144 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 13, 2015 5 $1,838,134     2,452 $750   $1,838,134 1
Nov 14, 2015 5 $2,361,172 +28%   2,452 $963   $4,199,306 2
Nov 15, 2015 5 $1,587,960 -33%   2,452 $648   $5,787,266 3
Nov 16, 2015 5 $451,288 -72%   2,452 $184   $6,238,554 4
Nov 17, 2015 4 $672,419 +49%   2,452 $274   $6,910,973 5
Nov 18, 2015 5 $404,551 -40%   2,452 $165   $7,315,524 6
Nov 19, 2015 6 $345,168 -15%   2,452 $141   $7,660,692 7
Nov 20, 2015 9 $702,690 +104% -62% 2,452 $287   $8,363,382 8
Nov 21, 2015 9 $940,882 +34% -60% 2,452 $384   $9,304,264 9
Nov 22, 2015 9 $698,458 -26% -56% 2,452 $285   $10,002,722 10
Nov 23, 2015 10 $248,644 -64% -45% 2,452 $101   $10,251,366 11
Nov 24, 2015 10 $284,752 +15% -58% 2,452 $116   $10,536,118 12
Nov 25, 2015 - $108,012 -62% -73% 785 $138   $10,644,130 13
Nov 26, 2015 - $115,605 +7% -67% 785 $147   $10,759,735 14
Nov 27, 2015 - $211,357 +83% -70% 702 $301   $10,971,092 15
Nov 28, 2015 - $222,030 +5% -76% 702 $316   $11,193,122 16
Nov 29, 2015 - $126,748 -43% -82% 702 $181   $11,319,870 17
Nov 30, 2015 - $40,628 -68% -84% 702 $58   $11,360,498 18
Dec 1, 2015 - $52,003 +28% -82% 702 $74   $11,412,501 19
Dec 2, 2015 - $37,962 -27% -65% 702 $54   $11,450,463 20
Dec 3, 2015 - $35,304 -7% -69% 702 $50   $11,485,767 21
Dec 4, 2015 - $51,364 +45% -76% 303 $170   $11,537,131 22
Dec 5, 2015 - $81,421 +59% -63% 303 $269   $11,618,552 23
Dec 6, 2015 - $51,220 -37% -60% 303 $169   $11,669,772 24
Dec 7, 2015 - $17,561 -66% -57% 303 $58   $11,687,333 25
Dec 8, 2015 - $24,234 +38% -53% 303 $80   $11,711,567 26
Dec 9, 2015 - $18,417 -24% -51% 303 $61   $11,729,984 27
Dec 10, 2015 - $16,864 -8% -52% 303 $56   $11,746,848 28
Dec 11, 2015 - $34,044 +102% -34% 233 $146   $11,780,892 29
Dec 12, 2015 - $50,722 +49% -38% 233 $218   $11,831,614 30
Dec 13, 2015 - $35,355 -30% -31% 233 $152   $11,866,969 31
Dec 14, 2015 - $13,081 -63% -26% 233 $56   $11,880,050 32
Dec 15, 2015 - $15,428 +18% -36% 233 $66   $11,895,478 33
Dec 16, 2015 - $12,796 -17% -31% 233 $55   $11,908,274 34
Dec 17, 2015 - $9,852 -23% -42% 233 $42   $11,918,126 35
Dec 18, 2015 - $4,301 -56% -87% 55 $78   $11,922,427 36
Dec 19, 2015 - $7,457 +73% -85% 55 $136   $11,929,884 37
Dec 20, 2015 - $6,418 -14% -82% 55 $117   $11,936,302 38
Dec 21, 2015 - $3,201 -50% -76% 55 $58   $11,939,503 39
Dec 22, 2015 - $5,387 +68% -65% 55 $98   $11,944,890 40
Dec 23, 2015 - $3,634 -33% -72% 55 $66   $11,948,524 41
Dec 24, 2015 - $1,867 -49% -81% 55 $34   $11,950,391 42
Dec 25, 2015 - $16,845 +802% +292% 111 $152   $11,967,236 43
Dec 26, 2015 - $20,621 +22% +177% 111 $186   $11,987,857 44
Dec 27, 2015 - $16,702 -19% +160% 111 $150   $12,004,559 45
Dec 28, 2015 - $10,321 -38% +222% 111 $93   $12,014,880 46
Dec 29, 2015 - $11,758 +14% +118% 111 $106   $12,026,638 47
Dec 30, 2015 - $11,859 +1% +226% 111 $107   $12,038,497 48
Dec 31, 2015 - $10,745 -9% +476% 111 $97   $12,049,242 49
Jan 1, 2016 - $27,603 +157% +64% 111 $249   $12,076,845 50
Jan 2, 2016 - $29,089 +5% +41% 111 $262   $12,105,934 51
Jan 3, 2016 - $16,519 -43% -1% 111 $149   $12,122,453 52
Jan 4, 2016 - $6,107 -63% -41% 111 $55   $12,128,560 53
Jan 5, 2016 - $5,374 -12% -54% 111 $48   $12,133,934 54
Jan 6, 2016 - $4,859 -10% -59% 111 $44   $12,138,793 55
Jan 7, 2016 - $5,442 +12% -49% 111 $49   $12,144,235 56
Jan 8, 2016 - $14,146 +160% -49% 82 $173   $12,158,381 57
Jan 9, 2016 - $18,255 +29% -37% 82 $223   $12,176,636 58
Jan 10, 2016 - $12,006 -34% -27% 82 $146   $12,188,642 59
Jan 11, 2016 - $3,481 -71% -43% 82 $42   $12,192,123 60
Jan 12, 2016 - $4,525 +30% -16% 82 $55   $12,196,648 61
Jan 13, 2016 - $4,072 -10% -16% 82 $50   $12,200,720 62
Jan 14, 2016 - $4,316 +6% -21% 82 $53   $12,205,036 63
Jan 15, 2016 - $4,118 -5% -71% 34 $121   $12,209,154 64
Jan 16, 2016 - $6,049 +47% -67% 34 $178   $12,215,203 65
Jan 17, 2016 - $4,941 -18% -59% 34 $145   $12,220,144 66
Jan 18, 2016 - $3,751 -24% +8% 34 $110   $12,223,895 67
Jan 19, 2016 - $1,312 -65% -71% 34 $39   $12,225,207 68
Jan 20, 2016 - $1,154 -12% -72% 34 $34   $12,226,361 69
Jan 21, 2016 - $1,361 +18% -68% 34 $40   $12,227,722 70

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 13, 2015 5 $7,660,692   2,452 $3,124   $7,660,692 1
Nov 20, 2015 11 $3,099,043 -60% 2,452 $1,264   $10,759,735 2
Nov 27, 2015 17 $726,032 -77% 702 $1,034   $11,485,767 3
Dec 4, 2015 22 $261,081 -64% 303 $862   $11,746,848 4
Dec 11, 2015 29 $171,278 -34% 233 $735   $11,918,126 5
Dec 18, 2015 43 $32,265 -81% 55 $587   $11,950,391 6
Dec 25, 2015 37 $98,851 +206% 111 $891   $12,049,242 7
Jan 1, 2016 39 $94,993 -4% 111 $856   $12,144,235 8
Jan 8, 2016 40 $60,801 -36% 82 $741   $12,205,036 9
Jan 15, 2016 46 $22,686 -63% 34 $667   $12,227,722 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/27/2015 $0 0 8 14 $21,417 11/17/2015
Bolivia 9/3/2015 $28,097 24 24 46 $65,754 12/30/2018
Brazil 10/29/2015 $0 0 9 9 $268,931 11/17/2015
Central America 8/20/2015 $0 0 26 31 $320,698 9/18/2015
Chile 8/6/2015 $0 0 159 439 $4,937,597 12/30/2018
China 3/4/2016 $2,030,000 18,820 18,820 18,820 $3,449,490 10/2/2018
Colombia 8/20/2015 $221,123 197 197 440 $558,614 12/30/2018
Ecuador 9/4/2015 $0 0 33 40 $500,794 12/30/2018
Germany 2/11/2016 $10,214 40 40 40 $10,214 6/9/2016
Hong Kong 1/7/2016 $85,696 18 18 38 $190,699 11/15/2018
India 1/15/2016 $11,743 14 14 14 $11,743 6/9/2016
Iraq 11/12/2015 $990 2 2 3 $4,464 12/30/2018
Lebanon 11/12/2015 $4,309 1 1 2 $6,836 12/30/2018
Malaysia 12/31/2015 $140,797 83 83 212 $280,994 6/9/2016
Mexico 8/28/2015 $1,124,408 0 0 0 $3,074,691 9/7/2018
Peru 9/3/2015 $76,921 18 38 56 $132,085 12/21/2018
Philippines 12/9/2015 $24,336 45 45 45 $24,336 12/30/2018
Portugal 4/14/2016 $16,345 15 15 29 $35,984 6/9/2016
Singapore 11/19/2015 $38,083 8 10 28 $87,633 12/16/2015
South Korea 4/7/2016 $20,183 0 320 336 $274,207 9/10/2018
Taiwan 12/11/2015 $53,670 19 19 43 $117,449 6/9/2016
Thailand 11/12/2015 $71,587 59 59 129 $148,808 12/1/2015
United Arab Emirates 11/12/2015 $120,332 14 14 35 $327,065 12/30/2018
United Kingdom 1/29/2016 $37,174 102 102 114 $86,597 6/9/2016
Uruguay 8/27/2015 $0 0 7 9 $16,847 12/30/2018
Venezuela 10/9/2015 $0 0 23 50 $1,105,820 12/16/2015
 
International Total$16,059,767 12/30/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 21, 2016473,467 82,329$964,622$1,097,4633
Feb 28, 20162511,074-85% 93,403$143,851$1,241,3144

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 21, 20161221,736 23,739$455,372$496,9043

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.