Joel Edgerton
Best known as a Leading Actor based on credits in that role in 16 films, with $462,830,336 worldwide aggregate box office (rank #540) |
Best-known acting roles: Owen Lars (Star Wars Ep. III: Revenge of the Sith), Tom Buchanan (The Great Gatsby), Owen Lars (Star Wars Ep. II: Attack of the Clones), Chris Pratt (Zero Dark Thirty), (The Boys in the Boat) |
Best-known technical roles: The Gift (Director), The Gift (Screenwriter), The Gift (Producer), It Comes at Night (Executive Producer), Boy Erased (Director) |
Most productive collaborators: Steven Zaillian, Christian Bale, Ridley Scott, Baz Luhrmann, Leonardo DiCaprio |
Born: June 23, 1974 (50 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Leading | 16 | $201,096,257 | $261,734,079 | $462,830,336 |
Supporting | 16 | $1,005,400,810 | $1,234,308,967 | $2,239,709,777 | |
Lead Ensemble Member | 4 | $229,385,884 | $261,681,139 | $491,067,023 | |
(Unclassified) | 2 | $52,641,306 | $2,880,268 | $55,521,574 | |
In Technical Roles | Screenwriter | 5 | $52,089,750 | $22,650,659 | $74,740,409 |
Producer | 4 | $50,575,957 | $20,344,916 | $70,920,873 | |
Director | 2 | $50,575,957 | $20,265,170 | $70,841,127 | |
Executive Producer | 1 | $13,985,117 | $5,735,086 | $19,720,203 | |
Story Creator | 1 | $1,109,199 | $2,071,053 | $3,180,252 |
Career Trend
This graph shows Joel Edgerton’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Featured Blu-ray and DVD Review: Red Sparrow
May 21st, 2018
Red Sparrow is a spy thriller starring Jennifer Lawrence. It deals with the less sexy side of spying, focusing on how the women who are tasked with seducing their targets would have to live. That’s an interesting premise, but it is also one that could turn exploitative really easily. Does the film manage this balancing act? Or does it fall for cheap exploitation?
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2018 Preview: March
March 1st, 2018
February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month.
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Red Sparrow Trailer
January 8th, 2018
Spy thriller starring Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts, and Jeremy Irons opens March 2 ... Full Movie Details.
Dominika Egorova is many things. A devoted daughter determined to protect her mother at all costs. A prima ballerina whose ferocity has pushed her body and mind to the absolute limit. A master of seductive and manipulative combat. When she suffers a career-ending injury, Dominika and her mother are facing a bleak and uncertain future. That is why she finds herself manipulated into becoming the newest recruit for Sparrow School, a secret intelligence service that trains exceptional young people like her to use their bodies and minds as weapons. After enduring the perverse and sadistic training process, she emerges as the most dangerous Sparrow the program has ever produced. Dominika must now reconcile the person she was with the power she now commands. With her own life and everyone she cares about at risk, an American CIA agent tries to convince her he is the only person she can trust.
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Limited and VOD Releases: Mr. Postman, Deliver Me a Hit
December 22nd, 2017
It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear.
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It Comes at Night Trailer
June 7th, 2017
Horror movie starring Joel Edgerton, Riley Keough, and Christopher Abbott opens on Friday ... Full Movie Details.
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2017 Preview: June
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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Limited and VOD Releases: Loving These Limited Releases
November 4th, 2016
Last week was a slow week because of Halloween, but we don’t have that excuse this week. That’s not to say there are no top-notch releases this week. Loving has the best shot at box office success and possible even Oscar glory. Meanwhile, there are a pair of documentaries that are worth checking out: The Eagle Huntress and Peter and the Farm.
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2016 Preview: March
March 1st, 2016
It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.
As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015.
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2015 - Awards Season: DGA - Nominations
January 14th, 2016
The Directors Guild of America spread out the nominations, which I always felt hurt the buzz. There are ten categories of awards, but only three of which pertain to theatrical releases. There are very few surprises across these three categories, so the Oscar nominations today shouldn't be full of surprises either.
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2016 Preview: January
January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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Home Market Releases for October 27th, 2015
October 26th, 2015
It's the week of double-dips, as there are five double-dips for films that would normally be Pick of the Week contenders, but only if you don't have them already. Army Of Darkness has been released so many times, it is hard to keep track of them all. Same with Monty Python and the Holy Grail. If you don't own either of these movies, you need to buy them. However, most fans will already have them. Because of this, I'm giving the Pick of the Week to Mad Men. I reviewed Season Seven, Part Two, but the Complete Series Megaset is the better deal.
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2015 Preview: September
September 1st, 2015
As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy.
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2015 Preview: August
August 1st, 2015
It is still a little too soon to tell how July will finish, as we don't have any numbers for the final weekend at the time of writing. We know Minions was a monster hit and that Ant-man will be a financial success. However, until we see how Mission: Impossible - Rogue Nation does, it will be impossible to call the month a true success. If Rogue Nation bombed this weekend, then the month is only a partial success. It would also mean the summer of 2015 could be coming to an abrupt end. As for August, only Fantastic Four has a better than 50/50 chance of reaching $100 million; although some people think Straight Outta Compton also has a shot at that milestone. Besides those two, only a couple of other films even have a realistic shot at becoming midlevel hits. Worse still, last August was amazing with Guardians of the Galaxy breaking records. Teenage Mutant Ninja Turtles also did better than expected with a domestic haul of nearly $200 million. No release this August is going to match that figure. There's a good chance the top two releases combined won't do so. Fortunately, 2015 has a sizable lead over 2014, so even a soft month will keep 2015 ahead in the year-over-year comparison.
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2014 Preview: December
December 1st, 2014
November is over and there are not a lot of positive things to say about what happened during the month. There were a couple of films that matched expectations, but there were no breakout hits and a few that missed expectations by wide margins. Granted, The Hunger Games: Mockingjay, Part 1 will top $300 million with relative ease, but that's still nearly $100 million lower than some people were predicting. The month ends with 2014 about $300 million behind 2013's pace and there's really no chance to catch up in December. That doesn't mean there are no films that will be worth watching in December. The Hobbit: The Battle of the Five Armies should at least earn $200 million, while $300 million is not out of the question. Additionally, there are several films that at least have a shot at $100 million at the box office, but not all will get there. At least this December and last December are on par with each other. The Hobbit: The Desolation of Smaug topped $250 million while there were three others that topped $100 million. I think we will get the same result this month. Last year there were a lot more wide releases, but many of them bombed. I think this year the lack of competition will help more films reach their potential.
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Featured DVD Review: Kinky Boots
November 18th, 2013
Kinky Boots came out in 2006 and did relatively well in limited release. Most limited releases don't crack the $1 million mark at the box office. But I think the studio was hoping for a whole lot more. This explains why it is coming out on DVD this week as a bargain release from Echo Bridge. Is it worth checking out if you missed it the first time? And despite being a bargain release, does it have any extras?
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Limited Release: Much Ado About Limited Releases
June 7th, 2013
There are not a ton of new releases this week, but there are a few earning good reviews, and even a couple that are earning excellent reviews. Hopefully several will do well enough at the box office to thrive, but the only one I'm really bullish about is Much Ado About Nothing. It has excellent reviews, lots of buzz, and plenty of name recognition on both sides of the camera.
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2013 Preview: May
May 1st, 2013
As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison.
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2013 Preview: January
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 25, 2023 | The Boys in the Boat | $52,641,306 | $2,880,268 | $55,521,574 | |
May 19, 2023 | Master Gardener | $667,114 | $582,907 | $1,250,021 | |
Oct 19, 2022 | The Stranger | Mark | $79,746 | $79,746 | |
Jul 29, 2022 | Thirteen Lives | ||||
Jul 30, 2021 | The Green Knight | Lord | $17,173,321 | $2,849,170 | $20,022,491 |
Nov 1, 2019 | The King | John Falstaff | $127,937 | $127,937 | |
Nov 2, 2018 | Boy Erased | Victor Sykes | $6,788,692 | $5,073,958 | $11,862,650 |
Mar 9, 2018 | Gringo | Richard Rusk | $4,969,853 | $6,188,487 | $11,158,340 |
Mar 2, 2018 | Red Sparrow | Nathaniel Nash | $46,874,505 | $99,077,356 | $145,951,861 |
Dec 13, 2017 | Bright | Officer Jakoby | |||
Jun 9, 2017 | It Comes at Night | Paul | $13,985,117 | $5,735,086 | $19,720,203 |
Nov 4, 2016 | Loving | Richard Loving | $7,710,234 | $5,187,830 | $12,898,064 |
Mar 18, 2016 | Midnight Special | Lucas | $3,712,282 | $3,967,968 | $7,680,250 |
Jan 29, 2016 | Jane Got a Gun | Dan Frost | $1,513,793 | $2,257,552 | $3,771,345 |
Dec 1, 2015 | Life | John Morris | $5,536,354 | $5,536,354 | |
Sep 18, 2015 | Black Mass | John Connolly | $62,575,678 | $36,262,194 | $98,837,872 |
Aug 7, 2015 | The Gift | Gordo | $43,787,265 | $15,191,212 | $58,978,477 |
Dec 12, 2014 | Exodus: Gods and Kings | Ramses | $65,014,513 | $203,300,000 | $268,314,513 |
Oct 17, 2014 | Felony | Malcolm Toohey | |||
Jun 7, 2013 | Wish You Were Here | Dave | $41,189 | $1,415,123 | $1,456,312 |
May 10, 2013 | The Great Gatsby | Tom Buchanan | $144,840,419 | $208,657,314 | $353,497,733 |
Dec 19, 2012 | Zero Dark Thirty | Chris Pratt | $95,720,716 | $38,891,719 | $134,612,435 |
Aug 15, 2012 | The Odd Life of Timoth… | Jim Green | $51,853,450 | $3,395,709 | $55,249,159 |
Oct 14, 2011 | The Thing | Baxton Carter | $16,999,934 | $10,573,144 | $27,573,078 |
Sep 9, 2011 | Warrior | Brendan Conlon | $13,657,115 | $10,558,270 | $24,215,385 |
Sep 24, 2010 | Legend of the Guardian… | Metal Beak | $55,675,313 | $84,041,404 | $139,716,717 |
Aug 13, 2010 | Animal Kingdom | Barry "Baz" Brown | $1,044,039 | $7,034,644 | $8,078,683 |
Apr 9, 2010 | The Square | Billy | $406,216 | $334,716 | $740,932 |
Jun 19, 2009 | $9.99 | Ron | $52,107 | $52,107 | |
Unknown | Whisper | ||||
Jan 26, 2007 | Smokin' Aces | Hugo Croop | $35,662,731 | $21,600,709 | $57,263,440 |
Apr 14, 2006 | Kinky Boots | Charlie | $1,822,428 | $6,996,000 | $8,818,428 |
May 19, 2005 | Star Wars Ep. III: Rev… | Owen Lars | $380,270,577 | $468,728,300 | $848,998,877 |
Jul 7, 2004 | King Arthur | Gawain | $51,877,963 | $151,775,561 | $203,653,524 |
Mar 26, 2004 | Ned Kelly | Aaron Sherritt | $86,959 | $6,284,940 | $6,371,899 |
Jun 13, 2003 | The Hard Word | Shane | $422,688 | $422,688 | |
May 16, 2002 | Star Wars Ep. II: Atta… | Owen Lars | $310,676,740 | $346,018,875 | $656,695,615 |
Averages | $49,617,475 | $56,793,692 | $98,458,446 | ||
Totals | 37 | $1,488,524,257 | $1,760,604,453 | $3,249,128,710 |
Leading or Lead Ensemble Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 19, 2023 | Master Gardener | $264,866 | 225 | $667,114 | $1,250,021 | 53.4% |
Oct 19, 2022 | The Stranger | $79,746 | ||||
Jul 29, 2022 | Thirteen Lives | |||||
Mar 9, 2018 | Gringo | $2,722,420 | 2,404 | $4,969,853 | $11,158,340 | 44.5% |
Dec 13, 2017 | Bright | |||||
Jun 9, 2017 | It Comes at Night | $5,988,370 | 2,533 | $13,985,117 | $19,720,203 | 70.9% |
Nov 4, 2016 | Loving | $159,615 | 572 | $7,710,234 | $12,898,064 | 59.8% |
Jan 29, 2016 | Jane Got a Gun | $835,572 | 1,210 | $1,513,793 | $3,771,345 | 40.1% |
Sep 18, 2015 | Black Mass | $22,635,037 | 3,188 | $62,575,678 | $98,837,872 | 63.3% |
Aug 7, 2015 | The Gift | $11,854,273 | 2,503 | $43,787,265 | $58,978,477 | 74.2% |
Dec 12, 2014 | Exodus: Gods and Kings | $24,115,934 | 3,503 | $65,014,513 | $268,314,513 | 24.2% |
Oct 17, 2014 | Felony | |||||
Jun 7, 2013 | Wish You Were Here | $25,937 | 11 | $41,189 | $1,456,312 | 2.8% |
May 10, 2013 | The Great Gatsby | $50,085,184 | 3,550 | $144,840,419 | $353,497,733 | 41.0% |
Aug 15, 2012 | The Odd Life of Timoth… | $10,822,903 | 2,717 | $51,853,450 | $55,249,159 | 93.9% |
Oct 14, 2011 | The Thing | $8,493,665 | 2,997 | $16,999,934 | $27,573,078 | 61.7% |
Sep 9, 2011 | Warrior | $5,242,107 | 1,883 | $13,657,115 | $24,215,385 | 56.4% |
Aug 13, 2010 | Animal Kingdom | $61,968 | 61 | $1,044,039 | $8,078,683 | 12.9% |
Apr 14, 2006 | Kinky Boots | $77,529 | 127 | $1,822,428 | $8,818,428 | 20.7% |
Averages | $9,559,025 | 1,832 | $28,698,809 | $59,618,585 | 48.0% | |
Totals | 19 | $430,482,141 | $953,897,359 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 30, 2021 | The Green Knight | $6,745,121 | 2,798 | $17,173,321 | $20,022,491 | 85.8% |
Nov 1, 2019 | The King | $127,937 | ||||
Nov 2, 2018 | Boy Erased | $207,057 | 672 | $6,788,692 | $11,862,650 | 57.2% |
Mar 2, 2018 | Red Sparrow | $16,853,422 | 3,064 | $46,874,505 | $145,951,861 | 32.1% |
Mar 18, 2016 | Midnight Special | $190,012 | 521 | $3,712,282 | $7,680,250 | 48.3% |
Dec 1, 2015 | Life | $5,536,354 | ||||
Dec 19, 2012 | Zero Dark Thirty | $417,150 | 2,946 | $95,720,716 | $134,612,435 | 71.1% |
Sep 24, 2010 | Legend of the Guardian… | $16,112,211 | 3,575 | $55,675,313 | $139,716,717 | 39.8% |
Apr 9, 2010 | The Square | $17,092 | 24 | $406,216 | $740,932 | 54.8% |
Jun 19, 2009 | $9.99 | $478 | 3 | $52,107 | $52,107 | 100.0% |
Jan 26, 2007 | Smokin' Aces | $14,638,755 | 2,219 | $35,662,731 | $57,263,440 | 62.3% |
May 19, 2005 | Star Wars Ep. III: Rev… | $108,435,841 | 3,663 | $380,270,577 | $848,998,877 | 44.8% |
Jul 7, 2004 | King Arthur | $15,193,907 | 3,086 | $51,877,963 | $203,653,524 | 25.5% |
Mar 26, 2004 | Ned Kelly | $43,704 | 22 | $86,959 | $6,371,899 | 1.4% |
Jun 13, 2003 | The Hard Word | $9,422 | 38 | $422,688 | $422,688 | 100.0% |
May 16, 2002 | Star Wars Ep. II: Atta… | $80,027,814 | 3,161 | $310,676,740 | $656,695,615 | 47.3% |
Averages | $18,492,285 | 1,842 | $71,814,344 | $139,981,861 | 55.0% | |
Totals | 16 | $1,005,400,810 | $2,239,709,777 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 19, 2022 | The Stranger | Producer | $79,746 | $79,746 | |
Nov 1, 2019 | The King | Screenwriter | $127,937 | $127,937 | |
Nov 2, 2018 | Boy Erased | Director Producer Screenwriter |
$6,788,692 | $5,073,958 | $11,862,650 |
Jun 9, 2017 | It Comes at Night | Executive Producer | $13,985,117 | $5,735,086 | $19,720,203 |
Jan 29, 2016 | Jane Got a Gun | Screenwriter | $1,513,793 | $2,257,552 | $3,771,345 |
Aug 7, 2015 | The Gift | Director Screenwriter Producer |
$43,787,265 | $15,191,212 | $58,978,477 |
Oct 17, 2014 | Felony | Screenwriter Producer |
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Jun 13, 2014 | The Rover | Story Creator | $1,109,199 | $2,071,053 | $3,180,252 |
Averages | $13,436,813 | $4,362,363 | $13,960,087 | ||
Totals | 8 | $67,184,066 | $30,536,544 | $97,720,610 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 2, 2018 | Boy Erased | $207,057 | 672 | $6,788,692 | $11,862,650 | 57.2% |
Aug 7, 2015 | The Gift | $11,854,273 | 2,503 | $43,787,265 | $58,978,477 | 74.2% |
Averages | $6,030,665 | 1,588 | $25,287,979 | $35,420,564 | 65.7% | |
Totals | 2 | $50,575,957 | $70,841,127 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Oct 19, 2022 | The Stranger | $79,746 | ||||
Nov 2, 2018 | Boy Erased | $207,057 | 672 | $6,788,692 | $11,862,650 | 57.2% |
Aug 7, 2015 | The Gift | $11,854,273 | 2,503 | $43,787,265 | $58,978,477 | 74.2% |
Oct 17, 2014 | Felony | |||||
Averages | $6,030,665 | 1,588 | $25,287,979 | $23,640,291 | 65.7% | |
Totals | 4 | $50,575,957 | $70,920,873 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 1, 2019 | The King | $127,937 | ||||
Nov 2, 2018 | Boy Erased | $207,057 | 672 | $6,788,692 | $11,862,650 | 57.2% |
Jan 29, 2016 | Jane Got a Gun | $835,572 | 1,210 | $1,513,793 | $3,771,345 | 40.1% |
Aug 7, 2015 | The Gift | $11,854,273 | 2,503 | $43,787,265 | $58,978,477 | 74.2% |
Oct 17, 2014 | Felony | |||||
Jun 13, 2014 | The Rover | $69,302 | 608 | $1,109,199 | $3,180,252 | 34.9% |
Averages | $3,241,551 | 1,248 | $13,299,737 | $15,584,132 | 51.6% | |
Totals | 6 | $53,198,949 | $77,920,661 |