Jane Got a Gun (2015)

Jane Got a Gun poster
Theatrical Performance
Domestic Box Office $1,513,793Details
International Box Office $2,257,552Details
Worldwide Box Office $3,771,345
Home Market Performance
Est. Domestic DVD Sales $1,273,928 Details
Est. Domestic Blu-ray Sales $532,665 Details
Total Est. Domestic Video Sales $1,806,593
Further financial details...

Synopsis

Jane Hammond has built a life on the rugged western plains with her husband Bill “Ham” Hammond and young daughter. When Ham stumbles home riddled with bullets after a run-in with the relentless John Bishop and his gang, she knows they will not stop until her family is dead. In desperation, Jane turns to Dan Frost, a man from her past, for help. Haunted by old memories, Jane’s past meets the present in a battle for survival.

Metrics

Opening Weekend:$835,572 (55.2% of total gross)
Legs:1.81 (domestic box office/biggest weekend)
Domestic Share:40.1% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:1,210 opening theaters/1,210 max. theaters, 1.9 weeks average run per theater
Infl. Adj. Dom. BO $1,886,543

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 29th, 2016 (Wide) by Weinstein Co.
International Releases: December 31st, 2015 (Wide) (Germany)
January 27th, 2016 (Wide) (France)
February 4th, 2016 (Wide) (Oman)
February 4th, 2016 (Wide) (United Arab Emirates)
February 10th, 2016 (Wide) (Philippines)
... Show all releases
Video Release: April 15th, 2016 by Anchor Bay Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2405 (Cert #49540), 12/23/2015)
Running Time: 98 minutes
Comparisons: vs. True Grit
Create your own comparison chart…
Keywords: Development Hell, Delayed Release, Relationships Gone Wrong, Gangs
Source:Original Screenplay
Genre:Western
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Boies/Schiller, 1821 Pictures, Handsomecharlie Films, Stone Village, Weathervane Productions
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2016 17 $835,572   1,210 $691   $835,572 1
Feb 5, 2016 35 $137,523 -84% 1,031 $133   $1,397,284 2
Feb 12, 2016 76 $2,740 -98% 8 $343   $1,510,133 3
Feb 19, 2016 90 $1,012 -63% 6 $169   $1,512,815 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 29, 2016 15 $276,458     1,210 $228   $276,458 1
Jan 30, 2016 - $328,657 +19%   1,210 $272   $605,115 2
Jan 31, 2016 - $230,457 -30%   1,210 $190   $835,572 3
Feb 1, 2016 15 $102,949 -55%   1,210 $85   $938,521 4
Feb 2, 2016 15 $137,510 +34%   1,210 $114   $1,076,031 5
Feb 3, 2016 15 $102,641 -25%   1,210 $85   $1,178,672 6
Feb 4, 2016 15 $81,089 -21%   1,210 $67   $1,259,761 7
Feb 5, 2016 - $45,436 -44% -84% 1,031 $44   $1,305,197 8
Feb 6, 2016 - $61,333 +35% -81% 1,031 $59   $1,366,530 9
Feb 7, 2016 - $30,754 -50% -87% 1,031 $30   $1,397,284 10
Feb 8, 2016 - $25,465 -17% -75% 1,031 $25   $1,422,749 11
Feb 9, 2016 - $35,397 +39% -74% 1,031 $34   $1,458,146 12
Feb 10, 2016 - $26,828 -24% -74% 1,031 $26   $1,484,974 13
Feb 11, 2016 - $22,419 -16% -72% 1,031 $22   $1,507,393 14
Feb 12, 2016 - $567 -97% -99% 8 $71   $1,507,960 15
Feb 13, 2016 - $1,008 +78% -98% 8 $126   $1,508,968 16
Feb 14, 2016 - $1,165 +16% -96% 8 $146   $1,510,133 17
Feb 15, 2016 - $343 -71% -99% 8 $43   $1,510,476 18
Feb 16, 2016 - $404 +18% -99% 8 $51   $1,510,880 19
Feb 17, 2016 - $552 +37% -98% 8 $69   $1,511,432 20
Feb 18, 2016 - $371 -33% -98% 8 $46   $1,511,803 21
Feb 19, 2016 - $218 -41% -62% 6 $36   $1,512,021 22
Feb 20, 2016 - $471 +116% -53% 6 $79   $1,512,492 23
Feb 21, 2016 - $323 -31% -72% 6 $54   $1,512,815 24
Feb 22, 2016 - $190 -41% -45% 6 $32   $1,513,005 25
Feb 23, 2016 - $276 +45% -32% 6 $46   $1,513,281 26
Feb 24, 2016 - $305 +11% -45% 6 $51   $1,513,586 27
Feb 25, 2016 - $207 -32% -44% 6 $35   $1,513,793 28

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2016 16 $1,259,761   1,210 $1,041   $1,259,761 1
Feb 5, 2016 30 $247,632 -80% 1,031 $240   $1,507,393 2
Feb 12, 2016 78 $4,410 -98% 8 $551   $1,511,803 3
Feb 19, 2016 91 $1,990 -55% 6 $332   $1,513,793 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Belgium 2/24/2016 $15,759 10 10 10 $15,880 6/9/2016
France 1/27/2016 $632,836 301 301 602 $1,027,749 6/9/2016
Germany 12/31/2015 $46,482 78 78 129 $79,615 6/9/2016
Iraq 2/11/2016 $1,390 2 2 2 $1,390 12/31/2018
Oman 2/4/2016 $4,607 5 5 5 $4,607 12/31/2018
Philippines 2/10/2016 $3,028 15 15 15 $3,028 12/31/2018
Portugal 10/14/2016 $8,786 15 15 28 $14,459 10/27/2016
Russia (CIS) 3/17/2016 $73,599 430 430 430 $108,868 12/31/2018
Singapore 2/18/2016 $2,170 3 3 4 $3,724 6/9/2016
Spain 5/6/2016 $70,765 113 113 181 $132,138 6/9/2016
Thailand 3/17/2016 $20,286 62 62 67 $29,241 6/9/2016
Ukraine 3/17/2016 $8,060 58 58 91 $11,822 12/31/2018
United Arab Emirates 2/4/2016 $23,540 17 17 17 $23,540 12/31/2018
United Kingdom 4/22/2016 $45,255 119 119 119 $45,255 6/9/2016
 
Rest of World $756,236
 
International Total$2,257,552 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 1, 2016627,747 27,747$467,537$467,5373
May 8, 20162015,360-45% 43,107$241,152$708,6894

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 1, 20161111,543 11,543$227,739$227,7393

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Natalie Portman Jane Hammond
Joel Edgerton Dan Frost
Ewan McGregor Colin McCann
Noah Emmerich Bill Hammond

Supporting Cast

Rodrigo Santoro Fitchum
Boyd Holbrook Vic
Alex Manette Buck
Todd Stashwick O'Dowd
James Burnett Cunny Charlie
Sam Quinn Slow Jeremiah
River Shields Kid
Chad Brummett Theodore
Boots Southerland Marshal
Cunny Charlie James Burnett

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gavin O’Connor Director
Gavin O’Connor Screenwriter
Anthony Tambakis Screenwriter
Joel Edgerton Screenwriter
Brian Duffield Screenwriter
Brian Duffield Story by
Natalie Portman Producer
Terry Douglas Producer
Scott Steindorff Producer
Mary Regency Boies Producer
Scott LaStaiti Producer
Aleen Keshishian Producer
David Boies Executive Producer
Bob Weinstein Executive Producer
Harvey Weinstein Executive Producer
Ryan Kavanaugh Executive Producer
Tucker Tooley Executive Producer
Dylan Russell Executive Producer
Chris Coen Executive Producer
Paris Latsis Executive Producer
Jason Rose Executive Producer
Ron Burkle Co-Executive Producer
Jason Colbeck Co-Executive Producer
Ross Marroso Co-Executive Producer
Ben McConley Co-Executive Producer
Jason Van Eman Co-Executive Producer
Mandy Walker Director of Photography
Tim Grimes Production Designer
Jim Oberlander* Production Designer
Alan Cody Editor
Catherine George Costume Designer
Terry Anderson Costume Designer
Lisa Gerrard Composer
Marcello De Francisci Composer
Billy Hopkins Casting Director
Jo Edna Boldin Casting Director
Laray Mayfield Casting Director
Marisa Polvino Co-Producer
Kate Cohen Co-Producer
Alton Walpole Unit Production Manager
Al Goto Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 26th, 2016

April 26th, 2016

Phoenix

We are in Q2, which is historically the slowest time of the year on the home market. The last of the monster Christmas hits were released weeks ago and none of the yearly year hits have come out yet. Ironically, the biggest release of the week is actually a Christmas film, Krampus, and its Blu-ray Combo Pack is a contender for Pick of the Week. (It is admittedly a slow week.) Its two biggest competitors are both foreign-language films: Phoenix: Criterion Collection - Buy from Amazon: DVD or Blu-ray and Son of Saul - Buy from Amazon: DVD or Blu-ray. Son of Saul won the Oscar this year for Best Foreign-Language Film, but I'm going with Phoenix instead. More...

Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday. More...

Weekend Wrap-Up: Kung Fu Wins with $41.28 million lifting Box Office Along the Way

February 2nd, 2016

Kung Fu Panda 3

Kung Fu Panda 3 led the way during the weekend with $41.28 million over the weekend. This was below admittedly optimistic predictions, but still great for this time of year. The rest of the new releases were not as strong and it is likely all three will lose money in the end. Fortunately, Kung Fu Panda 3 was strong enough to help the overall box office grow. The overall box office rose 22% to $139 million. More impressively, and more importantly, the box office was 38% higher than the same weekend last year. Year-to-date, 2016 has pulled in $1.01 billion, reaching the $1 billion mark faster than last year. It wasn't the fastest year to get there, as 2010 holds that record thanks to Avatar. 2016 has regained the lead over 2015 at 1.9% or $19 million. Obviously the usually caveats apply here: It is far too early and that lead is far too small to be of real significance. That said, it is always better to be ahead than to be behind, no matter how small that lead it. More...

Weekend estimates: Kung Fu Panda posts solid $41 million

January 31st, 2016

Kung Fu Panda 3

Kung Fu Panda 3 is making a solid start domestically this weekend with Fox projecting a $41 million debut. That’s the weakest start for any film in the franchise, behind the $47.7 million opening of Kung Fu Panda 2, and Kung Fu Panda’s $60.2 million back in 2008. The downward trend is in large part explained by the January release of the third movie, compared to June and May for the previous two. In fact, it still technically has a shot at having the best first weekend for a film in January, a record currently held by Ride Along with $41.5 million, although American Sniper really has bragging rights, with $89.3 million when it expanded wide last year. More importantly, Kung Fu Panda 3 opened with an estimated $57 million in China, a record for an animated film in the territory, and $75 million internationally. More...

Friday Estimates: Panda Tops Tepid Friday

January 30th, 2016

Kung Fu Panda 3

Kung Fu Panda 3 topped the chart on Friday with $10.5 million. There are not a lot of animated films that open this time of year, so it is hard to find a good comparison. If the film has the same internal multiplier as The LEGO Movie, then it will earn $42.4 million over the weekend, which would be a record opening for January. However, that movie was an original film, while this is the third film in its franchise. That will probably hurt it enough that $40 million is a more likely number. That's still a good opening, plus it is earning much more in China ($40.34 million after just two days of release) so there’s little reason to worry about its financial prospects.

More...

Weekend Predictions: Kung Fu vs. Sniper

January 28th, 2016

Kung Fu Panda 3

There are three, three and a half, wide releases coming out this week. (I've seen reports that Jane Got a Gun is opening in 600 to 1,200 theaters. Even the high end will likely keep it out of the top ten.) Of the three truly wide releases, only Kung Fu Panda 3 is expected to be a significant hit. In fact, it will likely earn more than the rest of the top five combined. On the other hand, The Finest Hours will likely bomb compared to its $85 million production budget, while Fifty Shades of Black will be a financial hit only because its production budget is very low. This means for Kung Fu Panda 3 the only real competition is from last year, when American Sniper earned $30.66 million. Kung Fu Panda 3 should top that by about $20 million. Additionally, no other film earned more than $10 million last year, while this year there could be five films in the top five reaching that mark. 2016 should bounce back in the year-over-year comparison after two soft weeks. More...

2016 Preview: January

January 1st, 2016

Kung Fu Panda 3

2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Jane Hammond has built a life on the rugged western plains with her husband Bill “Ham” Hammond and young daughter. When Ham stumbles home riddled with bullets after a run-in with the relentless John Bishop and his gang, she knows they will not stop until her family is dead. In desperation, Jane turns to Dan Frost, a man from her past, for help. Haunted by old memories, Jane’s past meets the present in a battle for survival.

Metrics

Opening Weekend:$835,572 (55.2% of total gross)
Legs:1.81 (domestic box office/biggest weekend)
Domestic Share:40.1% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:1,210 opening theaters/1,210 max. theaters, 1.9 weeks average run per theater
Infl. Adj. Dom. BO $1,886,543

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 29th, 2016 (Wide) by Weinstein Co.
International Releases: December 31st, 2015 (Wide) (Germany)
January 27th, 2016 (Wide) (France)
February 4th, 2016 (Wide) (Oman)
February 4th, 2016 (Wide) (United Arab Emirates)
February 10th, 2016 (Wide) (Philippines)
... Show all releases
Video Release: April 15th, 2016 by Anchor Bay Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2405 (Cert #49540), 12/23/2015)
Running Time: 98 minutes
Comparisons: vs. True Grit
Create your own comparison chart…
Keywords: Development Hell, Delayed Release, Relationships Gone Wrong, Gangs
Source:Original Screenplay
Genre:Western
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Boies/Schiller, 1821 Pictures, Handsomecharlie Films, Stone Village, Weathervane Productions
Production Countries: United States
Languages: English

Leading Cast

Natalie Portman Jane Hammond
Joel Edgerton Dan Frost
Ewan McGregor Colin McCann
Noah Emmerich Bill Hammond

Supporting Cast

Rodrigo Santoro Fitchum
Boyd Holbrook Vic
Alex Manette Buck
Todd Stashwick O'Dowd
James Burnett Cunny Charlie
Sam Quinn Slow Jeremiah
River Shields Kid
Chad Brummett Theodore
Boots Southerland Marshal
Cunny Charlie James Burnett

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gavin O’Connor Director
Gavin O’Connor Screenwriter
Anthony Tambakis Screenwriter
Joel Edgerton Screenwriter
Brian Duffield Screenwriter
Brian Duffield Story by
Natalie Portman Producer
Terry Douglas Producer
Scott Steindorff Producer
Mary Regency Boies Producer
Scott LaStaiti Producer
Aleen Keshishian Producer
David Boies Executive Producer
Bob Weinstein Executive Producer
Harvey Weinstein Executive Producer
Ryan Kavanaugh Executive Producer
Tucker Tooley Executive Producer
Dylan Russell Executive Producer
Chris Coen Executive Producer
Paris Latsis Executive Producer
Jason Rose Executive Producer
Ron Burkle Co-Executive Producer
Jason Colbeck Co-Executive Producer
Ross Marroso Co-Executive Producer
Ben McConley Co-Executive Producer
Jason Van Eman Co-Executive Producer
Mandy Walker Director of Photography
Tim Grimes Production Designer
Jim Oberlander* Production Designer
Alan Cody Editor
Catherine George Costume Designer
Terry Anderson Costume Designer
Lisa Gerrard Composer
Marcello De Francisci Composer
Billy Hopkins Casting Director
Jo Edna Boldin Casting Director
Laray Mayfield Casting Director
Marisa Polvino Co-Producer
Kate Cohen Co-Producer
Alton Walpole Unit Production Manager
Al Goto Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 26th, 2016

April 26th, 2016

Phoenix

We are in Q2, which is historically the slowest time of the year on the home market. The last of the monster Christmas hits were released weeks ago and none of the yearly year hits have come out yet. Ironically, the biggest release of the week is actually a Christmas film, Krampus, and its Blu-ray Combo Pack is a contender for Pick of the Week. (It is admittedly a slow week.) Its two biggest competitors are both foreign-language films: Phoenix: Criterion Collection - Buy from Amazon: DVD or Blu-ray and Son of Saul - Buy from Amazon: DVD or Blu-ray. Son of Saul won the Oscar this year for Best Foreign-Language Film, but I'm going with Phoenix instead. More...

Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday. More...

Weekend Wrap-Up: Kung Fu Wins with $41.28 million lifting Box Office Along the Way

February 2nd, 2016

Kung Fu Panda 3

Kung Fu Panda 3 led the way during the weekend with $41.28 million over the weekend. This was below admittedly optimistic predictions, but still great for this time of year. The rest of the new releases were not as strong and it is likely all three will lose money in the end. Fortunately, Kung Fu Panda 3 was strong enough to help the overall box office grow. The overall box office rose 22% to $139 million. More impressively, and more importantly, the box office was 38% higher than the same weekend last year. Year-to-date, 2016 has pulled in $1.01 billion, reaching the $1 billion mark faster than last year. It wasn't the fastest year to get there, as 2010 holds that record thanks to Avatar. 2016 has regained the lead over 2015 at 1.9% or $19 million. Obviously the usually caveats apply here: It is far too early and that lead is far too small to be of real significance. That said, it is always better to be ahead than to be behind, no matter how small that lead it. More...

Weekend estimates: Kung Fu Panda posts solid $41 million

January 31st, 2016

Kung Fu Panda 3

Kung Fu Panda 3 is making a solid start domestically this weekend with Fox projecting a $41 million debut. That’s the weakest start for any film in the franchise, behind the $47.7 million opening of Kung Fu Panda 2, and Kung Fu Panda’s $60.2 million back in 2008. The downward trend is in large part explained by the January release of the third movie, compared to June and May for the previous two. In fact, it still technically has a shot at having the best first weekend for a film in January, a record currently held by Ride Along with $41.5 million, although American Sniper really has bragging rights, with $89.3 million when it expanded wide last year. More importantly, Kung Fu Panda 3 opened with an estimated $57 million in China, a record for an animated film in the territory, and $75 million internationally. More...

Friday Estimates: Panda Tops Tepid Friday

January 30th, 2016

Kung Fu Panda 3

Kung Fu Panda 3 topped the chart on Friday with $10.5 million. There are not a lot of animated films that open this time of year, so it is hard to find a good comparison. If the film has the same internal multiplier as The LEGO Movie, then it will earn $42.4 million over the weekend, which would be a record opening for January. However, that movie was an original film, while this is the third film in its franchise. That will probably hurt it enough that $40 million is a more likely number. That's still a good opening, plus it is earning much more in China ($40.34 million after just two days of release) so there’s little reason to worry about its financial prospects.

More...

Weekend Predictions: Kung Fu vs. Sniper

January 28th, 2016

Kung Fu Panda 3

There are three, three and a half, wide releases coming out this week. (I've seen reports that Jane Got a Gun is opening in 600 to 1,200 theaters. Even the high end will likely keep it out of the top ten.) Of the three truly wide releases, only Kung Fu Panda 3 is expected to be a significant hit. In fact, it will likely earn more than the rest of the top five combined. On the other hand, The Finest Hours will likely bomb compared to its $85 million production budget, while Fifty Shades of Black will be a financial hit only because its production budget is very low. This means for Kung Fu Panda 3 the only real competition is from last year, when American Sniper earned $30.66 million. Kung Fu Panda 3 should top that by about $20 million. Additionally, no other film earned more than $10 million last year, while this year there could be five films in the top five reaching that mark. 2016 should bounce back in the year-over-year comparison after two soft weeks. More...

2016 Preview: January

January 1st, 2016

Kung Fu Panda 3

2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2016 17 $835,572   1,210 $691   $835,572 1
Feb 5, 2016 35 $137,523 -84% 1,031 $133   $1,397,284 2
Feb 12, 2016 76 $2,740 -98% 8 $343   $1,510,133 3
Feb 19, 2016 90 $1,012 -63% 6 $169   $1,512,815 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 29, 2016 15 $276,458     1,210 $228   $276,458 1
Jan 30, 2016 - $328,657 +19%   1,210 $272   $605,115 2
Jan 31, 2016 - $230,457 -30%   1,210 $190   $835,572 3
Feb 1, 2016 15 $102,949 -55%   1,210 $85   $938,521 4
Feb 2, 2016 15 $137,510 +34%   1,210 $114   $1,076,031 5
Feb 3, 2016 15 $102,641 -25%   1,210 $85   $1,178,672 6
Feb 4, 2016 15 $81,089 -21%   1,210 $67   $1,259,761 7
Feb 5, 2016 - $45,436 -44% -84% 1,031 $44   $1,305,197 8
Feb 6, 2016 - $61,333 +35% -81% 1,031 $59   $1,366,530 9
Feb 7, 2016 - $30,754 -50% -87% 1,031 $30   $1,397,284 10
Feb 8, 2016 - $25,465 -17% -75% 1,031 $25   $1,422,749 11
Feb 9, 2016 - $35,397 +39% -74% 1,031 $34   $1,458,146 12
Feb 10, 2016 - $26,828 -24% -74% 1,031 $26   $1,484,974 13
Feb 11, 2016 - $22,419 -16% -72% 1,031 $22   $1,507,393 14
Feb 12, 2016 - $567 -97% -99% 8 $71   $1,507,960 15
Feb 13, 2016 - $1,008 +78% -98% 8 $126   $1,508,968 16
Feb 14, 2016 - $1,165 +16% -96% 8 $146   $1,510,133 17
Feb 15, 2016 - $343 -71% -99% 8 $43   $1,510,476 18
Feb 16, 2016 - $404 +18% -99% 8 $51   $1,510,880 19
Feb 17, 2016 - $552 +37% -98% 8 $69   $1,511,432 20
Feb 18, 2016 - $371 -33% -98% 8 $46   $1,511,803 21
Feb 19, 2016 - $218 -41% -62% 6 $36   $1,512,021 22
Feb 20, 2016 - $471 +116% -53% 6 $79   $1,512,492 23
Feb 21, 2016 - $323 -31% -72% 6 $54   $1,512,815 24
Feb 22, 2016 - $190 -41% -45% 6 $32   $1,513,005 25
Feb 23, 2016 - $276 +45% -32% 6 $46   $1,513,281 26
Feb 24, 2016 - $305 +11% -45% 6 $51   $1,513,586 27
Feb 25, 2016 - $207 -32% -44% 6 $35   $1,513,793 28

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2016 16 $1,259,761   1,210 $1,041   $1,259,761 1
Feb 5, 2016 30 $247,632 -80% 1,031 $240   $1,507,393 2
Feb 12, 2016 78 $4,410 -98% 8 $551   $1,511,803 3
Feb 19, 2016 91 $1,990 -55% 6 $332   $1,513,793 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Belgium 2/24/2016 $15,759 10 10 10 $15,880 6/9/2016
France 1/27/2016 $632,836 301 301 602 $1,027,749 6/9/2016
Germany 12/31/2015 $46,482 78 78 129 $79,615 6/9/2016
Iraq 2/11/2016 $1,390 2 2 2 $1,390 12/31/2018
Oman 2/4/2016 $4,607 5 5 5 $4,607 12/31/2018
Philippines 2/10/2016 $3,028 15 15 15 $3,028 12/31/2018
Portugal 10/14/2016 $8,786 15 15 28 $14,459 10/27/2016
Russia (CIS) 3/17/2016 $73,599 430 430 430 $108,868 12/31/2018
Singapore 2/18/2016 $2,170 3 3 4 $3,724 6/9/2016
Spain 5/6/2016 $70,765 113 113 181 $132,138 6/9/2016
Thailand 3/17/2016 $20,286 62 62 67 $29,241 6/9/2016
Ukraine 3/17/2016 $8,060 58 58 91 $11,822 12/31/2018
United Arab Emirates 2/4/2016 $23,540 17 17 17 $23,540 12/31/2018
United Kingdom 4/22/2016 $45,255 119 119 119 $45,255 6/9/2016
 
Rest of World $756,236
 
International Total$2,257,552 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 1, 2016627,747 27,747$467,537$467,5373
May 8, 20162015,360-45% 43,107$241,152$708,6894

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 1, 20161111,543 11,543$227,739$227,7393

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.