Baz Luhrmann
| Best known as a Screenwriter based on credits in that role in 6 films, with $1,187,826,864 worldwide aggregate box office (rank #221) |
| Best-known technical roles: Elvis (Director), Elvis (Screenwriter), Elvis (Story Creator), Elvis (Producer), The Great Gatsby (Director) |
| Best-known acting roles: Himself (The First Monday in May) |
| Most productive collaborators: Austin Butler, Craig Pearce, Tom Hanks, Leonardo DiCaprio, Helen Thomson |
| Born: September 17, 1962 (62 years old) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Inverviewee | 3 | $527,474 | $575,619 | $1,103,093 |
| In Technical Roles | Screenwriter | 6 | $461,273,671 | $726,553,193 | $1,187,826,864 |
| Producer | 6 | $449,535,671 | $752,254,973 | $1,201,790,644 | |
| Director | 6 | $461,273,671 | $726,553,193 | $1,187,826,864 | |
| Story Creator | 2 | $200,970,155 | $294,049,289 | $495,019,444 | |
| Additional Music | 1 | $49,554,002 | $165,526,808 | $215,080,810 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Theater counts: A Man Called Otto holds on as widest release as two new films debut
January 26th, 2023
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Our widest releases list this week is close to being a replay of last week with A Man Called Otto still occupying the top spot by playing in 3,957 cinemas. The Tom Hanks comedy-drama has scored just short of $60 million worldwide to date during its four-week run.
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Weekend projections: Super Pets lands on top with projected $23 million
July 31st, 2022
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DC League of Super Pets will pull off a relatively comfortable weekend win, according to Warner Bros.’ Sunday-morning projection, although it’s coming in a softer than our model expected. After posting $2.2 million in previews, the film will earn about 10 times that amount over the weekend as a whole. By historical standards, that’s a very low multiplier for an animated film, and it’s also a bit below our model’s pre-preview prediction of $28.1 million. Finishing the weekend at the top of the chart is good news, of course, and Warner Bros. will be happy with the win, but it’s a bit below where they might have hoped.
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Weekend projections: Maverick and Elvis tied at the top
June 26th, 2022
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Two American icons are tied at the top of the box office this weekend, with Elvis and Tom Cruise’s Top Gun: Maverick both headed for a weekend around $30.5 million. Technically, Maverick leads according to the studios’ official projections, but that’s simply down to how they report the numbers on Sunday morning (and how we interpret what they report). We won’t know who has come out on top until official numbers are released on Monday.
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Weekend predictions: three-way race to top the chart
June 24th, 2022
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A remarkable pile-up of films will top the box office chart this weekend, with five of them likely to earn more than $20 million over three days, and three in with a shot at coming out top. If it does happen, this would be the seventh time five films have earned over $20 million in a weekend. Life of Pi holds the record for the high-grossing fifth-placed film with $22.45 million over the weekend of November 23, 2012. That record looks in danger this weekend. But which of Elvis, Jurassic World: Dominion and Top Gun: Maverick does our model think will win the weekend? Read on to find out.
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Theater counts: Elvis and The Black Phone debut but Lightyear will be the widest release
June 23rd, 2022
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While it has taken a back seat to both Top Gun: Maverick and Jurassic World: Dominion this week at the box office, Lightyear will become the widest release this weeked, albeit due Dominion dropping 400+ locations. While the Toy Story spinoff didn’t exactly hold up to the majority of expectations, the film has still garnered over $67 million in domestic revenue as of Wednesday. Pixar’s Lightyear keeps its opening count of 4,255 theaters as it heads into its sophomore outing.
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DVD and Blu-ray Releases for August 27th, 2013
August 26th, 2013
It's a terrible week on the home market. There's not a lot in terms of top sellers, although The Great Gatsby should lead the way. The only first-run release is Pain and Gain, which will likely not sell a lot on the home market. There are a few TV on DVD releases to fill in the gaps, like The Walking Dead or Elementary; however, by the end of the first page of new releases on Amazon.com, we run into filler. As for Pick of the Week, the best is The Many Adventures of Winnie the Pooh on Blu-ray Combo Pack. I'm still waiting for the screener, but it is such a good movie and it is slow week that it is still Pick of the Week.
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Weekend Wrap-Up: Furious Start Helps Set Records
May 29th, 2013
Memorial Day long weekend has come and gone and it was a boon to the box office numbers. Not only did Fast and Furious 6 reach the high end of predictions, as did Epic. On the other hand, The Hangover III struggled. The positives overrode the negatives by a large margin and the overall box office rose to $254.37 million, which is a new record for a three-day Memorial Day weekend. Adding in Monday, and the box office made $313.18 million. The three-day portion of the weekend rose 65% compared to last weekend and 67% compared to last year. This weekend earned more than $100 million more than the same weekend in 2012. That is something that usually only happens when there's a misalignment in holiday weekends. If you add in Monday, 2013's Memorial Day long weekend earned 63% more than the Memorial Day long weekend from 2012. Granted, 2013 is still far behind 2012, but this is great news. Hopefully it will keep up for a while.
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Weekend Predictions: Will Fast Be Fast Enough?
May 24th, 2013
It's the Memorial Day long weekend and there are three new films looking to take advantage of the holiday, plus a number of holdovers that will likely still bring in a lot of money. Fast and Furious 6 is leading the way in terms of box office potential and many think it will crack $100 million over four days; some think it will crack $100 million over three days. The Hangover III debuted on Thursday, which will give it a jump on the competition, but soften its weekend numbers. Finally, there's Epic, a family film that seems like a sure hit, except there is a lot of competition this weekend. Star Trek into Darkness, Iron Man 3, and The Great Gatsby are all still doing well and should provide some competition for the three new releases. All combined, those six films should make as much as the entire box office did last year and 2013 will start to close the gap with 2012.
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Weekend Wrap-Up: Star Trek Has A Dim Launch
May 21st, 2013
There was some bad news this weekend, mostly at the top. Star Trek into Darkness did open in first place with a very healthy 4-day total, but it opened below its predecessor and not a lot of people were predicting that. The overall box office fell 2.8% from last weekend to $154 million. On the other hand, this was 7.8% higher than the same weekend last year, which is great news, as 2013 has really struggled in the year-over-year comparison. It's going to take a lot more than one good weekend to turn things around.
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Weekend Predictions: Will Star Trek Brighten Up the Box Office?
May 16th, 2013
The second big summer release comes out this week, Star Trek into Darkness. The film has already opened internationally and has proven to be a bigger hit than its predecessor was, which is good news for its opening weekend. Iron Man 3 will likely take a pretty big hit due to the direct competition, while The Great Gatsby is a bit of a wild card. This weekend last year there were three wide releases, but the best of them was Battleship, which only made $25.53 million during its opening weekend, while all three new releases made a total of $53 million. Star Trek into Darkness should easily make more than that combined. However, The Avengers still dominated the chart last year and it will be that film that will be the biggest challenge in the year-over-year competition.
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Weekend Wrap-Up: Iron Man Great, but Gatsby is Arguably Greater
May 14th, 2013
Iron Man 3 remained on top of the chart, as expected, but the big news of the weekend was The Great Gatsby. The film opened with more than $50 million, which is twice as much as some analysts were expecting and about 50% more than the average. Does this mean 2013 ended its losing streak? Nope. Iron Man 3 missed expectations by a couple of million dollars, while Peeples bombed utterly. This left the overall box office down 27% from last weekend to $158 million. This is 7.5% lower than the same weekend last year. Hopefully Star Trek into Darkness will help end this losing streak next weekend.
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Weekend Estimates: Gatsby an Honorable Second
May 12th, 2013
To no-one's great surprise, Iron Man 3 will top the box office chart again this weekend, with a very creditable projected $72.4 million, the 4th-biggest second weekend of all time. The more notable number this weekend, however, is the $51 million projected opening for The Great Gatsby. That's Baz Luhrman's best weekend by a huge margin -- in fact, only Moulin Rouge earned more than that in total domestically (and only by a small margin, with $57 million). It's also Leonardo DiCaprio's second-best weekend, behind Inception. In short, it's a great weekend for a movie that looked like a tough sell.
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Weekend Predictions: How Great Will the New Releases Be?
May 9th, 2013
Summer got off to a fantastic start last weekend, but sadly it is not going to continue this weekend. Neither The Great Gatsby nor Peeples have blockbuster potential. In fact, the pair combined won't match Iron Man 3's sophomore stint. This is similar to what happened last year, as Dark Shadows got crushed by The Avengers, which broke yet another record. Iron Man 3 won't be able to do the same this year, but we could have better depth. I'm not saying 2013 will win the weekend, but it won't as bad as it has been either.
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2013 Preview: May
May 1st, 2013
As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison.
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DVD and Blu-ray Releases for April 30th, 2013
April 30th, 2013
Like I mentioned last week, this week the biggest release on the home market is Silver Linings Playbook, while there are a couple other sizable releases, like Star Trek: The Next Generation: Season Three on Blu-ray. However, you quickly run into filler as you look down the list. Fortunately, Silver Linings Playbook is such a great movie that the Blu-ray Combo Pack would be Pick of the Week material, even during a busy week. It is not the only contender for that title. Even sight unseen, Kyatto-Ninden Teyandee Complete Series Megaset comes a close second, while Star Trek: The Next Generation: Season Three earned that title last week.
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Featured Blu-ray Review: Strictly Ballroom
April 29th, 2013
Baz Luhrmann started in theater but moved into movies with Strictly Ballroom. This film was made just over 20 years ago for $3 million, but became a smash hit in its native Australia earning $21.76 million. At the time, that was the third best box office in Australia for a homegrown hit, behind the first two Crocodile Dundee films. It also did quite well here earning $11.74 million, which is great for a limited release. A few years back, it was given a special edition DVD release, but this week it is coming out on Blu-ray for the first time. Has the film aged well? And is the Blu-ray worth picking up?
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All Acting Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 9, 2021 | That Click | Himself | $601 | $601 | |
| Apr 15, 2016 | The First Monday in May | Himself | $527,474 | $553,054 | $1,080,528 |
| Feb 19, 2016 | Crazy About Tiffany’s | Himself | $21,964 | $21,964 | |
| Averages | $527,474 | $191,873 | $367,698 | ||
| Totals | 3 | $527,474 | $575,619 | $1,103,093 | |
Latest Ranking on All Acting Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Live Action Stars at the Domestic Box Office (Rank 63,301-63,400) | 63,335 | $527,474 |
| Top Below the Line Stars at the Domestic Box Office (Rank 56,401-56,500) | 56,442 | $527,474 |
| Top Stars at the Domestic Box Office (Rank 66,301-66,400) | 66,309 | $527,474 |
| Top Live Action Stars at the International Box Office (Rank 56,601-56,700) | 56,631 | $575,619 |
| Top Below the Line Stars at the International Box Office (Rank 50,001-50,100) | 50,098 | $575,619 |
| Top Stars at the International Box Office (Rank 59,801-59,900) | 59,837 | $575,619 |
| Top Live Action Stars at the Worldwide Box Office (Rank 66,301-66,400) | 66,322 | $1,103,093 |
| Top Below the Line Stars at the Worldwide Box Office (Rank 57,601-57,700) | 57,684 | $1,103,093 |
| Top Stars at the Worldwide Box Office (Rank 69,601-69,700) | 69,613 | $1,103,093 |
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Dec 31, 2023 | Master i Margarita (Мастер … | Producer | $26,531,550 | $26,531,550 | |
| Jun 24, 2022 | Elvis | Director Screenwriter Producer Story by |
$151,416,153 | $128,522,481 | $279,938,634 |
| May 10, 2013 | The Great Gatsby | Director Screenwriter Producer |
$144,840,419 | $208,657,314 | $353,497,733 |
| Nov 26, 2008 | Australia | Director Screenwriter Story Creator Producer Additional Music |
$49,554,002 | $165,526,808 | $215,080,810 |
| May 18, 2001 | Moulin Rouge | Director Screenwriter Producer |
$57,386,369 | $121,813,167 | $179,199,536 |
| Nov 1, 1996 | Romeo+Juliet | Director Screenwriter Producer |
$46,338,728 | $101,203,653 | $147,542,381 |
| Feb 1, 1993 | Strictly Ballroom | Director Screenwriter |
$11,738,000 | $829,770 | $12,567,770 |
| Averages | $76,878,945 | $107,583,535 | $173,479,773 | ||
| Totals | 7 | $461,273,671 | $753,084,743 | $1,214,358,414 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jun 24, 2022 | Elvis | $31,211,579 | 3,932 | $151,416,153 | $279,938,634 | 54.1% |
| May 10, 2013 | The Great Gatsby | $50,085,184 | 3,550 | $144,840,419 | $353,497,733 | 41.0% |
| Nov 26, 2008 | Australia | $14,800,723 | 2,721 | $49,554,002 | $215,080,810 | 23.0% |
| May 18, 2001 | Moulin Rouge | $167,540 | 2,283 | $57,386,369 | $179,199,536 | 32.0% |
| Nov 1, 1996 | Romeo+Juliet | $11,133,231 | 1,963 | $46,338,728 | $147,542,381 | 31.4% |
| Feb 1, 1993 | Strictly Ballroom | 100 | $11,738,000 | $12,567,770 | 93.4% | |
| Averages | $21,479,651 | 2,425 | $76,878,945 | $197,971,144 | 45.8% | |
| Totals | 6 | $461,273,671 | $1,187,826,864 | |||
Producer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Dec 31, 2023 | Master i Margarita (Ма… | $26,531,550 | ||||
| Jun 24, 2022 | Elvis | $31,211,579 | 3,932 | $151,416,153 | $279,938,634 | 54.1% |
| May 10, 2013 | The Great Gatsby | $50,085,184 | 3,550 | $144,840,419 | $353,497,733 | 41.0% |
| Nov 26, 2008 | Australia | $14,800,723 | 2,721 | $49,554,002 | $215,080,810 | 23.0% |
| May 18, 2001 | Moulin Rouge | $167,540 | 2,283 | $57,386,369 | $179,199,536 | 32.0% |
| Nov 1, 1996 | Romeo+Juliet | $11,133,231 | 1,963 | $46,338,728 | $147,542,381 | 31.4% |
| Averages | $21,479,651 | 2,890 | $89,907,134 | $200,298,441 | 36.3% | |
| Totals | 6 | $449,535,671 | $1,201,790,644 | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jun 24, 2022 | Elvis | $31,211,579 | 3,932 | $151,416,153 | $279,938,634 | 54.1% |
| May 10, 2013 | The Great Gatsby | $50,085,184 | 3,550 | $144,840,419 | $353,497,733 | 41.0% |
| Nov 26, 2008 | Australia | $14,800,723 | 2,721 | $49,554,002 | $215,080,810 | 23.0% |
| May 18, 2001 | Moulin Rouge | $167,540 | 2,283 | $57,386,369 | $179,199,536 | 32.0% |
| Nov 1, 1996 | Romeo+Juliet | $11,133,231 | 1,963 | $46,338,728 | $147,542,381 | 31.4% |
| Feb 1, 1993 | Strictly Ballroom | 100 | $11,738,000 | $12,567,770 | 93.4% | |
| Averages | $21,479,651 | 2,425 | $76,878,945 | $197,971,144 | 45.8% | |
| Totals | 6 | $461,273,671 | $1,187,826,864 | |||