The Zookeeper’s Wife (2017)

The Zookeeper’s Wife
Theatrical Performance
Domestic Box Office $17,445,186Details
International Box Office $8,863,563Details
Worldwide Box Office $26,308,749
Home Market Performance
Est. Domestic DVD Sales $2,665,153 Details
Est. Domestic Blu-ray Sales $1,252,869 Details
Total Est. Domestic Video Sales $3,918,022
Further financial details...

Synopsis

In 1939 Poland, Antonina Żabińska and her husband, Dr. Jan Żabiński have the Warsaw Zoo flourishing under his stewardship and her care. When their country is invaded by the Nazis, Jan and Antonina are stunned and forced to report to the Reich’s newly appointed chief zoologist, Lutz Heck. To fight back on their own terms, the Żabińskis covertly begin working with the Resistance and put into action plans to save lives out of what has become the Warsaw Ghetto, with Antonina putting herself and even her children at great risk.

Metrics

Opening Weekend:$3,288,835 (18.9% of total gross)
Legs:5.30 (domestic box office/biggest weekend)
Domestic Share:66.3% (domestic box office/worldwide)
Production Budget:$20,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:541 opening theaters/1,057 max. theaters, 5.8 weeks average run per theater
Infl. Adj. Dom. BO $20,965,332

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,101-4,200) 4,147 $17,445,186
All Time International Box Office (Rank 5,101-5,200) 5,104 $8,863,563
All Time Worldwide Box Office (Rank 4,601-4,700) 4,666 $26,308,749
All Time Domestic Highest Grossing Limited Release Movies (Rank 101-200) 152 $17,445,186

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: March 31st, 2017 (Limited) by Focus Features
International Releases: March 24th, 2017 (Wide) (Poland)
March 31st, 2017 (Wide), released as Úkryt v zoo (Czech Republic)
March 31st, 2017 (Wide) (Slovakia)
March 31st, 2017 (Wide), released as Umut Bahçesi (Turkey)
April 14th, 2017 (Wide) (Lithuania)
... Show all releases
Video Release: July 4th, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic elements, disturbing images, violence, brief sexuality, nudity and smoking.
(Rating bulletin 2464 (Cert #50083), 2/22/2017)
Running Time: 126 minutes
Comparisons: vs. Paper Towns
Create your own comparison chart…
Keywords: Set in Poland, 1930s, Nazis, World War II, Jewish, Zoos, Animal Lead, War Drama, War, Occupying Army, 1940s, Holocaust, Epilogue, Romance, Infidelity, Relationships Gone Wrong
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Focus Features, Scion Films, Electric City Entertainment, Tollin Productions, Rowe Miller Productions, LD Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Biggest 3rd Weekend Limited Release 88 $2,023,845 Apr 14, 2017 17
Biggest 2nd Weekend Limited Release 34 $2,684,185 Apr 7, 2017 10
Biggest Opening Weekend Limited Release 17 $3,288,835 Mar 31, 2017 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 4,101-4,200) 4,147 $17,445,186
All Time Domestic Inflation Adjusted Box Office (Rank 4,801-4,900) 4,877 $20,965,332
All Time Domestic Non-Sequel Box Office (Rank 3,401-3,500) 3,492 $17,445,186
Top 2017 Movies at the Domestic Box Office (Rank 101-200) 111 $17,445,186
All Time Domestic Highest Grossing Limited Release Movies (Rank 101-200) 152 $17,445,186
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 201-300) 209 $20,965,332
Top 2017 Limited Release Movies at the Domestic Box Office 10 $17,445,186
All Time Domestic Box Office for Based on Factual Book/Article Movies (Rank 101-200) 114 $17,445,186
All Time Domestic Box Office for Live Action Movies (Rank 3,601-3,700) 3,646 $17,445,186
All Time Domestic Box Office for Dramatization Movies (Rank 301-400) 302 $17,445,186
All Time Domestic Box Office for Drama Movies (Rank 701-800) 755 $17,445,186
All Time Domestic Box Office for PG-13 Movies (Rank 1,401-1,500) 1,453 $17,445,186
All Time Domestic Box Office for Focus Features Movies 51 $17,445,186

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 10 $3,288,835   541 $6,079   $3,288,835 1
Apr 7, 2017 11 $2,684,185 -18% 804 $3,339   $7,398,710 2
Apr 14, 2017 12 $2,023,845 -25% 1,057 $1,915   $10,626,800 3
Apr 21, 2017 15 $1,398,325 -31% 1,033 $1,354   $13,162,475 4
Apr 28, 2017 17 $991,805 -29% 997 $995   $14,808,000 5
May 5, 2017 17 $528,500 -47% 655 $807   $15,796,661 6
May 12, 2017 19 $366,340 -31% 425 $862   $16,441,571 7
May 19, 2017 - $231,360 -37% 275 $841   $16,839,076 8
May 26, 2017 22 $156,240 -32% 165 $947   $17,118,811 9
Jun 2, 2017 27 $75,885 -51% 115 $660   $17,304,281 10
Jun 9, 2017 31 $62,170 -18% 92 $676   $17,407,536 11

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 31, 2017 10 $1,035,775     541 $1,915   $1,035,775 1
Apr 1, 2017 10 $1,361,290 +31%   541 $2,516   $2,397,065 2
Apr 2, 2017 10 $891,770 -34%   541 $1,648   $3,288,835 3
Apr 3, 2017 10 $287,850 -68%   541 $532   $3,576,685 4
Apr 4, 2017 10 $475,825 +65%   541 $880   $4,052,510 5
Apr 5, 2017 9 $338,990 -29%   541 $627   $4,391,500 6
Apr 6, 2017 9 $323,025 -5%   541 $597   $4,714,525 7
Apr 7, 2017 11 $815,575 +152% -21% 804 $1,014   $5,530,100 8
Apr 8, 2017 11 $1,222,620 +50% -10% 804 $1,521   $6,752,720 9
Apr 9, 2017 11 $645,990 -47% -28% 804 $803   $7,398,710 10
Apr 10, 2017 11 $241,015 -63% -16% 804 $300   $7,639,725 11
Apr 11, 2017 11 $378,190 +57% -21% 804 $470   $8,017,915 12
Apr 12, 2017 12 $298,445 -21% -12% 804 $371   $8,316,360 13
Apr 13, 2017 12 $286,595 -4% -11% 804 $356   $8,602,955 14
Apr 14, 2017 13 $642,935 +124% -21% 1,057 $608   $9,245,890 15
Apr 15, 2017 12 $838,450 +30% -31% 1,057 $793   $10,084,340 16
Apr 16, 2017 12 $542,460 -35% -16% 1,057 $513   $10,626,800 17
Apr 17, 2017 12 $264,985 -51% +10% 1,057 $251   $10,891,785 18
Apr 18, 2017 8 $355,465 +34% -6% 1,057 $336   $11,247,250 19
Apr 19, 2017 8 $266,315 -25% -11% 1,057 $252   $11,513,565 20
Apr 20, 2017 8 $250,585 -6% -13% 1,057 $237   $11,764,150 21
Apr 21, 2017 15 $397,885 +59% -38% 1,033 $385   $12,162,035 22
Apr 22, 2017 15 $628,975 +58% -25% 1,033 $609   $12,791,010 23
Apr 23, 2017 15 $371,465 -41% -32% 1,033 $360   $13,162,475 24
Apr 24, 2017 13 $136,135 -63% -49% 1,033 $132   $13,298,610 25
Apr 25, 2017 11 $212,875 +56% -40% 1,033 $206   $13,511,485 26
Apr 26, 2017 12 $155,735 -27% -42% 1,033 $151   $13,667,220 27
Apr 27, 2017 12 $148,975 -4% -41% 1,033 $144   $13,816,195 28
Apr 28, 2017 - $258,180 +73% -35% 997 $259   $14,074,375 29
Apr 29, 2017 - $437,220 +69% -30% 997 $439   $14,511,595 30
Apr 30, 2017 - $296,405 -32% -20% 997 $297   $14,808,000 31
May 1, 2017 - $97,220 -67% -29% 997 $98   $14,905,220 32
May 2, 2017 - $154,561 +59% -27% 997 $155   $15,059,781 33
May 3, 2017 - $105,705 -32% -32% 997 $106   $15,165,486 34
May 4, 2017 15 $102,675 -3% -31% 997 $103   $15,268,161 35
May 5, 2017 - $149,730 +46% -42% 655 $229   $15,417,891 36
May 6, 2017 - $230,775 +54% -47% 655 $352   $15,648,666 37
May 7, 2017 - $147,995 -36% -50% 655 $226   $15,796,661 38
May 8, 2017 - $57,860 -61% -40% 655 $88   $15,854,521 39
May 9, 2017 15 $92,335 +60% -40% 655 $141   $15,946,856 40
May 10, 2017 - $65,485 -29% -38% 655 $100   $16,012,341 41
May 11, 2017 13 $62,890 -4% -39% 655 $96   $16,075,231 42
May 12, 2017 - $86,810 +38% -42% 425 $204   $16,162,041 43
May 13, 2017 - $148,120 +71% -36% 425 $349   $16,310,161 44
May 14, 2017 - $131,410 -11% -11% 425 $309   $16,441,571 45
May 15, 2017 - $35,485 -73% -39% 425 $83   $16,477,056 46
May 16, 2017 - $52,535 +48% -43% 425 $124   $16,529,591 47
May 17, 2017 - $38,850 -26% -41% 425 $91   $16,568,441 48
May 18, 2017 - $39,275 +1% -38% 425 $92   $16,607,716 49
May 19, 2017 - $65,490 +67% -25% 275 $238   $16,673,206 50
May 20, 2017 - $99,315 +52% -33% 275 $361   $16,772,521 51
May 21, 2017 - $66,555 -33% -49% 275 $242   $16,839,076 52
May 22, 2017 - $32,985 -50% -7% 275 $120   $16,872,061 53
May 23, 2017 - $33,405 +1% -36% 275 $121   $16,905,466 54
May 24, 2017 - $27,130 -19% -30% 275 $99   $16,932,596 55
May 25, 2017 - $29,975 +10% -24% 275 $109   $16,962,571 56
May 26, 2017 - $40,735 +36% -38% 165 $247   $17,003,306 57
May 27, 2017 - $59,715 +47% -40% 165 $362   $17,063,021 58
May 28, 2017 - $55,790 -7% -16% 165 $338   $17,118,811 59
May 29, 2017 - $56,585 +1% +72% 165 $343   $17,175,396 60
May 30, 2017 - $19,925 -65% -40% 165 $121   $17,195,321 61
May 31, 2017 - $17,450 -12% -36% 165 $106   $17,212,771 62
Jun 1, 2017 - $15,625 -10% -48% 165 $95   $17,228,396 63
Jun 2, 2017 - $20,575 +32% -49% 115 $179   $17,248,971 64
Jun 3, 2017 - $32,945 +60% -45% 115 $286   $17,281,916 65
Jun 4, 2017 - $22,365 -32% -60% 115 $194   $17,304,281 66
Jun 5, 2017 - $9,120 -59% -84% 115 $79   $17,313,401 67
Jun 6, 2017 - $12,240 +34% -39% 115 $106   $17,325,641 68
Jun 7, 2017 - $10,215 -17% -41% 115 $89   $17,335,856 69
Jun 8, 2017 - $9,510 -7% -39% 115 $83   $17,345,366 70
Jun 9, 2017 - $15,955 +68% -22% 92 $173   $17,361,321 71
Jun 10, 2017 - $26,875 +68% -18% 92 $292   $17,388,196 72
Jun 11, 2017 - $19,340 -28% -14% 92 $210   $17,407,536 73
Jun 12, 2017 - $8,380 -57% -8% 92 $91   $17,415,916 74
Jun 13, 2017 - $11,115 +33% -9% 92 $121   $17,427,031 75
Jun 14, 2017 - $9,185 -17% -10% 92 $100   $17,436,216 76
Jun 15, 2017 - $8,970 -2% -6% 92 $98   $17,445,186 77

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 10 $4,714,525   541 $8,714   $4,714,525 1
Apr 7, 2017 11 $3,888,430 -18% 804 $4,836   $8,602,955 2
Apr 14, 2017 12 $3,161,195 -19% 1,057 $2,991   $11,764,150 3
Apr 21, 2017 14 $2,052,045 -35% 1,033 $1,986   $13,816,195 4
Apr 28, 2017 16 $1,451,966 -29% 997 $1,456   $15,268,161 5
May 5, 2017 17 $807,070 -44% 655 $1,232   $16,075,231 6
May 12, 2017 17 $532,485 -34% 425 $1,253   $16,607,716 7
May 19, 2017 21 $354,855 -33% 275 $1,290   $16,962,571 8
May 26, 2017 22 $265,825 -25% 165 $1,611   $17,228,396 9
Jun 2, 2017 30 $116,970 -56% 115 $1,017   $17,345,366 10
Jun 9, 2017 29 $99,820 -15% 92 $1,085   $17,445,186 11

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 5/5/2017 $214,982 72 97 579 $1,012,787 7/13/2017
Czech Republic 3/31/2017 $18,681 73 73 148 $66,388 1/1/2019
Italy 11/17/2017 $412,335 0 44 85 $1,028,520 2/12/2019
Lithuania 4/14/2017 $9,348 64 64 145 $45,759 5/26/2017
Netherlands 5/4/2017 $134,390 51 51 312 $480,534 6/27/2017
New Zealand 5/5/2017 $25,200 8 49 237 $326,416 6/26/2017
Poland 3/24/2017 $166,000 0 1 1 $829,566 1/1/2019
Russia (CIS) 4/14/2017 $109,639 298 298 521 $267,066 1/1/2019
Slovakia 3/31/2017 $4,675 39 39 57 $9,615 4/14/2017
South Korea 5/21/2017 $599 1 100 155 $84,260 5/4/2018
Spain 6/23/2017 $257,090 200 230 661 $908,587 7/21/2017
Turkey 3/31/2017 $19,134 31 31 42 $39,317 2/26/2019
United Kingdom 4/21/2017 $129,627 216 216 216 $129,627 4/26/2017
 
Rest of World $3,635,121
 
International Total$8,863,563 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 5,101-5,200) 5,104 $8,863,563
All Time International Non-Sequel Box Office (Rank 4,301-4,400) 4,342 $8,863,563
All Time International Box Office for Based on Factual Book/Article Movies (Rank 101-200) 116 $8,863,563
All Time International Box Office for Live Action Movies (Rank 4,201-4,300) 4,245 $8,863,563
All Time International Box Office for Dramatization Movies (Rank 301-400) 345 $8,863,563
All Time International Box Office for Drama Movies (Rank 1,101-1,200) 1,141 $8,863,563
All Time International Box Office for PG-13 Movies (Rank 1,301-1,400) 1,311 $8,863,563
All Time International Box Office for Focus Features Movies 83 $8,863,563

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 4,601-4,700) 4,666 $26,308,749
All Time Worldwide Non-Sequel Box Office (Rank 3,901-4,000) 3,917 $26,308,749
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 182 $26,308,749
All Time Worldwide Box Office for Based on Factual Book/Article Movies (Rank 101-200) 117 $26,308,749
All Time Worldwide Box Office for Live Action Movies (Rank 4,001-4,100) 4,023 $26,308,749
All Time Worldwide Box Office for Dramatization Movies (Rank 301-400) 335 $26,308,749
All Time Worldwide Box Office for Drama Movies (Rank 901-1,000) 942 $26,308,749
All Time Worldwide Box Office for PG-13 Movies (Rank 1,401-1,500) 1,464 $26,308,749
All Time Worldwide Box Office for Focus Features Movies 72 $26,308,749

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jul 9, 2017546,716 46,716$839,019$839,0191
Jul 16, 2017139,491-80% 56,207$170,458$1,009,4772

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jul 9, 2017628,004 28,004$558,961$558,9611

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jessica Chastain Antonina Żabińska
Daniel Brühl Lutz Heck

Supporting Cast

Johan Heldenbergh Jan Żabińska
Michael McElhatton Jerzyk
Iddo Goldberg Maurycy Fraenkel
Goran Kostic Kinszerbaum
Shira Haas Urszula
Efrat Dor Magda Gross
Val Maloku Ryszard Żabińska
Tim Radford Young Ryszard Żabińska
Anna Rust Zebra Woman
Martha Issova Regina Kenigswein
Daniel Ratimorsky Samuel Kenigswein
Frederick Preston Miecio Kenigswein
Theodore Preston Stefcio Kenigswein
Viktoria Zakharyanova Stefania Kenigswein
Arnost Goldflam Dr. Janusz Korczak
Marian Mitas Stefan
Martin Hofmann Szymon Tenenbaum
Jitka Smutna Pietrasia
Waldemar Kobus Dr. Ziegler
Viktorie Jenickova Teresa Żabińska (2 years old)
Adira B Cole Abbett Teresa Żabińska (9 months old)
Hana Pindurova Teresa Żabińska (Baby)
Slavko Sobin Mr. Keller
Alena Mihulova Marysia Aszer
Natasa Burger Roza Anzelowna
Magdalena Lamparska Wanda Englert
Vilma Frantova Zofia Kossak
Magdalena Sidonova Janina Rabbe
Ester Kocickova Eugenia Wasowska
Petra Buckova Wanda Filipowicz
Roman Vejdovec Senior German Officer
Roman Horak German Soldier #1
Ladislav Hampl Ghetto Gate #1 Guard
Vaclav Neuzil Ghetto Gate #2 Guard
Brian Caspe Ghetto Soldier #1
Jakub Smid Ghetto Soldier #2
Gabriel Cohen Smoking German Soldier #1
Josef Guruncz Smoking German Soldier #2
Jaromir Nosek German Officer #2
Miliana Lenak Warsaw Resident #1
Jan Slovak Warsaw Resident #2
Jaroslav Haidler Rabbi #1
Rabbi Michael Dushinsky* Rabbi #2
Rabbi Shumi Berkowitz* Rabbi #3
Daniel Sidon Young Resistance Fighter
Anna Fialova Woman Sniper
Marek Hula Sniper Instructor
Harry Thompson Polish Photographer
Stepanka Fingerhutova Photographer’s Girlfriend
Jakub Koudela German Soldier Buying Magazine
Elias Bauer Teenage Boy #1
Natan Tacevski Teenage Boy #2
Josef Havrda Teenage Boy #3

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Niki Caro Director
Angela Workman Screenwriter
Diane Ackerman Based on the book by
Jeff Abberley Producer
Jamie Patricof Producer
Diane Miller Levin Producer
Kim Zubick Producer
Marc Butan Executive Producer
Robbie Rowe Tollin Executive Producer
Mike Tollin Executive Producer
Jessica Chastain Executive Producer
Kevan Van Thompson Executive Producer
Mickey Liddell Executive Producer
Pete Shilaimon Executive Producer
Jennifer Monroe Executive Producer
Andrij Parekh Cinematographer
Suzie Davies Production Designer
David Coulson Editor
Denise Kum Make-up and Hair Designer
Sabine Daigeler* Costume Designer
Harry Gregson-Williams Composer
Elaine Grainger Casting Director
Antje "Angie" Rau Stunt Coordinator
Ludek Jelen Stunt Coordinator
Robert Grasmere Visual Effects Supervisor
Gabe Hilfer Music Supervisor
Katie McNeill Co-Producer
Maya Kvetny Casting Director
Phil Booth First Assistant Director
Liz Richards Post-Production Supervisor
Anna Behlmer Re-recording Mixer
Terry Porter Re-recording Mixer
Vera Homolacova Script Supervisor
Dan Taylor Supervising Art Director
Charlotte Watts Set Decorator
Stefanie Bieker Costume Supervisor
Sabine Waszmer Costume Supervisor
Petr Cechak Sound Mixer
Jonny Winograd First Assistant Editor/Visual Effects Editor
Daniela Ovi Assistant Editor
Becky Sullivan Supervising Sound Editor
Jay Wilkinson Sound Effects Editor
Dan Hegeman Sound Effects Editor
Darren Warkentin Dialogue Editor
Geordy Sincavage Foley Mixer
Ryan Wassil Foley Mixer
Martin Kulhanek Special Effects Supervisor
Jakub Nierostek Special Effects Supervisor
Kristyna Hanusova Location Manager
Robert Grasmere Second Unit Director
Sherry Whitfield Music Editor
Stephanie Economou Additional Music
Peter Cobbin Score Recordist
Al Clay Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 4th, 2017

July 3rd, 2017

HYOUKA: Part One

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May 10th, 2017

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Theater Averages: Baahubali Won’t Conclude after a $24,712 opening

May 2nd, 2017

Baahubali 2: The Conclusion

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Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

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Theater Averages: Going From A to Zed with $27,544

April 19th, 2017

The Lost City of Z

The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater. More...

Theater Averages: Colossal Lives up to its Name with $30,057

April 12th, 2017

Colossal

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Weekend Wrap-Up: Baby and Beast Dominate Box Office with $26.36 million and $23.65 million

April 11th, 2017

The Boss Baby

It was a good weekend at the box office, considering the time of year, but this was almost entirely due to holdovers. The Boss Baby earned $26.36 million, which was within a rounding of our prediction, while Beauty and the Beast was relatively close behind. This meant the best new release, Smurfs: The Lost Village, only managed third place. Furthermore, it wasn’t even close to second place. Overall, the box office fell 30% from last weekend. More importantly, it was 14% higher than the same weekend last year. Year-to-date, 2017 has pulled in $3.15 billion becoming the fastest year to reach $3 billion. It is also 6.4% or $190 million ahead of last year’s pace. It is still early, but 2017 is starting to build up a lead that will act as a cushion when it inevitably hits a soft patch. More...

Theater Averages: Boss Baby Gets a Raise with $13,305

April 4th, 2017

The Boss Baby

Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789. More...

Weekend Wrap-Up: Boss Blasts Off while Ghost Cracks

April 4th, 2017

The Boss Baby

The Boss Baby beat expectations and earned first place with $50.20 million over the weekend. The strong competition pushed Beauty and the Beast into second place, but it nearly hit $400 million and it is on pace for $500 million, so I wouldn’t feel too bad for the film. On the other hand, you can feel bad for Ghost in the Shell, because an opening of just $18.68 million on a $110 million production budget is a disaster. Overall, the box office rose 16% from last week reaching $169 million. Compared to last year, the box office rose 28%, which is very impressive. Year-to-date, 2017 has pulled in $2.98 billion, putting it 6.1% or $170 million ahead of 2016’s pace. We are far enough into the year that a lead this big is significant. That doesn’t mean 2017 is guaranteed to come out ahead, but this is certainly reason to be optimistic. More...

Weekend Estimates: Boss Baby Beats Beauty

April 2nd, 2017

The Boss Baby

A great marketing campaign and a beautifully-timed opening will most likely combine to give The Boss Baby a win at the box office this weekend, according to studio estimates released on Sunday. Victory isn’t completely assured, because the margin is fairly slim: Boss Baby is headed for $49 million, per Fox’s Sunday morning estimate, while Disney is expecting $47.5 million for Beauty and the Beast. Both studios expect Beast to win on Sunday, so the eventual winner will depend on today’s figures, but it would be a real surprise if the order changes when final numbers come in tomorrow. More...

Limited and VOD Releases: Zookeeper and Others are Having a Wild Time

March 31st, 2017

The Blackcoat’s Daughter

It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances. More...

Contest: Give Up the Ghost

March 23rd, 2017

Ghost in the Shell

There are only two wide releases next weekend, as The Zookeeper’s Wife has been dropped to limited release. Both The Boss Baby and Ghost in the Shell have shots at $100 million in total. I don’t think both of them will get there, but both at least have a shot. If we assume both films have an equal shot at $100 million, Ghost in the Shell would still likely get off to a faster start, as it is an action film vs. a family film. Because of this, it is the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Ghost in the Shell.

April 1st is next Saturday, so we are starting our April Fools contests this week. Two of our winners will get movies from our prize pool, while one will be chosen at random to be the fool and receive an HD-DVD release.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be a potential winner of two previously reviewed movies, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of two previously reviewed movies, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner of two previously reviewed movies, or the winner of the Fool’s Prize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In 1939 Poland, Antonina Żabińska and her husband, Dr. Jan Żabiński have the Warsaw Zoo flourishing under his stewardship and her care. When their country is invaded by the Nazis, Jan and Antonina are stunned and forced to report to the Reich’s newly appointed chief zoologist, Lutz Heck. To fight back on their own terms, the Żabińskis covertly begin working with the Resistance and put into action plans to save lives out of what has become the Warsaw Ghetto, with Antonina putting herself and even her children at great risk.

Metrics

Opening Weekend:$3,288,835 (18.9% of total gross)
Legs:5.30 (domestic box office/biggest weekend)
Domestic Share:66.3% (domestic box office/worldwide)
Production Budget:$20,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:541 opening theaters/1,057 max. theaters, 5.8 weeks average run per theater
Infl. Adj. Dom. BO $20,965,332

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,101-4,200) 4,147 $17,445,186
All Time International Box Office (Rank 5,101-5,200) 5,104 $8,863,563
All Time Worldwide Box Office (Rank 4,601-4,700) 4,666 $26,308,749
All Time Domestic Highest Grossing Limited Release Movies (Rank 101-200) 152 $17,445,186

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: March 31st, 2017 (Limited) by Focus Features
International Releases: March 24th, 2017 (Wide) (Poland)
March 31st, 2017 (Wide), released as Úkryt v zoo (Czech Republic)
March 31st, 2017 (Wide) (Slovakia)
March 31st, 2017 (Wide), released as Umut Bahçesi (Turkey)
April 14th, 2017 (Wide) (Lithuania)
... Show all releases
Video Release: July 4th, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic elements, disturbing images, violence, brief sexuality, nudity and smoking.
(Rating bulletin 2464 (Cert #50083), 2/22/2017)
Running Time: 126 minutes
Comparisons: vs. Paper Towns
Create your own comparison chart…
Keywords: Set in Poland, 1930s, Nazis, World War II, Jewish, Zoos, Animal Lead, War Drama, War, Occupying Army, 1940s, Holocaust, Epilogue, Romance, Infidelity, Relationships Gone Wrong
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Focus Features, Scion Films, Electric City Entertainment, Tollin Productions, Rowe Miller Productions, LD Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Biggest 3rd Weekend Limited Release 88 $2,023,845 Apr 14, 2017 17
Biggest 2nd Weekend Limited Release 34 $2,684,185 Apr 7, 2017 10
Biggest Opening Weekend Limited Release 17 $3,288,835 Mar 31, 2017 3

Leading Cast

Jessica Chastain Antonina Żabińska
Daniel Brühl Lutz Heck

Supporting Cast

Johan Heldenbergh Jan Żabińska
Michael McElhatton Jerzyk
Iddo Goldberg Maurycy Fraenkel
Goran Kostic Kinszerbaum
Shira Haas Urszula
Efrat Dor Magda Gross
Val Maloku Ryszard Żabińska
Tim Radford Young Ryszard Żabińska
Anna Rust Zebra Woman
Martha Issova Regina Kenigswein
Daniel Ratimorsky Samuel Kenigswein
Frederick Preston Miecio Kenigswein
Theodore Preston Stefcio Kenigswein
Viktoria Zakharyanova Stefania Kenigswein
Arnost Goldflam Dr. Janusz Korczak
Marian Mitas Stefan
Martin Hofmann Szymon Tenenbaum
Jitka Smutna Pietrasia
Waldemar Kobus Dr. Ziegler
Viktorie Jenickova Teresa Żabińska (2 years old)
Adira B Cole Abbett Teresa Żabińska (9 months old)
Hana Pindurova Teresa Żabińska (Baby)
Slavko Sobin Mr. Keller
Alena Mihulova Marysia Aszer
Natasa Burger Roza Anzelowna
Magdalena Lamparska Wanda Englert
Vilma Frantova Zofia Kossak
Magdalena Sidonova Janina Rabbe
Ester Kocickova Eugenia Wasowska
Petra Buckova Wanda Filipowicz
Roman Vejdovec Senior German Officer
Roman Horak German Soldier #1
Ladislav Hampl Ghetto Gate #1 Guard
Vaclav Neuzil Ghetto Gate #2 Guard
Brian Caspe Ghetto Soldier #1
Jakub Smid Ghetto Soldier #2
Gabriel Cohen Smoking German Soldier #1
Josef Guruncz Smoking German Soldier #2
Jaromir Nosek German Officer #2
Miliana Lenak Warsaw Resident #1
Jan Slovak Warsaw Resident #2
Jaroslav Haidler Rabbi #1
Rabbi Michael Dushinsky* Rabbi #2
Rabbi Shumi Berkowitz* Rabbi #3
Daniel Sidon Young Resistance Fighter
Anna Fialova Woman Sniper
Marek Hula Sniper Instructor
Harry Thompson Polish Photographer
Stepanka Fingerhutova Photographer’s Girlfriend
Jakub Koudela German Soldier Buying Magazine
Elias Bauer Teenage Boy #1
Natan Tacevski Teenage Boy #2
Josef Havrda Teenage Boy #3

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Niki Caro Director
Angela Workman Screenwriter
Diane Ackerman Based on the book by
Jeff Abberley Producer
Jamie Patricof Producer
Diane Miller Levin Producer
Kim Zubick Producer
Marc Butan Executive Producer
Robbie Rowe Tollin Executive Producer
Mike Tollin Executive Producer
Jessica Chastain Executive Producer
Kevan Van Thompson Executive Producer
Mickey Liddell Executive Producer
Pete Shilaimon Executive Producer
Jennifer Monroe Executive Producer
Andrij Parekh Cinematographer
Suzie Davies Production Designer
David Coulson Editor
Denise Kum Make-up and Hair Designer
Sabine Daigeler* Costume Designer
Harry Gregson-Williams Composer
Elaine Grainger Casting Director
Antje "Angie" Rau Stunt Coordinator
Ludek Jelen Stunt Coordinator
Robert Grasmere Visual Effects Supervisor
Gabe Hilfer Music Supervisor
Katie McNeill Co-Producer
Maya Kvetny Casting Director
Phil Booth First Assistant Director
Liz Richards Post-Production Supervisor
Anna Behlmer Re-recording Mixer
Terry Porter Re-recording Mixer
Vera Homolacova Script Supervisor
Dan Taylor Supervising Art Director
Charlotte Watts Set Decorator
Stefanie Bieker Costume Supervisor
Sabine Waszmer Costume Supervisor
Petr Cechak Sound Mixer
Jonny Winograd First Assistant Editor/Visual Effects Editor
Daniela Ovi Assistant Editor
Becky Sullivan Supervising Sound Editor
Jay Wilkinson Sound Effects Editor
Dan Hegeman Sound Effects Editor
Darren Warkentin Dialogue Editor
Geordy Sincavage Foley Mixer
Ryan Wassil Foley Mixer
Martin Kulhanek Special Effects Supervisor
Jakub Nierostek Special Effects Supervisor
Kristyna Hanusova Location Manager
Robert Grasmere Second Unit Director
Sherry Whitfield Music Editor
Stephanie Economou Additional Music
Peter Cobbin Score Recordist
Al Clay Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 4th, 2017

July 3rd, 2017

HYOUKA: Part One

This is one of the worst weeks on the home market that I’ve seen. The summer is usually a bad time on the home market, but this year July 4th lands on Tuesday, which further hurts the quality of releases coming out this week. The biggest non-VOD release of the week is The Zookeeper’s Wife, which would be a secondary Blu-ray release on an average week. The second biggest release, Song to Song, did so poorly on the box office that it would be filler if it weren’t for its pedigree. As for the best new release of the week... Free Fire is coming out on Video on Demand. The reviews are good, but not really Pick of the Week material. I guess the best new release on this week’s list is HYOUKA: Part One. I think this is the first time an Anime TV series has been named Pick of the Week. More...

Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart

May 10th, 2017

Guardians of the Galaxy Vol 2

Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters. More...

Theater Averages: Baahubali Won’t Conclude after a $24,712 opening

May 2nd, 2017

Baahubali 2: The Conclusion

Baahubali 2: The Conclusion opened on top of the theater average chart with $24,712 in just over 400 theaters. It goes without saying that there will be another installment in this franchise; although I hear it won’t follow the same characters. The only other film in the $10,000 club was How to Be a Latin Lover, which earned an average of $10,959 in 1,118 theaters. Obit was relatively close to the $10,000 mark with an average of $8,093 in two theaters over the weekend; however, it was a Wednesday release earning an average of $17,604 over the five days. More...

Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion. More...

Theater Averages: Going From A to Zed with $27,544

April 19th, 2017

The Lost City of Z

The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater. More...

Theater Averages: Colossal Lives up to its Name with $30,057

April 12th, 2017

Colossal

Colossal led the way on the theater average chart with an average of $30,057 in four theaters. Meanwhile, Their Finest was the only other film in the $10,000 club with an average of $19,049 also in four theaters. More...

Weekend Wrap-Up: Baby and Beast Dominate Box Office with $26.36 million and $23.65 million

April 11th, 2017

The Boss Baby

It was a good weekend at the box office, considering the time of year, but this was almost entirely due to holdovers. The Boss Baby earned $26.36 million, which was within a rounding of our prediction, while Beauty and the Beast was relatively close behind. This meant the best new release, Smurfs: The Lost Village, only managed third place. Furthermore, it wasn’t even close to second place. Overall, the box office fell 30% from last weekend. More importantly, it was 14% higher than the same weekend last year. Year-to-date, 2017 has pulled in $3.15 billion becoming the fastest year to reach $3 billion. It is also 6.4% or $190 million ahead of last year’s pace. It is still early, but 2017 is starting to build up a lead that will act as a cushion when it inevitably hits a soft patch. More...

Theater Averages: Boss Baby Gets a Raise with $13,305

April 4th, 2017

The Boss Baby

Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789. More...

Weekend Wrap-Up: Boss Blasts Off while Ghost Cracks

April 4th, 2017

The Boss Baby

The Boss Baby beat expectations and earned first place with $50.20 million over the weekend. The strong competition pushed Beauty and the Beast into second place, but it nearly hit $400 million and it is on pace for $500 million, so I wouldn’t feel too bad for the film. On the other hand, you can feel bad for Ghost in the Shell, because an opening of just $18.68 million on a $110 million production budget is a disaster. Overall, the box office rose 16% from last week reaching $169 million. Compared to last year, the box office rose 28%, which is very impressive. Year-to-date, 2017 has pulled in $2.98 billion, putting it 6.1% or $170 million ahead of 2016’s pace. We are far enough into the year that a lead this big is significant. That doesn’t mean 2017 is guaranteed to come out ahead, but this is certainly reason to be optimistic. More...

Weekend Estimates: Boss Baby Beats Beauty

April 2nd, 2017

The Boss Baby

A great marketing campaign and a beautifully-timed opening will most likely combine to give The Boss Baby a win at the box office this weekend, according to studio estimates released on Sunday. Victory isn’t completely assured, because the margin is fairly slim: Boss Baby is headed for $49 million, per Fox’s Sunday morning estimate, while Disney is expecting $47.5 million for Beauty and the Beast. Both studios expect Beast to win on Sunday, so the eventual winner will depend on today’s figures, but it would be a real surprise if the order changes when final numbers come in tomorrow. More...

Limited and VOD Releases: Zookeeper and Others are Having a Wild Time

March 31st, 2017

The Blackcoat’s Daughter

It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances. More...

Contest: Give Up the Ghost

March 23rd, 2017

Ghost in the Shell

There are only two wide releases next weekend, as The Zookeeper’s Wife has been dropped to limited release. Both The Boss Baby and Ghost in the Shell have shots at $100 million in total. I don’t think both of them will get there, but both at least have a shot. If we assume both films have an equal shot at $100 million, Ghost in the Shell would still likely get off to a faster start, as it is an action film vs. a family film. Because of this, it is the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Ghost in the Shell.

April 1st is next Saturday, so we are starting our April Fools contests this week. Two of our winners will get movies from our prize pool, while one will be chosen at random to be the fool and receive an HD-DVD release.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be a potential winner of two previously reviewed movies, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of two previously reviewed movies, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner of two previously reviewed movies, or the winner of the Fool’s Prize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 4,101-4,200) 4,147 $17,445,186
All Time Domestic Inflation Adjusted Box Office (Rank 4,801-4,900) 4,877 $20,965,332
All Time Domestic Non-Sequel Box Office (Rank 3,401-3,500) 3,492 $17,445,186
Top 2017 Movies at the Domestic Box Office (Rank 101-200) 111 $17,445,186
All Time Domestic Highest Grossing Limited Release Movies (Rank 101-200) 152 $17,445,186
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 201-300) 209 $20,965,332
Top 2017 Limited Release Movies at the Domestic Box Office 10 $17,445,186
All Time Domestic Box Office for Based on Factual Book/Article Movies (Rank 101-200) 114 $17,445,186
All Time Domestic Box Office for Live Action Movies (Rank 3,601-3,700) 3,646 $17,445,186
All Time Domestic Box Office for Dramatization Movies (Rank 301-400) 302 $17,445,186
All Time Domestic Box Office for Drama Movies (Rank 701-800) 755 $17,445,186
All Time Domestic Box Office for PG-13 Movies (Rank 1,401-1,500) 1,453 $17,445,186
All Time Domestic Box Office for Focus Features Movies 51 $17,445,186

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 10 $3,288,835   541 $6,079   $3,288,835 1
Apr 7, 2017 11 $2,684,185 -18% 804 $3,339   $7,398,710 2
Apr 14, 2017 12 $2,023,845 -25% 1,057 $1,915   $10,626,800 3
Apr 21, 2017 15 $1,398,325 -31% 1,033 $1,354   $13,162,475 4
Apr 28, 2017 17 $991,805 -29% 997 $995   $14,808,000 5
May 5, 2017 17 $528,500 -47% 655 $807   $15,796,661 6
May 12, 2017 19 $366,340 -31% 425 $862   $16,441,571 7
May 19, 2017 - $231,360 -37% 275 $841   $16,839,076 8
May 26, 2017 22 $156,240 -32% 165 $947   $17,118,811 9
Jun 2, 2017 27 $75,885 -51% 115 $660   $17,304,281 10
Jun 9, 2017 31 $62,170 -18% 92 $676   $17,407,536 11

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 31, 2017 10 $1,035,775     541 $1,915   $1,035,775 1
Apr 1, 2017 10 $1,361,290 +31%   541 $2,516   $2,397,065 2
Apr 2, 2017 10 $891,770 -34%   541 $1,648   $3,288,835 3
Apr 3, 2017 10 $287,850 -68%   541 $532   $3,576,685 4
Apr 4, 2017 10 $475,825 +65%   541 $880   $4,052,510 5
Apr 5, 2017 9 $338,990 -29%   541 $627   $4,391,500 6
Apr 6, 2017 9 $323,025 -5%   541 $597   $4,714,525 7
Apr 7, 2017 11 $815,575 +152% -21% 804 $1,014   $5,530,100 8
Apr 8, 2017 11 $1,222,620 +50% -10% 804 $1,521   $6,752,720 9
Apr 9, 2017 11 $645,990 -47% -28% 804 $803   $7,398,710 10
Apr 10, 2017 11 $241,015 -63% -16% 804 $300   $7,639,725 11
Apr 11, 2017 11 $378,190 +57% -21% 804 $470   $8,017,915 12
Apr 12, 2017 12 $298,445 -21% -12% 804 $371   $8,316,360 13
Apr 13, 2017 12 $286,595 -4% -11% 804 $356   $8,602,955 14
Apr 14, 2017 13 $642,935 +124% -21% 1,057 $608   $9,245,890 15
Apr 15, 2017 12 $838,450 +30% -31% 1,057 $793   $10,084,340 16
Apr 16, 2017 12 $542,460 -35% -16% 1,057 $513   $10,626,800 17
Apr 17, 2017 12 $264,985 -51% +10% 1,057 $251   $10,891,785 18
Apr 18, 2017 8 $355,465 +34% -6% 1,057 $336   $11,247,250 19
Apr 19, 2017 8 $266,315 -25% -11% 1,057 $252   $11,513,565 20
Apr 20, 2017 8 $250,585 -6% -13% 1,057 $237   $11,764,150 21
Apr 21, 2017 15 $397,885 +59% -38% 1,033 $385   $12,162,035 22
Apr 22, 2017 15 $628,975 +58% -25% 1,033 $609   $12,791,010 23
Apr 23, 2017 15 $371,465 -41% -32% 1,033 $360   $13,162,475 24
Apr 24, 2017 13 $136,135 -63% -49% 1,033 $132   $13,298,610 25
Apr 25, 2017 11 $212,875 +56% -40% 1,033 $206   $13,511,485 26
Apr 26, 2017 12 $155,735 -27% -42% 1,033 $151   $13,667,220 27
Apr 27, 2017 12 $148,975 -4% -41% 1,033 $144   $13,816,195 28
Apr 28, 2017 - $258,180 +73% -35% 997 $259   $14,074,375 29
Apr 29, 2017 - $437,220 +69% -30% 997 $439   $14,511,595 30
Apr 30, 2017 - $296,405 -32% -20% 997 $297   $14,808,000 31
May 1, 2017 - $97,220 -67% -29% 997 $98   $14,905,220 32
May 2, 2017 - $154,561 +59% -27% 997 $155   $15,059,781 33
May 3, 2017 - $105,705 -32% -32% 997 $106   $15,165,486 34
May 4, 2017 15 $102,675 -3% -31% 997 $103   $15,268,161 35
May 5, 2017 - $149,730 +46% -42% 655 $229   $15,417,891 36
May 6, 2017 - $230,775 +54% -47% 655 $352   $15,648,666 37
May 7, 2017 - $147,995 -36% -50% 655 $226   $15,796,661 38
May 8, 2017 - $57,860 -61% -40% 655 $88   $15,854,521 39
May 9, 2017 15 $92,335 +60% -40% 655 $141   $15,946,856 40
May 10, 2017 - $65,485 -29% -38% 655 $100   $16,012,341 41
May 11, 2017 13 $62,890 -4% -39% 655 $96   $16,075,231 42
May 12, 2017 - $86,810 +38% -42% 425 $204   $16,162,041 43
May 13, 2017 - $148,120 +71% -36% 425 $349   $16,310,161 44
May 14, 2017 - $131,410 -11% -11% 425 $309   $16,441,571 45
May 15, 2017 - $35,485 -73% -39% 425 $83   $16,477,056 46
May 16, 2017 - $52,535 +48% -43% 425 $124   $16,529,591 47
May 17, 2017 - $38,850 -26% -41% 425 $91   $16,568,441 48
May 18, 2017 - $39,275 +1% -38% 425 $92   $16,607,716 49
May 19, 2017 - $65,490 +67% -25% 275 $238   $16,673,206 50
May 20, 2017 - $99,315 +52% -33% 275 $361   $16,772,521 51
May 21, 2017 - $66,555 -33% -49% 275 $242   $16,839,076 52
May 22, 2017 - $32,985 -50% -7% 275 $120   $16,872,061 53
May 23, 2017 - $33,405 +1% -36% 275 $121   $16,905,466 54
May 24, 2017 - $27,130 -19% -30% 275 $99   $16,932,596 55
May 25, 2017 - $29,975 +10% -24% 275 $109   $16,962,571 56
May 26, 2017 - $40,735 +36% -38% 165 $247   $17,003,306 57
May 27, 2017 - $59,715 +47% -40% 165 $362   $17,063,021 58
May 28, 2017 - $55,790 -7% -16% 165 $338   $17,118,811 59
May 29, 2017 - $56,585 +1% +72% 165 $343   $17,175,396 60
May 30, 2017 - $19,925 -65% -40% 165 $121   $17,195,321 61
May 31, 2017 - $17,450 -12% -36% 165 $106   $17,212,771 62
Jun 1, 2017 - $15,625 -10% -48% 165 $95   $17,228,396 63
Jun 2, 2017 - $20,575 +32% -49% 115 $179   $17,248,971 64
Jun 3, 2017 - $32,945 +60% -45% 115 $286   $17,281,916 65
Jun 4, 2017 - $22,365 -32% -60% 115 $194   $17,304,281 66
Jun 5, 2017 - $9,120 -59% -84% 115 $79   $17,313,401 67
Jun 6, 2017 - $12,240 +34% -39% 115 $106   $17,325,641 68
Jun 7, 2017 - $10,215 -17% -41% 115 $89   $17,335,856 69
Jun 8, 2017 - $9,510 -7% -39% 115 $83   $17,345,366 70
Jun 9, 2017 - $15,955 +68% -22% 92 $173   $17,361,321 71
Jun 10, 2017 - $26,875 +68% -18% 92 $292   $17,388,196 72
Jun 11, 2017 - $19,340 -28% -14% 92 $210   $17,407,536 73
Jun 12, 2017 - $8,380 -57% -8% 92 $91   $17,415,916 74
Jun 13, 2017 - $11,115 +33% -9% 92 $121   $17,427,031 75
Jun 14, 2017 - $9,185 -17% -10% 92 $100   $17,436,216 76
Jun 15, 2017 - $8,970 -2% -6% 92 $98   $17,445,186 77

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 10 $4,714,525   541 $8,714   $4,714,525 1
Apr 7, 2017 11 $3,888,430 -18% 804 $4,836   $8,602,955 2
Apr 14, 2017 12 $3,161,195 -19% 1,057 $2,991   $11,764,150 3
Apr 21, 2017 14 $2,052,045 -35% 1,033 $1,986   $13,816,195 4
Apr 28, 2017 16 $1,451,966 -29% 997 $1,456   $15,268,161 5
May 5, 2017 17 $807,070 -44% 655 $1,232   $16,075,231 6
May 12, 2017 17 $532,485 -34% 425 $1,253   $16,607,716 7
May 19, 2017 21 $354,855 -33% 275 $1,290   $16,962,571 8
May 26, 2017 22 $265,825 -25% 165 $1,611   $17,228,396 9
Jun 2, 2017 30 $116,970 -56% 115 $1,017   $17,345,366 10
Jun 9, 2017 29 $99,820 -15% 92 $1,085   $17,445,186 11

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 5/5/2017 $214,982 72 97 579 $1,012,787 7/13/2017
Czech Republic 3/31/2017 $18,681 73 73 148 $66,388 1/1/2019
Italy 11/17/2017 $412,335 0 44 85 $1,028,520 2/12/2019
Lithuania 4/14/2017 $9,348 64 64 145 $45,759 5/26/2017
Netherlands 5/4/2017 $134,390 51 51 312 $480,534 6/27/2017
New Zealand 5/5/2017 $25,200 8 49 237 $326,416 6/26/2017
Poland 3/24/2017 $166,000 0 1 1 $829,566 1/1/2019
Russia (CIS) 4/14/2017 $109,639 298 298 521 $267,066 1/1/2019
Slovakia 3/31/2017 $4,675 39 39 57 $9,615 4/14/2017
South Korea 5/21/2017 $599 1 100 155 $84,260 5/4/2018
Spain 6/23/2017 $257,090 200 230 661 $908,587 7/21/2017
Turkey 3/31/2017 $19,134 31 31 42 $39,317 2/26/2019
United Kingdom 4/21/2017 $129,627 216 216 216 $129,627 4/26/2017
 
Rest of World $3,635,121
 
International Total$8,863,563 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 5,101-5,200) 5,104 $8,863,563
All Time International Non-Sequel Box Office (Rank 4,301-4,400) 4,342 $8,863,563
All Time International Box Office for Based on Factual Book/Article Movies (Rank 101-200) 116 $8,863,563
All Time International Box Office for Live Action Movies (Rank 4,201-4,300) 4,245 $8,863,563
All Time International Box Office for Dramatization Movies (Rank 301-400) 345 $8,863,563
All Time International Box Office for Drama Movies (Rank 1,101-1,200) 1,141 $8,863,563
All Time International Box Office for PG-13 Movies (Rank 1,301-1,400) 1,311 $8,863,563
All Time International Box Office for Focus Features Movies 83 $8,863,563

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 4,601-4,700) 4,666 $26,308,749
All Time Worldwide Non-Sequel Box Office (Rank 3,901-4,000) 3,917 $26,308,749
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 182 $26,308,749
All Time Worldwide Box Office for Based on Factual Book/Article Movies (Rank 101-200) 117 $26,308,749
All Time Worldwide Box Office for Live Action Movies (Rank 4,001-4,100) 4,023 $26,308,749
All Time Worldwide Box Office for Dramatization Movies (Rank 301-400) 335 $26,308,749
All Time Worldwide Box Office for Drama Movies (Rank 901-1,000) 942 $26,308,749
All Time Worldwide Box Office for PG-13 Movies (Rank 1,401-1,500) 1,464 $26,308,749
All Time Worldwide Box Office for Focus Features Movies 72 $26,308,749

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jul 9, 2017546,716 46,716$839,019$839,0191
Jul 16, 2017139,491-80% 56,207$170,458$1,009,4772

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jul 9, 2017628,004 28,004$558,961$558,9611

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.