The Blackcoat’s Daughter (2017)

The Blackcoat’s Daughter
Theatrical Performance
Domestic Box Office $20,435Details
International Box Office $123,110Details
Worldwide Box Office $143,545
Home Market Performance
Est. Domestic DVD Sales $263,771 Details
Est. Domestic Blu-ray Sales $476,450 Details
Total Est. Domestic Video Sales $740,221
Further financial details...

Synopsis

Kat and Rose are two girls who are left alone at their prep school Bramford over winter break when their parents mysteriously fail to pick them up. While the girls experience increasingly strange and creepy occurrences at the isolated school, we cross cut to another story—that of Joan, a troubled young woman on the road, who, for unknown reasons, is determined to get to Bramford as fast as she can. As Joan gets closer to the school, Kat becomes plagued by progressively intense and horrifying visions, with Rose doing her best to help her new friend as she slips further and further into the grasp of an unseen evil force.

Metrics

Opening Weekend:$12,402 (60.7% of total gross)
Legs:1.65 (domestic box office/biggest weekend)
Domestic Share:14.2% (domestic box office/worldwide)
Theater counts:26 opening theaters/26 max. theaters, 1.2 weeks average run per theater
Infl. Adj. Dom. BO $24,557

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: March 31st, 2017 (Limited) by A24
Video Release: May 30th, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for brutal bloody violence and brief strong language.
(Rating bulletin 2408 (Cert #50226), 1/20/2016)
Running Time: 93 minutes
Comparisons: vs. Psycho
Create your own comparison chart…
Keywords: Supernatural, Haunting, Boarding School, Isolation Horror, Possessed, False Identity, Pregnancy Scare, Non-Chronological, Mental Hospital, Surprise Twist, Death of a Son or Daughter, Dream Sequence
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Unbroken Pictures, Zed Filmworks, Go Insane Films, Paris Films
Production Countries: Canada, United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 55 $12,402   26 $477   $12,402 1
Apr 7, 2017 82 $870 -93% 5 $174   $19,980 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 31, 2017 - $3,510     26 $135   $3,510 1
Apr 1, 2017 - $5,538 +58%   26 $213   $9,048 2
Apr 2, 2017 - $3,354 -39%   26 $129   $12,402 3
Apr 3, 2017 - $1,274 -62%   26 $49   $13,676 4
Apr 4, 2017 - $2,210 +73%   26 $85   $15,886 5
Apr 5, 2017 - $1,508 -32%   26 $58   $17,394 6
Apr 6, 2017 - $1,716 +14%   26 $66   $19,110 7
Apr 7, 2017 - $370 -78% -89% 5 $74   $19,480 8
Apr 8, 2017 - $190 -49% -97% 5 $38   $19,670 9
Apr 9, 2017 - $310 +63% -91% 5 $62   $19,980 10
Apr 10, 2017 - $100 -68% -92% 5 $20   $20,080 11
Apr 11, 2017 - $60 -40% -97% 5 $12   $20,140 12
Apr 12, 2017 - $70 +17% -95% 5 $14   $20,210 13
Apr 13, 2017 - $225 +221% -87% 5 $45   $20,435 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 52 $19,110   26 $735   $19,110 1
Apr 7, 2017 78 $1,325 -93% 5 $265   $20,435 2

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 4, 20171111,839 11,839$177,703$177,7031

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Emma Roberts Joan Marsh/Katherine
Kiernan Shipka Kat

Supporting Cast

Lucy Boynton Rose
Lauren Holly Linda
James Remar Bill
Peter J. Gray Rick
Emma Holzer Lizzy
Heather Tod Mitchell Mrs. Drake
Douglas Kidd Kat’s Dad
Jodi Larratt Kat’s Mom

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Oz Perkins Director
Oz Perkins Screenwriter
Adrienne Biddle Producer
Bryan Bertino Producer
Rob Paris Producer
Robert Menzies Producer
Alphonse Ghossein Producer
Carissa Buffel Executive Producer
Kevin Matusow Executive Producer
Shane Boucher Production Designer

Home Market Releases for May 30th, 2017

May 29th, 2017

Ghost

Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top. More...

Theater Averages: Boss Baby Gets a Raise with $13,305

April 4th, 2017

The Boss Baby

Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789. More...

Limited and VOD Releases: Zookeeper and Others are Having a Wild Time

March 31st, 2017

The Blackcoat’s Daughter

It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances. More...

Limited and VOD Releases: See a Limited Releases During Your Coffee Break

July 15th, 2016

Café Society

It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Kat and Rose are two girls who are left alone at their prep school Bramford over winter break when their parents mysteriously fail to pick them up. While the girls experience increasingly strange and creepy occurrences at the isolated school, we cross cut to another story—that of Joan, a troubled young woman on the road, who, for unknown reasons, is determined to get to Bramford as fast as she can. As Joan gets closer to the school, Kat becomes plagued by progressively intense and horrifying visions, with Rose doing her best to help her new friend as she slips further and further into the grasp of an unseen evil force.

Metrics

Opening Weekend:$12,402 (60.7% of total gross)
Legs:1.65 (domestic box office/biggest weekend)
Domestic Share:14.2% (domestic box office/worldwide)
Theater counts:26 opening theaters/26 max. theaters, 1.2 weeks average run per theater
Infl. Adj. Dom. BO $24,557

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: March 31st, 2017 (Limited) by A24
Video Release: May 30th, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for brutal bloody violence and brief strong language.
(Rating bulletin 2408 (Cert #50226), 1/20/2016)
Running Time: 93 minutes
Comparisons: vs. Psycho
Create your own comparison chart…
Keywords: Supernatural, Haunting, Boarding School, Isolation Horror, Possessed, False Identity, Pregnancy Scare, Non-Chronological, Mental Hospital, Surprise Twist, Death of a Son or Daughter, Dream Sequence
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Unbroken Pictures, Zed Filmworks, Go Insane Films, Paris Films
Production Countries: Canada, United States
Languages: English

Leading Cast

Emma Roberts Joan Marsh/Katherine
Kiernan Shipka Kat

Supporting Cast

Lucy Boynton Rose
Lauren Holly Linda
James Remar Bill
Peter J. Gray Rick
Emma Holzer Lizzy
Heather Tod Mitchell Mrs. Drake
Douglas Kidd Kat’s Dad
Jodi Larratt Kat’s Mom

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Oz Perkins Director
Oz Perkins Screenwriter
Adrienne Biddle Producer
Bryan Bertino Producer
Rob Paris Producer
Robert Menzies Producer
Alphonse Ghossein Producer
Carissa Buffel Executive Producer
Kevin Matusow Executive Producer
Shane Boucher Production Designer

Home Market Releases for May 30th, 2017

May 29th, 2017

Ghost

Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top. More...

Theater Averages: Boss Baby Gets a Raise with $13,305

April 4th, 2017

The Boss Baby

Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789. More...

Limited and VOD Releases: Zookeeper and Others are Having a Wild Time

March 31st, 2017

The Blackcoat’s Daughter

It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances. More...

Limited and VOD Releases: See a Limited Releases During Your Coffee Break

July 15th, 2016

Café Society

It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 55 $12,402   26 $477   $12,402 1
Apr 7, 2017 82 $870 -93% 5 $174   $19,980 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 31, 2017 - $3,510     26 $135   $3,510 1
Apr 1, 2017 - $5,538 +58%   26 $213   $9,048 2
Apr 2, 2017 - $3,354 -39%   26 $129   $12,402 3
Apr 3, 2017 - $1,274 -62%   26 $49   $13,676 4
Apr 4, 2017 - $2,210 +73%   26 $85   $15,886 5
Apr 5, 2017 - $1,508 -32%   26 $58   $17,394 6
Apr 6, 2017 - $1,716 +14%   26 $66   $19,110 7
Apr 7, 2017 - $370 -78% -89% 5 $74   $19,480 8
Apr 8, 2017 - $190 -49% -97% 5 $38   $19,670 9
Apr 9, 2017 - $310 +63% -91% 5 $62   $19,980 10
Apr 10, 2017 - $100 -68% -92% 5 $20   $20,080 11
Apr 11, 2017 - $60 -40% -97% 5 $12   $20,140 12
Apr 12, 2017 - $70 +17% -95% 5 $14   $20,210 13
Apr 13, 2017 - $225 +221% -87% 5 $45   $20,435 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 31, 2017 52 $19,110   26 $735   $19,110 1
Apr 7, 2017 78 $1,325 -93% 5 $265   $20,435 2

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 4, 20171111,839 11,839$177,703$177,7031

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.