Portugal Box Office for Venom: Tempo de Carnificina (2021)

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Venom: Let There be Carnage
Theatrical Performance (US$)
Portugal Box Office $1,300,095Details
Worldwide Box Office $501,546,922Details
Home Market Performance
North America DVD Sales $15,123,982 Details
North America Blu-ray Sales $24,414,548 Details
Total North America Video Sales $39,538,530
Further financial details...

Synopsis

Eddie Brock is still struggling to coexist with the shape-shifting extraterrestrial Venom. When deranged serial killer Cletus Kasady also becomes host to an alien symbiote, Brock and Venom must put aside their differences to stop his reign of terror.

Metrics

Movie Details

Production Budget:$110,000,000
Portugal Releases: October 14th, 2021 (Wide), released as Venom: Tempo de Carnificina
Video Release: November 23rd, 2021 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for intense sequences of violence and action, some strong language, disturbing material and suggestive references.
(Rating bulletin 2696 (cert #52628), 9/1/2021)
Running Time: 97 minutes
Franchise: Venom, Sony’s Marvel Universe
Keywords: Action Thriller, Serial Killer, Friendly Alien on Earth, Investigative Journalist, Prison Break
Source:Spin-Off
Genre:Action
Production Method:Animation/Live Action
Creative Type:Super Hero
Production/Financing Companies: Marvel Studios, Columbia Pictures
Production Countries: United States
Languages: English

Weekend estimates: Spider-Man rewrites pandemic rulebook with $253-million opening

December 19th, 2021

Spider-Man: No Way Home

After two dismal years for the theatrical business, Spider-Man has returned to change the rules of the game. Again. Back in 2002, the first Spider-Man movie set an all-time record by opening with $114.8 million—becoming the first film to top $100 million at the box office in a single weekend. That was arguably the beginning of the modern era at the box office.

This weekend, Spider-Man: No Way Home may be kicking off the post-pandemic era with a gargantuan $253-million opening. That’s not just the best result of the pandemic. It’s the best by a huge margin, more than doubling the opening of Venom: Let There Be Carnage, which itself significantly outperformed expectations. Even more impressively, it’s the third-best weekend of all time, behind only Avengers: Endgame ($357 million) and Avengers: Infinity War ($258 million). In fact, a good Sunday number would take it into second place on that list.

Oh, and it’s already the highest-grossing film of 2021. More...

Weekend estimates: Ghostbusters comes to life with $44-million weekend

November 21st, 2021

Ghostbusters: Afterlife

Ghostbusters: Afterlife is tearing into theaters this weekend with a strong $44-million opening, according to Sony’s Sunday-morning projection. That’s well ahead of our model’s pre-release prediction of $25 million, and comfortably exceeds the model’s prediction based on Thursday previews of $36.2 million. It’s also the studio’s second legitimate hit of the year after Venom: Let There Be Carnage and evidence that their theatrical-only strategy is paying off (even if the total dollars involved are modest compared to the pre-pandemic market). More...

Weekend estimates: Eternals’ good hold keeps it on top

November 14th, 2021

Eternals

Eternals will, as expected, come out on top at the box office this weekend, but it’ll do so by a healthier margin than expected thanks to a decent hold, and a very slight under-performance by Clifford the Big Red Dog through the weekend. Eternals is set to earn $27.5 million, according to Disney’s Sunday-morning projection, which will take it to $118.8 million domestically. That makes it one of the top 10 films of 2021 already, with quite a way to run. More...

Weekend estimates: top three stay the same as bevy of new releases fight over the scraps

October 31st, 2021

Dune

There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far. More...

Weekend estimates: Dune lands with $40.1 million stateside, hits $220 million worldwide

October 24th, 2021

Dune

While Dune isn’t quite living up to the most optimistic predictions, it’s doing enough to be considered a success so far, with Warner Bros. projecting it will earn $40.1 million domestically by close of business today. That includes $9.03 million from 404 IMAX screens, which amounts to 22.5% of the nationwide total—one of the highest opening-weekend shares for IMAX in history. Clearly a segment of the population is keen to see it in all its glory on the biggest screen possible. All told, it’ll do $17.8 million in business from IMAX screens around the world this weekend. More...

Weekend estimates: Halloween kills it with $50.4-million debut

October 17th, 2021

Halloween Kills

Halloween Kills is continuing the good run of results at the domestic box office this weekend with a very solid opening, which Universal is projecting will just clear $50 million. That’s easily ahead of Friday morning’s predicted $41.2 million, and the second-best weekend for the 43-year-old franchise, only surpassed by the 2018 incarnation. It also means a hat-trick of $50-million-plus weekends to start October. More...

Weekend predictions: Halloween Kills headed to weekend win

October 15th, 2021

Halloween Kills

Halloween Kills, the 12th installment in the virtually un-killable Halloween franchise, should comfortably top the box office chart this weekend, even it falls well short of the $76.2-million opening weekend earned by its predecessor, simply titled Halloween, back in 2018. It has already banked a respectable $4.850 million from previews in 2,950 theaters on Thursday, and adds another 755 locations today. Here’s what our model has to say about its likely opening, based on what we know so far. I’ll also dig into the prospects for The Last Duel, and see how the weekend as a whole is stacking up. More...

Weekend estimates: No Time to Die lands with solid $56 million domestically, hits $300 million worldwide

October 10th, 2021

No Time to Die

After posting record-breaking preview numbers on Thursday, No Time to Die has shown surprisingly weak legs over the remainder of the weekend, and United Artists is projecting it will earn $56.007 million this weekend. While that’s below what seemed possible as of Friday morning, it’s a very solid number for the pandemic era, and almost exactly the same as our model’s original prediction of $56.8 million. That counts as a victory at the end of the day, albeit one that feels a bit diminished given its strong start. Curiously, by almost every measure, it looks like a film that should have performed well through the weekend, and it might yet prove to have long legs. More...

Weekend estimates: Venom delivers pandemic-era-record $90 million as No Time to Die and Dune both top $100m internationally

October 3rd, 2021

Venom: Let There Be Carnage

Venom: Let There Be Carnage will set a new pandemic-era benchmark this weekend, with Sony Pictures projecting a stellar $90-million opening weekend as of Sunday morning, easily eclipsing the $80-million debut of Black Widow back in July. That number also represents a very solid 7.8 times the movie’s Thursday-evening preview number, which suggests good word of mouth. The good news doesn’t stop there, with this weekend’s other domestic openers, The Addams Family 2 and The Many Saints of Newark both doing better than predicted, No Time to Die opening with spectacular (for the pandemic era) numbers internationally, and Dune continuing to do well around the world.

First, here’s how the domestic numbers look this morning… More...

Weekend predictions: Venom headed to excellent opening weekend

October 1st, 2021

Venom: Let There Be Carnage

A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.

Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films… More...

Weekend predictions: Shang-Chi still rules as industry braces for worst weekend since May

September 24th, 2021

Dear Evan Hansen

Dear Evan Hansen will be taking a long-shot swing at unseating Shang-Chi and the Legend of the Ten Rings from the top of the chart this weekend. Our model, and the movie’s preview numbers, suggest it’ll fall some way short, giving the Marvel action movie a fourth straight weekend at the top of the chart. That’s the longest continuous run at the top since Tenet dominated the pandemic-ravaged chart in September last year (The Croods: A New Age also spent five weeks at number one, split between December and February, but didn’t have four straight weekends at the top). The limited number of major new releases since Shang-Chi came out is significantly hitting the market as a whole, and this will be the slowest weekend at the box office since Spiral’s $4.6-million second weekend was enough to give it a weekend win back on May 21. More...

Weekend predictions: Shang-Chi looks unstoppable

September 17th, 2021

Shang-Chi and the Legend of the Ten Rings

One of this weekend’s two new wide releases will have to do much, much better than expected to challenge Shang-Chi and the Legend of the Ten Rings at the top of the chart this weekend. The Marvel movie should come in with something around $20 million (or possibly a bit higher), and there’s a strong possibility that will be more than double the second-placed film. If Cry Macho and CopShop both falter, Shang-Chi might even earn three or four times as much as its nearest competition. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/10/15 1 $483,148   109 $4,433   $483,148 1
2021/10/22 2 $209,983 -57% 90 $2,333   $790,200 2
2021/10/29 2 $190,472 -9% 76 $2,506   $1,021,636 3
2021/11/05 6 $67,359 -65% 66 $1,021   $1,165,745 4
2021/11/12 6 $43,751 -35% 48 $911   $1,219,993 5
2021/11/19 7 $31,847 -27% 38 $838   $1,248,424 6
2021/11/26 8 $16,522 -48% 27 $612   $1,269,238 7
2021/12/03 11 $8,046 -51% 18 $447   $1,283,460 8
2021/12/10 14 $6,158 -23% 12 $513   $1,295,233 9
2021/12/17 - $1,478 -76% 6 $246   $1,293,756 10
2021/12/24 - $342 -77% 2 $171   $1,299,815 11
2021/12/31 - $25 -93% 1 $25   $1,300,095 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/7/2021 $1,000,000 0 0 0 $2,800,000 10/20/2022
Australia 11/25/2021 $4,614,326 595 595 2310 $10,842,294 10/20/2022
Austria 10/21/2021 $775,000 0 0 0 $775,000 10/20/2022
Brazil 10/7/2021 $2,700,000 0 0 0 $10,100,000 10/20/2022
Chile 10/7/2021 $0 0 0 0 $3,000,000 10/20/2022
Colombia 10/7/2021 $0 0 0 0 $3,600,000 10/20/2022
Czech Republic 10/15/2021 $1,010,297 195 195 679 $2,423,308 10/20/2022
Finland 10/22/2021 $409,373 85 85 422 $1,096,964 10/20/2022
France 10/20/2021 $5,200,000 0 0 0 $9,400,000 10/20/2022
Germany 10/21/2021 $4,300,000 0 0 0 $7,400,000 10/20/2022
Hong Kong 10/14/2021 $0 0 0 0 $3,600,000 10/20/2022
India 10/15/2021 $2,100,000 0 0 0 $4,100,000 10/20/2022
Indonesia 11/18/2021 $321,000 535 535 535 $3,700,000 10/22/2022
Italy 10/14/2021 $3,198,232 0 0 0 $8,009,802 10/20/2022
Japan 12/3/2021 $5,500,000 0 0 0 $9,300,000 10/20/2022
Lithuania 10/14/2021 $119,409 15 15 72 $385,430 10/20/2022
Mexico 10/7/2021 $8,054,565 0 0 0 $23,424,600 10/20/2022
Netherlands 10/21/2021 $681,628 204 204 1024 $2,389,563 10/20/2022
New Zealand 11/25/2021 $274,313 64 85 397 $917,645 10/20/2022
North America 10/1/2021 $90,033,210 4,225 4,225 33,227 $213,550,366
Poland 10/15/2021 $1,300,000 0 0 0 $2,900,000 10/20/2022
Portugal 10/14/2021 $483,148 109 109 493 $1,300,095 1/4/2022
Romania 10/15/2021 $399,224 82 82 478 $854,105 10/20/2022
Russia (CIS) 9/30/2021 $15,124,606 1861 1965 9313 $37,097,281 10/20/2022
Saudi Arabia 10/14/2021 $2,100,000 0 0 0 $4,700,000 10/20/2022
Singapore 10/14/2021 $1,100,000 0 0 0 $1,100,000 10/20/2022
Slovakia 10/14/2021 $306,448 71 71 240 $637,454 10/20/2022
South Korea 10/13/2021 $6,723,064 1998 1998 6109 $17,879,576 12/1/2021
Spain 10/15/2021 $3,783,188 359 366 2407 $10,068,222 12/26/2021
Sweden 10/20/2021 $910,000 0 0 0 $910,000 10/20/2022
Taiwan 10/13/2021 $2,800,000 0 0 0 $4,900,000 10/20/2022
Turkey 10/15/2021 $486,834 484 484 2353 $2,698,025 10/20/2022
Ukraine 10/14/2021 $2,700,000 0 0 0 $3,500,000 10/20/2022
United Arab Emirates 10/15/2021 $2,000,000 0 0 0 $3,800,000 10/31/2021
United Kingdom 10/15/2021 $8,483,952 597 607 3641 $23,908,584 12/15/2021
 
Rest of World $64,478,608
 
Worldwide Total$501,546,922 10/22/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Hardy Eddie Brock/Venom
Woody Harrelson Carnage

Supporting Cast

Michelle Williams Anne Weying
Naomie Harris Frances Barrison / Shriek
Reid Scott Dr. Dan Lewis
Stephen Graham Detective Mulligan
Peggy Lu Mrs. Chen
Sian Webber Dr. Pazzo
Michelle Greenidge Mugging Victim
Rob Bowen Beaten Mugger
Laurence Spellman Psycho Patient
Little Simz Little Simz
Jack Bandeira Young Cletus
Olumide Olorunfemi Young Shriek
Scroobius Pip Siegfried
Amrou Al-Kadhi Host Two
Beau Sargent Host Three
Brian Copeland Rodeo Beach Reporter
Stewart Alexander Warden
Sean Delaney Young Detective Mulligan
Ed Kear Revelers
Emma Lau Revelers
Louis J. Rhone Revelers
Christopher Godwin Headmaster (1997)
Tiffanie Thomas San Quentin Tier Guard
Rocky Capella Valet Car Park
Sam Robinson San Quentin Guard
Greg Lockett San Francisco Police Department Officer
Sonny Ashbourne Serkis Plunger Man
Otis Winston Street Man
Vaughn Johseph Tie Down Guard
Kristen Simoes TV Reporter - San Quentin
Miguel Arreguin Gas Station Attendant
Shaliz Afshar San Francisco Reporter
Reece Shearsmith Priest
Simon Connolly Grieving Father
Rachel Handshaw Grieving Mother
Amanda Foster Victim's Sister
Akie Kotabe Victim's Brother
Eric Sigmundsson Startled Witness
Chabris Napier-Lawrence Ravenscroft Guards
Larry Olubamiwo Ravenscroft Guards
Jose Palma San Quentin Last Meal Guards
Ashlen Aquila San Quentin Last Meal Guards
Jamal Ajala Ravenscroft Orderly
James Weston II San Quentin Commander
Che Amaro San Quentin Guard
Joshua Eldridge-Smith Sympathetic Guard
Rosie Marcel Detective in Bathroom
Elliot Cable Host Pre Carnival #1

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andy Serkis Director
Kelly Marcel Screenwriter
Tom Hardy Story Creator
Kelly Marcel Story Creator
Amy Pascal Producer
Matt Tolmach Producer
Avi Arad Producer
Hutch Parker Producer
Kelly Marcel Producer
Tom Hardy Producer
Barry Waldman Executive Producer
John Cavendish Executive Producer
Ruben Fleischer Executive Producer
Robert Richardson Director of Photography
Oliver Scholl Production Designer
Maryann Brandon Editor
Stan Salfas Editor
Lucy Bevan Casting Director
Marco Beltrami Music
Sheena Duggal Visual Effects Supervisor
Barrie Hemsley Visual Effects Producer
Joanna Eatwell Costume Designer
James M. Churchman Stunt Coordinator
Franklin Henson UK Stunt Coordinator
Brian Smrz Second Unit Director
Barry Waldman Unit Production Manager
Brent O’Connor Unit Production Manager
K.C. Hodenfield First Assistant Director
Jane Tones Additional Editor
Angus More Gordon Unit Production Manager
Deryn Stafford Production Manager
Troy Sizemore Supervising Art Director
Tom Brown Supervising Art Director
Dominic Capon Set Decorator
Marco Scotti Costume Supervisor
Cédric Andries Costume Supervisor
Peter Swords King Hair and Makeup Designed
Caimin Bourne Special Effects Supervisor
David Watson Special Effects Supervisor
Dave Eves Special Effects Supervisor
Ronnie Durkan Special Effects Supervisor
Jody Eltham Special Effects Supervisor
India Sheridan Special Effects Coordinator
Steve Mortimore Supervising Location Manager
Lynsey Cosford Location Manager
Tom Barnes Location Manager
Damon Crane Location Manager
Bertie Spiegelberg Production Supervisor
Simon Lamont Art Director
Malcolm Stone Art Director
Hayley Easton-Street Art Director
George Benedetti Production Assistant
Vanessa Biermannova Production Assistant
Peter Gosiewski Production Assistant
Freddie Heppell Production Assistant
Alicia Graf Production Assistant
Olivia Lauridsen Production Assistant
JJ McAllister Production Assistant
Sian Midgley Production Assistant
Harry Minter Production Assistant
Maddie Phillips Production Assistant
Charles Sakyi Production Assistant
Katie Bullock-Webster Post-Production Supervisor
Larry McGinley 1st Assistant Editor
James Barham 1st Assistant Editor
Danielle El-Hendi 1st Assistant Editors
Armando Sanchez Assistant Editor
Philip Welch Assistant Editor
Laura Mountford Assistant Editor
Susan Ehrhart Production Supervisor (San Francisco Unit)
Michael Goldman Art Director (San Francisco Unit)
Alex Bradenburg Set Decorator (San Francisco Unit)
Helen Monaghan Costume Supervisor (San Francisco Unit)
Eric Frazier Special Effects Supervisor (San Francisco Unit)
John McLeod Special Effects Coordinator (San Francisco Unit)
Craig Barnett Special Effects Coordinator (San Francisco Unit)
Chad Owens Set Designer (San Francisco Unit)
Victoria Betancourt Production Assistant (San Francisco Unit)
Britt Conlon Production Assistant (San Francisco Unit)
Josh Cronin Production Assistant (San Francisco Unit)
Sarah May Griffin Production Assistant (San Francisco Unit)
Barb Harris Production Assistant (San Francisco Unit)
Quinn Kalisch Production Assistant (San Francisco Unit)
Andre Marigny Production Assistant (San Francisco Unit)
Alex Martini Production Assistant (San Francisco Unit)
Gio Parades Production Assistant (San Francisco Unit)
Caleb Pilkenton Production Assistant (San Francisco Unit)
Mae Riojas Production Assistant (San Francisco Unit)
Ayl Rogers Production Assistant (San Francisco Unit)
Sullivan Rutherford Production Assistant (San Francisco Unit)
Sarah Siskin Production Assistant (San Francisco Unit)
Brittany Travillian Production Assistant (San Francisco Unit)
Sienna Tso Production Assistant (San Francisco Unit)
Tiffany Wong Production Assistant (San Francisco Unit)
Kevin O'Connell Re-recording Mixer
Will Files Re-recording Mixer
Beau Borders Re-recording Mixer
Erin Oakley Supervising Sound Editor
Kami Asgar Supervising Sound Editor
Will Files Sound Designer
Ken McGill Sound Effects Editor
Chris Terhune Sound Effects Editor
Sam Fan Sound Effects Editor
Matt Cavanaugh Sound Effects Editor
Matt Yocum Sound Effects Editor
Justin Davey Sound Effects Editor
Steve Urban Dialogue Editor
Ailene Roberts Dialogue Editor
Gary Hecker Foley Artist
Adam DeCoster Foley Artist
Randy Singer Foley Mixer
Jim Schultz Music Editor
Adam Michalak Score Recorded
Tyson Lozensky Score Mixer
Melody Woodford VFX Associate Producer
Mary Lobb VFX Production Manager
Michael Collard VFX Coordinators
Cristina Manlises VFX Coordinators
Kat Greene VFX Coordinators
Crisanta Melendez VFX Coordinators
Rockford Moore VFX Coordinators

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.