Germany Box Office for True Story (2015)
Theatrical Performance (US$) | ||
Germany Box Office | $91,436 | Details |
Worldwide Box Office | $5,894,210 | Details |
Further financial details... |
Synopsis
When disgraced New York Times reporter Michael Finkel meets accused killer Christian Longo—who has taken on Finkel’s identity—his investigation morphs into a game of cat and mouse. Based on actual events, Finkel’s relentless pursuit of Longo’s true story encompasses murder, love, deceit, and redemption.
Metrics
Movie Details
Germany Releases: | August 6th, 2015 (Wide) |
Video Release: | July 7th, 2015 by Fox Home Entertainment |
MPAA Rating: | R for some bloody violence and disturbing images. (Rating bulletin 2336, 8/20/2014) |
Running Time: | 104 minutes |
Keywords: | Investigative Journalist, Stolen Identity, Familicide, Autobiographical, Epilogue, Crime Drama, 2000s, Intertitle, Biography |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | New Regency, Plan B Entertainment, Regency Enterprises |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 4th, 2015
August 4th, 2015
For a summer week, there's a surprising strength on top of the home market releases. Insurgent will very likely be the top selling DVD or Blu-ray on this week's list, but it isn't even close to the best. There were five contenders for Pick of the Week, three of which were in the TV on DVD category. This includes the eventual winner, Orphan Black: Season Three.
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Per Theater Chart: Welcome to the Age of Ultron
May 7th, 2015
The Avengers: Age of Ultron not only earned first place on the overall box office chart, but it also topped the per theater chart with an average of $44,731. There were a couple of limited releases in the $10,000 club, Welcome to Me with an average of $19,084 in two theaters and Far from the Madding Crowd with an average of $16,499 in ten theaters. Iris came really close with an average of $9,542 in six theaters over the weekend and an average of $11,467 from Wednesday through Sunday.
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Per Theater Chart: Calm Before the Storm
April 28th, 2015
There were no films in the $10,000 club this week and no new releases really came close. The closest was Full Moon in Paris, which rose 58% from last weekend to $7,987, still in one theater. Felix et Meira was next with an average of $6,590 after expanding from one to four theaters. Don't Think I've Forgotten: Cambodia's Lost Rock and Roll was the biggest new release with an average of $6,402 in three theaters over the weekend for an average of $8,465 from Wednesday to Sunday.
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Per Theater Chart: Felix et Machina
April 21st, 2015
Ex Machina remained in first place on the per theater chart with an average of $20,478 in 39 theaters. The only other film in the $10,000 club was Felix et Meira, which earned $15,018 in its lone theater.
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Weekend Estimates: Furious 7 Tops $1 Billion Worldwide
April 19th, 2015
Furious 7 continues its cruise into the record books this weekend with a third straight weekend at number one domestically, an international weekend estimated at $167.9 million (including $93.3 million in China to take it to $250 million there), and a worldwide total estimated at $1.153 billion as of the end of Sunday. It’s now the biggest film in Universal’s history, and their second after Jurassic Park to cross $1 billion at the worldwide box office. The film’s 51% decline in its third weekend in the domestic market suggests it’s running out of steam and will probably end with around $330 million here. It still has one weekend to cash in though, before Avengers: Age of Ultron will start on its own march to $1 billion on May 1.
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Weekend Predictions: Will Furious be Friendly to the New Releases?
April 16th, 2015
Furious 7 could be knocked out of top spot on the box office chart this weekend, as there are three wide releases coming out this week. Paul Blart: Mall Cop 2 appears to be the biggest and many think it will earn first place. However, its reviews are currently zero percent positive. Unfriended's reviews are still in the overall positive area, but I'm not sure how long that will last, as they've fallen quite a bit from earlier in the week. The only film with overwhelming positive reviews is Monkey Kingdom, which is opening in barely more than 2,000 theaters. This weekend last year, there were four wide releases and overall there were three films that earned $20 million or more. I think this weekend we could match that and that could give 2015 the victory in the year-over-year comparison. It could be close, on the other hand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/18 | 48 | $4,030 | 7 | $576 | $83,295 | 7 | |
2015/09/25 | 70 | $1,714 | -57% | 4 | $429 | $86,112 | 8 |
2015/10/02 | 74 | $918 | -46% | 3 | $306 | $87,766 | 9 |
2015/10/09 | 73 | $1,042 | +14% | 1 | $1,042 | $89,350 | 10 |
2015/10/16 | 87 | $332 | -68% | 2 | $166 | $90,037 | 11 |
2015/10/23 | 64 | $787 | +137% | 3 | $262 | $90,993 | 12 |
2015/10/30 | 78 | $32 | -96% | 2 | $16 | $91,436 | 13 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
France | 9/16/2015 | $3,784 | 11 | 11 | 11 | $3,784 | 8/21/2018 |
Germany | 8/6/2015 | $51,578 | 0 | 7 | 22 | $91,436 | 8/22/2018 |
North America | 4/17/2015 | $1,950,214 | 831 | 856 | 2,202 | $4,719,695 | 7/8/2016 |
Spain | 7/17/2015 | $68,920 | 65 | 65 | 178 | $199,874 | 11/28/2018 |
United Kingdom | 7/17/2015 | $214,786 | 147 | 147 | 148 | $513,201 | 9/22/2015 |
Rest of World | $366,220 | ||||||
Worldwide Total | $5,894,210 | 11/28/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jonah Hill | Michael Finkel |
James Franco | Christian Longo |
Supporting Cast
Felicity Jones | Jill Barker |
Maria Dizzia | MaryJane Longo |
Ethan Suplee | Pat Frato |
Connor Kikot | Zach Longo |
Charlotte Driscoll | Sadie Longo |
Stella Rae Payne | Madison Longo |
Robert John Burke | Jeffrey |
Byron Jennings | Judge Odenkirk |
Gretchen Mol | Karen |
Betty Gilpin | Cheryl Frank |
Seth Barrish | Blaise |
Robert Stanton | Jeffrey Gregg |
Michael Countryman | Coroner |
Steve Routman | Jack Pool |
Genevieve Angelson | Tina Alvis |
Adam Mucci | Courtroom Sheriff |
David Wilson Barnes | Corey Douglas |
Sam Rosen | Steve Menash |
Mara Hobel | Jail Receptionist |
David Pittu | Marcus Lickermann |
Auden Thornton | Lena |
Ngoli Okafor | Ibrahim |
Uchenna Onuaguluchi | Madou |
Maryann Plunkett | Maureen Duffy |
Joseph C. Harrell | Visiting Room Guard |
Mike Houston | Visiting Room Guard |
Kohl Sudduth | Police Officer |
Rosemary Howard | Jury Forewoman |
Joel Marsh Garland | Dan Pegg |
Daniel Sauli | Reporter |
Johanna Day | Beth Tickler |
Peter Francis James | Colin Parker |
Edward James Hyland | Mr. Longo |
Dana Eskelson | Mrs. Longo |
Mike Cannon | Longo's Brother |
Georgia Ford | Young Woman |
Rob Yang | Young Man |
John Sharian | Lincoln County Lobby Sheriff |
Rightor Doyle | Greasy Young Man |
Loudon Wainright III* | Older Man |
Julie Sharbutt | Female MSU Worker |
Matt Dellapina | Male MSU Worker |
David Cale | Middle Aged Man |
Eleanor Hutchins | Middle Aged Woman |
Rebecca Henderson | Ellen Parks |
Jay Ferraro | Geoffrey J. Ploobtark |
Paula Raflo | Drunk Heckler |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Rupert Goold | Director |
Rupert Goold | Screenwriter |
David Kajganich | Screenwriter |
Michael Finkel | Story Creator |
Dede Gardner | Producer |
Jeremy Kleiner | Producer |
Anthony Katagas | Producer |
Brad Pitt | Executive Producer |
Arnon Milchan | Executive Producer |
Masanobu Takayanagi | Director of Photography |
Jeremy Hindle | Production Designer |
Christopher Tellefsen | Editor |
Nicolas de Toth | Editor |
Marco Beltrami | Composer |
Catherine Marie Thomas | Costume Designer |
Sarah Esberg | Co-Producer |
Douglas Aibel | Casting Director |
Anthony Katagas | Unit Production Manager |
Doug Torres | First Assistant Director |
Amy Lynn | Second Assistant Director |
Francois Murray | Production Supervisor |
G. A. Aguilar | Stunt Coordinator |
Deborah Jensen | Art Director |
David Schlesinger | Set Decorator |
Drew Kunin | Sound Mixer |
Mary Bailey | Script Supervisor |
Amy Pickering | Costume Supervisor |
Louise McCarthy | Make up |
Sunday Englis | Make up |
Frank Barbosa | Hairstylist |
Patricia Grande | Hairstylist |
Drew Jiritano | Special Effects Coordinator |
Drew Jiritano, Jr. | Special Effects |
Rich Moran | Special Effects |
Morgan Heller | Assistant Editor |
Leslie Shatz | Supervising Sound Editor |
John J. Morris | Sound Designer |
Ryan Collins | Sound Designer |
Mariusz Glabinski | Sound Designer |
Ted Caplan | Music Editor |
David Metzner | Music Editor |
Buck Sanders | Score Producer |
John Kurlander | Score Recordist |
John Kurlander | Score Mixer |
Eric J Robertson | Visual Effects Supervisor |
Wilson Cameron | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.