David Kajganich
| Best known as a Screenwriter based on credits in that role in 5 films, with $73,941,721 worldwide aggregate box office (rank #2,323) |
| Best-known technical roles: Bones and All (Screenwriter), Bones and All (Producer), The Invasion (Screenwriter), True Story (Screenwriter), Suspiria (Screenwriter) |
| Most productive collaborators: Luca Guadagnino, Taylor Russell, Nicole Kidman, Oliver Hirschbiegel, Timothée Chalamet |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 5 | $32,138,934 | $41,802,787 | $73,941,721 |
| Producer | 2 | $10,320,949 | $11,876,240 | $22,197,189 | |
| Executive Producer | 1 | $2,024,099 | $3,679,181 | $5,703,280 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 5,401-5,500) | 5,499 | $2,024,099 |
| Top Grossing Producer at the Domestic Box Office (Rank 3,201-3,300) | 3,237 | $10,320,949 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 2,401-2,500) | 2,430 | $32,138,934 |
| Top Grossing Executive Producer at the International Box Office (Rank 4,801-4,900) | 4,861 | $3,679,181 |
| Top Grossing Producer at the International Box Office (Rank 3,101-3,200) | 3,121 | $11,876,240 |
| Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200) | 2,127 | $41,802,787 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 5,501-5,600) | 5,590 | $5,703,280 |
| Top Grossing Producer at the Worldwide Box Office (Rank 3,301-3,400) | 3,389 | $22,197,189 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,301-2,400) | 2,323 | $73,941,721 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Theater counts: Black Panther remains easily the widest release heading into the Thanksgiving Holiday
November 17th, 2022
-4-News.jpg)
After amassing a colossal $181 million in its domestic opening weekend, Black Panther: Wakanda Forever holds steady going into its second weekend, keeping its 4,396 locations from week one. The sequel surpassed $400 million globally on Wednesday, with $213 million coming from North American viewings, while $187 million arrived from overseas markets. Wakanda Forever won’t be challenged this week at the box office, but two new wide releases make their arrival to cinemas, and She Said, and The Menu, should provide options for nearly every taste.
More...
2018 Preview: November
November 1st, 2018
October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office.
More...
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Nov 18, 2022 | Bones and All | Screenwriter Producer |
$7,837,477 | $6,284,369 | $14,121,846 |
| Oct 26, 2018 | Suspiria | Screenwriter Producer |
$2,483,472 | $5,591,871 | $8,075,343 |
| May 4, 2016 | A Bigger Splash | Screenwriter Executive Producer |
$2,024,099 | $3,679,181 | $5,703,280 |
| Apr 17, 2015 | True Story | Screenwriter | $4,719,695 | $1,174,515 | $5,894,210 |
| Aug 17, 2007 | The Invasion | Screenwriter | $15,074,191 | $25,072,851 | $40,147,042 |
| Averages | $6,427,787 | $8,360,557 | $14,788,344 | ||
| Totals | 5 | $32,138,934 | $41,802,787 | $73,941,721 | |
Producer Credits
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 18, 2022 | Bones and All | $121,004 | 2,727 | $7,837,477 | $14,121,846 | 55.5% |
| Oct 26, 2018 | Suspiria | $184,037 | 309 | $2,483,472 | $8,075,343 | 30.8% |
| Averages | $152,521 | 1,518 | $5,160,475 | $11,098,595 | 43.1% | |
| Totals | 2 | $10,320,949 | $22,197,189 | |||
Writer Credits
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 18, 2022 | Bones and All | $121,004 | 2,727 | $7,837,477 | $14,121,846 | 55.5% |
| Oct 26, 2018 | Suspiria | $184,037 | 309 | $2,483,472 | $8,075,343 | 30.8% |
| May 4, 2016 | A Bigger Splash | $114,419 | 378 | $2,024,099 | $5,703,280 | 35.5% |
| Apr 17, 2015 | True Story | $1,950,214 | 856 | $4,719,695 | $5,894,210 | 80.1% |
| Aug 17, 2007 | The Invasion | $5,951,409 | 2,776 | $15,074,191 | $40,147,042 | 37.5% |
| Averages | $1,664,217 | 1,409 | $6,427,787 | $14,788,344 | 47.9% | |
| Totals | 5 | $32,138,934 | $73,941,721 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 5,401-5,500) | 5,499 | $2,024,099 |
| Top Grossing Producer at the Domestic Box Office (Rank 3,201-3,300) | 3,237 | $10,320,949 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 2,401-2,500) | 2,430 | $32,138,934 |
| Top Grossing Executive Producer at the International Box Office (Rank 4,801-4,900) | 4,861 | $3,679,181 |
| Top Grossing Producer at the International Box Office (Rank 3,101-3,200) | 3,121 | $11,876,240 |
| Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200) | 2,127 | $41,802,787 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 5,501-5,600) | 5,590 | $5,703,280 |
| Top Grossing Producer at the Worldwide Box Office (Rank 3,301-3,400) | 3,389 | $22,197,189 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,301-2,400) | 2,323 | $73,941,721 |