New Zealand Box Office for St. Vincent (2014)
Theatrical Performance (US$) | ||
New Zealand Box Office | $175,021 | Details |
Worldwide Box Office | $54,837,234 | Details |
Home Market Performance | ||
North America DVD Sales | $6,364,360 | Details |
North America Blu-ray Sales | $1,772,392 | Details |
Total North America Video Sales | $8,136,752 | |
Further financial details... |
Synopsis
Maggie, a single mother, moves into a new home in Brooklyn with her 12-year old son, Oliver. Forced to work long hours, she has no choice but to leave Oliver in the care of their new neighbor, Vincent, a retired curmudgeon with a penchant for alcohol and gambling. An odd friendship soon blossoms between the improbable pair. Together with a pregnant stripper named Daka, Vincent brings Oliver along on all the stops that make up his daily routine - the race track, a strip club, and the local dive bar. Vincent helps Oliver grow to become a man, while Oliver begins to see in Vincent something that no one else is able to: a misunderstood man with a good heart.
Metrics
Movie Details
Production Budget: | $13,000,000 |
New Zealand Releases: | October 30th, 2014 (Wide) |
Video Release: | February 17th, 2015 by Anchor Bay Home Entertainment |
MPAA Rating: | PG-13 for mature thematic material including sexual content, alcohol and tobacco use, and for language. (Rating bulletin 2329, 7/2/2014) |
Running Time: | 102 minutes |
Keywords: | Addiction, Gambling, Ex-soldier, Single Parent, Nurse, Coming of Age, Bad Role Models, Comedy Drama |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Chernin Entertainment |
Production Countries: | United States |
Languages: | English |
DVD Sales: Eight is Enough for DVD
March 8th, 2015
Every single film in the top five of the DVD sales chart were new releases, as were eight of the top ten films. Game of Thrones: Season Four earned first place with 241,000 units / $7.23 million during its first week of release. It is hard to be upset about that start.
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Blu-ray Sales: Game of Thrones is Not Playing Around
March 8th, 2015
The top four films on this week's Blu-ray sales chart and nine of the top twenty were new releases. The number one release was Game of Thrones: Season Four, which sold 286,000 units and generated $9.98 million in sales. Its opening week Blu-ray share was 54%, which is incredible compared to the average TV on DVD release. Then again, Game of Thrones isn't the average TV show.
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DVD and Blu-ray Releases for February 17th, 2015
February 16th, 2015
This is the best week on the home market in a long time. Game of Thrones is one of the best TV shows on at the moment, if not the best TV show, and its DVD and Blu-ray is Pick of the Week material. Additionally, there are a few potential Oscar winners hitting the home market this week as well. On the down side, there is not a lot of depth. Birdman, The Tale of the Princess Kaguya, and The Theory of Everything are all up for Oscars next weekend and all of them are worth picking up. Life Itself was snubbed by Oscar voters, but it too is a must have. However, in the end, I went with Game of Thrones for Pick of the Week.
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2014 - Awards Season: Golden Globes - Nominations
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
Weekend Estimates: Mockingjay Sets 2014 Record with Disappointing Debut
November 23rd, 2014
If you could sum up 2014 at the box office in one sentence, this weekend’s headline probably comes close. The Hunger Games: Mockingjay — Part 1 is the film we’ve been waiting for all year: the third film in a franchise that has already topped $150 million on each of its previous two opening frames, with the weekend before Thanksgiving all to itself, and reviews that, if not stellar, are at least very respectable for a franchise tentpole. A weekend of $150 million plus seemed a very good bet, and something bigger still couldn’t be ruled out. But, come Sunday, Lionsgate is projecting a $123 million weekend, down about 20% from previous installments. That is, of course, a fantastic weekend by most measures: it’s the 15th-best weekend of all time, and easily the biggest opening weekend in 2014. But this will now be the first year since 2010 without a $150m+ weekend, and the debate about the waning influence of theater-going on the industry will undoubtedly be re-opened.
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Weekend Estimates: Big Hero Tops Interstellar
November 9th, 2014
With studios cutting down on tentpole releases, and ever-more careful grooming of release schedules, it’s getting rarer to have a genuine head-to-head battle for top spot at the box office. But that’s exactly what we had this weekend, and, although both studios will rightly claim to be very happy with the outcome, execs at Disney will have the slightly bigger grins this Sunday. They are predicting a $56.2 million opening weekend for Big Hero 6, making it a clear winner over Interstellar, which Paramount says will post a round $50 million.
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Weekend Predictions: Halloween Scares Away New Releases
October 30th, 2014
Tomorrow is Halloween, which is one of the worst days of the year as far as box office numbers are concerned. I would argue only Christmas Eve is worse. Nightcrawler is the only truly wide release of the week, but it is not expected to be a hit. It will likely earn first place, but with only around $10 million. There are two other films of note: Before I Go to Sleep and the tenth anniversary release of Saw. Before I Go to Sleep is the third release from Clarius Entertainment whose first two releases bombed horribly. This one is expected to finish somewhere in-between the first two at the box office. The Saw franchise is the highest grossing horror franchise of all time, but will people really go to theaters to see it? I would assume fans of these movies likely own the film on Blu-ray, so staying at home would be more appealing. Worse still, this weekend last year was the first weekend of November and it shows. There were five films that earned more than $10 million, led by Ender's Game. This year, we might have no movies earning more than $10 million. Ouch.
Weekend Wrap-Up: Ouija Wins, But Stars Softer Than Expected
October 28th, 2014
As expected, Ouija won the race for first place, but it finished on the very low end of expectations. On the other hand, John Wick beat expectations earning second place. Overall, these two results balanced out, but this still resulted in the box office falling 12% from last weekend to $116 million. More importantly, it was 13% higher than the same weekend last year. 2014 is still behind 2013, but it is chipping away at the deficit, which has fallen to under $300 million at $8.20 billion to $8.49 billion. 2014 is still behind last year's pace by 3.4%, but if it can close that gap by the same amount in November and December, then at least by the end of the year, it will have closed the gap enough to call it a spiritual victory.
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Weekend Estimates: Ouija Tops Wick
October 26th, 2014
Teen horror movie Ouija will win this weekend at the box office with a solid $20 million debut and $7,000 theater average. With a budget reported at just $5 million, the movie is a sure-fire money maker for Universal, even with a shelf life of exactly eight days. By comparison, John Wick, which marks a return to form for Keanu Reeves, should have a longer run, based on its current reviews and word of mouth, but will have some ground to make up after opening with around $14 million.
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Weekend Predictions: Ouija Will Win, But By How Much?
October 23rd, 2014
It is not a good week at the box office for new releases. There are only two films opening wide, one of which is earning terrible reviews and the other is earning terrible buzz. At the moment, Ouija's Tomatometer Score is barely in the double-digits. That said, it is a horror film opening the week before Halloween, so it should make at least $20 million at the box office. On the other hand, John Wick's reviews are Award-worthy... but the buzz is so quiet, I doubt many award voters will see it. This weekend last year was led by Bad Grandpa, which opened in first place with $32.06. Maybe if Ouija is a surprise hit, it will match that figure. However, while 2013 looked better at the top, it had really weak depth beyond the top five, so 2014 will likely win in the year-over-year comparison.
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Weekend Estimates: Fury an Unspectacular First
October 19th, 2014
Fury will top the box office chart this weekend with a solid, but unspectacular, $23.5 million, according to Sony’s Sunday morning estimate. Pre-weekend projections had the film closer to $30 million, and with an $80 million price tag, and Brad Pitt starring, the film is really underperforming at this point. By way of comparison, Gone Girl opened with $37.5 million three weeks ago. Fury will need really good legs, or a really strong performance overseas, to post a profit.
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Per Theater Chart: Whiplash has a Saintly Opening
October 15th, 2014
There were a trio of new limited releases topping the per theater chart, led by St. Vincent with an average of $27,470 in four theaters. Whiplash was close behind with an average of $22,565 in six theaters. The final film in the $10,000 club was Awake: The Life of Yogananda with an opening of $18,885 in one theater.
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Weekend Estimates: Dracula Nearly Gets Girl
October 12th, 2014
What was largely expected to be a fairly comfortable win for Gone Girl this weekend turned out to be a bit of a squeaker, thanks to a better-than-expected $23.46 million estimated opening for Dracula Untold. The vampire actioner won the day on Friday, but couldn’t maintain its pace, with $8.7 million on Saturday, against Gone Girl’s $11.3 million. Projections for today have it potentially falling into third place behind Alexander and the Terrible, Horrible, No Good, Very Bad Day on Sunday, which doesn’t bode well for its legs long-term.
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Limited Releases: Whipped into Shape
October 10th, 2014
We have a rather long list of limited releases this week, but sadly only three of them are earning overwhelmingly positive reviews. Unfortunately, two of these films will likely not do well in theaters. Dead Snow 2: Red vs. Dead is a horror film, which is one strike against it, while it is also playing on Video on Demand. I Am Ali is a documentary, so it could do well in art house circuits, but its chances of expanding significantly are very limited. Finally there's Whiplash, which could lead the way on the Per Theater Chart.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/10/31 | 9 | $40,510 | 18 | $2,251 | $40,510 | 1 | |
2014/11/07 | 7 | $27,073 | -33% | 18 | $1,504 | $97,708 | 2 |
2014/11/14 | 11 | $23,404 | -14% | 20 | $1,170 | $135,306 | 3 |
2014/11/21 | 12 | $11,968 | -49% | 21 | $570 | $156,327 | 4 |
2014/11/28 | 19 | $5,347 | -55% | 16 | $334 | $165,992 | 5 |
2014/12/05 | 23 | $3,218 | -40% | 10 | $322 | $169,664 | 6 |
2014/12/12 | 24 | $2,552 | -21% | 8 | $319 | $175,021 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/29/2015 | $0 | 0 | 1 | 2 | $54,308 | 11/30/2018 |
Australia | 12/26/2014 | $517,799 | 92 | 95 | 570 | $2,498,706 | 7/7/2015 |
Brazil | 2/20/2015 | $182,944 | 0 | 0 | 0 | $256,366 | 11/5/2018 |
Germany | 1/8/2015 | $261,632 | 0 | 18 | 19 | $815,741 | 8/22/2018 |
Hong Kong | 1/30/2015 | $39,013 | 18 | 18 | 31 | $75,918 | 11/25/2018 |
New Zealand | 10/30/2014 | $40,510 | 18 | 21 | 111 | $175,021 | 7/1/2015 |
North America | 10/24/2014 | $109,878 | 4 | 2,552 | 17,020 | $44,137,712 | |
South Korea | 3/6/2015 | $324,676 | 0 | 0 | 0 | $448,218 | 8/29/2018 |
Spain | 12/12/2014 | $0 | 0 | 20 | 43 | $485,824 | 11/19/2018 |
Turkey | 1/23/2015 | $29,100 | 19 | 19 | 26 | $56,799 | 12/30/2018 |
Uruguay | 3/5/2015 | $0 | 0 | 1 | 1 | $11,473 | 6/26/2015 |
Rest of World | $5,821,148 | ||||||
Worldwide Total | $54,837,234 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Bill Murray | Vincent |
Melissa McCarthy | Maggie |
Naomi Watts | Daka |
Supporting Cast
Chris O'Dowd | Father Geraghty |
Terrence Howard | Zucko |
Jaeden Lieberher | Oliver |
Kimberly Quinn | Nurse Ana |
Scott Adsit | David |
Ray Iannicelli | Roger |
Lenny Venito | Coach Mitchell |
Nate Corddry | Terry, the Banker |
Dario Barosso | Ocinski |
Donna Mitchell | Sandy |
Ann Dowd | Shirley, Sunnyside Administrator |
Reg E. Cathey | Gus |
Deirdre O'Connell | Linda |
Greta Lee | Teller #23 |
Maria Elena Ramirez | Amelda |
Ron McLarty | Principal O'Brien |
Niles Fitch | Brooklyn |
Emma Fisher | Bridgette |
David Iacono | Jeremiah |
Alexandra Fong | Rachele |
Sade Demorcy | Keesha |
Gabe Hernandez | Latin Mover |
Elliot Santiago | Latin Driver |
Melanie Nicholls-King | Hospital Supervisor |
Portia | Ultrasound Tech |
Maria-Christina Oliveras | Medical Receptionist |
James Andrew O Conner | Antwan, Zucko's Partner |
Brian Berrebbi | Process Server |
Brenda Wehle | Judge Reynolds |
Frank Wood | Maggie's Attorney |
Orlagh Cassidy | Speech Therapist |
Larry Gray | Belmont Teller |
Joann Lamneck | Belmont Bartender |
Kerry Flanagan | CT Scan Nurse |
Katharina Damm | Starlet, the Dancer |
Jeff Bowser | Physical Therapist |
Amber Clayton | Amber, the Waitress |
Fred Evanko | David's Attorney |
Ron Bush | Buy Buy Baby Salesman |
Tim Wilson | Priest at Assembly |
Elaine Marcos | Nurse J. |
David Filippi | Cab Driver |
Tom Durkin | Belmont Race Caller |
Richard Ford | Nature Program Narrator |
Addison Rose Melfi | Girl in Class |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Theodore Melfi | Director |
Theodore Melfi | Screenwriter |
Theodore Melfi | Producer |
Peter Chernin | Producer |
Jenno Topping | Producer |
Fred Roos | Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
Dylan Sellers | Executive Producer |
Don Cheadle | Executive Producer |
G. Mac Brown | Executive Producer |
Ivana Lombardi | Co-Producer |
John Lindley | Director of Photography |
Inbal Weinberg | Production Designer |
Peter Teschner | Editor |
Sarah Flack | Editor |
Theodore Shapiro | Composer |
Randall Poster | Music Supervisor |
Kasia Walicka Maimone | Costume Designer |
Laura Rosenthal | Casting Director |
G. Mac Brown | Unit Production Manager |
Michael E. Steele* | First Assistant Director |
Ginger Gonzalez | Second Assistant Director |
Kay Liberman | Co-Producer |
Kathryn Tyus-Adair | Co-Producer |
Kimberly Quinn | Associate Producer |
Don Block | Associate Producer |
Molly McMillen | Production Supervisor |
Ashley Hudson | Script Supervisor |
Matthew Shapiro | Post-Production Supervisor |
Rick Derby | First Assistant Editor |
Zachary A. Schwartz | First Assistant Editor |
Sharon Perlman | Apprentice Editor |
Brian McCarthy | Apprentice Editor |
Roberto Fernandez | Re-recording Mixer |
Damian Volpe | Re-recording Mixer |
Damian Volpe | Supervising Sound Editor |
Tony Martinez | Supervising Dialogue Editor/ADR Editor |
William Sweeney | Foley Editor |
Heather Gross | Sound Effects Editor |
Mary Ellen Porto | Sound Effects Editor |
Izzy McAllister | Assistant Sound Editor |
Lidia Tamplenizza | Assistant Sound Editor |
George A. Lara* | Foley Mixer |
Richard Ford | Music Editor |
Chris Fogel | Score Recordist |
Chris Fogel | Score Mixer |
Ed Novick | Sound Mixer |
Michael Ahern | Art Director |
Dan-Ah Kim | Assistant Art Director |
Beth Kuhn | Assistant Art Director |
Jasmine Ballou | Set Decorator |
Graham Wichman | Assistant Set Decorator |
Pashelle L. Clayton* | Costume Supervisor |
Suzy Mazzarese-Allison | Hairstylist |
Donald Kozma | Make up |
Randall Balsmeyer | Visual Effects Supervisor |
Jery Hewitt | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.