Mary Ellen Porto
Best known as a Dialogue Editor based on credits in that role in 3 films, with $45,787,839 worldwide aggregate box office (rank #523) |
Best-known technical roles: St. Vincent (Sound Effects Editor), It Comes at Night (Dialogue Editor), I Don't Know How She Does It (Dialogue Editor), The Kid (Dialogue Editor), Girlfight (Supervising Sound Editor) |
Most productive collaborators: Bob Weinstein, Harvey Weinstein, Tony Martinez, Bill Murray, Theodore Melfi |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Dialogue Editor | 3 | $25,152,784 | $20,635,055 | $45,787,839 |
Sound Effects Editor | 1 | $44,137,712 | $10,699,522 | $54,837,234 | |
Supervising Sound Editor | 1 | $1,523,941 | $0 | $1,523,941 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 8, 2019 | The Kid | Dialogue Editor | $1,508,593 | $84,580 | $1,593,173 |
Jun 9, 2017 | It Comes at Night | Dialogue Editor | $13,985,117 | $5,735,086 | $19,720,203 |
Oct 10, 2014 | St. Vincent | Sound Effects Editor | $44,137,712 | $10,699,522 | $54,837,234 |
Sep 16, 2011 | I Don't Know How She Does It | Dialogue Editor | $9,659,074 | $14,815,389 | $24,474,463 |
Sep 29, 2000 | Girlfight | Supervising Sound Editor | $1,523,941 | $1,523,941 | |
Averages | $14,162,887 | $7,833,644 | $20,429,803 | ||
Totals | 5 | $70,814,437 | $31,334,577 | $102,149,014 |