Lithuania Box Office for Užsimaskavę šnipai (2019)
Theatrical Performance (US$) | ||
Lithuania Box Office | $290,868 | Details |
Worldwide Box Office | $165,124,093 | Details |
Home Market Performance | ||
North America DVD Sales | $3,520,765 | Details |
North America Blu-ray Sales | $5,127,638 | Details |
Total North America Video Sales | $8,648,403 | |
Further financial details... |
Synopsis
Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.
Metrics
Movie Details
Production Budget: | $100,000,000 |
Lithuania Releases: | January 10th, 2020 (Wide), released as Užsimaskavę šnipai |
Video Release: | March 10th, 2020 by Fox Home Entertainment |
MPAA Rating: | PG for action, violence, and rude humor. (Rating bulletin 2601 (Cert #52396), 10/23/2019) |
Running Time: | 104 minutes |
Keywords: | Secret Agent, Shootout, Talking Animals, Human Animal Transformation, 3-D, 3-D - Shot in 3-D, Animal Lead, Scientific Experiment Gone Awry, Family Adventure |
Source: | Based on Short Film |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | 20th Century Fox Animation, Chernin Entertainment, Blue Sky Studios, 20th Century Fox |
Production Countries: | United States |
Languages: | English |
DEG Watched At Home Chart: Trolls Tower over the Rest
July 16th, 2020
The pandemic continues to impact the DEG Watched at Home chart, which is little changed from last week. Trolls World Tour remains in first place on the chart and Universal is the top studio, this time with six entries in the top 20, up from five last week.
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DEG Watched At Home Chart: Sonic Sneaks into First Place
May 28th, 2020
Sonic the Hedgehog was released on DVD / Blu-ray / 4K last week and that helped it climb into first place on the DEG Watched at Home chart. The film was already in fifth place last week on the strength of its digital releases, so it has had a very profitable run on the home market already.
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Home Market Releases for March 10th, 2020
March 11th, 2020
It’s another terrible week on the home market. There are a couple of Oscar-bait releases to talk about, but neither are Pick of the Week contenders, at least in my opinion. There are no movies that are anything more than midlevel hits. The best new release of the week, at least in my opinion, is Love, Chunibyo & Other Delusions: Ultimate Collector’s Edition Blu-ray.
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International Box Office: Star Wars Keeps Competition Away from Top Spot
January 15th, 2020
As previously reported, Star Wars: The Rise of Skywalker entered the billion dollar club on Tuesday. Over the weekend, it earned $24.2 million in 55 markets for totals, as of the end of the weekend, of $511.4 million internationally and $989.6 million worldwide. It struggled in South Korea, earning second place with $2.16 million on 948 screens over the three-day weekend for a total opening of $3.09 million. I’ll talk about the film that beat it below. Rise of Skywalker did relatively better in the Philippines with an opening of $1.0 million over the weekend, and $3.0 million including previews.
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Weekend Wrap-Up: Star Wars Earns Trilogy of Wins with $34.5 Million
January 7th, 2020
2020 got off to a great start with The Grudge opening better than expected, while most of the holdovers also held strong. Granted, it is still a post-holiday weekend and the total box office did fall 28% from last weekend earning $142 million. However, this is 2.4% higher than the first weekend of last year and that’s a much more important figure. It’s way too early for the year-to-date comparisons to matter, but 2020 did get off to a faster start than 2019 did and has a 7.7% / $17 million lead at $231 million to $215 million. Again, it is way too early to make any predictions, but any victory now will make it easier for 2020 to keep pace with last year during the inevitable slow times.
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Weekend Predictions: Can the Grudge Hold Audience’s Attention?
January 2nd, 2020
It is the first weekend of the new year and the only wide release to talk about is a low-budget horror movie, The Grudge, with nearly no buzz and almost no reviews. Unfortunately, it has almost no chance of matching last year’s low-budget horror film, Escape Room. Fortunately, this year’s holdovers, led by Star Wars: The Rise of Skywalker, will outpace last year’s holdovers giving 2020 its first win during the first weekend of the year.
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Weekend Wrap-Up: Box Office Rises Over Last Year Helping 2019 End on a Positive Note
December 31st, 2019
The last weekend of the year had some good news and some bad news. Unfortunately, Star Wars: The Rise of Skywalker was part of the later, as it fell 59% to $72.39 million over the weekend. However, this was still a dominate performance at the box office, earning more than the next three films combined. It helped the overall weekend remained strong at $197 million. Granted, this is 20% lower than last weekend, but more importantly, it is 5.0% higher than the same weekend last year. Furthermore, 2019 cut the deficit with 2018 by about $100 million since The Rise of Skywalker came out and now it is fighting with 2016 to be the second biggest year at the box office of all time. It is true that the year is still behind 2018 by a massive 4.5% / $520 million at $11.04 billion to $11.56 billion, but not being able to maintain a record pace for two years in a row is hardly a serious concern. Even if you look at ticket sales and take into account inflation, then 2019 was a reasonably good year, as it isn’t too far behind 2017 and hardly the worst we’ve seen in the past decade. There are reasons to be optimistic going into 2020.
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Weekend Estimate: Skywalker Heads Earthwards
December 29th, 2019
The weekend isn’t looking good for Star Wars: The Rise of Skywalker, as it is falling a lot faster than I expected. If estimates hold, it will fall 59% to $72.0 million over the weekend for a running tally of $361.8 million after two weeks of release. However, this is still a massive amount of money. It is already the seventh-biggest hit released in 2019, and is on pace to earn third place on that chart, maybe even second. Internationally, the film added $94.3 million in 52 markets for a running tally of $363.0 million internationally and $724.8 million worldwide. That’s without any earnings from South Korea, where it will debut in a couple of weeks. It should have no trouble getting to $1 billion worldwide by the end of its run, but most were expecting a lot more than that. It is yet another profitable disappoint—and we saw too many of those in 2019.
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Friday Estimates: Rise has a Sharp Fall, but Still Dominates Box Office
December 28th, 2019
The last weekend of the year began on Friday and there’s some good news and some bad news. Bad news, Star Wars: The Rise of Skywalker fell faster than expected, down 71% from its opening Friday to just $26.23 million. Granted, this was still more than enough to blow past the $300 million mark in just eight days, putting it in a tie for fifth fastest to reach $300 million. The film will bounce back over the rest of the weekend and it is projected to earn $76 million over the three-day weekend for a running tally of $366 million. If it ended there, then the film could still break even, eventually. In reality, the film has two more weeks of no serious competition, so it will have no trouble getting past a couple of more major milestones before it is done it box office run.
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Weekend Predictions: Will the Year End on a High Note, or will Rise have a Troubling Fall?
December 27th, 2019
The weekend after Christmas tends to be even bigger at the box office than the weekend before Christmas, as people are no longer rushing around making sure they have their last minute gifts and food for Christmas dinner. That said, Star Wars: The Rise of Skywalker will likely still fall, as monster blockbusters rarely have extremely long legs. The other sophomore films opened so poorly that I can image theater owners will be pushing them to the smallest screens, perhaps with limited showings. As for the new releases, none of Little Women, Uncut Gems, or Spies in Disguise got off to a great start on Christmas Day, but none of them bombed either. This weekend last year, Aquaman led the way with over $52 million, while the top three earned almost exactly $100 million. This year, The Rise of Skywalker could earn $100 million all by itself. The year will end on a very positive note.
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Christmas Releases: Little Women hopes to have a Large Opening Day
December 24th, 2019
It’s a Tuesday Christmas Eve, and that makes for a challenging situation for box office prognosticators, with Wednesday releases adding to the difficulties. Because of that, I am going to combine the weekend predictions and the limited releases into one shorter column. I will talk about all new releases / expansions for this week without going into detail over their box office chances. Look for a more comprehensive prediction column Thursday as usual. The biggest of the Christmas Day releases should be Little Women; however, that film is making big push for awards, and will likely have very long legs as a result. Conversely, Spies in Disguise is a rare family film opening on Christmas, which makes it a real wild card.
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2019 Preview: December
December 1st, 2019
Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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Spies in Disguise Trailer
July 5th, 2019
Animated adventure with the voices of Will Smith and Tom Holland opens December 25 ... Full Movie Details.
Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.
More...
Spies in Disguise Trailer
November 2nd, 2018
Animated adventure starring Will Smith and Tom Holland opens September 13, 2019 ... Full Movie Details.
Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is… not. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/01/10 | 3 | $76,650 | 25 | $3,066 | $86,806 | 1 | |
2020/01/17 | 5 | $45,394 | -41% | 18 | $2,522 | $142,994 | 2 |
2020/01/24 | 6 | $28,630 | -37% | 13 | $2,202 | $176,033 | 3 |
2020/01/31 | 12 | $17,356 | -39% | 11 | $1,578 | $199,200 | 4 |
2020/02/07 | 8 | $14,024 | -19% | 9 | $1,558 | $212,606 | 5 |
2020/02/14 | 11 | $11,361 | -19% | 8 | $1,420 | $223,247 | 6 |
2020/02/21 | 8 | $14,519 | +28% | 7 | $2,074 | $255,204 | 7 |
2020/02/28 | 12 | $4,237 | -71% | 7 | $605 | $263,922 | 8 |
2020/03/06 | 18 | $2,199 | -48% | 5 | $440 | $274,526 | 9 |
2020/03/13 | 19 | $3,602 | +64% | 5 | $720 | $269,842 | 10 |
2020/07/24 | 15 | $1,045 | 7 | $149 | $284,763 | 29 | |
2020/07/31 | - | $96 | -91% | 1 | $96 | $290,890 | 30 |
2021/07/16 | - | $111 | 2 | $56 | $290,726 | 80 | |
2021/08/06 | 22 | $118 | 3 | $39 | $289,742 | 83 | |
2021/08/27 | - | $85 | 2 | $43 | $290,868 | 86 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/31/2020 | $200,000 | 0 | 181 | 318 | $1,061,192 | 3/26/2020 |
Australia | 12/27/2019 | $0 | 0 | 323 | 2217 | $7,037,491 | 3/1/2021 |
Brazil | 1/24/2020 | $600,000 | 0 | 0 | 0 | $1,524,708 | 3/26/2020 |
Bulgaria | 12/27/2019 | $83,846 | 0 | 0 | 0 | $259,719 | 3/4/2020 |
China | 1/3/2020 | $3,700,000 | 36669 | 36669 | 77326 | $15,070,000 | 10/19/2022 |
Czech Republic | 12/27/2019 | $122,815 | 125 | 125 | 438 | $480,002 | 10/19/2022 |
Denmark | 2/7/2020 | $200,000 | 0 | 0 | 0 | $300,000 | 10/19/2022 |
Finland | 1/31/2020 | $200,000 | 0 | 0 | 0 | $200,000 | 10/19/2022 |
France | 12/27/2019 | $2,200,000 | 0 | 0 | 0 | $7,981,536 | 3/26/2020 |
Germany | 12/27/2019 | $1,200,000 | 0 | 0 | 0 | $4,891,196 | 3/26/2020 |
Hong Kong | 1/24/2020 | $500,000 | 0 | 0 | 0 | $1,076,395 | 3/14/2020 |
India | 12/27/2019 | $128,114 | 0 | 0 | 0 | $258,592 | 1/20/2020 |
Indonesia | 12/27/2019 | $800,000 | 0 | 0 | 0 | $1,341,129 | 2/22/2020 |
Italy | 12/25/2019 | $607,634 | 0 | 0 | 0 | $1,249,605 | 10/19/2022 |
Lithuania | 1/10/2020 | $76,650 | 25 | 25 | 123 | $290,868 | 9/1/2021 |
Mexico | 12/25/2019 | $1,418,779 | 0 | 0 | 0 | $6,287,193 | 10/19/2022 |
Netherlands | 12/27/2019 | $424,376 | 0 | 129 | 959 | $2,090,200 | 10/19/2022 |
New Zealand | 1/1/2020 | $154,895 | 92 | 93 | 810 | $873,245 | 10/19/2020 |
North America | 12/25/2019 | $13,354,798 | 3,502 | 3,502 | 15,937 | $66,757,013 | |
Norway | 1/31/2020 | $200,000 | 0 | 0 | 0 | $200,000 | 10/19/2022 |
Philippines | 1/24/2020 | $300,000 | 0 | 0 | 0 | $300,000 | 1/27/2020 |
Poland | 1/10/2020 | $225,451 | 0 | 0 | 0 | $1,284,665 | 10/19/2022 |
Portugal | 12/26/2019 | $205,930 | 84 | 84 | 548 | $816,864 | 3/10/2020 |
Romania | 12/27/2019 | $93,100 | 89 | 89 | 455 | $367,364 | 3/23/2020 |
Russia (CIS) | 1/9/2020 | $3,340,221 | 1567 | 1567 | 6207 | $6,539,520 | 10/19/2022 |
Slovakia | 12/27/2019 | $92,566 | 64 | 64 | 302 | $295,413 | 6/16/2020 |
Slovenia | 12/27/2019 | $24,590 | 30 | 30 | 152 | $103,165 | 4/8/2020 |
South Korea | 1/22/2020 | $1,259,199 | 712 | 712 | 1619 | $3,018,924 | 5/7/2020 |
Spain | 12/27/2019 | $721,271 | 363 | 363 | 1948 | $3,554,083 | 3/14/2020 |
Sweden | 1/31/2020 | $200,000 | 0 | 0 | 0 | $200,000 | 10/19/2022 |
Taiwan | 1/24/2020 | $400,000 | 0 | 0 | 0 | $1,372,464 | 2/29/2020 |
Turkey | 1/10/2020 | $70,860 | 202 | 202 | 301 | $176,332 | 10/19/2022 |
United Kingdom | 12/27/2019 | $1,947,425 | 549 | 554 | 3592 | $10,176,557 | 11/25/2020 |
Rest of World | $17,688,658 | ||||||
Worldwide Total | $165,124,093 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Will Smith | Lance Sterling |
Tom Holland | Walter Beckett |
Ben Mendelsohn | Killian |
Karen Gillan | Eyes |
Rashida Jones | Marcy Kappel |
D.J. Khaled | Ears |
Masi Oka | Kimura |
Reba McEntire | Joyless |
Rachel Brosnahan | Wendy |
Supporting Cast
Jarrett Bruno | Young Walter/Pigeon |
Claire Crosby | Unitee |
Toru Uchikado | Yakuza #1 |
Hisato Masuyama | Yakuza #2 |
Mark Ronson | Agency Control Room Technician |
Toshiya Agata | Yakuza #3 |
Michi Yamato | Yakuza #4 |
Hiroshi Otaguro | Yakuza #5 |
Carla Jimenez | Geraldine |
Tawny Newsome | Agency Employee #1 |
JB Blanc | Agency Employee #2/Marcy’s Agent #3 |
Adrian Gonzalez | Agency Employee #2/Marcy’s Agent #1 |
William Christopher Stephens | Agency Employee #4/Marcy’s Agent #5 |
Bex Marsh | Agency Employee #5/Female Tourist |
Peter S. Kim | Agency Employee #6/Joon/Marcy’s Agent #4 |
Gabriel Conte | Agency Employee #7 |
Jess Conte | Agency Employee #8 |
Rashawn Nadine Scott | Agency Employee #9 |
Stefania Spampinato | Agency Employee #10/Italian Woman |
Nick Bruno | Agency Employee #11/Pigeon |
Troy Quane | Agency Employee #12 |
Eddie Mujica | Agency Accountant/Male Tourist |
Emily Altman | Lead Agency Lab Tech/Scooter Girl |
Randy Trager | Terrance/Pigeon |
Christopher Campbell | Marcy’s Agent #2 |
Matthew Munn | Weapons Lab Soldier |
Kimberly Brooks | Lance’s Car |
Youn So | Soo-Min |
Min-Hyuck Jang | Joon |
Randall Thom | Various Voices/Pigeon |
Krizia Bajos | Receptionist |
Reggie De Leon | Weapons Lab Tech |
Paolo Constantino Cenci | Scooter Guy |
Casey Roberts | Launch Control Voice |
Hideo Kimura | Additional Voice |
Daniel Booko | Additional Voice |
Jen Cain | Additional Voice |
Dina Morrone | Additional Voice |
Oscar Camacho | Additional Voice |
Dyana Ortelli | Additional Voice |
David Chen | Additional Voice |
Arthur Ortiz | Additional Voice |
Johnny Gidcomb | Additional Voice |
Chrystee Pharris | Additional Voice |
Annie Gonzalez | Additional Voice |
Ben Pronsky | Additional Voice |
Maya Goodwin | Additional Voice |
Stan Sellers | Additional Voice |
Danielle Hartnett | Additional Voice |
Shane Sweet | Additional Voice |
Marabina Jaimes | Additional Voice |
Michael Woodley | Additional Voice |
Masa Kanome | Additional Voice |
Vivian Yoon | Additional Voice |
Ruth Zalduondo | Additional Voice |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nick Bruno | Director |
Troy Quane | Director |
Kristen Orlando | Screenwriter |
Michelle Painchaud | Screenwriter |
Lucas Martell | Story based on “Pigeon: Impossible” by |
Cindy Davis | Story by |
Peter Chernin | Producer |
Michael J. Travers | Producer |
Jenno Topping | Producer |
Chris Wedge | Executive Producer |
Kori Adelson | Executive Producer |
Michael Knapp | Production Designer |
Randy Trager | Editor |
Christopher Campbell | Editor |
Theodore Shapiro | Composer |
Anthony Nisi | Associate Producer |
Mark Ronson | Executive Music Producer |
Christian Kaplan | Casting Director |
Jacqueline Jones Gladis | Production Manager |
Robert Cavaleri | Visual Effects Supervisor |
Matthew D. Simmons | Visual Effects Supervisor |
Adam Cootes | Head of Story |
Joseph Antonuccio | Animation Supervisor |
Jeff Gabor | Animation Supervisor |
Jeremy Lazare | Animation Supervisor |
Julianne Jordan | Music Supervisor |
Trygge Toven | Music Supervisor |
Randy Thom | Supervising Sound Designer |
Jeremy Bowker | Supervising Sound Editor |
Leff Lefferts | Supervising Sound Editor |
Lora Hirschberg | Re-recording Mixer |
Randy Thom | Re-recording Mixer |
Ian Abando | Story Artist |
Lubomir Arsov | Story Artist |
Seth Boyden | Story Artist |
Esteban Bravo | Story Artist |
Jeff Call | Story Artist |
Bryan Cox | Story Artist |
Remi Godin | Story Artist |
John Jackson | Story Artist |
Heather Larkin | Story Artist |
Warren Leonhardt | Story Artist |
Lyndon Ruddy | Story Artist |
William Battaglia | First Assistant Editor |
Annlyn Huang | Character Designer |
Sang Jun Lee | Character Designer |
Jose Manuel Fernandez Oli | Character Designer |
Bobby Pontillas | Character Designer |
Dan Seddon | Character Designer |
Aidan Sugano | Character Designer |
Tyler Carter | Set Designer |
Greg Couch | Set Designer |
Sandeep Menon | Set Designer |
Jon Townley | Set Designer |
Kevin Yang | Set Designer |
Vandana Pulijaal | Production Supervisor |
Samson Neslund | Sound Effects Editor |
David Farmer | Sound Effects Editor |
Michael Silvers | Dialogue/ADR Editor |
Chris Manning | Foley Editor |
Scott Curtis | Foley Mixer |
Thomas Drescher | Music Editor |
Nadia Tzuo | Art Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.