Australia Box Office for Resident Evil: The Final Chapter (2016)
Theatrical Performance (US$) | ||
Australia Box Office | $2,351,188 | Details |
Worldwide Box Office | $314,101,190 | Details |
Home Market Performance | ||
North America DVD Sales | $4,983,795 | Details |
North America Blu-ray Sales | $5,150,938 | Details |
Total North America Video Sales | $10,134,733 | |
Further financial details... |
Synopsis
Alice is the only survivor of what was meant to be humanity’s final stand against the undead. Now, she must return to where the nightmare began—The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Australia Releases: | January 27th, 2017 (Wide) |
Video Release: | May 2nd, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | R for sequences of violence throughout. (Rating bulletin 2456 (Cert #50102), 12/21/2016) |
Running Time: | 106 minutes |
Franchise: | Resident Evil |
Keywords: | Delayed Sequel, Corporate Malfeasance, Zombies, Post Apocalypse, 3-D, 3-D - Shot in 3-D, Non-Chronological, End of the World, Family Affair, Archival Footage of Previous Installment, Monster, 3-D - Post-production Conversion, IMAX: DMR, Action Horror |
Source: | Based on Game |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Screen Gems, Constantin Film, Davis Films, Impact Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 16th, 2017
May 16th, 2017
It is another terrible week on the home market. There are three first-run releases coming out this week, which isn’t a bad number. However, all three earned terrible reviews and bombed in theaters, so you should avoid all of them. There’s not a lot of limited releases, classics, or TV on DVD releases to make up the gap, so for the second week in a row, we have a Video on Demand release topping the list of best new releases. This week it is Logan, which is one of the best wide releases of the year. I would wait for the Blu-ray, on the other hand.
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Home Market Releases for May 2nd, 2017
May 2nd, 2017
We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D.
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International Box Office: Logan Scored Nearly $250 million Worldwide in Opening Weekend
March 8th, 2017
Logan dominated the international box office chart with $152.7 million in 81 markets for a worldwide opening of $240.9 million. This is almost twice as much as the film cost to make, so it has nearly paid for its entire production budget during the film’s opening weekend. Assuming it has any legs, it will break even before it reaches the home market. China was the biggest single market, as it earned $45.60 million over the weekend for a total opening of $46.38 million, including Thursday previews. The U.K. was well back with an opening of $11.48 million in 602 theaters. Up next is Brazil, which earned $8.2 million, while the film had a total opening of $8.16 million on 954 screens in South Korea, while it earned $8.02 million on 1,200 screens in Russia. The film doesn’t open in Japan until June and it could have over $500 million worldwide by then.
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International Box Office: Resident Evil here to Stay with $96.67 million
March 2nd, 2017
Resident Evil: The Final Chapter rocketed to the top of the chart of the international chart with $96.67 million on 24,465 screens in 75 markets for totals of $211.87 million internationally and $238.52 million worldwide. The film opened in China over the weekend earning $90.76 million over the weekend and $92.98 million including Thursday previews. At this point, the studio’s share of the worldwide box office is approximately $80 million, or twice as much as it cost to make. If the film hasn’t already broken even, it will do so shortly. I know the film is called The Final Chapter, but I can see the franchise continuing, focusing almost entirely on the foreign market.
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Weekend Estimates: Get Out Pulls Off Huge Win
February 26th, 2017
If you took a bet a year ago that the Oscar weekend box office would be dominated by a movie with an A- CinemaScore, and a score of 100% on Rotten Tomatoes, you probably wouldn’t get great odds. If you’d included the stipulation that the film would be a horror movie written and directed by Jordan Peele, your winnings would set you up for retirement. For that is what we have this morning: Get Out will easily top the chart this weekend, with Universal estimating a weekend around $30.5 million.
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International Box Office: Yoga Stretches its International Total to $180 million
February 9th, 2017
Kung Fu Yoga bombed in India, but that didn’t stop it from earning first place on the international chart with $51.4 million over the weekend for an international total of $180 million. Nearly all of this came from China, where it earned $50.2 million over the weekend for a two-week total of $179.71 million.
Weekend Wrap-Up: Split Scores Another Touchdown with $14.42 million
February 7th, 2017
As expected, Split earned first place over the weekend with $14.42 million. That’s not bad for Super Bowl weekend. In fact, the overall depth was better than expected, not that you could tell from the week-over-week decline. The overall box office fell 31% to just $98 million. However, this was still 2.5% better than the same weekend last year. That’s a surprise victory. Granted, 2017 is still behind 2016 by 5.1% at $1.06 billion to $1.12 billion, but every little victory helps.
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Thursday Night Previews: Rings has a Hollow Start with $800,000
February 3rd, 2017
Rings had the best start in previews last night, but here “best” is a relative term. It only managed $800,000, 20% lower than Resident Evil: The Final Chapter previews last weekend. Worse still, its reviews are 0% positive with 17 reviews on Rotten Tomatoes so far. This could result in an opening weekend of less than $10 million, but I think that’s a little pessimistic. $11 million is more likely. That’s not a good start, even for a film that cost $33 million to make, and it will need help internationally to break even.
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Weekend Predictions: Will Split Be Separated from the Top Spot?
February 2nd, 2017
The new releases this week are not strong, so we could see Split remain on top for the third weekend in a row. Rings should at least be in a fight for first place, if it just does as well as Resident Evil: The Final Chapter did last weekend. On the other hand, The Space Between Us is being eviscerated by the critics and it really needed good word of mouth to thrive. If it opens in the top five, I will be impressed. This weekend last year, Hail, Caesar! was the number one new release and it earned just $11.36 million. Rings should top that. Unfortunately, the number one film was Kung Fu Panda 3, which earned more than than $20 million. There’s no way Split will match that, so 2017 is going to lose in the year-over-year competition.
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International Box Office: Journey Begins with One Step... and $86 million
February 1st, 2017
International movies dominated the international top five with international films earning the top three spots. This includes Journey to the West 2, which earned first place with $86 million in seven markets. It dominated China with $84.09 million during its opening weekend, including a record opening day for a Chinese film, $52.3 million. The original film made just over $200 million worldwide, so this is a great start, but its mixed reviews are miles behind the original’s reviews, so that will likely hurt its legs.
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Contest: Prizes, Evil Prizes: Winning Announcement
February 1st, 2017
The winners of our Prizes, Evil Prizes contest were determined and the entrants with the closest predictions for Resident Evil: The Final Chapter’s opening weekend were...
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Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million
January 31st, 2017
It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%.
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Weekend Estimates: Split Retains Box Office Crown with Big Second Weekend
January 29th, 2017
An impressive decline of 34% in its second weekend and a crop of middling to poor performances by new releases will be enough to keep Split safely at the top of the box office chart this weekend. With Universal projecting $26.3 million for the weekend as of Sunday morning, Split is well ahead of the studio’s new release, A Dog’s Purpose, which will come in with around $18.4 million. Split will finish the weekend with around $78 million in total.
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Friday Estimates: Dog Doesn’t Have Universal Appeal
January 28th, 2017
Friday was the beginning of a good weekend for Universal, but it wasn’t a good day for the box office as a whole, as two of the three new wide releases struggled. Split was down just 46% when compared to last Friday and earned $7.9 million. Assuming it acts like, well, practically every film ever made, it will have an even better Saturday and that puts it on pace to earn about $25 million over the weekend. It will top $100 million during the first weekend of February and will still be in wide release over Presidents’ Day long weekend. This is fantastic news for the studio.
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Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update
January 27th, 2017
Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now.
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Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?
January 26th, 2017
It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison.
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Contest: Return to Sender: Winning Announcement
January 25th, 2017
The winners of our Return to Sender contest were determined and the entrants with the closest predictions for xXx: Return of Xander Cage’s opening weekend were...
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Contest: Prizes, Evil Prizes
January 20th, 2017
I thought A Dog’s Purpose would have a real shot at first place next weekend, but ... oh boy. If you haven’t seen the video supposed taken on the set yet, it’s tough to watch. It is also by PETA and released by TMZ, so I’m not 100% convinced it is legit. Those are two organizations I don’t trust. (Personally, I give to the local branch of the SPCA. Also, when you donate to charities like this, do NOT tell them what to do with the money. A lot of people do and they have to follow these requests and this results in popular programs being over-funded and less glamorous programs going under-funded.) Because of this video, there is talk of a boycott and that could really hurt its box office numbers. This leaves Resident Evil: The Final Chapter as the safe choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Resident Evil: The Final Chapter.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2017 Preview: January
January 1st, 2017
December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison.
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Resident Evil: The Final Chapter Trailer
December 27th, 2016
Sci-fi action movie starring Milla Jovovich opens January 27 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/01/27 | 4 | $946,083 | 258 | $3,667 | $946,083 | 1 | |
2017/02/03 | 6 | $431,993 | -54% | 207 | $2,087 | $1,698,019 | 2 |
2017/02/10 | 10 | $221,777 | -49% | 171 | $1,297 | $2,071,649 | 3 |
2017/02/17 | 17 | $68,263 | -69% | 78 | $875 | $2,227,835 | 4 |
2017/02/24 | - | $18,740 | -73% | 25 | $750 | $2,338,167 | 5 |
2017/03/03 | - | $3,070 | -84% | 5 | $614 | $2,351,188 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/26/2017 | $654,504 | 198 | 198 | 351 | $1,960,850 | 1/1/2019 |
Aruba | 1/26/2017 | $6,284 | 3 | 3 | 4 | $14,851 | 1/1/2019 |
Australia | 1/27/2017 | $946,083 | 258 | 258 | 744 | $2,351,188 | 3/7/2017 |
Bahrain | 1/26/2017 | $103,467 | 12 | 12 | 27 | $235,386 | 1/1/2019 |
Bolivia | 1/26/2017 | $170,930 | 32 | 32 | 120 | $669,123 | 1/1/2019 |
Brazil | 1/26/2017 | $2,325,144 | 630 | 630 | 1732 | $6,004,832 | 3/14/2017 |
Bulgaria | 1/27/2017 | $44,954 | 57 | 57 | 149 | $125,001 | 2/26/2019 |
Cambodia | 2/2/2017 | $46,113 | 13 | 20 | 34 | $67,306 | 1/1/2019 |
Central America | 1/26/2017 | $570,712 | 239 | 239 | 452 | $1,225,380 | 3/7/2017 |
Chile | 1/26/2017 | $405,623 | 103 | 103 | 251 | $1,321,882 | 12/20/2018 |
China | 2/23/2017 | $91,820,000 | 128147 | 128147 | 238002 | $161,470,000 | 3/30/2017 |
Colombia | 1/26/2017 | $739,400 | 369 | 369 | 749 | $1,764,477 | 12/20/2018 |
Croatia | 1/26/2017 | $29,179 | 48 | 48 | 117 | $73,701 | 1/1/2019 |
Curacao | 1/26/2017 | $2,948 | 6 | 6 | 10 | $8,675 | 1/1/2019 |
Czech Republic | 1/26/2017 | $96,354 | 114 | 114 | 208 | $191,871 | 1/1/2019 |
Denmark | 2/2/2017 | $16,335 | 2 | 2 | 4 | $26,707 | 2/14/2017 |
Dominican Republic | 1/26/2017 | $34,208 | 30 | 30 | 57 | $79,824 | 1/1/2019 |
East Africa | 1/27/2017 | $3,417 | 1 | 1 | 1 | $3,417 | 1/31/2017 |
Ecuador | 1/27/2017 | $423,114 | 101 | 101 | 266 | $1,238,536 | 1/1/2019 |
Egypt | 1/26/2017 | $44,635 | 16 | 18 | 48 | $122,315 | 1/1/2019 |
Estonia | 1/27/2017 | $38,593 | 11 | 11 | 33 | $83,670 | 2/21/2017 |
France | 1/27/2017 | $1,065,124 | 0 | 0 | 0 | $2,189,093 | 6/26/2018 |
Germany | 1/27/2017 | $1,393,328 | 0 | 0 | 0 | $3,253,516 | 6/29/2018 |
Ghana | 1/27/2017 | $1,551 | 3 | 3 | 21 | $10,700 | 1/1/2019 |
Greece | 1/26/2017 | $82,849 | 60 | 60 | 97 | $196,004 | 2/21/2017 |
Hong Kong | 1/26/2017 | $1,652,160 | 130 | 130 | 395 | $4,839,957 | 3/27/2017 |
Hungary | 1/26/2017 | $122,610 | 47 | 59 | 194 | $318,267 | 1/1/2019 |
Iceland | 1/27/2017 | $6,646 | 5 | 5 | 11 | $22,756 | 1/1/2019 |
India | 2/3/2017 | $686,367 | 977 | 977 | 1163 | $1,155,308 | 3/7/2017 |
Indonesia | 1/25/2017 | $2,579,843 | 530 | 530 | 1401 | $6,090,864 | 12/20/2018 |
Iraq | 1/26/2017 | $29,856 | 7 | 7 | 18 | $90,497 | 1/1/2019 |
Israel | 1/26/2017 | $49,415 | 29 | 29 | 82 | $93,135 | 1/1/2019 |
Italy | 2/16/2017 | $681,176 | 266 | 266 | 489 | $1,226,983 | 3/27/2017 |
Jamaica | 1/27/2017 | $4,137 | 2 | 5 | 10 | $26,014 | 1/1/2019 |
Japan | 12/23/2016 | $5,279,027 | 0 | 634 | 3218 | $36,482,592 | 8/20/2018 |
Jordan | 1/26/2017 | $27,803 | 10 | 10 | 21 | $68,168 | 1/1/2019 |
Kenya | 2/3/2017 | $19,381 | 25 | 25 | 49 | $41,267 | 1/1/2019 |
Kuwait | 1/26/2017 | $259,021 | 18 | 18 | 37 | $544,755 | 1/1/2019 |
Latvia | 1/27/2017 | $22,083 | 16 | 16 | 36 | $51,707 | 1/1/2019 |
Lebanon | 1/26/2017 | $47,389 | 25 | 25 | 36 | $96,042 | 1/1/2019 |
Lithuania | 2/3/2017 | $29,622 | 100 | 100 | 152 | $61,014 | 2/21/2017 |
Malaysia | 1/19/2017 | $1,168,868 | 309 | 309 | 884 | $2,835,926 | 3/14/2017 |
Mexico | 1/27/2017 | $3,159,171 | 1621 | 1621 | 3688 | $7,212,254 | 3/21/2017 |
Mongolia | 1/27/2017 | $22,124 | 5 | 5 | 16 | $62,496 | 1/1/2019 |
Netherlands | 1/26/2017 | $153,017 | 45 | 45 | 124 | $314,523 | 3/7/2017 |
New Zealand | 1/27/2017 | $134,676 | 78 | 78 | 187 | $329,675 | 3/27/2017 |
Nigeria | 1/27/2017 | $33,174 | 29 | 29 | 142 | $154,526 | 1/1/2019 |
North America | 1/27/2017 | $13,601,682 | 3,104 | 3,104 | 8,218 | $26,844,692 | 11/2/2018 |
Oman | 1/26/2017 | $71,621 | 20 | 20 | 39 | $140,195 | 1/1/2019 |
Pakistan | 1/27/2017 | $54,784 | 43 | 43 | 53 | $99,821 | 1/1/2019 |
Paraguay | 1/26/2017 | $9,220 | 16 | 16 | 40 | $97,511 | 1/1/2019 |
Peru | 1/26/2017 | $757,296 | 143 | 143 | 335 | $2,039,054 | 12/20/2018 |
Philippines | 2/1/2017 | $1,113,788 | 219 | 219 | 420 | $1,874,073 | 12/20/2018 |
Poland | 1/27/2017 | $198,287 | 117 | 139 | 283 | $466,161 | 1/1/2019 |
Portugal | 1/26/2017 | $148,361 | 62 | 67 | 192 | $502,620 | 3/14/2017 |
Qatar | 1/26/2017 | $238,943 | 16 | 16 | 31 | $460,837 | 1/1/2019 |
Romania | 2/3/2017 | $167,393 | 75 | 75 | 202 | $403,964 | 1/1/2019 |
Russia (CIS) | 2/10/2017 | $1,651,844 | 724 | 1170 | 3680 | $6,257,242 | 1/1/2019 |
Serbia and Montenegro | 1/26/2017 | $6,302 | 18 | 18 | 37 | $17,773 | 1/1/2019 |
Singapore | 2/2/2017 | $672,676 | 61 | 61 | 185 | $1,528,987 | 3/14/2017 |
Slovakia | 1/26/2017 | $61,622 | 69 | 69 | 114 | $110,712 | 2/28/2017 |
Slovenia | 2/2/2017 | $5,291 | 12 | 12 | 30 | $13,896 | 2/21/2017 |
South Africa | 2/3/2017 | $90,870 | 72 | 77 | 208 | $278,010 | 3/7/2017 |
South Korea | 1/19/2017 | $0 | 0 | 599 | 1199 | $5,562,756 | 3/6/2017 |
Spain | 2/3/2017 | $900,108 | 323 | 326 | 1071 | $2,000,363 | 4/4/2017 |
Suriname | 1/26/2017 | $2,815 | 2 | 2 | 4 | $5,626 | 1/1/2019 |
Sweden | 2/3/2017 | $126,457 | 110 | 110 | 191 | $267,696 | 3/14/2017 |
Syria | 1/26/2017 | $3,859 | 1 | 2 | 4 | $6,939 | 1/1/2019 |
Taiwan | 1/26/2017 | $2,359,795 | 201 | 201 | 506 | $7,905,687 | 3/7/2017 |
Thailand | 1/26/2017 | $1,283,464 | 260 | 260 | 486 | $3,325,690 | 2/28/2017 |
Trinidad | 1/25/2017 | $55,963 | 21 | 21 | 59 | $133,972 | 1/1/2019 |
Turkey | 2/24/2017 | $328,096 | 277 | 277 | 695 | $790,324 | 2/26/2019 |
Ukraine | 2/16/2017 | $265,960 | 257 | 257 | 675 | $534,344 | 1/1/2019 |
United Arab Emirates | 1/26/2017 | $692,043 | 81 | 81 | 163 | $1,360,823 | 12/20/2018 |
United Kingdom | 2/3/2017 | $579,831 | 270 | 270 | 541 | $1,204,047 | 9/17/2018 |
Uruguay | 1/26/2017 | $39,978 | 13 | 14 | 47 | $127,453 | 1/1/2019 |
Venezuela | 1/27/2017 | $101,534 | 92 | 92 | 274 | $447,785 | 3/27/2017 |
Vietnam | 2/10/2017 | $481,966 | 135 | 135 | 350 | $1,200,838 | 1/1/2019 |
Rest of World | $1,284,268 | ||||||
Worldwide Total | $314,101,190 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Milla Jovovich | Alice/Alicia Marcus |
Supporting Cast
Ali Larter | Claire Redfield |
Shawn Roberts | Albert Wesker |
Ruby Rose | Abigail |
Eoin Macken | Doc |
William Levy | Christian |
Iain Glen | Dr. Alexander Isaacs |
Rola | Cobalt |
Ever Anderson | Young Alicia Marcus/Red Queen |
Mark Simpson | James Marcus |
Milton Schorr | Thin Man |
Siobhan Hodgson | Emaciated Woman |
Lee Joon-Gi | Commander Chu |
Aubrey Shelton | Scars |
Caroline Midgley | One Ear |
Dylan Skews | Commander Crunch |
Kevin Otto | Male Teacher |
Lee Raviv | School Girl |
Deniel Denysschen | School Boy |
Leo Russel | School Child |
Matthew Bartman | School Child |
Raquel Gecelter | School Child |
Rebecca Welmans | School Child |
Vian Singleton | School Child |
Leigh-Anne Benham | School Child |
Stephanie Hough | Female Teacher |
Dale Jackson | Commander #27 |
Christopher Duncan | Attendant |
Colin Salmon | One |
Martin Crewes | Kaplan |
Eric Mabius | Matt |
Indra Ove | Ms. Black |
Anna Bolt | Dr. Green |
Robert Tannion | Dr. Brown |
Michaela Dicker | Red Queen |
Liz May Brice | Medic |
Marc Logan-Black | Commando 2 |
Jared Harris | Dr. Ashford |
Jo Chim | Network Anchor #1 |
Steve Lucescu | Umbrella Trooper |
Brian Jagersky | Umbrella Trooper |
Brian Steele | Rancid |
Carsten Norgaard | Zombie Steve |
Ray Olubowale | Axe Man |
Johann Urb | Leon |
Aryana Engineer | Becky |
Ofilio Portillo | Tony |
Lloyd Adams | Umbrella Trooper |
Eli Martyr | Umbrella Trooper/Human Lab Experiment |
Marie-Eve Beckers | Human Lab Experiment |
Al Vrkljan | Arcadia Trooper |
James Mark | Human Lab Experiment |
Trevor Jones | Undead Nurse |
Kenji Sato | Undead Shibuya |
Michelle Rodriguez | Rain |
James Purefoy | Spence |
Pasquale Aleardi | J.D. |
Stephen Billington | Mr. White |
Joseph May | Dr. Blue |
Heike Makatsch | Lisa |
Jaymes Butler | Clarence |
Torsten Jerabek | Commando 1 |
Oded Fehr | Carlos Olivera |
Matthew G. Taylor | Nemesis |
Chad Camilleri | Undead on Street |
Tig Fong | Umbrella Trooper |
Ashanti | Betty |
Linden Ashby | Chase |
Mika Nakashima | J. Pop Girl |
Boris Kodjoe | Luther West |
Kevin Durand | Barry Burton |
Robin Kasyanov | Sergei |
Li Bingbing | Ada Wong |
Ernest Jackson | Umbrella Trooper |
Alain Chanoine | Umbrella Trooper |
Angelica Lisk-Hann | Human Lab Experiment |
Neil Davison | Human Lab Experiment |
Doug Chapman | Undead Russian |
Koji Nakamura | Undead Shibuya |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Paul W.S. Anderson | Director |
Paul W.S. Anderson | Screenwriter |
Jeremy Bolt | Producer |
Paul W.S. Anderson | Producer |
Robert Kulzer | Producer |
Samuel Hadida | Producer |
Martin Moszkowicz | Executive Producer |
Victor Hadida | Executive Producer |
Hiroyuki Kobayashi | Associate Producer |
Bernhard Thur | Associate Producer |
Glen MacPherson | Director of Photography |
Edward Thomas | Production Designer |
Doobie White | Editor |
Reza Levy | Costume Designer |
Paul Haslinger | Composer |
Dennis Berardi | Visual Effects Supervisor |
Suzanne M. Smith | Casting Director |
Gabriel Williams | First Assistant Director |
Janine van Assen | Line Producer |
Donovan Roberts-Baxter | Production Manager |
Dieter Spethmann | Second Assistant Director |
Christina Smith | Make up |
Lori Waters | Post-Production Supervisor |
Grant Hulley | Stunt Coordinator |
Kerry Gregg | Stunt Coordinator |
Nathan Barris | Fight Choreographer |
James Muringani | Production Supervisor |
Deon Du Preez | Location Manager |
Tamarin Kotze | Script Supervisor |
Nico Louw | Sound Mixer |
Guy Potgieter | Supervising Art Director |
Lisa Van Velden | Art Director |
Malwande Sigabi | Set Designer |
Wilfred Christian | Set Designer |
Cordell McQueen | Special Effects Supervisor |
Anneke Botha | Set Decorator |
Kerry Skelton | Hairstylist |
Fabienne Zadel | Hairstylist |
Clinton Aiden Smith | Prosthetics Designer |
Amy K. Bostrom | First Assistant Editor |
Thomas Dedesco | Assistant Editor |
Stephen Barden | Supervising Sound Editor |
John Loranger | Sound Designer |
Doobie White | Sound Designer |
Jill Purdy | Dialogue/ADR Editor |
Alex Bullick | Sound Effects Editor |
Tyler Whitham | Sound Effects Editor |
Kevin Banks | Sound Editor |
Andrew Stirk | Re-recording Mixer |
Andrew Tay | Re-recording Mixer |
Mark Zsifkovits | Re-recording Mixer |
Peter Persaud | Foley Recordist |
Luke Groves | Visual Effects Producer |
Eric Robinson | Visual Effects Supervisor |
Trey Harrell | Digital Effects Supervisor |
Den Turner | Animation Supervisor |
Vern Nobles | Second Unit Director/Second Unit Director of Photography |
Martin Knoll | Post-Production Supervisor |
Thorsten Wirth | Post-Production Supervisor |
Daniel Kresco | Score Mixer |
Louie Schultz | Music Editor |
Mark Skillingberg | Music Editor |
Derek Syverud | Music Editor |
Christoph Becker | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.