Germany Box Office for Prem Ratan Dhan Payo (2015)
Theatrical Performance (US$) | ||
Germany Box Office | $107,782 | Details |
Worldwide Box Office | $47,764,639 | Details |
Further financial details... |
Metrics
Movie Details
Germany Releases: | November 12th, 2015 (Wide) |
Video Release: | March 1st, 2016 by Netflix |
MPAA Rating: | Not Rated |
Running Time: | 164 minutes |
Keywords: | Royalty, False Identity, Cross-Dressing, Theater Actor, Romance, Romantic Drama, Political Assassination, Doppelganger |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Rajshri Productions |
Production Countries: | India |
Languages: | Hindi |
Per Theater Chart: Carol's Second Verse is the Same as the First
December 1st, 2015
Carol remained in first place on the per theater chart with an average of $49,443 in four theaters. This is 22% lower than the film's opening weekend average, which isn't bad for a limited release. The Danish Girl opened in a close second place with $46,830, also in four theaters. The Hunger Games: Mockingjay - Part 2 earned first place on the overall chart and third place on the per theater chart with an average of $12,456. Janis: Little Girl Blue earned an average of $10,931 in two theaters, which is great for a documentary. The second wide release in the $10,000 club was The Good Dinosaur with an average of $10,444.
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International Box Office: Hunger Nearly Cracks Quarter Billion
November 25th, 2015
The Hunger Games: Mockingjay - Part 2 easily won the box office race on the international chart with $146.0 million in 87 markets for a worldwide opening of $248.7 million. Its biggest market was China, but it only managed third place there with $16.11 million. The film cracked $10 million in the U.K. with $14.10 million in 941 theaters and in Germany with $13.42 million on 1,002. The film's openings were lower than Part 1 managed in most markets (Germany and Latin American seem to be the biggest exceptions) but it is still doing well enough that it will break even before it reaches the home market.
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Per Theater Chart: Carol Sings a Joyful Tune
November 24th, 2015
Carol had a festive opening earning just over $250,000 in four theaters for an average of $63,378. That's the third best average for an opening this year, just ahead of Ex Machina and just behind Sicario. The overall box office leader, The Hunger Games: Mockingjay - Part 2, was next with an average of $24,591. Legend was next with an average of $21,709 in four theaters. That's a good start, but its reviews suggest not so good legs. Speaking of long legs, Brooklyn remained in the $10,000 for the third week in a row earning an average of $10,270 in just over 100 theaters.
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International Box Office: Another Week, Another Milestone for Spectre
November 19th, 2015
Spectre again dominated the international box office earning $152.6 million in 92 markets for totals of $413.1 million internationally and $542.1 million worldwide. $500 million worldwide is enough to save face, but the film will need reach at least $600 million worldwide to have a shot at breaking even any time soon. It will likely need $700 million to $800 million to keep the studio happy. Fortunately, that seems very likely. The past weekend, the film opened in first place in China with $48.55 million. It also remained in top spot in the U.K. with $11.96 million in 617 theaters over the weekend for a three-week total of $118.39 million. It is now the fourth biggest hit in that market, while it has a shot at overtaking Skyfall for first place. It will need help from the holidays to get there. Will the movie still be in theaters come New Year's Day? Maybe.
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Per Theater Chart: James Can't Take the Spotlight
November 17th, 2015
There was only one new release in the $10,000 club and it had to settle for third place on the per theater chart. This left Spotlight in first place with an average of $22,561 in 60 theaters. This is a great result for a film expanding from five to 60 theaters. Brooklyn also expanded, going from five theaters to 23 theaters, while its per theater average remained strong with an average of $20,868. James White was the only new release in the $10,000 club debuting with $12,007 in its lone theater.
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Weekend Wrap-Up: New Releases feel Unloved
November 17th, 2015
There's not much in the way of good news to talk about, which is something that is becoming sadly common. Two of the three new releases missed expectations and expectations were low to begin with. Love the Coopers led the new releases, but it is hardly what you would call a box office hit. Even calling it a middling hit is overstating things. The 33 barely managed a spot in the top five and will quickly leave theaters. My All-American missed the Mendoza Line* by a mile and missed the top ten in the process. This meant Spectre and The Peanuts Movie remained on top of the charts, but they could only help the box office avoid becoming a disaster. As it is, the overall box office fell 33% from last weekend to just $108 million. This was 23% less than the same weekend last year. Year-to-date, 2015's lead over 2015 took a real hit and its down to 3.9% at $9.06 billion to $8.72 billion. However, as we've seen recently, the overall box office is weaker than the these numbers look, as we've seen few major hits and many, many bombs.
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Weekend Estimates: Spectre Set to Be Number Two Bond
November 15th, 2015
Sony are predicting a decline of just 50% for Spectre in its second weekend in theaters, putting James Bond’s latest incarnation on track for a final domestic box office in the neighborhood of $200 million. While well short of Skyfall’s $304 million, it welcome news for a film that’s probably right on the bubble as far as profitability is concerned.
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Friday Estimates: Openers Fall Well Short of Spectre and Peanuts
November 14th, 2015
Three new wide releases are all, as expected, struggling to make much headway against Spectre and The Peanuts Movie this weekend, with the two returning films sitting comfortably at the top of the chart. Spectre picked up an estimated $10.2 million on Friday for a total to date of $105.5 million, while Peanuts earned another $5.6 million, for $63.9 million so far.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/11/13 | 14 | $72,856 | 33 | $2,208 | $72,856 | 1 | |
2015/11/20 | 35 | $3,919 | -95% | 16 | $245 | $107,782 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/13/2015 | $431,607 | 36 | 36 | 80 | $659,098 | 12/14/2015 |
Austria | 11/13/2015 | $8,687 | 2 | 2 | 5 | $13,421 | 12/1/2015 |
Bahrain | 11/12/2015 | $0 | 0 | 3 | 5 | $268,567 | 12/30/2018 |
Belgium | 11/18/2015 | $0 | 0 | 3 | 3 | $11,251 | 12/1/2015 |
Germany | 11/12/2015 | $72,856 | 33 | 33 | 49 | $107,782 | 11/25/2015 |
Iraq | 11/19/2015 | $0 | 0 | 1 | 2 | $4,034 | 12/30/2018 |
Kuwait | 11/12/2015 | $0 | 0 | 7 | 13 | $441,059 | 12/30/2018 |
New Zealand | 11/13/2015 | $235,094 | 26 | 27 | 80 | $422,170 | 12/14/2015 |
North America | 11/12/2015 | $2,425,585 | 287 | 287 | 668 | $4,364,639 | |
Oman | 11/12/2015 | $14,193 | 1 | 6 | 9 | $336,930 | 12/30/2018 |
United Arab Emirates | 11/12/2015 | $1,495,833 | 79 | 79 | 136 | $2,286,476 | 12/30/2018 |
United Kingdom | 11/13/2015 | $1,386,984 | 140 | 140 | 415 | $2,181,861 | 6/9/2016 |
Rest of World | $36,667,351 | ||||||
Worldwide Total | $47,764,639 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Salman Khan | Prem/Vijay |
Sonam Kapoor | Maithili |
Supporting Cast
Neil Nitin Mukesh | Niranjan |
Anupam Kher | Diwan |
Deepak Dobriyal | Kanhaiya |
Swara Bhaskar | Prem’s Sister |
Samaira Rao | Sameera |
Armaan Kohli | Chiraj |
Aashika Bhatia | Prem's Sister |
Sanjay Mishra | Chaubey Ji |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Sooraj R. Barjatya | Director |
Sooraj R. Barjatya | Screenwriter |
Sooraj R. Barjatya | Story by |
Ajit Kumar Barjatya | Producer |
Kamal Kumar Barjatya | Producer |
Rajkumar Barjatya | Producer |
Sanjay Sankla | Editor |
Sanjoy Chowdhury | Composer |
Himesh Reshammiya | Composer |
V. Manikandan | Cinematographer |
Radhika Rao | Choreography |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.