Spain Box Office for La Familia que tu eliges (2019)
Theatrical Performance (US$) | ||
Spain Box Office | $306,218 | Details |
Worldwide Box Office | $23,191,551 | Details |
Home Market Performance | ||
North America DVD Sales | $2,544,410 | Details |
North America Blu-ray Sales | $1,266,202 | Details |
Total North America Video Sales | $3,810,612 | |
Further financial details... |
Synopsis
Zak is a young man with Down syndrome who runs away from a residential nursing home to follow his dream of attending the professional wrestling school of his idol, The Salt Water Redneck. A strange turn of events pairs him on the road with Tyler, a small time outlaw on the run, who becomes Zak’s unlikely coach and ally. Together they wind through deltas, elude capture, drink whisky, find God, catch fish, and convince Eleanor, a kind nursing home employee charged with Zak’s return, to join them on their journey.
Metrics
Movie Details
Production Budget: | $6,200,000 |
Spain Releases: | July 17th, 2020 (Wide), released as La Familia que tu eliges |
Video Release: | November 5th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for thematic content, language throughout, some violence and smoking. (Rating bulletin 2579 (Cert #52082), 5/22/2019) |
Running Time: | 93 minutes |
Keywords: | Down Syndrome, Coming of Age, Wrestling, Comedy Drama, Runaway |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Armory Films, Bona Fide, Roadside Attractions, Endeavor Content |
Production Countries: | United States |
Languages: | English |
2019 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports
December 16th, 2019
The first two installments of our Holiday Gift Guide had plenty of first-run releases and several TV on DVD releases. This installment includes limited releases and foreign imports. The list of classics isn’t up to the usual standards for the same reasons the TV on DVD list was rather short. Streaming is taking over that part of the market. Did you know The Criterion Collection has their own streaming service? So does Magnolia Pictures. On the one hand, that’s a lot of amazing movies for one price. On the other hand, as a fan of physical media, I’m not happy streaming is becoming so popular. There are still some great smaller titles worthy of the season.
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Home Market Releases for November 12th, 2019
November 14th, 2019
There are not many new releases on this week’s list, but there are several that are contenders for Pick of the Week. The two leading contenders are The Farewell and Star Trek: Discovery: Season Two. The former is the better show, but it is close, meanwhile, the latter has much better extras, giving it the slight advantage overall. On a side note, Yesterday Was a Lie was also in the competition for Pick of the Week. It didn’t quite win, but its Blu-ray deserves to be seen by a lot more people.
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Home Market Releases for November 5th, 2019
November 6th, 2019
Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves.
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Theater Averages: Most New Releases Struggle, but Holdovers Thrive
October 31st, 2019
There was only one new release in the $10,000 club, No Safe Spaces, which earned $45,548 in its lone theater. While this is a great start, its reviews suggest it won’t stick around long, as the film is preaching to the choir. Jojo Rabbit expanded from five to 55 theaters, but still managed an impressive average of $18,983. Parasite was next with an average $14,158 in 129 theaters during its third weekend of release. Jay and Silent Bob Reboot expanded to 17 theaters, and earned an average of $12,774. It will likely continue to expand, as a lot of shows on its road tour were sold out weeks in advance.
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Theater Averages: Where’s The $10,000 Club?
September 26th, 2019
The $10,000 Club didn’t have many members this week and none of them were really able to shine. Where’s My Roy Cohn? did the best with an average of $10,591 in four theaters. Meanwhile the overall number one film, Downton Abbey, was close behind with an average of $10,079.
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Theater Averages: Chapter Two Earns Another Number One
September 12th, 2019
It: Chapter Two not only earned first place on the overall box office, it earned first place on the theater average chart with an average of $19,926. Linda Ronstadt: The Sound of My Voice was next with an average of $16,176 in seven theaters; this is an excellent result for a documentary. Next up might be my favorite box office result of the year, as Mr. Klein and Ms. Purple had nearly identical openings at $15,915 and $15,734 respectively. Mr. Klien and Ms. Purple just seem like a nice couple. I’m glad they met. ... Moving on.
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Theater Averages: Miles Davis is too Cool for New Releases
September 5th, 2019
It was an odd week on the theater average chart, as the number one film was a holdover. Miles Davis: Birth of the Cool’s average was down less than 0.2% to $18,222 and it did this while doubling its theater count to 2. This is very impressive and bodes well for its future. The best new release was Ne Zha, which earned an average $17,649 in 66 theaters. Animated films rarely do well in limited release and 66 theaters is a lot for a limited release, so this average is even more impressive than it looks at first glance. Finally, Official Secrets opened with an average of $16,241.
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Theater Averages: Brittany Sprints to the Top
August 28th, 2019
Brittany Runs a Marathon led the way on the theater average chart earning an average of $36,142 in five theaters. This is more than enough to expand significantly. Additionally, the film has more mainstream appeal than many limited releases, so it should expand enough to earn some measure of mainstream success. Miles Davis: Birth of the Cool was well back with $18,258 in one theater, but this is still a great start for a documentary. The final film in the $10,000 club was Give Me Liberty, which earned an average of $11,087 in three theaters.
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Theater Averages: Falcon Soars to Top Spot
August 15th, 2019
It was a good weekend for limited releases, as three of them opened in the $10,000 club. This group was led by The Peanut Butter Falcon with an average of $12,047 in 17 theaters. This is not as high an average as we’ve seen from other limited releases this year, but it was playing in 17 theaters, which is a lot for an opening weekend. Jay Myself was the only holdover in the $10,000 club earning $10,828 in one theater. Up next was One Child Nation, which managed an average of $10,262 in two theaters, while After the Wedding was right behind with an average of $10,053 in five.
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Weekend Estimates: Hobbs and Shaw Remain Top Draw
August 11th, 2019
Limited and VOD Releases: Peanut Butter is More than a Tasty Snack
August 9th, 2019
It’s another slow week for limited releases, so I stretched my usual rule regarding the minimum number of reviews needed to make the list. That doesn’t mean there’s nothing worth watching coming out this weekend. There are two documentaries earning perfect or near-perfect reviews, Vision Portraits and One Child Nation. There are a couple of Chinese films coming out, The Bravest and Dying to Survive. There’s even an Anime title on this week’s list, Love Live! Sunshine!! The School Idol Movie Over The Rainbow. However, The Peanut Butter Falcon is the film with the best shot and earning some measure of mainstream success.
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The Peanut Butter Falcon Trailer
August 2nd, 2019
Drama starring Shia LaBeouf, Dakota Johnson, and Zachary Gottsagen opens August 9 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/07/17 | 4 | $56,178 | 178 | $316 | $56,178 | 1 | |
2020/07/24 | 5 | $51,088 | -9% | 167 | $306 | $157,403 | 2 |
2020/07/31 | 8 | $33,976 | -33% | 150 | $227 | $230,549 | 3 |
2020/08/07 | 12 | $11,665 | -66% | 88 | $133 | $271,103 | 4 |
2020/08/14 | 19 | $4,727 | -59% | 34 | $139 | $292,129 | 5 |
2020/08/28 | 20 | $3,744 | 7 | $535 | $306,218 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/24/2020 | $1,570 | 6 | 44 | 240 | $348,608 | 10/20/2022 |
Germany | 12/20/2019 | $114,175 | 79 | 97 | 345 | $757,609 | 1/20/2020 |
Italy | 6/15/2020 | $0 | 0 | 0 | 0 | $2,571 | 10/19/2022 |
Netherlands | 12/20/2019 | $41,536 | 34 | 34 | 256 | $684,076 | 3/14/2020 |
New Zealand | 11/15/2019 | $960 | 1 | 35 | 376 | $286,026 | 10/20/2022 |
North America | 8/9/2019 | $204,793 | 17 | 1,490 | 7,947 | $20,457,158 | |
Portugal | 8/30/2019 | $16,591 | 32 | 32 | 67 | $36,857 | 10/19/2022 |
Russia (CIS) | 10/24/2019 | $101,498 | 270 | 270 | 531 | $200,253 | 10/19/2022 |
South Korea | 4/7/2021 | $13,082 | 130 | 130 | 152 | $47,919 | 4/21/2021 |
Spain | 7/17/2020 | $56,178 | 178 | 178 | 624 | $306,218 | 9/3/2020 |
Turkey | 8/21/2020 | $4,135 | 129 | 129 | 193 | $12,248 | 10/19/2022 |
United Kingdom | 10/18/2019 | $52,008 | 65 | 65 | 65 | $52,008 | 10/23/2019 |
Worldwide Total | $23,191,551 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Shia LaBeouf | Tyler |
Dakota Johnson | Eleanor |
John Hawkes | Duncan |
Zachary Gottsagen | Zak |
Supporting Cast
Jon Bernthal | Mark |
Bruce Dern | Carl |
Thomas Haden Church | Redneck |
Yelawolf | Ratboy |
Mick Foley | Jacob |
Jake Roberts | Samson |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tyler Nilson | Director |
Mike Schwartz | Director |
Tyler Nilson | Screenwriter |
Mike Schwartz | Screenwriter |
Tim Zajaros | Producer |
Christopher Lemole | Producer |
Albert Berger | Producer |
Ron Yerxa | Producer |
Lije Sarki | Producer |
David Thies | Producer |
Manu Gargi | Executive Producer |
Aaron Scotti | Executive Producer |
Tim Shriver | Executive Producer |
Anthony K. Shriver | Executive Producer |
Michelle Sie Whitten | Executive Producer |
Carmella Casinelli | Executive Producer |