Portugal Box Office for On the Road (2012)
Theatrical Performance (US$) | ||
Portugal Box Office | $47,497 | Details |
Worldwide Box Office | $9,313,302 | Details |
Home Market Performance | ||
North America DVD Sales | $1,141,464 | Details |
North America Blu-ray Sales | $313,325 | Details |
Total North America Video Sales | $1,454,789 | |
Further financial details... |
Synopsis
Sal Paradise is a young writer whose life is shaken and ultimately redefined by the arrival of Dean Moriarty, a free-spirited, fearless, fast talking Westerner and his girl, Marylou. Traveling cross-country, Sal and Dean venture out on a personal quest for freedom from the conformity and conservatism engulfing them in search of the unknown, themselves, and the pursuit of “it”—the pure essence of experience.
Metrics
Movie Details
Production Budget: | $25,000,000 |
Portugal Releases: | December 20th, 2012 (Wide) |
Video Release: | August 6th, 2013 by Mpi Home Video |
MPAA Rating: | R for strong sexual content, drug use and language. (Rating bulletin 2240, 9/11/2012) |
Running Time: | 125 minutes |
Keywords: | Road Trip, Life on the Outside, Writing and Writers, LGBTQ+, Gratuitous Cameos, Non-Chronological, Sexual Fetishism, Inspired by a True Story, Autobiographical, Voiceover/Narration |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Jerry Leider Company, Vanguard Films, Film 4 |
Production Countries: | Brazil, France |
Languages: | English |
DVD and Blu-ray Releases for August 6th, 2013
August 7th, 2013
Like it usually is during the summer, this week is rather soft on home market. Granted, there is one wide release that did very well at the box office, Oblivion, plus a couple of limited releases that did well to earn a serious measure of mainstream success, The Place Beyond the Pines and Mud. However, there are also some releases in the top twenty that are definitely filler. Usually, once you reach exercise videos, there's nothing worth talking about. Of course, if I used that rule this week, there would be almost nothing on this week's list. Mud is likely the best release and the DVD or Blu-ray is worth picking up, but I'm still waiting for the screener to review and I hate awarding something Pick of the Week if the screener is late. Because of this, I'm going with another late release, Burn Notice: Season Six, as Pick of the Week. It arrived more than a month late, but it was worth the wait.
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Limited Releases: Shining Like Sapphires
March 22nd, 2013
Do sapphires shine? Regardless of the accuracy of the headline, The Sapphires is leading the limited releases in terms of box office potential. Nearly perfect reviews and good buzz is certainly helping out. However, Gimme the Loot has actually perfect reviews and it might also find a receptive audience in limited release. Starbuck's reviews are not as good, but the Canadian film has already been remade in Hollywood, so clearly someone thinks the story has potential with mainstream audiences.
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Per Theater Chart: Zero to $1 million in Nine Days
January 3rd, 2013
Zero Dark Thirty shot up to the top of the per theater chart with averages of $83,430 during its opening weekend and $63,283 during its sophomore stint. Expanding truly wide is virtually guaranteed. Amour was well back with an average of $20,005 over the past weekend and $22,755 during its opening weekend. The Impossible rose 27% to $12,172 in 15 theaters. This is a great sign and while its reviews are too low to be a major contender during Awards Season, it should still do well enough to expand significantly, but probably not truly wide. The final film in the $10,000 club was Django Unchained, which opened with an average of $10,008.
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Limited Releases: Awards Season Contenders Shine Bright
December 20th, 2012
There are not a lot of limited releases on this week's list; however, there are three films that have already found some Awards Season success, plus a couple others that are earning great reviews. Of the Awards Season hopefuls, Zero Dark Thirty is poised to earn the best per theater average, but it likely won't be the only success story over the weekend.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/12/21 | 9 | $12,947 | 11 | $1,177 | $12,947 | 1 | |
2012/12/28 | 11 | $12,356 | -5% | 12 | $1,030 | $31,771 | 2 |
2013/01/04 | 13 | $5,695 | -54% | 8 | $712 | $42,971 | 3 |
2013/01/11 | 19 | $1,994 | -65% | 4 | $499 | $47,497 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 12/19/2013 | $0 | 0 | 5 | 5 | $24,045 | 12/30/2018 |
Australia | 9/27/2012 | $82,749 | 29 | 29 | 57 | $261,292 | 12/12/2015 |
Austria | 10/5/2012 | $0 | 0 | 9 | 20 | $58,082 | 12/12/2015 |
Belgium | 6/6/2012 | $77,577 | 35 | 35 | 127 | $248,240 | 12/11/2015 |
Brazil | 7/13/2012 | $0 | 0 | 81 | 441 | $1,529,495 | 12/12/2015 |
Croatia | 4/25/2013 | $264 | 2 | 2 | 2 | $264 | 12/30/2018 |
Denmark | 10/4/2012 | $21,587 | 7 | 7 | 23 | $75,151 | 12/12/2015 |
Finland | 7/27/2012 | $22,937 | 29 | 29 | 100 | $176,637 | 12/11/2015 |
France | 5/23/2012 | $949,732 | 357 | 381 | 1322 | $2,707,624 | 12/10/2015 |
Germany | 10/4/2012 | $181,378 | 90 | 90 | 262 | $445,618 | 12/12/2015 |
Hong Kong | 1/10/2013 | $15,240 | 4 | 4 | 7 | $25,580 | 12/14/2015 |
Hungary | 3/21/2013 | $8,922 | 11 | 11 | 11 | $8,922 | 12/30/2018 |
Iceland | 4/5/2013 | $1,583 | 2 | 2 | 5 | $5,035 | 12/30/2018 |
Italy | 10/11/2012 | $613,196 | 225 | 225 | 395 | $1,008,116 | 12/12/2015 |
Latvia | 10/26/2012 | $3,153 | 4 | 4 | 8 | $9,162 | 12/29/2018 |
Lebanon | 1/31/2013 | $6,950 | 5 | 5 | 5 | $9,059 | 12/30/2018 |
Lithuania | 10/5/2012 | $10,322 | 12 | 12 | 26 | $35,341 | 12/12/2015 |
Netherlands | 5/24/2012 | $51,309 | 33 | 33 | 198 | $433,052 | 12/10/2015 |
New Zealand | 9/13/2012 | $15,434 | 18 | 18 | 45 | $71,676 | 12/11/2015 |
North America | 12/21/2012 | $39,550 | 4 | 107 | 350 | $720,828 | 7/2/2013 |
Poland | 9/14/2012 | $35,814 | 39 | 39 | 78 | $79,557 | 12/29/2018 |
Portugal | 12/20/2012 | $12,947 | 11 | 12 | 35 | $47,497 | 12/14/2015 |
Serbia and Montenegro | 3/21/2013 | $863 | 6 | 6 | 36 | $6,366 | 12/30/2018 |
Spain | 4/19/2013 | $72,613 | 93 | 93 | 169 | $138,157 | 12/14/2015 |
Sweden | 7/20/2012 | $14,157 | 15 | 18 | 48 | $51,774 | 12/11/2015 |
Switzerland | 5/23/2012 | $0 | 0 | 15 | 24 | $104,433 | 12/12/2015 |
Taiwan | 12/21/2012 | $7,396 | 4 | 4 | 11 | $34,975 | 12/14/2015 |
Thailand | 9/6/2012 | $1,064 | 3388 | 3388 | 6796 | $9,921 | 12/12/2015 |
Turkey | 3/22/2013 | $9,808 | 5 | 5 | 27 | $26,002 | 12/30/2018 |
United Arab Emirates | 2/21/2013 | $21,459 | 23 | 23 | 23 | $26,717 | 12/30/2018 |
United Kingdom | 10/12/2012 | $352,824 | 100 | 100 | 267 | $934,684 | 10/11/2017 |
Worldwide Total | $9,313,302 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Garrett Hedlund | Dean Moriarty / Neal Cassady |
Sam Riley | Sal Paradise / Jack Kerouac |
Kristen Stewart | Marylou / LuAnne Henderson |
Amy Adams | Jane / Joan Vollmer |
Danny Morgan | Ed Dunkle / Al Hinkle |
Tom Sturridge | Carlo Marx / Allen Ginsberg |
Alice Braga | Terry / Bea Franco |
Elisabeth Moss | Galatea Dunkle / Helen Hinkle |
Viggo Mortensen | Old Bull Lee / William S. Burroughs |
Supporting Cast
Marie-Ginette Guay | Ma Paradise |
Kirsten Dunst | Camille / Carolyn Cassady |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Walter Salles | Director |
Jose Rivera | Screenwriter |
Jack Kerouac | Based on the novel |
Nathanael Karmitz | Producer |
Charles Gillibert | Producer |
Rebecca Yeldham | Producer |
Roman Coppola | Producer |
Francis Ford Coppola | Executive Producer |
John Williams | Executive Producer |
Jerry Leider | Executive Producer |
Tessa Ross | Executive Producer |
Arpad Busson | Executive Producer |
Peter Cavaney | Associate Producer |
Marin Karmitz | Associate Producer |
Eric Gautier | Director of Photography |
Carlos Conti | Production Designer |
Gustavo Santaolalla | Composer |
Danny Glicker | Costume Designer |
David Rubin | Casting |
Richard Hicks | Casting |
Francois Gedigier | Editor |
Patrick Rousseau | Re-recording Mixer |
Jean-Paul Hurier | Re-recording Mixer |
Lynn Fainchtein | Music Supervisor |
Michael Zakin | Co-Executive Producer |
Benjamin Hess | Line Producer |
Myron Hoffert | 1st Assistant Director |