Portugal Box Office for On the Road (2012)

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On the Road poster
Theatrical Performance (US$)
Portugal Box Office $47,497Details
Worldwide Box Office $9,313,302Details
Home Market Performance
North America DVD Sales $1,141,464 Details
North America Blu-ray Sales $313,325 Details
Total North America Video Sales $1,454,789
Further financial details...

Synopsis

Sal Paradise is a young writer whose life is shaken and ultimately redefined by the arrival of Dean Moriarty, a free-spirited, fearless, fast talking Westerner and his girl, Marylou. Traveling cross-country, Sal and Dean venture out on a personal quest for freedom from the conformity and conservatism engulfing them in search of the unknown, themselves, and the pursuit of “it”—the pure essence of experience.

Metrics

Movie Details

Production Budget:$25,000,000
Portugal Releases: December 20th, 2012 (Wide)
Video Release: August 6th, 2013 by Mpi Home Video
MPAA Rating: R for strong sexual content, drug use and language.
(Rating bulletin 2240, 9/11/2012)
Running Time: 125 minutes
Keywords: Road Trip, Life on the Outside, Writing and Writers, LGBTQ+, Gratuitous Cameos, Non-Chronological, Sexual Fetishism, Inspired by a True Story, Autobiographical, Voiceover/Narration
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Jerry Leider Company, Vanguard Films, Film 4
Production Countries: Brazil, France
Languages: English

DVD and Blu-ray Releases for August 6th, 2013

August 7th, 2013

Like it usually is during the summer, this week is rather soft on home market. Granted, there is one wide release that did very well at the box office, Oblivion, plus a couple of limited releases that did well to earn a serious measure of mainstream success, The Place Beyond the Pines and Mud. However, there are also some releases in the top twenty that are definitely filler. Usually, once you reach exercise videos, there's nothing worth talking about. Of course, if I used that rule this week, there would be almost nothing on this week's list. Mud is likely the best release and the DVD or Blu-ray is worth picking up, but I'm still waiting for the screener to review and I hate awarding something Pick of the Week if the screener is late. Because of this, I'm going with another late release, Burn Notice: Season Six, as Pick of the Week. It arrived more than a month late, but it was worth the wait. More...

Limited Releases: Shining Like Sapphires

March 22nd, 2013

Do sapphires shine? Regardless of the accuracy of the headline, The Sapphires is leading the limited releases in terms of box office potential. Nearly perfect reviews and good buzz is certainly helping out. However, Gimme the Loot has actually perfect reviews and it might also find a receptive audience in limited release. Starbuck's reviews are not as good, but the Canadian film has already been remade in Hollywood, so clearly someone thinks the story has potential with mainstream audiences. More...

Per Theater Chart: Zero to $1 million in Nine Days

January 3rd, 2013

Zero Dark Thirty shot up to the top of the per theater chart with averages of $83,430 during its opening weekend and $63,283 during its sophomore stint. Expanding truly wide is virtually guaranteed. Amour was well back with an average of $20,005 over the past weekend and $22,755 during its opening weekend. The Impossible rose 27% to $12,172 in 15 theaters. This is a great sign and while its reviews are too low to be a major contender during Awards Season, it should still do well enough to expand significantly, but probably not truly wide. The final film in the $10,000 club was Django Unchained, which opened with an average of $10,008. More...

Limited Releases: Awards Season Contenders Shine Bright

December 20th, 2012

There are not a lot of limited releases on this week's list; however, there are three films that have already found some Awards Season success, plus a couple others that are earning great reviews. Of the Awards Season hopefuls, Zero Dark Thirty is poised to earn the best per theater average, but it likely won't be the only success story over the weekend. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/12/21 9 $12,947   11 $1,177   $12,947 1
2012/12/28 11 $12,356 -5% 12 $1,030   $31,771 2
2013/01/04 13 $5,695 -54% 8 $712   $42,971 3
2013/01/11 19 $1,994 -65% 4 $499   $47,497 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/19/2013 $0 0 5 5 $24,045 12/30/2018
Australia 9/27/2012 $82,749 29 29 57 $261,292 12/12/2015
Austria 10/5/2012 $0 0 9 20 $58,082 12/12/2015
Belgium 6/6/2012 $77,577 35 35 127 $248,240 12/11/2015
Brazil 7/13/2012 $0 0 81 441 $1,529,495 12/12/2015
Croatia 4/25/2013 $264 2 2 2 $264 12/30/2018
Denmark 10/4/2012 $21,587 7 7 23 $75,151 12/12/2015
Finland 7/27/2012 $22,937 29 29 100 $176,637 12/11/2015
France 5/23/2012 $949,732 357 381 1322 $2,707,624 12/10/2015
Germany 10/4/2012 $181,378 90 90 262 $445,618 12/12/2015
Hong Kong 1/10/2013 $15,240 4 4 7 $25,580 12/14/2015
Hungary 3/21/2013 $8,922 11 11 11 $8,922 12/30/2018
Iceland 4/5/2013 $1,583 2 2 5 $5,035 12/30/2018
Italy 10/11/2012 $613,196 225 225 395 $1,008,116 12/12/2015
Latvia 10/26/2012 $3,153 4 4 8 $9,162 12/29/2018
Lebanon 1/31/2013 $6,950 5 5 5 $9,059 12/30/2018
Lithuania 10/5/2012 $10,322 12 12 26 $35,341 12/12/2015
Netherlands 5/24/2012 $51,309 33 33 198 $433,052 12/10/2015
New Zealand 9/13/2012 $15,434 18 18 45 $71,676 12/11/2015
North America 12/21/2012 $39,550 4 107 350 $720,828 7/2/2013
Poland 9/14/2012 $35,814 39 39 78 $79,557 12/29/2018
Portugal 12/20/2012 $12,947 11 12 35 $47,497 12/14/2015
Serbia and Montenegro 3/21/2013 $863 6 6 36 $6,366 12/30/2018
Spain 4/19/2013 $72,613 93 93 169 $138,157 12/14/2015
Sweden 7/20/2012 $14,157 15 18 48 $51,774 12/11/2015
Switzerland 5/23/2012 $0 0 15 24 $104,433 12/12/2015
Taiwan 12/21/2012 $7,396 4 4 11 $34,975 12/14/2015
Thailand 9/6/2012 $1,064 3388 3388 6796 $9,921 12/12/2015
Turkey 3/22/2013 $9,808 5 5 27 $26,002 12/30/2018
United Arab Emirates 2/21/2013 $21,459 23 23 23 $26,717 12/30/2018
United Kingdom 10/12/2012 $352,824 100 100 267 $934,684 10/11/2017
 
Worldwide Total$9,313,302 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Garrett Hedlund Dean Moriarty / Neal Cassady
Sam Riley Sal Paradise / Jack Kerouac
Kristen Stewart Marylou / LuAnne Henderson
Amy Adams Jane / Joan Vollmer
Danny Morgan Ed Dunkle / Al Hinkle
Tom Sturridge Carlo Marx / Allen Ginsberg
Alice Braga Terry / Bea Franco
Elisabeth Moss Galatea Dunkle / Helen Hinkle
Viggo Mortensen Old Bull Lee / William S. Burroughs

Supporting Cast

Marie-Ginette Guay Ma Paradise
Kirsten Dunst Camille / Carolyn Cassady

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Walter Salles Director
Jose Rivera Screenwriter
Jack Kerouac Based on the novel
Nathanael Karmitz Producer
Charles Gillibert Producer
Rebecca Yeldham Producer
Roman Coppola Producer
Francis Ford Coppola Executive Producer
John Williams Executive Producer
Jerry Leider Executive Producer
Tessa Ross Executive Producer
Arpad Busson Executive Producer
Peter Cavaney Associate Producer
Marin Karmitz Associate Producer
Eric Gautier Director of Photography
Carlos Conti Production Designer
Gustavo Santaolalla Composer
Danny Glicker Costume Designer
David Rubin Casting
Richard Hicks Casting
Francois Gedigier Editor
Patrick Rousseau Re-recording Mixer
Jean-Paul Hurier Re-recording Mixer
Lynn Fainchtein Music Supervisor
Michael Zakin Co-Executive Producer
Benjamin Hess Line Producer
Myron Hoffert 1st Assistant Director