Australia Box Office for Miss You Already (2015)
| Theatrical Performance (US$) | ||
| Australia Box Office | $1,426,786 | Details |
| Worldwide Box Office | $8,164,049 | Details |
| Further financial details... | ||
Synopsis
Two best friends, Milly and Jess, navigate life’s highs and lows together. Inseparable since they were young girls, they can’t remember a time they didn’t share everything—secrets, clothes, even boyfriends—but nothing prepares them for the day Milly is hit with life-altering news.
Metrics
Movie Details
| Australia Releases: | October 9th, 2015 (Wide) |
| Video Release: | February 16th, 2016 by Lionsgate Home Entertainment |
| MPAA Rating: | PG-13 |
| Running Time: | 112 minutes |
| Keywords: | Cancer, Film Actor |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Sparta Films, The Salt Company, S Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for March 1st, 2016
March 2nd, 2016
There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made.
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Per Theater Chart: Spotlight Shines Bright
November 10th, 2015
It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters.
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Limited and VOD Releases: Shining a Spotlight on Limited Releases
November 6th, 2015
It is a short list this week, due to technical considerations. However, there are seven films here that are earning good reviews and some measure of pre-release buzz. The film with the best shot at mainstream success is Brooklyn (Reviews). It isn't the only film that could succeed, as Spotlight, Trumbo, and the rest could also find receptive audiences during Awards Season.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/10/09 | 6 | $425,204 | 217 | $1,959 | $437,700 | 1 | |
| 2015/10/16 | 7 | $302,615 | -29% | 212 | $1,427 | $923,307 | 2 |
| 2015/10/23 | 10 | $159,978 | -47% | 183 | $874 | $1,207,514 | 3 |
| 2015/10/30 | 13 | $58,364 | -64% | 114 | $512 | $1,322,116 | 4 |
| 2015/11/06 | 24 | $25,869 | -56% | 51 | $507 | $1,359,124 | 5 |
| 2015/11/13 | 40 | $4,296 | -83% | 8 | $537 | $1,391,478 | 6 |
| 2015/11/20 | 60 | $1,366 | -68% | 2 | $683 | $1,417,421 | 7 |
| 2015/11/27 | 55 | $1,090 | -20% | 2 | $545 | $1,411,400 | 8 |
| 2015/12/04 | 67 | $656 | -40% | 1 | $656 | $1,426,786 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/9/2015 | $425,204 | 217 | 217 | 790 | $1,426,786 | 12/8/2015 |
| Austria | 4/1/2016 | $40,188 | 41 | 42 | 109 | $106,448 | 6/9/2016 |
| Brazil | 12/31/2015 | $513,012 | 294 | 294 | 298 | $513,012 | 6/9/2016 |
| Chile | 1/28/2016 | $0 | 0 | 3 | 4 | $20,592 | 12/31/2018 |
| Colombia | 12/24/2015 | $10,998 | 14 | 14 | 14 | $10,998 | 12/30/2018 |
| Czech Republic | 12/31/2015 | $0 | 0 | 14 | 14 | $21,426 | 12/31/2018 |
| France | 6/17/2016 | $261,876 | 0 | 0 | 0 | $423,347 | 8/17/2018 |
| Germany | 3/31/2016 | $110,005 | 119 | 119 | 302 | $249,264 | 6/9/2016 |
| Hong Kong | 3/3/2016 | $24,180 | 11 | 11 | 15 | $45,873 | 6/9/2016 |
| Iraq | 11/26/2015 | $3,252 | 2 | 2 | 3 | $5,918 | 12/30/2018 |
| Lebanon | 11/26/2015 | $3,918 | 2 | 2 | 4 | $21,329 | 12/30/2018 |
| Mexico | 12/25/2015 | $491,832 | 0 | 52 | 52 | $1,407,695 | 9/8/2018 |
| Netherlands | 4/7/2016 | $52,173 | 43 | 43 | 86 | $106,490 | 6/9/2016 |
| New Zealand | 10/9/2015 | $42,072 | 53 | 64 | 255 | $153,364 | 6/9/2016 |
| North America | 11/6/2015 | $552,506 | 384 | 384 | 716 | $1,162,653 | 7/25/2016 |
| Peru | 3/10/2016 | $19,089 | 15 | 15 | 15 | $19,089 | 12/31/2018 |
| Portugal | 11/4/2016 | $10,504 | 10 | 10 | 23 | $17,062 | 11/24/2016 |
| Singapore | 11/5/2015 | $10,663 | 4 | 4 | 12 | $38,680 | 12/16/2015 |
| Slovakia | 1/14/2016 | $13,214 | 32 | 32 | 32 | $17,768 | 6/9/2016 |
| South Africa | 4/1/2016 | $13,287 | 16 | 16 | 16 | $13,287 | 6/9/2016 |
| South Korea | 9/27/2017 | $0 | 0 | 63 | 82 | $32,128 | 10/25/2017 |
| Turkey | 3/18/2016 | $5,571 | 22 | 22 | 23 | $9,729 | 12/31/2018 |
| United Arab Emirates | 11/26/2015 | $25,193 | 9 | 9 | 15 | $65,024 | 12/30/2018 |
| United Kingdom | 9/25/2015 | $739,261 | 437 | 437 | 1104 | $2,126,831 | 6/9/2016 |
| Rest of World | $149,256 | ||||||
| Worldwide Total | $8,164,049 | 12/31/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Toni Collette | Milly |
| Drew Barrymore | Jess |
Supporting Cast
| Dominic Cooper | Kit |
| Paddy Considine | Jago |
| Frances de la Tour | Jill the Wigmaker |
| Jacqueline Bisset | Miranda |
| Shola Adewusi | Midwife |
| Grace Schneider | Jess (10 Years) |
| Lucinda Raikes | Teacher |
| Eleanor Stagg | Milly (10 Years) |
| Lukas Rolfe | Little Lord |
| Charlotte Hope | Teenage Jess |
| Sophie Holland | Teenage Milly |
| Fjokra | Lead Singer |
| Max Rinehart | Teenage Kit |
| Sophie Brown | Scarlett (3 Years) |
| Honor Kneafsey | Scarlett |
| Ryan Baker | Ben |
| Silas Carson | Dr. Butala |
| Seth Maxwell | Seth Maxwell |
| Anjli Mohindra | Kira |
| Janice Acquah | Nisha |
| Ben Moor | Nurse Sam |
| Noah Huntley | Company Exec |
| Tyson Ritter | Ace |
| Jamie Holt | Milly's Cousin |
| Colin Ailes | Milly's Cousin |
| Mem Ferda | Achmed |
| Eileen Davies | Ace's Nan |
| Waleed Akhtar | Porter |
| Anthony Denham | Taxi Driver |
| Donovan Blackwood | Roughneck |
| Kevin Fyfe | Roughneck |
| Seb Piper | Jess & Jago's Baby |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Catherine Hardwicke | Director |
| Morwenna Banks | Screenwriter |
| Christopher Simon | Producer |
| Jerome Booth | Executive Producer |
| Nicki Hattingh | Executive Producer |
| Sheryl Crown | Executive Producer |
| Anne Sheehan | Executive Producer |
| Samantha Horley | Executive Producer |
| James Norrie | Executive Producer |
| Barnaby Southcombe | Executive Producer |
| Lisa Lambert | Executive Producer |
| Celine Rattray | Executive Producer |
| Trudie Styler | Executive Producer |
| Catherine Hardwicke | Executive Producer |
| Morwenna Banks | Executive Producer |
| Paul Andrew Williams | Executive Producer |
| Elliot Davis | Director of Photography |
| Phillip J. Bartell | Editor |
| Amanda McArthur | Production Designer |
| Claire Finlay Thompson | Costume Designer |
| Jan Sewell | Make-up and Hair Designer |
| Harry Gregson-Williams | Composer |
| Jen Ross | Music Supervisor |
| Jojo Villanueva | Music Supervisor |
| Mike Connolly | Visual Effects Supervisor |
| Michael S. Constable* | Line Producer |
| Lucy Bevan | Casting Director |
| Ruth Key | Casting Director |
| Curtis Rivers | Stunt Coordinator |
| Neil Wallace | First Assistant Director |
| Mark Fenn | Second Assistant Director |
| Paul Bennett | Second Assistant Director |
| Hanna Haffenden | Third Assistant Director |
| Jeff Toye | Second Unit Director |
| Meg Clark | Post-Production Supervisor |
| Knar Kitabijian | Assistant Editor |
| Phil Scaife | Assistant Editor |
| John Reid | Supervising Art Director |
| Robert Haynes | Art Director |
| Celia De La Hey | Set Decorator |
| Helen Bolter | Costume Supervisor |
| Carmel Jackson | Make-up and Hair Designer |
| Kieron Wolfson | Sound Mixer |
| Katie Harlow | Script Supervisor |
| Caroline Sax | Script Supervisor |
| Neal Champion | Special Effects Supervisor |
| Jamie Holt | Associate Producer |
| Jeff Toye | Associate Producer |
| Joanne Dixon | Production Manager |
| Livia Rao | Production Manager |
| Lee Herrick | Supervising Sound Editor |
| Rob Ireland | Sound Designer |
| Michael Connell | Music Editor |
| Richard Pryke | Re-recording Mixer |
| Andrew Caller | Re-recording Mixer |
| T.J. Doherty | Score Mixer |
| Louise Calloni | Visual Effects Producer |
| Zave Jackson | Visual Effects Supervisor |
| Matthew Bramante | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.