Peggy Guggenheim: Art Addict (2015)

Peggy Guggenheim - Art Addict poster
Theatrical Performance
Domestic Box Office $498,428Details
International Box Office $486,040Details
Worldwide Box Office $984,468
Further financial details...

Synopsis

A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.

Metrics

Opening Weekend:$22,258 (4.5% of total gross)
Legs:8.91 (domestic box office/biggest weekend)
Domestic Share:50.6% (domestic box office/worldwide)
Theater counts:2 opening theaters/25 max. theaters, 5.8 weeks average run per theater
Infl. Adj. Dom. BO $633,950

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,101-10,200) 10,110 $498,428
All Time International Box Office (Rank 13,201-13,300) 13,268 $486,040
All Time Worldwide Box Office (Rank 15,701-15,800) 15,798 $984,468
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,401-2,500) 2,487 $498,428

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 6th, 2015 (Limited) by Submarine Deluxe
International Releases: December 11th, 2015 (Wide) (United Kingdom)
December 25th, 2015 (Wide) (Australia)
February 26th, 2016 (Wide) (New Zealand)
February 2nd, 2017 (Wide) (South Korea)
July 28th, 2017 (Wide) (France)
... Show all releases
MPAA Rating: Not Rated
Running Time: 95 minutes
Comparisons: vs. The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Create your own comparison chart…
Keywords: Set in Paris, Set in New York, Set in London, 1920s, Painter, Collectors and Collectables
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Dakota Group, Fischio Films, Submarine Entertainment
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,101-10,200) 10,110 $498,428
All Time Domestic Inflation Adjusted Box Office (Rank 9,701-9,800) 9,739 $633,950
All Time Domestic Non-Sequel Box Office (Rank 9,101-9,200) 9,178 $498,428
Top 2015 Movies at the Domestic Box Office (Rank 201-300) 253 $498,428
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,401-2,500) 2,487 $498,428
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 2,601-2,700) 2,662 $633,950
Top 2015 Limited Release Movies at the Domestic Box Office (Rank 101-200) 112 $498,428
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 901-1,000) 930 $498,428
All Time Domestic Box Office for Live Action Movies (Rank 9,001-9,100) 9,077 $498,428
All Time Domestic Box Office for Factual Movies (Rank 401-500) 439 $498,428
All Time Domestic Box Office for Documentary Movies (Rank 301-400) 382 $498,428
All Time Domestic Box Office for Not Rated Movies (Rank 1,001-1,100) 1,001 $498,428
All Time Domestic Box Office for Submarine Deluxe Movies 1 $498,428

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 6, 2015 55 $22,258   2 $11,129   $22,258 1
Nov 13, 2015 55 $21,781 -2% 5 $4,356   $57,047 2
Nov 20, 2015 40 $51,305 +136% 20 $2,565   $121,083 3
Nov 27, 2015 37 $55,947 +9% 21 $2,664   $210,931 4
Dec 4, 2015 42 $37,061 -34% 25 $1,482   $270,085 5
Dec 11, 2015 45 $17,737 -52% 19 $934   $309,979 6
Dec 18, 2015 41 $18,547 +5% 18 $1,030   $343,302 7
Dec 25, 2015 52 $11,352 -39% 6 $1,892   $366,627 8
Jan 1, 2016 52 $14,779 +30% 9 $1,642   $393,584 9
Jan 8, 2016 52 $17,804 +20% 10 $1,780   $420,299 10
Jan 15, 2016 48 $11,719 -34% 9 $1,302   $447,087 11
Feb 19, 2016 81 $2,085   1 $2,085   $498,428 16

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 6, 2015 56 $35,266   2 $17,633   $35,266 1
Nov 13, 2015 55 $34,512 -2% 5 $6,902   $69,778 2
Nov 20, 2015 43 $85,206 +147% 20 $4,260   $154,984 3
Nov 27, 2015 36 $78,040 -8% 21 $3,716   $233,024 4
Dec 4, 2015 41 $62,218 -20% 25 $2,489   $295,242 5

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 12/25/2015 $11,777 4 6 53 $179,364 6/9/2016
France 7/28/2017 $51,985 0 0 0 $51,985 6/27/2018
New Zealand 2/26/2016 $7,326 6 9 50 $81,288 8/5/2024
South Korea 2/2/2017 $0 0 14 32 $37,568 4/19/2017
United Kingdom 12/11/2015 $34,445 17 33 83 $135,835 6/9/2016
 
International Total$486,040 8/5/2024

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 13,201-13,300) 13,268 $486,040
All Time International Non-Sequel Box Office (Rank 12,101-12,200) 12,145 $486,040
All Time International Box Office for Based on Real Life Events Movies (Rank 1,101-1,200) 1,133 $486,040
All Time International Box Office for Live Action Movies (Rank 11,101-11,200) 11,119 $486,040
All Time International Box Office for Factual Movies (Rank 501-600) 506 $486,040
All Time International Box Office for Documentary Movies (Rank 401-500) 401 $486,040
All Time International Box Office for Not Rated Movies (Rank 1,201-1,300) 1,267 $486,040
All Time International Box Office for Submarine Deluxe Movies 1 $486,040

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 15,701-15,800) 15,798 $984,468
All Time Worldwide Non-Sequel Box Office (Rank 14,401-14,500) 14,480 $984,468
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 1,201-1,300) 1,269 $984,468
All Time Worldwide Box Office for Live Action Movies (Rank 13,401-13,500) 13,493 $984,468
All Time Worldwide Box Office for Factual Movies (Rank 501-600) 550 $984,468
All Time Worldwide Box Office for Documentary Movies (Rank 401-500) 446 $984,468
All Time Worldwide Box Office for Not Rated Movies (Rank 1,601-1,700) 1,619 $984,468
All Time Worldwide Box Office for Submarine Deluxe Movies 1 $984,468

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Peggy Guggenhei Herself

Interviewee(s)

Marina Abramovic Herself
Jean Arp Himself
Dore Ashton Herself
Stephanie Barron Herself
Samuel Beckett Himself
Constantin Brancusi Himself
Alexander Calder Himself
Joseph Cornell Himself
Salvador Dalí Himself
Jeffrey Deitch Himself
Willem De Kooning Himself
Robert De Niro Himself
Simon de Pury Himself
Marcel Duchamp Himself
Max Ernst Himself
Larry Gagosian Himself
Alberto Giacometti Himself
Arne Glimcher Himself
Nicky Haslam Himself
Vasily Kandinsky Himself
Donald Kuspit Himself
Fernand Leger Himself
Dominique Levy Herself
Carlo McCormick Himself
Joan Miro Herself
Piet Mondrian Himself
Robert Motherwell Himself
Hans Ulrich Obrist Himself
Jackson Pollock Himself
Sir John Richardson Himself
Mark Rothko Himself
Mercedes Ruehl Herself
Yves Tanguy Himself
Calvin Tomkins Himself
Jacqueline B. Weld Herself
Edmund White Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lisa Immordino Vreeland Director
Lisa Immordino Vreeland Producer
Stanley Buchthal Producer
David Koh Producer
Dan Braun Producer
Maja Hoffmann Executive Producer
Josh Braun Executive Producer
Bob Benton Executive Producer
John Northrup Co-Producer
Bernadine Colish Editor
Jed Parker Editor
Peter Trilling Director of Photography
Bonnie Greenberg Executive Music Producer
Steve Argila Composer

Per Theater Chart: Spotlight Shines Bright

November 10th, 2015

Spotlight

It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters. More...

Weekend Estimates: Spectre Misses Record, Peanuts Opens Strong

November 8th, 2015

Spectre

After a great night on Thursday and a very good day on Friday, Spectre has faded a bit over the weekend. After posting $28 million on Friday, the film was down about 4% on Saturday to $26.5 million, and Sony is projecting a weekend total of $73 million. Even that number may be a shade high, and it falls well behind the $80 million that looked on the cards earlier in the weekend, and even further behind Skyfall’s franchise-record $88.4 million opening. While by any measure it’s a great debut, the final number does prompt the question: what went wrong over the weekend? More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.

Metrics

Opening Weekend:$22,258 (4.5% of total gross)
Legs:8.91 (domestic box office/biggest weekend)
Domestic Share:50.6% (domestic box office/worldwide)
Theater counts:2 opening theaters/25 max. theaters, 5.8 weeks average run per theater
Infl. Adj. Dom. BO $633,950

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,101-10,200) 10,110 $498,428
All Time International Box Office (Rank 13,201-13,300) 13,268 $486,040
All Time Worldwide Box Office (Rank 15,701-15,800) 15,798 $984,468
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,401-2,500) 2,487 $498,428

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 6th, 2015 (Limited) by Submarine Deluxe
International Releases: December 11th, 2015 (Wide) (United Kingdom)
December 25th, 2015 (Wide) (Australia)
February 26th, 2016 (Wide) (New Zealand)
February 2nd, 2017 (Wide) (South Korea)
July 28th, 2017 (Wide) (France)
... Show all releases
MPAA Rating: Not Rated
Running Time: 95 minutes
Comparisons: vs. The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Create your own comparison chart…
Keywords: Set in Paris, Set in New York, Set in London, 1920s, Painter, Collectors and Collectables
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Dakota Group, Fischio Films, Submarine Entertainment
Production Countries: United States
Languages: English

Documentary Subject(s)

Peggy Guggenhei Herself

Interviewee(s)

Marina Abramovic Herself
Jean Arp Himself
Dore Ashton Herself
Stephanie Barron Herself
Samuel Beckett Himself
Constantin Brancusi Himself
Alexander Calder Himself
Joseph Cornell Himself
Salvador Dalí Himself
Jeffrey Deitch Himself
Willem De Kooning Himself
Robert De Niro Himself
Simon de Pury Himself
Marcel Duchamp Himself
Max Ernst Himself
Larry Gagosian Himself
Alberto Giacometti Himself
Arne Glimcher Himself
Nicky Haslam Himself
Vasily Kandinsky Himself
Donald Kuspit Himself
Fernand Leger Himself
Dominique Levy Herself
Carlo McCormick Himself
Joan Miro Herself
Piet Mondrian Himself
Robert Motherwell Himself
Hans Ulrich Obrist Himself
Jackson Pollock Himself
Sir John Richardson Himself
Mark Rothko Himself
Mercedes Ruehl Herself
Yves Tanguy Himself
Calvin Tomkins Himself
Jacqueline B. Weld Herself
Edmund White Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lisa Immordino Vreeland Director
Lisa Immordino Vreeland Producer
Stanley Buchthal Producer
David Koh Producer
Dan Braun Producer
Maja Hoffmann Executive Producer
Josh Braun Executive Producer
Bob Benton Executive Producer
John Northrup Co-Producer
Bernadine Colish Editor
Jed Parker Editor
Peter Trilling Director of Photography
Bonnie Greenberg Executive Music Producer
Steve Argila Composer

Per Theater Chart: Spotlight Shines Bright

November 10th, 2015

Spotlight

It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters. More...

Weekend Estimates: Spectre Misses Record, Peanuts Opens Strong

November 8th, 2015

Spectre

After a great night on Thursday and a very good day on Friday, Spectre has faded a bit over the weekend. After posting $28 million on Friday, the film was down about 4% on Saturday to $26.5 million, and Sony is projecting a weekend total of $73 million. Even that number may be a shade high, and it falls well behind the $80 million that looked on the cards earlier in the weekend, and even further behind Skyfall’s franchise-record $88.4 million opening. While by any measure it’s a great debut, the final number does prompt the question: what went wrong over the weekend? More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,101-10,200) 10,110 $498,428
All Time Domestic Inflation Adjusted Box Office (Rank 9,701-9,800) 9,739 $633,950
All Time Domestic Non-Sequel Box Office (Rank 9,101-9,200) 9,178 $498,428
Top 2015 Movies at the Domestic Box Office (Rank 201-300) 253 $498,428
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,401-2,500) 2,487 $498,428
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 2,601-2,700) 2,662 $633,950
Top 2015 Limited Release Movies at the Domestic Box Office (Rank 101-200) 112 $498,428
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 901-1,000) 930 $498,428
All Time Domestic Box Office for Live Action Movies (Rank 9,001-9,100) 9,077 $498,428
All Time Domestic Box Office for Factual Movies (Rank 401-500) 439 $498,428
All Time Domestic Box Office for Documentary Movies (Rank 301-400) 382 $498,428
All Time Domestic Box Office for Not Rated Movies (Rank 1,001-1,100) 1,001 $498,428
All Time Domestic Box Office for Submarine Deluxe Movies 1 $498,428

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 6, 2015 55 $22,258   2 $11,129   $22,258 1
Nov 13, 2015 55 $21,781 -2% 5 $4,356   $57,047 2
Nov 20, 2015 40 $51,305 +136% 20 $2,565   $121,083 3
Nov 27, 2015 37 $55,947 +9% 21 $2,664   $210,931 4
Dec 4, 2015 42 $37,061 -34% 25 $1,482   $270,085 5
Dec 11, 2015 45 $17,737 -52% 19 $934   $309,979 6
Dec 18, 2015 41 $18,547 +5% 18 $1,030   $343,302 7
Dec 25, 2015 52 $11,352 -39% 6 $1,892   $366,627 8
Jan 1, 2016 52 $14,779 +30% 9 $1,642   $393,584 9
Jan 8, 2016 52 $17,804 +20% 10 $1,780   $420,299 10
Jan 15, 2016 48 $11,719 -34% 9 $1,302   $447,087 11
Feb 19, 2016 81 $2,085   1 $2,085   $498,428 16

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 6, 2015 56 $35,266   2 $17,633   $35,266 1
Nov 13, 2015 55 $34,512 -2% 5 $6,902   $69,778 2
Nov 20, 2015 43 $85,206 +147% 20 $4,260   $154,984 3
Nov 27, 2015 36 $78,040 -8% 21 $3,716   $233,024 4
Dec 4, 2015 41 $62,218 -20% 25 $2,489   $295,242 5

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 12/25/2015 $11,777 4 6 53 $179,364 6/9/2016
France 7/28/2017 $51,985 0 0 0 $51,985 6/27/2018
New Zealand 2/26/2016 $7,326 6 9 50 $81,288 8/5/2024
South Korea 2/2/2017 $0 0 14 32 $37,568 4/19/2017
United Kingdom 12/11/2015 $34,445 17 33 83 $135,835 6/9/2016
 
International Total$486,040 8/5/2024

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 13,201-13,300) 13,268 $486,040
All Time International Non-Sequel Box Office (Rank 12,101-12,200) 12,145 $486,040
All Time International Box Office for Based on Real Life Events Movies (Rank 1,101-1,200) 1,133 $486,040
All Time International Box Office for Live Action Movies (Rank 11,101-11,200) 11,119 $486,040
All Time International Box Office for Factual Movies (Rank 501-600) 506 $486,040
All Time International Box Office for Documentary Movies (Rank 401-500) 401 $486,040
All Time International Box Office for Not Rated Movies (Rank 1,201-1,300) 1,267 $486,040
All Time International Box Office for Submarine Deluxe Movies 1 $486,040

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 15,701-15,800) 15,798 $984,468
All Time Worldwide Non-Sequel Box Office (Rank 14,401-14,500) 14,480 $984,468
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 1,201-1,300) 1,269 $984,468
All Time Worldwide Box Office for Live Action Movies (Rank 13,401-13,500) 13,493 $984,468
All Time Worldwide Box Office for Factual Movies (Rank 501-600) 550 $984,468
All Time Worldwide Box Office for Documentary Movies (Rank 401-500) 446 $984,468
All Time Worldwide Box Office for Not Rated Movies (Rank 1,601-1,700) 1,619 $984,468
All Time Worldwide Box Office for Submarine Deluxe Movies 1 $984,468

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.