Peru Box Office for The Loft (2014)
Theatrical Performance (US$) | ||
Peru Box Office | $87,227 | Details |
Worldwide Box Office | $11,401,518 | Details |
Home Market Performance | ||
North America DVD Sales | $1,172,874 | Details |
North America Blu-ray Sales | $512,078 | Details |
Total North America Video Sales | $1,684,952 | |
Further financial details... |
Synopsis
Five married guys conspire to secretly share a penthouse loft in the city—a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved. Paranoia seizes them as everyone begins to suspect one another. Friendships are tested, loyalties are questioned and marriages crumble as the group is consumed by fear, suspicion and murder.
Metrics
Movie Details
Peru Releases: | October 8th, 2015 (Wide) |
Video Release: | May 26th, 2015 by Universal Home Entertainment |
MPAA Rating: | R for sexual content, nudity, bloody violence, language and some drug use. (Rating bulletin 2255, 1/16/2013) |
Running Time: | 108 minutes |
Keywords: | Remake, Foreign-Language Remake, Non-Chronological, Infidelity, Suicide, Faked Suicide, Prostitution, Framed, Narcotics, Surprise Twist, Relationships Gone Wrong, Erotic Thriller, Director Remaking Their Own Movie |
Source: | Remake |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Anonymous Content, Woestijnvis |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: Sniper Steady on Top
June 14th, 2015
The week ending May 31 was a terrible week for new releases with only one that sold more than 50,000 units on the combined home market chart. Fortunately, American Sniper held on a lot better than most releases do, and was down just 27% to 844,000 units/ $16.01 million in consumer spending for the week, giving it totals of 1.99 million units / $37.40 million after two weeks of release. It is now in fifth place on the 2015 combined chart, but again, given its box office, it should be higher.
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DVD and Blu-ray Releases for May 26th, 2015
May 25th, 2015
Wow. It is a summer week on the home market, as there are a ton of summer shows coming out on DVD. Unfortunately, none of them seem like big sellers. The best-selling new release of the week is Seventh Son, which is a terrible sign. The second best is The Nanny: The Complete Series. I don't know how to react to that. As for the best of the new releases, Magician: The Astonishing Life and Work of Orson Wells (DVD or Blu-ray) is as good as it gets.
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Weekend Wrap-Up: SpongeBob Stands Tall
February 9th, 2015
As expected, The SpongeBob Movie: Sponge Out of Water led the way at the box office; however, it did so in a much more explosive way. In fact, its opening was in the top five for February releases. The other two new releases, Jupiter Ascending and Seventh Son, did as well as expected, more or less, but that's not really a good thing. The overall weekend box office was $152 million, which was 51% more than last weekend. Compared to the same weekend last year, 2015 actually came out ahead, albeit by 0.3% margin. This is less than ticket price inflation, so fewer tickets were sold, but I don't really care. Considering I thought 2015 would lose by close to $20 million, I will take any victory and celebrate it. Year-to-date, 2015 has pulled ahead of 2014 by nearly $100 million at $1.17 billion to $1.08 billion. Again, it is too soon to judge how well 2015 will do, but being ahead by 8.8% is still worth noting.
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Weekend Wrap-Up: Box Office was Less than Super
February 2nd, 2015
Super Bowl weekend was rough at the box office with only one film topping $10 million. That film was American Sniper, which completed the hat trick, but with less than expected. Second place went to Project Almanac, again earning less than expected, while Paddington was right behind in third place. Overall the box office fell 36% from last weekend, down to just $102 million. This is still 18% higher than the same weekend last year, so we have that to focus on. Year-to-date, 2015 has pulled in $994 million, which is 7.0% more than last year's pace of $929 million. Again, it is way too early to judge and as we saw last year, things can fall apart really quickly. That said, I will take any good news I can get.
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Weekend Predictions: Nothing Super about the New Releases
January 29th, 2015
There are three wide releases coming out this weekend, sort of. Project Almanac is the only film opening truly wide this weekend and it is easily the biggest of the three releases. The other two new releases, Black or White and The Loft, are both opening in below 2,000 theaters and neither has a real shot to open in the top five. This leaves American Sniper with an easy path to first place, but perhaps the Super Bowl will be bigger competition this weekend than any of the new releases were the last two weeks. This weekend last year, both new releases struggled and Ride Along was easily able to win, but with just $12 million. 2015 is going to crush 2014 in the year-over-year comparison.
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2015 Preview: January
January 1st, 2015
2014 is over and for the most part, December was a soft ending to a weak year. This is bad news for two reasons. Firstly, it means the overall box office is still soft and it is unlikely that January will start strong. Secondly, last January was a great month, thanks in part to Frozen and other holdovers. The slump can't last forever and Taken 3 should help 2015 get off to a reasonably fast start and it even has a shot at $100 million. American Sniper got off to a really fast start in limited release, so it too could be a hit when it expands wide. By comparison, last January was led by Ride Along, but there were only two other films that didn't completely bomb. I want to say 2015 will start out on a winning note, but given the box office losing streak, it will likely pay to be pessimistic.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/10/23 | 13 | $4,123 | 6 | $687 | $83,249 | 3 | |
2015/10/30 | 13 | $2,176 | -47% | 2 | $1,088 | $87,227 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Germany | 12/12/2014 | $0 | 0 | 0 | 0 | $1,446,657 | 8/22/2018 |
Hong Kong | 4/10/2015 | $47,489 | 14 | 14 | 28 | $98,079 | 11/26/2018 |
Mexico | 5/15/2015 | $174,336 | 0 | 0 | 0 | $484,957 | 9/7/2018 |
North America | 1/30/2015 | $2,747,342 | 1,841 | 1,841 | 4,028 | $6,002,684 | 5/7/2020 |
Peru | 10/8/2015 | $0 | 0 | 6 | 8 | $87,227 | 12/30/2018 |
Poland | 2/20/2015 | $79,521 | 0 | 0 | 0 | $235,662 | 12/30/2018 |
Russia (CIS) | 2/6/2015 | $341,751 | 542 | 542 | 948 | $646,959 | 11/19/2018 |
South Korea | 10/1/2015 | $0 | 0 | 2 | 3 | $35,281 | 10/20/2015 |
Turkey | 4/10/2015 | $49,014 | 67 | 68 | 161 | $117,325 | 12/30/2018 |
Rest of World | $2,246,687 | ||||||
Worldwide Total | $11,401,518 | 5/7/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Karl Urban | Vincent Stevens |
James Marsden | Chris Vanowen |
Wentworth Miller | Luke Seacord |
Eric Stonestreet | Marty Landry |
Matthias Schoenaerts | Philip Trauner |
Supporting Cast
Isabel Lucas | Sarah Deakins |
Rachael Taylor | Anne Morris |
Rhona Mitra | Alison Vanowen |
Valerie Cruz | Barbara Stevens |
Kali Rocha | Mimi Landry |
Elaine Cassidy | Ellie Seacord |
Margarita Levieva | Vicky Fry |
Kristin Lehman | Detective Huggins |
Robert Wisdom | Detective Cohagan |
Ric Reitz | Joel Kotkin |
Graham Beckel | Hiram Fry |
Kathy Deitch | Dana |
Madison Burge | Zoe Trauner |
Cindi Woods | Mrs. Fry |
Laura Cayouette | Mrs. Kotkin |
Barbara Dzikanowice | Prostitute |
Kim Ormiston | Party Girl |
Misty Ormiston | Party Girl |
Griff Furst | Zoe's Friend |
Eric Dickinson | Zoe's Friend |
Dennis Raymond Bagneris | Bar Slickster Guy |
Leticia Jimenez | Bar Slickster Girl |
Bill Scharpf | Security Guard |
Trace Cheramie | Security Guard |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Erik Van Looy | Director |
Wesley Strick | Screenwriter |
Bart De Pauw | Story Creator |
Paul Green | Producer |
Adam Shulman | Producer |
Hilde de Laere | Producer |
Matt DeRoss | Producer |
Barbara Kelly | Executive Producer |
Steve Golin | Executive Producer |
Wesley Strick | Executive Producer |
Wim Tack | Executive Producer |
Wouter Vandenhaute | Executive Producer |
Eric Watte | Executive Producer |
Nicolas Karakatsanis | Director of Photography |
Maia Javan | Production Designer |
Eddie Hamilton | Editor |
John Frizzell | Composer |
Barbara Fiorentino | Casting Director |
Carole Sanders Peterman | Unit Production Manager |
Barbara Kelly | Unit Production Manager |
Guy De Lombaert | Unit Production Manager |
Richard Cowan | Assistant Director |
Jim Gelarden | Art Director |
Cindy Slagter | Set Decorator |
Domenic Silvestri | Set Designer |
Ann Van Aken | Script Supervisor |
Jonathan Gaynor | Sound Mixer |
Miccael Uguccioni | Visual Effects Supervisor |
Liz Staub | Costume Designer |
Allison Gordin | Make up |
Darryl Lucas | Make up |
Donna Spahn-Jones | Hairstylist |
Yolanda Mercadel | Hairstylist |
Matt Kutcher | Special Effects Supervisor |
Donnie Dean | Special Effects Coordinator |
Peter Flamman | Supervising Sound Editor |
Peter Flamman | Sound Designer |
Wart Wamsteker | Sound Designer |
Dennis Kersten | Sound Editor |
Tom Ozanich | Re-recording Mixer |
Stephanie L. Flack | Dialogue Editor |
Frederik Wiedmann | Score Mixer |
Brian Richards | Music Editor |
Philip Moross | Executive Music Producer |
Laura Katz | Music Supervisor |
Jeffrey Galpin | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.