Wentworth Miller
Best known as a Supporting Actor based on credits in that role in 3 films, with $467,999,393 worldwide aggregate box office (rank #8,327) |
Best-known acting roles: Chris Redfield (Resident Evil: Afterlife), Dr. Adam Lockwood (Underworld), EDI (Stealth), Luke Seacord (The Loft), Young Coleman Silk (The Human Stain) |
Best-known technical roles: The Disappointments Room (Screenwriter), The Disappointments Room (Executive Producer), Stoker (Screenwriter), Stoker (Co-Producer) |
Most productive collaborators: Kate Beckinsale, Josh Lucas, Rob Cohen, Milla Jovovich, Paul W.S. Anderson |
Born: June 2, 1972 (52 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 3 | $144,216,002 | $323,783,391 | $467,999,393 |
Lead Ensemble Member | 1 | $6,002,684 | $5,398,834 | $11,401,518 | |
(Unclassified) | 1 | $5,381,227 | $13,998,160 | $19,379,387 | |
In Technical Roles | Screenwriter | 2 | $4,126,592 | $11,412,082 | $15,538,674 |
Co-Producer | 1 | $1,703,125 | $10,331,788 | $12,034,913 | |
Executive Producer | 1 | $2,423,467 | $1,080,294 | $3,503,761 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jan 30, 2015 | The Loft | Luke Seacord | $6,002,684 | $5,398,834 | $11,401,518 |
Sep 10, 2010 | Resident Evil: Afterlife | Chris Redfield | $60,128,566 | $235,745,624 | $295,874,190 |
Jul 29, 2005 | Stealth | EDI | $32,116,746 | $44,300,000 | $76,416,746 |
Oct 31, 2003 | The Human Stain | Young Coleman Silk | $5,381,227 | $13,998,160 | $19,379,387 |
Sep 19, 2003 | Underworld | Dr. Adam Lockwood | $51,970,690 | $43,737,767 | $95,708,457 |
Averages | $31,119,983 | $68,636,077 | $99,756,060 | ||
Totals | 5 | $155,599,913 | $343,180,385 | $498,780,298 |
Leading or Lead Ensemble Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 30, 2015 | The Loft | $2,747,342 | 1,841 | $6,002,684 | $11,401,518 | 52.6% |
Averages | $2,747,342 | 1,841 | $6,002,684 | $11,401,518 | 52.6% | |
Totals | 1 | $6,002,684 | $11,401,518 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Sep 10, 2010 | Resident Evil: Afterlife | $26,650,264 | 3,209 | $60,128,566 | $295,874,190 | 20.3% |
Jul 29, 2005 | Stealth | $13,251,545 | 3,495 | $32,116,746 | $76,416,746 | 42.0% |
Sep 19, 2003 | Underworld | $21,753,759 | 2,928 | $51,970,690 | $95,708,457 | 54.3% |
Averages | $20,551,856 | 3,211 | $48,072,001 | $155,999,798 | 38.9% | |
Totals | 3 | $144,216,002 | $467,999,393 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Sep 9, 2016 | The Disappointments Room | Screenwriter Executive Producer |
$2,423,467 | $1,080,294 | $3,503,761 |
Mar 1, 2013 | Stoker | Screenwriter Co-Producer |
$1,703,125 | $10,331,788 | $12,034,913 |
Averages | $2,063,296 | $5,706,041 | $7,769,337 | ||
Totals | 2 | $4,126,592 | $11,412,082 | $15,538,674 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Sep 9, 2016 | The Disappointments Room | $1,402,822 | 1,554 | $2,423,467 | $3,503,761 | 69.2% |
Mar 1, 2013 | Stoker | $160,547 | 275 | $1,703,125 | $12,034,913 | 14.2% |
Averages | $781,685 | 915 | $2,063,296 | $7,769,337 | 41.7% | |
Totals | 2 | $4,126,592 | $15,538,674 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Co-Producer at the Domestic Box Office (Rank 1,901-2,000) | 1,969 | $1,703,125 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 5,301-5,400) | 5,366 | $2,423,467 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,801-4,900) | 4,893 | $4,126,592 |
Top Grossing Co-Producer at the International Box Office (Rank 1,301-1,400) | 1,387 | $10,331,788 |
Top Grossing Executive Producer at the International Box Office (Rank 6,001-6,100) | 6,070 | $1,080,294 |
Top Grossing Screenwriter at the International Box Office (Rank 3,201-3,300) | 3,205 | $11,412,082 |
Top Grossing Co-Producer at the Worldwide Box Office (Rank 1,701-1,800) | 1,752 | $12,034,913 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 6,001-6,100) | 6,093 | $3,503,761 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 4,301-4,400) | 4,334 | $15,538,674 |