Netherlands Box Office for The Kitchen (2019)
Theatrical Performance (US$) | ||
Netherlands Box Office | $198,074 | Details |
Worldwide Box Office | $15,779,261 | Details |
Home Market Performance | ||
North America DVD Sales | $802,031 | Details |
North America Blu-ray Sales | $1,041,918 | Details |
Total North America Video Sales | $1,843,949 | |
Further financial details... |
Synopsis
Three 1978 Hell’s Kitchen housewives’ mobster husbands are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia’s matters into their own hands—proving unexpectedly adept at everything from running the rackets to taking out the competition… literally.
Metrics
Movie Details
Production Budget: | $38,000,000 |
Netherlands Releases: | September 27th, 2019 (Wide) |
Video Release: | October 22nd, 2019 by Warner Home Video January 20th, 2020 by Warner Home Video |
MPAA Rating: | R for violence, language throughout and some sexual content. (Rating bulletin 2567 (Cert #52073), 2/27/2019) |
Running Time: | 102 minutes |
Keywords: | Mafia, 1970s, Set in New York City, Organized Crime, Crime Caper, Woman in a Male Dominated Profession, Crime Drama |
Source: | Based on Comic/Graphic Novel |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | New Line Cinema, Bron Creative, Michael De Luca Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for November 5th, 2019
November 6th, 2019
Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves.
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Home Market Releases for October 22nd, 2019
October 23rd, 2019
The Lion King is scaring away all of the competition and while the Blu-ray / 4K Ultra HD is not Pick of the Week material, there’s almost nothing else to talk about. It might be worth buying WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?: The Complete Series just because of that ridiculously long name.
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Weekend Wrap-Up: Good Does Well, Box Office is Still Weak
August 20th, 2019
It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash.
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Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint
August 12th, 2019
The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion.
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Weekend Estimates: Hobbs and Shaw Remain Top Draw
August 11th, 2019
Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend
August 10th, 2019
Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content.
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Thursday Night Previews: Stories Scares Up Some Box Office Dollars
August 9th, 2019
Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth.
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Weekend Predictions: Can Dora find Box Office Gold?
August 8th, 2019
There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again.
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2019 Preview: August
August 1st, 2019
July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year.
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The Kitchen Trailer
June 21st, 2019
Crime caper starring Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss opens August 9 ... Full Movie Details.
Three 1978 Hell’s Kitchen housewives’ mobster husbands are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia’s matters into their own hands—proving unexpectedly adept at everything from running the rackets to taking out the competition… literally.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/09/27 | 13 | $103,750 | 58 | $1,789 | $124,515 | 1 | |
2019/10/04 | 20 | $35,111 | -66% | 58 | $605 | $198,074 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 8/9/2019 | $19,106 | 64 | 64 | 64 | $23,034 | 8/18/2019 |
Australia | 8/30/2019 | $255,883 | 299 | 299 | 718 | $502,745 | 9/24/2019 |
Brazil | 8/9/2019 | $85,845 | 76 | 76 | 76 | $85,845 | 8/18/2019 |
France | 8/23/2019 | $300,715 | 189 | 189 | 370 | $545,335 | 9/8/2019 |
Netherlands | 9/27/2019 | $103,750 | 58 | 58 | 116 | $198,074 | 10/19/2022 |
New Zealand | 8/29/2019 | $28,392 | 71 | 71 | 184 | $80,594 | 10/19/2022 |
North America | 8/9/2019 | $5,527,410 | 2,745 | 2,745 | 6,613 | $12,180,032 | |
Portugal | 8/9/2019 | $30,001 | 40 | 40 | 83 | $60,139 | 8/27/2019 |
Romania | 8/23/2019 | $23,416 | 71 | 71 | 178 | $68,383 | 10/19/2022 |
Slovakia | 8/9/2019 | $11,806 | 51 | 51 | 95 | $26,974 | 10/19/2022 |
Slovenia | 9/27/2019 | $1,721 | 17 | 17 | 17 | $2,304 | 10/7/2019 |
United Kingdom | 9/20/2019 | $134,793 | 335 | 335 | 335 | $134,793 | 9/25/2019 |
Rest of World | $1,871,009 | ||||||
Worldwide Total | $15,779,261 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Melissa McCarthy | Kathy Brennan |
Tiffany Haddish | Ruby O’Carroll |
Elisabeth Moss | Claire Walsh |
Supporting Cast
Domhnall Gleeson | Gabriel O’Malley |
James Badge Dale | Kevin O’Carroll |
Brian d'Arcy James | Jimmy Brennan |
Margo Martindale | Helen O’Carroll |
Bill Camp | Alfonso Coretti |
Common | Gary Silvers |
Jeremy Bobb | Rob Walsh |
E.J. Bonilla | Gonzalo Martinez |
Myk Watford | Little Jackie Quinn |
Wayne Duvall | Larry, Kathy’s Father |
Pamela Dunlap | Mary, Kathy’s Mother |
John Sharian | Duffy |
Brian Tarantina | Burns |
Will Swenson | Michael Mariano |
Annabella Sciorra | Maria Coretti |
Alicia Coppola | Maria Coretti |
Bernie McInerney | Paul Hogan |
Sharon Washington | Estelle |
Matt Helm | Colin |
Angus O’Brien | Mark Williams |
Ciaran O'Reilly | Owen Gibson |
Nicholas Zoto | Peter Brennan |
Maren Heary | Jennifer Brennan |
Stephen Singer | Herb Kamfer |
Tatienne Hendricks-Tellefsen | Rachel Kamfer |
Jordan Gelber | Chaim |
Brandon Uranowitz | Shmuli Chudakoff |
Bernard Rachelle | Fyvish Wainer |
Tina Benko | Donna—Nail Salon Owner |
Susan Blommaert | Mrs. Sullivan |
George Riddle | Mr. Sullivan |
Tom Patrick Stephens | Father Monaghan |
Ann McDonough | Churn Nun |
Joseph Russo | Greek Tony |
Louis Vanaria | Enzo—Goon #1 |
James Ciccone | Joe—Goon #2 |
Aaron Berg* | Sal—Goon #3 |
Jonathan Eddy Duran | Raul the Pimp |
Lenny Venito | Officer Ritchie MacLeod |
Kevin Nagle | Officer Lancer |
Shaun O’Hagan | Officer Berlinski |
Marquise Vilson | Court Officer |
Daniel O’Shea | Union Head |
Adam Mucci | Union Construction Worker |
Jamie Jackson | Union Construction Worker |
Brendan Burke | Union Hall Bartender |
Dan Daily | Union Member Scotty |
Rob Yang | Jeffrey Kahn |
Matthew Boston | FBI Boss |
Lynn Spencer | Galaxy Diner Waitress |
Linda Marie Larson | Mrs. Morris |
Gabriel Rush | Claire’s Landlord’s Kid |
Adina Verson | Prostitute |
Ashley Perez Flanagan | Prostitute |
Manny Urena | Gross Guy Stranger |
Ethan Dubin | Loser Guy on 42nd Street |
Ava Eisenson | Screaming Woman |
Brian Charles Johnson | Giovani—The Butcher |
Jack Lynch | Scrawny Kid |
Vaughn Lynch | Scrawny Kid |
Tommy Buck | Clothing Store Owner |
Loic Mabanza | Dancing Hunk |
Alexis Roberts | Dancer |
Joaquim De Santana | Dancer |
Borris Anthony York | Dancer |
Sabrina Imamura | Dancer |
Shernita Anderson | Dancer |
Christine Sienicki | Dancer |
Marla Phelan | Dancer |
Deva Huggins | Dancer |
Keith Kuhl | Dancer |
Lily Davis | Dancer |
Kellie Drobnick | Dancer |
Brandon Rubendall | Dancer |
Jonathan Royse Windham | Dancer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Andrea Berloff | Director |
Andrea Berloff | Screenwriter |
Marcus Viscidi | Producer |
Michael De Luca | Producer |
Ollie Masters | Story Based on the Comic Book Series Created for DC Vertigo by |
Ming Doyle | Story Based on the Comic Book Series Created for DC Vertigo by |
Richard Butler | Executive Producer |
Michael Disco | Executive Producer |
Dave Neustadter | Executive Producer |
Aaron L. Gilbert | Executive Producer |
Jason Cloth | Executive Producer |
Richard Brener | Executive Producer |
Elishia Holmes | Executive Producer |
Adam Schlagman | Executive Producer |
Maryse Alberti | Director of Photography |
Shane Valentino | Production Designer |
Christopher Tellefsen | Editor |
Bryce Dessner | Composer |
Deva Anderson | Music Supervisor |
Dan Schrecker | Visual Effects Supervisor |
Sarah Edwards | Costume Designer |
Bernard Telsey | Casting Director |
Tiffany Little Canfield | Casting Director |
David Vaccari | Casting Director |
Marcus Viscidi | Unit Production Manager |
Danielle Rigby | First Assistant Director |
Brad Robinson | Second Assistant Director |
Chris Collins | Production Supervisor |
Anu Schwartz | Supervising Art Director |
Ernesto Solo | Art Director |
Alyssa Winter | Set Decorator |
Danny Michael | Sound Mixer |
Jessica Lichtner | Script Supervisor |
David Rogow | First Assistant Editor |
Michael Barry | Re-recording Mixer |
Paul Urmson | Re-recording Mixer |
Eliza Paley | Supervising Sound Editor |
Paul Urmson | Sound Designer |
Mariusz Glabinski | Sound Designer |
Mitsuko Alexandra Yabe | Music Editor |
Michael McMenomy | Dialogue Editor |
William Sweeney | Foley Editor |
Wyatt Sprague | Sound Effects Editor |
Matthew Kay | Foley Mixer |
Gavin Hecker | Foley Mixer |
Ryan Smith | Location Manager |
Colleen Bachman | Visual Effects Producer |
Amy Burt | Costume Supervisor |
Nicki Ledermann | Make up |
Kay Georgiou | Hairstylist |
Tania Ribalow | Make up |
Sunday Englis | Make up |
Mitchell Beck | Hairstylist |
Drew Jiritano | Special Effects Supervisor |
Alex Venguer | Score Recordist |
David Chalmin | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.