Russia (CIS) Box Office for Keeping Up with the Joneses (2016)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $1,798,568 | Details |
Worldwide Box Office | $28,804,426 | Details |
Home Market Performance | ||
North America DVD Sales | $1,941,145 | Details |
North America Blu-ray Sales | $1,799,395 | Details |
Total North America Video Sales | $3,740,540 | |
Further financial details... |
Synopsis
A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Russia (CIS) Releases: | November 11th, 2016 (Wide) |
Video Release: | December 30th, 2016 by Fox Home Entertainment |
MPAA Rating: | PG-13 for sexual content, action/violence and brief strong language. (Rating bulletin 2432 (Cert #50539), 7/6/2016) |
Running Time: | 101 minutes |
Keywords: | Neighbors from Hell, Suburbs, Keeping Up with the Joneses, Action Comedy, Secret Agent, Undercover |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Fox 2000 Pictures, TSG Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 17th, 2017
January 17th, 2017
The are not many major releases on this week’s home market release list. The Girl on the Train is the biggest, but it is not the best. It is not even close to being the best. The race for best was mostly a two-way race between Long Way North and Ouija: Origin of Evil, with Ixcanul and Train to Busan being close behind. In the end, I went with Long Way North on Blu-ray Combo Pack as the Pick of the Week, but all four are worth owning.
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Weekend Wrap-Up: Madea puts out Inferno’s Fire earning $17.22 million
November 1st, 2016
Halloween helped boost Tyler Perry’s Boo! A Madea Halloween’s numbers over the weekend allowing it to earn first place with $17.22 million. This was much better than the $14.86 million Inferno opened with. While Halloween didn’t happen until Monday, the holiday still had a negative effect on the box office, as it fell 29% to just $88 million. That’s worse than anticipated. Compared to the same weekend last year, 2016 was better by 17%, but it’s hard to spin this as a real victory. Year-to-date, 2016’s lead over 2015 barely budged at $9.06 billion to $8.69 billion. That said, if 2016 can just maintain this lead till Rogue One debuts, then we should have at least some growth at the end of the year.
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Weekend Wrap-up: Madea Treats Herself to $28.50 Million
October 25th, 2016
2016 finally has a real reason to celebrate this weekend. Not every film topped expectations, but the top did enough to overcome any weakness at the bottom. The biggest hit of the week was Tyler Perry’s Boo! A Madea Halloween, which beat expectations with $28.50 million. Jack Reacher: Never Go Back had to settle for second place with $22.87 million, which is still better than most were predicting. Ouija: Origin of Evil did well for a movie that cost just $9 million to make, but the less said about the other two new releases, the better. Overall, the box office rose 26% from last week, reaching $124 million. More importantly, the box office was 18% higher than the same weekend last year. Year-to-date, 2016 extended its lead over 2015 at $8.93 billion to $8.53 billion. Having a $400 million cushion this late in the year is good news, even with The Force Awakens looming in the future.
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Weekend Estimates: Jack Reacher No Match for Madea
October 23rd, 2016
Hollywood has a habit of underestimating Tyler Perry. When Diary of a Mad Black Woman opened back in 2005, it was expected to struggle to make the top 10, and yet finished top of the chart with a $21.9 million weekend. More than eleven years later, he, or perhaps more accurately, Madea, continues to defy tracking models and rack up wins at the box office, with Boo! A Madea Halloween set to top this weekend’s chart with a projected $27.6 million. That’s nearly $5 million better than the debut of Jack Reacher: Never Go Back, which Paramount has coming in at $23 million.
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Friday Estimates: Madea Scares the Competition with $9.4 million
October 22nd, 2016
Tyler Perry’s Boo! A Madea Halloween beat expectations on Friday to earn first place at the box office with with $9.4 million. I was a little more bullish than most, but even I didn’t think it would finish in first place on Friday. This is not quite as much as Madea’s Big Happy Family made on its opening day in 2011, but it is enough to put the film on pace for $25 million. Its reviews have risen to 33% positive, which isn’t bad for a Madea movie, while it earned an A from CinemaScore, so the fans are clearly happy with the film.
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Thursday Night Previews: Jack Reaches $1.33 million during Previews
October 21st, 2016
Jack Reacher: Never Go Back pulled in $1.33 million during previews, which is approximately inline with expectations. It is just a hair below the $1.35 million The Accountant earned last week. However, The Accountant also earned significantly better reviews than Never Go Back is earning and that will likely hurt its legs. That said, we predicted $21 million and that seems safe at the moment.
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Weekend Predictions: Will Reacher Reach the Top?
October 20th, 2016
It is a busy week as far as wide releases are concerned, although not as busy as we thought it would be at the beginning of the month, as I’m Not Ashamed has dropped to “select cities”. It still has a shot at the top ten, but a slim shot. The biggest release of the week is Jack Reacher: Never Go Back, as it is opening in an estimated 3,800 theaters. However, the buzz is weak and its reviews won’t help either. It will likely struggle to top $20 million. This gives Tyler Perry’s Boo! A Madea Halloween a shot at first place. The best new release of the week is Ouija: Origin of Evil. One would hope a horror film earning 80% positive reviews ten days before Halloween would at least have a shot at first place. We’ll see. Finally there’s Keeping Up with the Joneses. It’s bad and that’s all I need to say about that. There is good news. This weekend last year was a disaster. The biggest wide release was The Last Witch Hunter and it earned less than $11 million. The biggest film was The Martian, which earned under $16 million. We could have two films top $20 million, so 2016 should end the slump it has been in.
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2016 Preview: October
October 1st, 2016
September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result.
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Keeping Up with the Joneses Trailer
September 2nd, 2016
Comedy starring Zach Galifianakis, Jon Hamm, Gal Gadot and opens October 21 ... Full Movie Details.
A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/11/11 | 4 | $926,712 | 733 | $1,264 | $926,712 | 1 | |
2016/11/18 | 6 | $298,650 | -68% | 733 | $407 | $1,552,691 | 2 |
2016/11/25 | 11 | $78,855 | -74% | 303 | $260 | $1,739,036 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/21/2016 | $832,518 | 264 | 264 | 991 | $2,138,840 | 12/8/2016 |
China | 11/8/2016 | $370,000 | 4263 | 4263 | 4263 | $1,723,895 | 8/27/2018 |
Indonesia | 11/11/2016 | $326,000 | 205 | 205 | 205 | $326,000 | 12/20/2018 |
Mexico | 11/25/2016 | $371,420 | 0 | 0 | 0 | $964,096 | 1/18/2017 |
Netherlands | 10/20/2016 | $197,357 | 63 | 63 | 276 | $562,060 | 11/30/2016 |
New Zealand | 10/21/2016 | $90,478 | 70 | 72 | 253 | $245,302 | 11/21/2016 |
North America | 10/21/2016 | $5,461,475 | 3,022 | 3,022 | 8,163 | $14,904,426 | |
Russia (CIS) | 11/11/2016 | $926,712 | 733 | 733 | 1791 | $1,798,568 | 12/31/2018 |
Spain | 12/9/2016 | $34,700 | 52 | 52 | 91 | $61,280 | 12/29/2016 |
United Kingdom | 10/21/2016 | $331,265 | 295 | 295 | 479 | $863,985 | 9/8/2018 |
Rest of World | $5,215,974 | ||||||
Worldwide Total | $28,804,426 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Zach Galifianakis | Jeff Gaffney |
Jon Hamm | Tim Jones |
Isla Fisher | Karen Gaffney |
Gal Gadot | Natalie Jones |
Supporting Cast
Matt Walsh | Dan Craverston |
Maribeth Monroe | Meg Craverston |
Patton Oswalt | Scorpion |
Kevin Dunn | Carl Pronger |
Michael Liu | Yang |
Dayo Abanikanda | Cool Man |
Henry Boston | Patrick |
Jack McQuaid | Mikey |
Bobby Lee | Ricky Lu |
Ying He | Mrs. Lu |
Yi Dong Qian | Mr. Lu |
Ari Shaffir | Oren |
Marc Grapey | Bernie |
Karina Bonnefil | Waitress |
Darin Cooper | Detective |
Angela Ray | Police Officer |
Amy Block | Neighborhood Mom |
Richard Regan Paul | Sanjay |
Andrew Farmer | HR Staffer #1 |
Cullen Moss | Guard #1 |
Matt McHugh | Guard #2 |
Jona Xiao | Stacey Chung |
Sharon Gee | Stacey’s Mom |
Lauren Revard | Margaret |
Rishik Patel | Dhameer |
Scott Allen Perry | Henchman |
Massi Furlan | Henchman |
Andre Pushkin | Henchman |
Pamela Dumit Conover | HR Staffer #2 |
Kristina Case | Wife |
Adrienne Ballenger | Hostess |
Harry Galifianakis | Diner Customer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Greg Mottola | Director |
Michael LeSieur | Screenwriter |
Walter F. Parkes | Producer |
Laurie MacDonald | Producer |
Timothy M. Bourne | Executive Producer |
Marc Resteghini | Executive Producer |
Andrew Dunn | Director of Photography |
Mark Ricker | Production Designer |
David Rennie | Editor |
Jake Monaco | Composer |
Stephanie Diaz-Matos | Music Supervisor |
Ruth E. Carter | Costume Designer |
Rachel Tenner | Costume Designer |
Timothy M. Bourne | Unit Production Manager |
H.H. Cooper | First Assistant Director |
Jennifer Roberts | Second Assistant Director |
Steven Ritzi | Stunt Coordinator |
Riyoko Tanaka | Associate Producer |
H.H. Cooper | Associate Producer |
Andy Keeter | Production Supervisor |
Jeremy Woolsey | Art Director |
Vincent Bates | Assistant Art Director |
Erik Robert | Set Designer |
Kristen Hunsicker | Set Designer |
Darryl Henley | Story Artist |
Warren Drummond | Story Artist |
Rena DeAngelo | Set Decorator |
Lori Grabowski | Script Supervisor |
Steve C. Aaron | Sound Mixer |
Keith Brachmann | Editor |
Alexis Wiscomb | Post-Production Supervisor |
Jon Poll | Additional Editor |
Jim Makiej | Assistant Editor |
Ben Cox | Assistant Editor |
Lew Goldstein | Supervising Sound Editor |
Lew Goldstein | Re-recording Mixer |
Joulles Wright | Costume Supervisor |
Sarah Mays | Make up |
Jennifer Santiago | Hairstylist |
Eric Hooge | Location Manager |
Michael Lantieri | Special Effects Coordinator |
Charlene Lee | Casting Associate |
Kerry Kazmierowicz | Casting Associate |
Patrick Ingram | Extras Casting |
Alex Soto | Sound Effects Editor |
Thomas Ryan | Dialogue Editor |
Lawrence Herman | Dialogue Editor |
Steven Ritzi | Second Unit Director |
Everett Burrell | Visual Effects Supervisor |
Ralph Maiers | Visual Effects Supervisor |
Lauren Weidel | Visual Effects Producer |
Kristen Leigh Branan | Visual Effects Executive Producer |
Christophe Beck | Score Producer |
Greg Hayes | Score Recordist |
Lawrence Manchester | Score Recordist |
Greg Hayes | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.