Russia (CIS) Box Office for Keeping Up with the Joneses (2016)

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Keeping Up with the Joneses
Theatrical Performance (US$)
Russia (CIS) Box Office $1,798,568Details
Worldwide Box Office $28,804,426Details
Home Market Performance
North America DVD Sales $1,941,145 Details
North America Blu-ray Sales $1,799,395 Details
Total North America Video Sales $3,740,540
Further financial details...

Synopsis

A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies.

Metrics

Movie Details

Production Budget:$40,000,000
Russia (CIS) Releases: November 11th, 2016 (Wide)
Video Release: December 30th, 2016 by Fox Home Entertainment
MPAA Rating: PG-13 for sexual content, action/violence and brief strong language.
(Rating bulletin 2432 (Cert #50539), 7/6/2016)
Running Time: 101 minutes
Keywords: Neighbors from Hell, Suburbs, Keeping Up with the Joneses, Action Comedy, Secret Agent, Undercover
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Fox 2000 Pictures, TSG Entertainment
Production Countries: United States
Languages: English

Home Market Releases for January 17th, 2017

January 17th, 2017

Long Way North

The are not many major releases on this week’s home market release list. The Girl on the Train is the biggest, but it is not the best. It is not even close to being the best. The race for best was mostly a two-way race between Long Way North and Ouija: Origin of Evil, with Ixcanul and Train to Busan being close behind. In the end, I went with Long Way North on Blu-ray Combo Pack as the Pick of the Week, but all four are worth owning. More...

Weekend Wrap-Up: Madea puts out Inferno’s Fire earning $17.22 million

November 1st, 2016

Tyler Perry’s Boo! A Madea Halloween

Halloween helped boost Tyler Perry’s Boo! A Madea Halloween’s numbers over the weekend allowing it to earn first place with $17.22 million. This was much better than the $14.86 million Inferno opened with. While Halloween didn’t happen until Monday, the holiday still had a negative effect on the box office, as it fell 29% to just $88 million. That’s worse than anticipated. Compared to the same weekend last year, 2016 was better by 17%, but it’s hard to spin this as a real victory. Year-to-date, 2016’s lead over 2015 barely budged at $9.06 billion to $8.69 billion. That said, if 2016 can just maintain this lead till Rogue One debuts, then we should have at least some growth at the end of the year. More...

Weekend Wrap-up: Madea Treats Herself to $28.50 Million

October 25th, 2016

Tyler Perry’s Boo! A Madea Halloween

2016 finally has a real reason to celebrate this weekend. Not every film topped expectations, but the top did enough to overcome any weakness at the bottom. The biggest hit of the week was Tyler Perry’s Boo! A Madea Halloween, which beat expectations with $28.50 million. Jack Reacher: Never Go Back had to settle for second place with $22.87 million, which is still better than most were predicting. Ouija: Origin of Evil did well for a movie that cost just $9 million to make, but the less said about the other two new releases, the better. Overall, the box office rose 26% from last week, reaching $124 million. More importantly, the box office was 18% higher than the same weekend last year. Year-to-date, 2016 extended its lead over 2015 at $8.93 billion to $8.53 billion. Having a $400 million cushion this late in the year is good news, even with The Force Awakens looming in the future. More...

Weekend Estimates: Jack Reacher No Match for Madea

October 23rd, 2016

Tyler Perry’s Boo! A Madea Halloween

Hollywood has a habit of underestimating Tyler Perry. When Diary of a Mad Black Woman opened back in 2005, it was expected to struggle to make the top 10, and yet finished top of the chart with a $21.9 million weekend. More than eleven years later, he, or perhaps more accurately, Madea, continues to defy tracking models and rack up wins at the box office, with Boo! A Madea Halloween set to top this weekend’s chart with a projected $27.6 million. That’s nearly $5 million better than the debut of Jack Reacher: Never Go Back, which Paramount has coming in at $23 million. More...

Friday Estimates: Madea Scares the Competition with $9.4 million

October 22nd, 2016

Tyler Perry’s Boo! A Madea Halloween

Tyler Perry’s Boo! A Madea Halloween beat expectations on Friday to earn first place at the box office with with $9.4 million. I was a little more bullish than most, but even I didn’t think it would finish in first place on Friday. This is not quite as much as Madea’s Big Happy Family made on its opening day in 2011, but it is enough to put the film on pace for $25 million. Its reviews have risen to 33% positive, which isn’t bad for a Madea movie, while it earned an A from CinemaScore, so the fans are clearly happy with the film. More...

Thursday Night Previews: Jack Reaches $1.33 million during Previews

October 21st, 2016

Jack Reacher: Never Go Back

Jack Reacher: Never Go Back pulled in $1.33 million during previews, which is approximately inline with expectations. It is just a hair below the $1.35 million The Accountant earned last week. However, The Accountant also earned significantly better reviews than Never Go Back is earning and that will likely hurt its legs. That said, we predicted $21 million and that seems safe at the moment. More...

Weekend Predictions: Will Reacher Reach the Top?

October 20th, 2016

Ouija: Origin of Evil

It is a busy week as far as wide releases are concerned, although not as busy as we thought it would be at the beginning of the month, as I’m Not Ashamed has dropped to “select cities”. It still has a shot at the top ten, but a slim shot. The biggest release of the week is Jack Reacher: Never Go Back, as it is opening in an estimated 3,800 theaters. However, the buzz is weak and its reviews won’t help either. It will likely struggle to top $20 million. This gives Tyler Perry’s Boo! A Madea Halloween a shot at first place. The best new release of the week is Ouija: Origin of Evil. One would hope a horror film earning 80% positive reviews ten days before Halloween would at least have a shot at first place. We’ll see. Finally there’s Keeping Up with the Joneses. It’s bad and that’s all I need to say about that. There is good news. This weekend last year was a disaster. The biggest wide release was The Last Witch Hunter and it earned less than $11 million. The biggest film was The Martian, which earned under $16 million. We could have two films top $20 million, so 2016 should end the slump it has been in. More...

2016 Preview: October

October 1st, 2016

The Girl on the Train

September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result. More...

Keeping Up with the Joneses Trailer

September 2nd, 2016

Comedy starring Zach Galifianakis, Jon Hamm, Gal Gadot and opens October 21 ... Full Movie Details.

A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/11/11 4 $926,712   733 $1,264   $926,712 1
2016/11/18 6 $298,650 -68% 733 $407   $1,552,691 2
2016/11/25 11 $78,855 -74% 303 $260   $1,739,036 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/21/2016 $832,518 264 264 991 $2,138,840 12/8/2016
China 11/8/2016 $370,000 4263 4263 4263 $1,723,895 8/27/2018
Indonesia 11/11/2016 $326,000 205 205 205 $326,000 12/20/2018
Mexico 11/25/2016 $371,420 0 0 0 $964,096 1/18/2017
Netherlands 10/20/2016 $197,357 63 63 276 $562,060 11/30/2016
New Zealand 10/21/2016 $90,478 70 72 253 $245,302 11/21/2016
North America 10/21/2016 $5,461,475 3,022 3,022 8,163 $14,904,426
Russia (CIS) 11/11/2016 $926,712 733 733 1791 $1,798,568 12/31/2018
Spain 12/9/2016 $34,700 52 52 91 $61,280 12/29/2016
United Kingdom 10/21/2016 $331,265 295 295 479 $863,985 9/8/2018
 
Rest of World $5,215,974
 
Worldwide Total$28,804,426 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Zach Galifianakis Jeff Gaffney
Jon Hamm Tim Jones
Isla Fisher Karen Gaffney
Gal Gadot Natalie Jones

Supporting Cast

Matt Walsh Dan Craverston
Maribeth Monroe Meg Craverston
Patton Oswalt Scorpion
Kevin Dunn Carl Pronger
Michael Liu Yang
Dayo Abanikanda Cool Man
Henry Boston Patrick
Jack McQuaid Mikey
Bobby Lee Ricky Lu
Ying He Mrs. Lu
Yi Dong Qian Mr. Lu
Ari Shaffir Oren
Marc Grapey Bernie
Karina Bonnefil Waitress
Darin Cooper Detective
Angela Ray Police Officer
Amy Block Neighborhood Mom
Richard Regan Paul Sanjay
Andrew Farmer HR Staffer #1
Cullen Moss Guard #1
Matt McHugh Guard #2
Jona Xiao Stacey Chung
Sharon Gee Stacey’s Mom
Lauren Revard Margaret
Rishik Patel Dhameer
Scott Allen Perry Henchman
Massi Furlan Henchman
Andre Pushkin Henchman
Pamela Dumit Conover HR Staffer #2
Kristina Case Wife
Adrienne Ballenger Hostess
Harry Galifianakis Diner Customer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Greg Mottola Director
Michael LeSieur Screenwriter
Walter F. Parkes Producer
Laurie MacDonald Producer
Timothy M. Bourne Executive Producer
Marc Resteghini Executive Producer
Andrew Dunn Director of Photography
Mark Ricker Production Designer
David Rennie Editor
Jake Monaco Composer
Stephanie Diaz-Matos Music Supervisor
Ruth E. Carter Costume Designer
Rachel Tenner Costume Designer
Timothy M. Bourne Unit Production Manager
H.H. Cooper First Assistant Director
Jennifer Roberts Second Assistant Director
Steven Ritzi Stunt Coordinator
Riyoko Tanaka Associate Producer
H.H. Cooper Associate Producer
Andy Keeter Production Supervisor
Jeremy Woolsey Art Director
Vincent Bates Assistant Art Director
Erik Robert Set Designer
Kristen Hunsicker Set Designer
Darryl Henley Story Artist
Warren Drummond Story Artist
Rena DeAngelo Set Decorator
Lori Grabowski Script Supervisor
Steve C. Aaron Sound Mixer
Keith Brachmann Editor
Alexis Wiscomb Post-Production Supervisor
Jon Poll Additional Editor
Jim Makiej Assistant Editor
Ben Cox Assistant Editor
Lew Goldstein Supervising Sound Editor
Lew Goldstein Re-recording Mixer
Joulles Wright Costume Supervisor
Sarah Mays Make up
Jennifer Santiago Hairstylist
Eric Hooge Location Manager
Michael Lantieri Special Effects Coordinator
Charlene Lee Casting Associate
Kerry Kazmierowicz Casting Associate
Patrick Ingram Extras Casting
Alex Soto Sound Effects Editor
Thomas Ryan Dialogue Editor
Lawrence Herman Dialogue Editor
Steven Ritzi Second Unit Director
Everett Burrell Visual Effects Supervisor
Ralph Maiers Visual Effects Supervisor
Lauren Weidel Visual Effects Producer
Kristen Leigh Branan Visual Effects Executive Producer
Christophe Beck Score Producer
Greg Hayes Score Recordist
Lawrence Manchester Score Recordist
Greg Hayes Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.