Lew Goldstein
Best known as a Re-recording Mixer based on credits in that role in 2 films, with $165,695,200 worldwide aggregate box office (rank #313) |
Best-known technical roles: Let’s Be Cops (Supervising Sound Editor), Let’s Be Cops (Re-recording Mixer), The Manchurian Candidate (Sound Effects Editor), The Ladykillers (Dialogue Editor), Keeping Up with the Joneses (Supervising Sound Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Re-recording Mixer | 2 | $97,295,200 | $68,400,000 | $165,695,200 |
Supervising Sound Editor | 2 | $97,295,200 | $68,400,000 | $165,695,200 | |
Sound Effects Editor | 1 | $65,948,711 | $30,187,161 | $96,135,872 | |
Dialogue Editor | 1 | $39,692,139 | $37,700,000 | $77,392,139 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 21, 2016 | Keeping Up with the Joneses | Supervising Sound Ed… Re-recording Mixer |
$14,904,426 | $13,900,000 | $28,804,426 |
Aug 13, 2014 | Let’s Be Cops | Supervising Sound Ed… Re-recording Mixer |
$82,390,774 | $54,500,000 | $136,890,774 |
Jul 30, 2004 | The Manchurian Candidate | Sound Effects Editor | $65,948,711 | $30,187,161 | $96,135,872 |
Mar 26, 2004 | The Ladykillers | Supervising Dialogue Editor | $39,692,139 | $37,700,000 | $77,392,139 |
Averages | $50,734,013 | $34,071,790 | $84,805,803 | ||
Totals | 4 | $202,936,050 | $136,287,161 | $339,223,211 |