Spain Box Office for Judy (2019)
Theatrical Performance (US$) | ||
Spain Box Office | $671,020 | Details |
Worldwide Box Office | $45,495,000 | Details |
Home Market Performance | ||
North America DVD Sales | $2,127,719 | Details |
North America Blu-ray Sales | $1,943,285 | Details |
Total North America Video Sales | $4,071,004 | |
Further financial details... |
Synopsis
Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform a 6-week sold-out run at The Talk of the Town. It is 30 years since she shot to global stardom in The Wizard of Oz, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of love seem undimmed as she embarks on a whirlwind romance with Mickey Deans, her soon-to-be fifth husband. Featuring some of her best-known songs, the film celebrates the voice, the capacity for love, and the sheer pizzazz of “the world’s greatest entertainer.”
Metrics
Movie Details
Spain Releases: | January 31st, 2020 (Wide) |
Video Release: | December 10th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for substance abuse, thematic content, some strong language, and smoking. (Rating bulletin 2576 (Cert #51854), 5/1/2019) |
Running Time: | 118 minutes |
Keywords: | Biography, Performing Arts, Biographical Drama, Addiction, Comeback, Dysfunctional Family, Single Parent, Prologue, 1950s, Movie Business, 1960s |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | LD Entertainment, Roadside Attractions, Pathe, BBC Films, Ingenious Media, Calamity Films |
Production Countries: | United Kingdom |
Languages: | English |
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December 26th, 2019
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Featured Blu-ray and DVD Review: Judy
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December 12th, 2019
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Home Market Releases for December 10th, 2019
December 11th, 2019
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October 31st, 2019
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October 24th, 2019
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October 18th, 2019
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October 10th, 2019
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October 8th, 2019
Joker easily dominated the weekend box office crushing Venom’s October record in the process. The film’s $96.20 million opening was more than 60% of the $150 million total box office earned this weekend. Furthermore, the weekend total was 64% more than last weekend, which is great news for 2019, as it has been struggling. Unfortunately, this is still 15% lower than the same weekend last year when Venom had A Star is Born opening strong as counter-programing. Year-to-date, 2019 has pulled in $8.46 billion, which is a lot, but it is 5.2% or $470 million behind 2018’s record-setting pace of $8.93 billion.
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October 3rd, 2019
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October 1st, 2019
Abominable led the way at the box office this weekend, but there wasn’t a lot to celebrate. That film merely did okay for this time of year, while there were no other new releases to boost the box office. This led to a 25% drop-off from last weekend, down to a mere $92 million. Worse still, this is 13% lower than the same weekend last year when Night School and Smallfoot were a strong one-two box office punch. We’ve had a couple of winning weeks in a row, so this loss doesn’t hurt 2019’s chances too much and the deficit is practically the same as it was last week at 5.6% or $490 million at $8.28 billion to $8.77 billion.
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September 29th, 2019
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September 28th, 2019
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Limited and VOD Releases: A Lot to Love on This Week’s List
September 27th, 2019
There are a lot of excellent films on this week’s list. Not only that, but there are a wide selections of films as well. Do you want to watch a documentary? Anthropocene: The Human Epoch is your best bet. Want to watch a potential Oscar-winning performance? Then Judy is for you. Want a Neo-Noir love story? First Love has what you need. Want to stay home and watch something on VOD? There are several choices there, both big and small.
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Judy Trailer
August 19th, 2019
Biopic starring Renée Zellweger opens September 27 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/01/31 | 9 | $258,165 | 253 | $1,020 | $258,165 | 1 | |
2020/02/07 | 12 | $118,597 | -54% | 233 | $509 | $533,176 | 2 |
2020/02/14 | 14 | $62,007 | -48% | 148 | $419 | $671,020 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/7/2020 | $51,382 | 43 | 43 | 82 | $107,712 | 3/19/2020 |
Australia | 10/18/2019 | $343,550 | 60 | 187 | 1004 | $2,115,901 | 6/16/2020 |
Brazil | 1/31/2020 | $121,156 | 215 | 215 | 215 | $162,176 | 2/7/2020 |
Bulgaria | 12/13/2019 | $5,099 | 0 | 0 | 0 | $17,408 | 1/15/2020 |
Czech Republic | 2/14/2020 | $37,415 | 97 | 97 | 176 | $73,337 | 10/19/2022 |
France | 2/28/2020 | $532,213 | 234 | 351 | 585 | $918,514 | 3/14/2020 |
Germany | 11/29/2019 | $0 | 0 | 122 | 236 | $1,501,916 | 12/18/2020 |
Italy | 1/30/2020 | $345,612 | 0 | 3 | 3 | $969,748 | 10/19/2022 |
Japan | 3/6/2020 | $270,104 | 0 | 0 | 0 | $943,477 | 3/20/2020 |
Mexico | 1/17/2020 | $192,226 | 0 | 0 | 0 | $192,226 | 10/19/2022 |
Netherlands | 11/15/2019 | $70,613 | 41 | 45 | 170 | $274,504 | 10/19/2022 |
New Zealand | 10/17/2019 | $86,371 | 48 | 55 | 326 | $340,178 | 10/19/2022 |
North America | 9/27/2019 | $2,916,548 | 461 | 1,627 | 7,575 | $24,319,961 | 6/29/2020 |
Poland | 1/3/2020 | $0 | 0 | 93 | 93 | $293,297 | 10/19/2022 |
Portugal | 10/11/2019 | $29,284 | 37 | 38 | 110 | $91,579 | 10/19/2022 |
Russia (CIS) | 10/17/2019 | $27,637 | 284 | 284 | 390 | $57,521 | 10/19/2022 |
Slovakia | 2/14/2020 | $12,897 | 42 | 42 | 64 | $29,546 | 10/19/2022 |
Slovenia | 11/22/2019 | $8,928 | 24 | 24 | 54 | $27,437 | 1/7/2020 |
South Korea | 3/25/2020 | $178,281 | 479 | 479 | 1326 | $618,775 | 5/19/2020 |
Spain | 1/31/2020 | $258,165 | 253 | 253 | 634 | $671,020 | 2/20/2020 |
Turkey | 1/3/2020 | $24,267 | 52 | 52 | 171 | $76,490 | 10/19/2022 |
United Kingdom | 10/4/2019 | $2,568,893 | 633 | 658 | 2898 | $11,692,277 | 6/16/2021 |
Worldwide Total | $45,495,000 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Renée Zellweger | Judy Garland |
Supporting Cast
Jessie Buckley | Rosalyn Wilder |
Finn Wittrock | Mickey Deans |
Rufus Sewell | Sid Luft |
Michael Gambon | Bernard Delfont |
Richard Cordery | Louis B. Mayer |
Royce Pierreson | Burt Rhodes |
Darci Shaw | Young Judy |
Andy Nyman | Dan |
Daniel Cerqueira | Stan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Rupert Goold | Director |
Tom Edge | Screenwriter |
Peter Quilter | Story based on the stage play “End of the Rainbow” by |
David Livingstone | Producer |
Cameron McCracken | Executive Producer |
Rose Garnett | Executive Producer |
Andrea Scarso | Executive Producer |
Mickey Liddell | Executive Producer |
Pete Shilaimon | Executive Producer |
Lauren Myers | Executive Producer |
Lee Dean | Executive Producer |
Aaron Levene | Executive Producer |
Charles Diamond | Executive Producer |
Ellis Goodman | Executive Producer |
Jim Spencer | Co-Producer |
Ole Bratt Birkeland | Director of Photography |
Kave Quinn | Production Designer |
Melanie Ann Oliver | Editor |
Jany Temime | Costume Designer |
Fiona Weir | Casting Director |
Alice Searby | Casting Director |
Gabriel Yared | Composer |
Matt Dunkley | Music Director |
Becky Bentham | Music Supervisor |
Karen Elliott | Music Supervisor |