Czech Republic Box Office for Joy (2015)
Theatrical Performance (US$) | ||
Czech Republic Box Office | $49,439 | Details |
Worldwide Box Office | $101,134,059 | Details |
Home Market Performance | ||
North America DVD Sales | $4,186,242 | Details |
North America Blu-ray Sales | $2,394,977 | Details |
Total North America Video Sales | $6,581,219 | |
Further financial details... |
Synopsis
Inspired by the life and times of inventor entrepreneur Joy Mangano, creator of Ingenious Designs with over $1 billion in sales, as well as inspired by elements from the lives of other historic business pioneers. The story of a family across four generations and the woman who rises to become founder and matriarch of a powerful family business dynasty.
Metrics
Movie Details
Production Budget: | $60,000,000 |
Czech Republic Releases: | January 7th, 2016 (Wide) |
Video Release: | April 8th, 2016 by Fox Home Entertainment |
MPAA Rating: | PG-13 for brief strong language. (Rating bulletin 2399 (Cert #50137), 11/11/2015) |
Running Time: | 124 minutes |
Keywords: | Entrepreneur, Inventor, Dysfunctional Family, Professional Rivalry, Biographical Drama |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Fox 2000 Pictures, Annapurna Pictures, Davis Entertainment, 10 by 10 Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 3rd, 2016
May 2nd, 2016
This week the biggest releases are busted Oscar-bait, Joy; a post-apocalyptic young adult adaptation, The 5th Wave; and the latest from Nicholas Sparks, The Choice. Joy is worth at least a rental. The other two are not. There are no major releases that are contenders for Pick of the Week, so that title will go to a smaller release, East Side Sushi on DVD. It has earned unanimously positive reviews, but no buzz.
More...
Home Market Releases for April 5th, 2016
April 5th, 2016
Star Wars: The Force Awakens hits the home market this week. Needless to say, there are very few other new releases that are tempted to compete with the highest grossing domestic hit of all time. The only other release that is a contender for Pick of the Week is Casual: Season One on DVD. I'm still waiting for the screener for that show, so The Force Awakens is the clear winner of Pick of the Week.
More...
2015 Awards Season: Oscar Preview
February 28th, 2016
It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD.
More...
2015 Awards Season: Oscar Highlight: Best Lead Actress
February 26th, 2016
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Lead Actress is not generating a lot of buzz, but one actress has been constantly winning and is the overwhelming favorite.
More...
2015 Awards Season: Oscars - Nominations
January 15th, 2016
The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
More...
2015 - Awards Season: Golden Globes - Winners
January 11th, 2016
The Golden Globes were handed out on Sunday evening. There were a few minor surprises and some infuriating results. On the other hand, no one film truly dominated, with The Revenant leading the way with just three wins. Only two other movies earned more than one win, The Martian and Steve Jobs.
More...
Weekend Wrap-Up: Star Wars misses its third Century Mark, Still Sets Multiple Records with $90.24 Million
January 4th, 2016
As expected, Star Wars: The Force Awakens dominated the weekend box office earning $90.24 million, breaking several records along the way. However, it did fall 40% over the weekend, which is a lot for this time of year. It appears The Force Awakens is acting more like a typical blockbuster hit and less like the typically leggy December release. That said, I don't think Disney is disappointed with the results so far. On the other hand, The Hateful Eight got off to a disappointing start earning third place with just a fraction of Django Unchained's opening weekend. The overall box office was down from last week, but was still an incredible $219 million. This was 26% lower than last week, but 41% higher than the same weekend last year. Year-to-date is a little less useful, as 2016 is only 3 days old, but it is 27% higher than 2015 was after the first weekend. This is even more impressive, as 2015 had an extra day before the weekend.
Contest: Joy to the World: Winning Announcement
December 29th, 2015
The winners of our Joy to the World contest were determined and the entrants with the closest predictions for Joy opening weekend were...
More...
Weekend Wrap-Up: The Force Awakens Earns $149.20 million and Daddy Hits Home Run
December 28th, 2015
Star Wars: The Force Awakens easily won the weekend race, but not by as much as anticipated. On the other hand, Daddy's Home was a surprise hit and should cruise to $100 million. None of the rest of the new releases really bombed and most will end their runs as midlevel hits. Overall, the box office fell just 5.1% from last weekend to $295 million, which is the second biggest combined weekend of all time. It was also 41% bigger than the same weekend last year and 2015's year-over-year lead grew to 7.0%. It looks like the 2015 box office will reach $11 billion when all is said and done, but we won't know for sure till we get the absolute final numbers.
More...
Weekend Estimates: Star Wars’ $153 million Christmas demolishes another set of records
December 27th, 2015
The Star Wars juggernaut continues to roll through box office records all around the world this weekend. It will pass $1 billion globally today, Sunday, in just its 12th day in release—one day faster than Jurassic World. That blockbuster figure is largely thanks to an incredible $544 million after just ten days domestically, far ahead of Jurassic World’s $402 million at the same point in its run. The Force Awakens has now broken records for every milestone from $50 million to $500 million, with more to fall. The current record for fastest to $550 million is also Jurassic World, which reached the mark in 24 days. Star Wars will do it in eleven. After that, we will start looking at some serious all-time records.
More...
The Force Awakens Doubles Previous Christmas Record with $49.34 Million
December 26th, 2015
Star Wars: The Force Awakens set another record by earning $49.34 million on Christmas Day. This more than doubles the previous record of $24.61 million held by Sherlock Holmes. However, this was only 79% more than it made on Christmas Eve, whereas Avatar rose 107% on the same day in its run. You can't even say Avatar had it easy due to weaker competition, so perhaps the explanation lies elsewhere. Perhaps a lot of people who were scared off by the crowds thus far decided to see the movie on Christmas Eve, because it is historically a slow day a the box office. That’s certainly what I was thinking. Because of this, I'm lowing my expectations for the weekend from $170 million to $160 million. This would have been a good opening weekend result for the film. It will be well above the current Record Second Weekend of $106.59 million by Jurassic World.
More...
Weekend Predictions: Will The New Releases Experience Any Joy?
December 23rd, 2015
There are five wide releases / wide expansions this week, none of which will even come close to Star Wars: The Force Awakens' second weekend of release. The rest of the box office combined won't come close to The Force Awakens' sophomore stint. It looks like Daddy's Home has the advantage for second place, while Joy should be close behind. The Big Short expands wide on Wednesday and its five-day total should be close to the previous two films' three-day totals. On the downside, it looks like both Concussion and Point Break will open on the outside of the top five. The Force Awakens will make more than the entire top ten made this weekend last year, so 2015 will end the year on a very positive note in the year-over-year comparison.
More...
Contest: Christmas Wish: Winning Announcement
December 23rd, 2015
The winners of our Christmas Wish contest were determined and the entrants with the closest predictions for Star Wars: The Force Awakens opening weekend were...
More...
Contest: Joy to the World
December 18th, 2015
Star Wars: The Force Awakens will destroy next week's new releases at the box office, but we still have to pick one of them to be the target film in this week's Box Office Prediction contest. None of them look significantly stronger than the rest and there could be a three-way race for second place. One of the films that will be in that race is Joy and its name does fit the Christmas theme of the prizes. Because of that, it is the best choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Joy.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two DVDs. There is a difference this time. Two people will earn Frankenprizes consisting of two Christmas Movies, A Christmas Detour and Ice Sculpture Christmas. The other winner will earn a Frankprize consisting of two "lumps of coal" movies.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
More...
2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
More...
2015 Preview: December
December 1st, 2015
November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/01/08 | 9 | $21,981 | 67 | $328 | $24,907 | 1 | |
2016/01/15 | 12 | $10,299 | -53% | 37 | $278 | $42,493 | 2 |
2016/01/22 | 14 | $3,815 | -63% | 20 | $191 | $49,439 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/14/2016 | $137,806 | 49 | 49 | 94 | $314,194 | 2/17/2016 |
Australia | 12/25/2015 | $1,017,398 | 304 | 304 | 1272 | $5,683,007 | 6/9/2016 |
Austria | 1/1/2016 | $166,221 | 53 | 53 | 219 | $527,184 | 6/9/2016 |
Bahrain | 12/31/2015 | $37,707 | 5 | 5 | 9 | $67,881 | 12/31/2018 |
Belgium | 1/13/2016 | $152,302 | 27 | 29 | 74 | $445,375 | 6/9/2016 |
Bolivia | 1/14/2016 | $17,352 | 7 | 7 | 12 | $37,195 | 12/31/2018 |
Brazil | 1/21/2016 | $460,354 | 147 | 147 | 408 | $1,358,552 | 6/9/2016 |
Bulgaria | 1/8/2016 | $17,581 | 31 | 31 | 86 | $54,570 | 2/26/2019 |
Central America | 1/14/2016 | $100,753 | 68 | 68 | 102 | $175,304 | 2/2/2016 |
Chile | 2/4/2016 | $32,912 | 21 | 21 | 30 | $60,278 | 12/31/2018 |
Colombia | 1/14/2016 | $99,743 | 65 | 65 | 65 | $99,743 | 12/31/2018 |
Croatia | 1/14/2016 | $40,675 | 23 | 23 | 76 | $94,132 | 12/31/2018 |
Czech Republic | 1/7/2016 | $21,981 | 67 | 67 | 124 | $49,439 | 12/31/2018 |
Denmark | 12/25/2015 | $0 | 0 | 71 | 112 | $644,794 | 6/9/2016 |
Ecuador | 1/29/2016 | $0 | 0 | 19 | 31 | $82,718 | 12/31/2018 |
Finland | 1/1/2016 | $64,196 | 39 | 42 | 207 | $375,360 | 6/9/2016 |
France | 12/30/2015 | $1,365,357 | 264 | 264 | 1026 | $3,323,140 | 6/9/2016 |
Germany | 12/31/2015 | $915,020 | 327 | 336 | 1033 | $2,204,519 | 6/9/2016 |
Greece | 12/24/2015 | $85,883 | 24 | 24 | 79 | $288,617 | 6/9/2016 |
Hong Kong | 12/31/2015 | $340,537 | 27 | 27 | 74 | $608,525 | 6/9/2016 |
Hungary | 12/31/2015 | $67,554 | 0 | 33 | 33 | $157,211 | 12/31/2018 |
India | 1/22/2016 | $0 | 0 | 10 | 10 | $220,995 | 6/9/2016 |
Iraq | 12/31/2015 | $4,404 | 3 | 3 | 6 | $9,130 | 12/31/2018 |
Israel | 12/24/2015 | $154,727 | 21 | 21 | 101 | $608,906 | 12/31/2018 |
Italy | 1/28/2016 | $1,167,709 | 323 | 333 | 935 | $2,902,599 | 6/9/2016 |
Kenya | 1/8/2016 | $0 | 0 | 13 | 13 | $6,793 | 12/31/2018 |
Kuwait | 12/31/2015 | $84,303 | 10 | 10 | 14 | $137,220 | 12/31/2018 |
Latvia | 1/1/2016 | $0 | 0 | 4 | 4 | $22,513 | 12/31/2018 |
Lebanon | 12/31/2015 | $23,969 | 6 | 6 | 15 | $107,161 | 12/31/2018 |
Lithuania | 1/22/2016 | $0 | 0 | 35 | 35 | $39,060 | 6/9/2016 |
Malaysia | 2/18/2016 | $0 | 0 | 10 | 18 | $26,260 | 6/9/2016 |
Mexico | 1/8/2016 | $509,444 | 0 | 449 | 452 | $1,409,739 | 6/9/2016 |
Netherlands | 1/7/2016 | $249,857 | 62 | 62 | 246 | $884,362 | 6/9/2016 |
New Zealand | 12/25/2015 | $59,932 | 74 | 76 | 453 | $751,167 | 6/9/2016 |
North America | 12/25/2015 | $17,015,168 | 2,896 | 2,924 | 12,291 | $56,451,232 | |
Oman | 12/31/2015 | $9,598 | 5 | 5 | 7 | $13,847 | 12/31/2018 |
Peru | 1/14/2016 | $0 | 0 | 17 | 32 | $159,701 | 12/31/2018 |
Poland | 1/8/2016 | $0 | 0 | 83 | 83 | $344,828 | 12/31/2018 |
Portugal | 1/7/2016 | $168,109 | 44 | 45 | 177 | $457,018 | 6/9/2016 |
Qatar | 12/31/2015 | $32,483 | 7 | 7 | 8 | $47,931 | 12/31/2018 |
Romania | 1/8/2016 | $53,854 | 48 | 48 | 96 | $87,764 | 12/31/2018 |
Russia (CIS) | 1/21/2016 | $242,021 | 475 | 475 | 475 | $543,431 | 12/31/2018 |
Serbia and Montenegro | 1/7/2016 | $0 | 0 | 17 | 37 | $34,940 | 12/31/2018 |
Singapore | 1/7/2016 | $112,560 | 15 | 19 | 53 | $260,155 | 6/9/2016 |
Slovakia | 1/7/2016 | $20,098 | 48 | 48 | 48 | $20,098 | 6/9/2016 |
Slovenia | 1/21/2016 | $8,118 | 14 | 14 | 48 | $32,048 | 6/9/2016 |
South Africa | 1/8/2016 | $48,375 | 39 | 40 | 79 | $102,704 | 6/9/2016 |
South Korea | 3/10/2016 | $6,201 | 0 | 405 | 665 | $1,150,906 | 9/10/2018 |
Spain | 1/8/2016 | $1,138,772 | 292 | 319 | 1147 | $3,137,805 | 6/9/2016 |
Sweden | 12/25/2015 | $211,384 | 98 | 120 | 267 | $908,592 | 6/9/2016 |
Taiwan | 12/31/2015 | $418,022 | 76 | 76 | 260 | $1,188,104 | 6/9/2016 |
Thailand | 2/18/2016 | $43,125 | 60 | 60 | 107 | $86,391 | 6/9/2016 |
Turkey | 1/8/2016 | $70,174 | 0 | 15 | 26 | $247,865 | 12/31/2018 |
Ukraine | 1/21/2016 | $0 | 0 | 14 | 17 | $45,096 | 12/31/2018 |
United Arab Emirates | 12/31/2015 | $191,608 | 32 | 32 | 62 | $532,326 | 12/31/2018 |
United Kingdom | 1/1/2016 | $2,271,273 | 507 | 532 | 1918 | $7,408,496 | 6/9/2016 |
Uruguay | 1/14/2016 | $15,861 | 7 | 8 | 20 | $59,810 | 12/31/2018 |
Rest of World | $4,035,328 | ||||||
Worldwide Total | $101,134,059 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jennifer Lawrence | Joy Mangano |
Robert De Niro | Rudy |
Bradley Cooper | Neil Walker |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David O. Russell | Director |
David O. Russell | Screenwriter |
Annie Mumolo | Story by |
David O. Russell | Story by |
John Davis | Producer |
Ken Mok | Producer |
Megan Ellison | Producer |
Jonathan Gordon | Producer |
David O. Russell | Producer |
Matthew Budman | Executive Producer |
John Fox | Executive Producer |
Mary McLaglen | Executive Producer |
Joy Mangano | Executive Producer |
George Parra | Executive Producer |
Annie Mumolo | Executive Producer |
Ethan Smith | Executive Producer |
Linus Sandgren | Director of Photography |
Judy Becker | Production Designer |
Jay Cassidy | Editor |
Alan Baumgarten | Editor |
Christopher Tellefsen | Editor |
Tom Cross | Editor |
Michele Ziegler | Co-Producer |
West Dylan Thordson | Composer |
David Campbell | Composer |
Susan Jacobs | Music Supervisor |
Michael Wilkinson | Costume Designer |
Mary Vernieu | Casting Director |
Lindsay Graham | Casting Director |
George Parra | Unit Production Manager |
Ethan Smith | Unit Production Manager |
Ben Bray | Stunt Coordinator |
Kate Kelly | Production Supervisor |
Vickie M Hsieh | Production Supervisor |
Peter Rogness | Art Director |
Heather Loeffler | Set Decorator |
Tracy Scott | Script Supervisor |
Jose Antonio Garcia | Sound Mixer |
Tim Pedegana | Post-Production Supervisor |
Elliott Eisman | First Assistant Editor |
John To | First Assistant Editor |
Tom Pilla | Second Assistant Editor |
Philip Tallman | Music Editor |
Lise Richardson | Music Editor |
David Robinson | Visual Effects Producer |
John Ross | Supervising Sound Editor |
John Ross | Re-recording Mixer |
Christian P. Minkler | Re-recording Mixer |
Renée Tondelli | Dialogue Editor |
Jason King | Sound Designer |
Sean Massey | Dialogue Editor |
Michelle Pazer | Dialogue Editor |
Christopher Welch | Dialogue Editor |
Donna Maloney | Costume Supervisor |
Virginia B. Johnson | Costume Supervisor |
Evelyne Noraz | Make up |
Bjoern Rehbein | Make up |
Aurora Bergere | Make up |
Lori McCoy-Bell | Hairstylist |
Judson Bell | Special Effects Coordinator |
Trent Claus | Visual Effects Supervisor |
Gregory D Liegey | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.