Spain Box Office for The Intern (2015)
Theatrical Performance (US$) | ||
Spain Box Office | $3,307,843 | Details |
Worldwide Box Office | $197,115,710 | Details |
Home Market Performance | ||
North America DVD Sales | $10,161,369 | Details |
North America Blu-ray Sales | $4,230,285 | Details |
Total North America Video Sales | $14,391,654 | |
Further financial details... |
Synopsis
Ben Whittaker, is a 70-year-old widower who has discovered that retirement isn’t all it’s cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Spain Releases: | October 30th, 2015 (Wide) |
Video Release: | December 22nd, 2015 by Warner Home Video |
MPAA Rating: | PG-13 for some suggestive content and brief strong language. (Rating bulletin 2368, 4/8/2015) |
Running Time: | 121 minutes |
Keywords: | Autumn Years, Retirement, Out of Retirement, Entrepreneur, Internet, Fashion, Comedy Drama |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Waverly Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 22nd, 2015
December 20th, 2015
There are two major reasons conspiring to make this week's list of home market releases terrible. Firstly, Christmas is on Friday. Even if you pre-ordered something on this list now, there's a good chance it won't get to you in time for Christmas. Secondly, the Steam Winter Sale begins on Tuesday. Of the films on this week's short list, The Brain That Wouldn't Die is the "best", for a certain definition of that word. It's a very entertaining bad movie and the Blu-ray even has the MST3K episode as an extra.
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International Box Office: Spectre has Spectacular Start
November 5th, 2015
Spectre opened in first place with $80.4 million during its seven-day opening weekend. That doesn't seem like a huge amount, especially considering some of the opening weekends we've seen on the international stage this year. However, there is a mitigating factor. It was only playing in six markets. This includes the U.K., where the film broke records with $62.82 million in 651 theaters. This is equivalent to a $300 million opening week here, which would be the record for a seven-day box office here. We shouldn't get too ahead of ourselves, as Bond films have a natural affinity for that market. It does mean Spectre has a real shot at a $100 million opening weekend here.
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Thursday Night Previews: Burnt Out
October 30th, 2015
Two of the three wide releases had Thursday previews, with Burnt having the bigger of the two films' launches. Bigger is a relative term. It only managed $250,000 during its previews, which is bad news. Its bad news for the studio, as this doesn't bode well for its box office chances. It is also bad new for me, because this is so low it is hard to find other films to compare it with. It is about 10% lower than The Green Inferno, which is about as close a match as I could find, but those two films share almost none of their respective audiences. The Intern is a closer match as far as audiences are concerned. That film earned $650,000 during its previews on its way to a $24.90 million opening weekend. Burnt has worse reviews, so it likely won't have the same internal multiplier. Even so, it should make between $7 million and $9 million, which is a little higher than predicted, but not enough to keep the studio happy.
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International Box Office: Martian Completes Another Orbit
October 28th, 2015
The Martian returned to first place with $30.0 million in 73 markets for totals of $218.8 million internationally and $385.0 million worldwide. The film's only major market opening was in France where it earned second place with $6.81 million on 560 screens. It also remained in first place in South Korea with $3.99 million on 731 screens over the weekend for a three-week total of $28.43 million. I don't know if it has broken even yet, but it is very close to getting there.
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International Box Office: Ant-Man is Big Man in China
October 22nd, 2015
Ant-Man made a triumphant return to the international chart with a first place, $43.5 million run in 3 markets for totals of $275.9 million internationally and $454.7 million worldwide. Nearly all of this weekend haul came from China, where the film opened in first place with $42.77 million. (Some are reporting it came in second place to Goodbye Mr. Loser, but they are comparing the film's weekly total to Ant-Man's opening weekend.) Depending on how much money the film cost to advertise worldwide, it might have broken even already. If not, it will get there very early in its home market run.
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International Box Office: Milestones for The Martian
October 14th, 2015
The Martian remained in first place with $58.1 million in 75 markets for totals of $119.0 million internationally and $227.7 million worldwide. $200 million worldwide was the minimum needed for the studio to save face. If it can get to $300 million worldwide, then we start talking about profitability. I don't see a way it won't get to $300 million, perhaps as early as this time next week, while $500 million worldwide is a reasonable goal to aim for. Its biggest new market of the weekend was South Korea where it earned first place with $11.09 million on 1,132 screens over the weekend for a total opening of $13.00 million. It also dominated the chart in Russia with $8.18 million on 2,246 screens. On the other hand, it only managed second place in Germany with $3.85 million on 676 screens. As far as holdovers go, the film remained in first place in the U.K. with $5.96 million in 582 theaters over the weekend for a two-week total of $20.44 million. This is about on par with its run here, which bodes well for its worldwide total.
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Weekend Wrap-Up: Box Office Celebrates Double-Milestone on Top
October 13th, 2015
There was some great news at the box office this weekend, as both The Martian and Hotel Transylvania 2 reached the century mark. On the other hand, Pan bombed performing even worse than expected. I don't think there's really any controversy in saying it bombed, as the $150 million movie opened with less than Alexander and the Terrible Horrible No Good Very Bad Day made last year. The overall depth was also weak, which led to the box office falling 21% from last week and 20% from last year. 2015 is still way ahead of 2014, $8.30 billion to $7.87 billion, and it would take a serious collapse for that lead to evaporate before the end of the year.
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Weekend Predictions: Will Pan Pan Out?
October 9th, 2015
The only wide release of the week is Pan, which is being described as critically panned, because entertainment writers have a pathological need to use puns. I hate puns and I'm still guilty of this. Despite being the only new release, Pan isn't expected to open in first place, or even second place. The Martian is expected to repeat on top, while Hotel Transylvania 2 should have another strong hold remaining in second place. This weekend last year was in some ways the polar opposite, as there were four new releases in the top ten, plus another that opened in eleventh place. However, the result was the same, as Gone Girl remained in first place. The Martian should top Gone Girl's performance, while Hotel Transylvania 2 and Pan should match Dracula Untold and Alexander and the Terrible Horrible No Good Very Bad Day. However, after that, 2014's depth seems too strong and 2015 will likely lose in the year-over-year comparison. That's fine, as 2015's lead is huge and there are still a few (nearly) guaranteed monster hits left to open this year.
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International Box Office: Mars is in Ascension
October 8th, 2015
The Martian opened in first place with $45.2 million on 9,299 screens in 50 markets. This includes a first place, 10.01 million opening on 582 theaters in the U.K. This was the biggest opening for both the director and the star. The film had a similarly strong opening in Australia earning first place with $4.28 million on 582 screens. It also earned first place in Hong Kong ($2.26 million on 70 screens) and Taiwan ($1.68 million on 137 screens). It only managed second place in Italy with $2.53 million on 464 screens and in Mexico with $2.9 million on 1,757, while it debuted in third place in Brazil with $1.82 million on 507. Overall, the film it doing about as well internationally as it did here, which is good news for Fox.
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Weekend Wrap-Up: Martian and Transylvania Help Box Office Remain Strong
October 6th, 2015
It was an interesting weekend as The Martian was in a tight race with Gravity for Biggest October Weekend. It didn't quite set the record, but it came close enough to be the big story all weekend. Hotel Transylvania 2 held on better than expected, which helped the overall box office grow 8.3% from last week to $149 million. More importantly, the top two films this year were well ahead of the top two films last year, Gone Girl and Annabelle. This helped the overall box office grow 1.8% from the same weekend last year. Most people were not expecting that. Year-to-date, 2015 now has a 6.0% lead over 2014 at $8.14 billion to $7.68 billion. It would take a relatively serious collapse for 2015 to not come out on top at the end of the year.
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Weekend Predictions: Will Martian's Opening be Out of This World?
October 2nd, 2015
The Martian is the only true wide release this week, but it might not be the only new release in the top ten. The Sci-fi adventure film is earning award-worthy reviews and is also being praised for being an inspiring portrayal of science on the big screen. Sicario is expanding its theater count to 2,500, which should push it into the top five. The Walk opened in IMAX screens on Wednesday, but it missed the top ten place and it will likely fall. This weekend last year, Gone Girl and Annabelle both opened with between $37 million and $38 million. The Martian will open with more than either of those films opened with. However, it won't open with more than both of them combined. We will need good growth from Sicario and solid legs from Hotel Transylvania 2 to match last year's result.
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International Box Office: Lost Finds Its Way to the Top
October 1st, 2015
Lost in Hong Kong opened in first place in China and internationally with $106.80 million. This is better than Monster Hunt opened with, so if it has the same legs, the box office record in China will fall for the third time this year. Speaking of records, the overall Chinese box office rose to $5 billion with three months left in the year. This is amazing.
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Weekend Wrap-Up: Hotel Transylvania Climbs into the Record Book
September 28th, 2015
Hotel Transylvania 2 was surprisingly strong this past weekend, topping expectations and entering the record book. It wasn't the only new release of the week. The Intern matched expectations nearly perfectly. On the other hand, Everest struggled and The Green Inferno barely made a peep. The overall box office pulled in $138 million, which is 22% higher than last weekend and 29% higher than the same weekend last year. 2015's lead over 2014 has grown to $470 million or 6.3%. This year we have a running tally of $7.96 billion compared to $7.49 billion from last year. There's just three months left in the year, so 2015's lead looks safer and safer every passing weekend.
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Weekend Estimates: Hotel Transylvania 2 Breaks September Record
September 27th, 2015
Hotel Transylvania 2 is off to an impressive start this weekend with a new record weekend for September, according to Sony’s estimate released on Sunday. The animated comedy is expected to earn $47.5 million, beating the record held by the first film in the franchise, which debuted with $42.5 million this time in 2012. It’s also on the high end of expectations, which had it coming in the high 30s or low 40s. It’s a welcome turnaround for Adam Sandler, after a string of flops, but even more so for Sony Pictures, which has had a dismal year so far, with no film earning more than Pixels $76.7 million before now.
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Friday Estimates: Hotel Fully Booked
September 26th, 2015
As expected, Hotel Transylvania 2 earned first place on Friday, but it did so with an unexpectedly strong result. The film pulled in $13.25 million for the day; by comparison, this is 21% higher than the first film’s debut. Sequels do tend to be a little more front loaded than the original film, but this is still a fantastic start. For instance, Cloudy with a Chance of Meatballs had a 3.72 internal multiplier of (weekend box office divided by Friday box office) while its sequel had an internal multiplier of 3.68. Granted, that's a tiny drop, but the reviews of these two films dropped dramatically, which likely had some effect. On the other hand, the two Hotel Transylvania films have earned nearly identical reviews. Hotel Transylvania earned an internal multiplier of 3.88, so if that drops to about 3.7, then Hotel Transylvania 2 would pull in about $49 million over the weekend. That's seems excessive. On the other hand, even earning just over $42.5 million and breaking the September record would be disappointing after an opening day like this.
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Weekend Predictions: Busy September Weekend is Quantity Over Quality
September 25th, 2015
There are two wide releases this week, a wide expansion, and a semi-wide release. That's a lot of films to talk about. Of the three new films, none of them are earning more than 50% positive reviews. This is sadly typical of this time of year. Hotel Transylvania 2 is easily the biggest new release of the week and the only film with a shot at $40 million. The second wide release, The Intern, and the wide expansion, Everest, should be in a tight race for second place with $20 million each. On the other hand, The Green Inferno, the semi-wide release, is staring down the barrel of the Mendoza Line. If you look at the top three films from last year and compare them to the top three films from this year, they look about the same. The Equalizer's opening is on low the end of Hotel Transylvania 2's range of expectations. Additionally, the depth this year looks better than last year. 2015 should end the month on a high note in the year-over-year comparison.
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2015 Preview: September
September 1st, 2015
As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/10/30 | 4 | $686,017 | 231 | $2,970 | $686,018 | 1 | |
2015/11/06 | 4 | $542,514 | -21% | 242 | $2,242 | $2,011,478 | 2 |
2015/11/13 | 5 | $426,016 | -21% | 252 | $1,691 | $2,653,247 | 3 |
2015/11/20 | 8 | $154,686 | -64% | 229 | $675 | $2,946,334 | 4 |
2015/11/27 | 10 | $90,217 | -42% | 138 | $654 | $3,111,873 | 5 |
2015/12/04 | 16 | $39,761 | -56% | 53 | $750 | $3,191,963 | 6 |
2015/12/11 | 18 | $31,470 | -21% | 43 | $732 | $3,254,622 | 7 |
2015/12/18 | 20 | $8,594 | -73% | 9 | $955 | $3,273,332 | 8 |
2015/12/25 | 25 | $7,900 | -8% | 4 | $1,975 | $3,285,073 | 9 |
2016/01/01 | 31 | $5,786 | -27% | 3 | $1,929 | $3,294,255 | 10 |
2016/01/08 | 38 | $3,194 | -45% | 2 | $1,597 | $3,301,307 | 11 |
2016/01/15 | 38 | $2,704 | -15% | 2 | $1,352 | $3,307,843 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/24/2015 | $424,367 | 55 | 55 | 206 | $1,301,285 | 12/30/2018 |
Australia | 10/2/2015 | $1,402,125 | 305 | 305 | 1757 | $6,717,201 | 6/9/2016 |
Austria | 9/25/2015 | $169,387 | 63 | 63 | 315 | $736,034 | 6/9/2016 |
Belgium | 9/30/2015 | $185,587 | 45 | 49 | 205 | $854,260 | 12/8/2015 |
Bolivia | 10/1/2015 | $0 | 0 | 4 | 4 | $34,617 | 12/30/2018 |
Brazil | 9/24/2015 | $568,352 | 181 | 181 | 610 | $2,258,044 | 12/16/2015 |
Bulgaria | 9/25/2015 | $27,191 | 0 | 23 | 85 | $141,454 | 12/30/2018 |
Central America | 10/1/2015 | $0 | 0 | 24 | 36 | $500,239 | 12/16/2015 |
Chile | 10/29/2015 | $75,532 | 33 | 33 | 114 | $307,795 | 12/31/2018 |
Colombia | 10/15/2015 | $161,461 | 84 | 84 | 169 | $606,280 | 12/30/2018 |
Croatia | 9/24/2015 | $0 | 0 | 6 | 6 | $155,334 | 12/30/2018 |
Czech Republic | 10/22/2015 | $50,199 | 60 | 60 | 118 | $221,627 | 12/30/2018 |
Denmark | 10/1/2015 | $231,172 | 96 | 96 | 169 | $1,837,624 | 12/1/2015 |
Ecuador | 10/2/2015 | $0 | 0 | 38 | 59 | $227,618 | 12/30/2018 |
Estonia | 9/25/2015 | $26,047 | 8 | 9 | 29 | $113,210 | 11/10/2015 |
Finland | 9/25/2015 | $68,464 | 49 | 49 | 216 | $345,831 | 12/16/2015 |
France | 10/7/2015 | $1,015,496 | 282 | 282 | 773 | $2,597,353 | 10/27/2015 |
Germany | 9/24/2015 | $1,205,780 | 517 | 529 | 2260 | $4,953,126 | 12/1/2015 |
Greece | 10/8/2015 | $148,374 | 44 | 51 | 120 | $443,530 | 10/27/2015 |
Hong Kong | 9/24/2015 | $688,183 | 35 | 36 | 245 | $3,936,786 | 12/21/2015 |
Hungary | 9/24/2015 | $160,185 | 0 | 44 | 88 | $795,321 | 12/30/2018 |
Iceland | 9/25/2015 | $9,717 | 8 | 8 | 14 | $48,411 | 12/30/2018 |
Indonesia | 9/25/2015 | $131,964 | 101 | 101 | 141 | $406,069 | 12/30/2018 |
Iraq | 9/24/2015 | $4,143 | 2 | 2 | 9 | $17,577 | 12/30/2018 |
Israel | 10/1/2015 | $0 | 0 | 29 | 267 | $1,778,538 | 12/30/2018 |
Italy | 10/15/2015 | $936,962 | 252 | 273 | 768 | $2,580,052 | 6/9/2016 |
Japan | 10/10/2015 | $1,277,597 | 272 | 274 | 1448 | $14,015,444 | 12/1/2015 |
Latvia | 9/25/2015 | $0 | 0 | 7 | 9 | $101,642 | 12/30/2018 |
Lebanon | 9/24/2015 | $40,453 | 5 | 5 | 30 | $436,240 | 12/30/2018 |
Lithuania | 9/25/2015 | $23,599 | 85 | 85 | 90 | $65,115 | 10/17/2015 |
Malaysia | 9/24/2015 | $83,479 | 49 | 49 | 143 | $241,451 | 10/27/2015 |
Mexico | 10/1/2015 | $1,039,230 | 0 | 331 | 376 | $5,940,670 | 11/25/2015 |
Netherlands | 9/24/2015 | $299,336 | 88 | 89 | 652 | $1,684,789 | 11/25/2015 |
New Zealand | 9/25/2015 | $144,302 | 63 | 67 | 408 | $614,969 | 12/21/2015 |
North America | 9/25/2015 | $17,728,313 | 3,305 | 3,320 | 19,850 | $75,764,672 | 4/21/2016 |
Peru | 10/8/2015 | $0 | 0 | 24 | 74 | $586,717 | 12/30/2018 |
Philippines | 9/24/2015 | $0 | 0 | 77 | 88 | $462,188 | 12/30/2018 |
Portugal | 10/1/2015 | $146,438 | 49 | 50 | 284 | $754,647 | 12/21/2015 |
Romania | 9/25/2015 | $109,761 | 55 | 55 | 212 | $518,904 | 12/30/2018 |
Russia (CIS) | 9/24/2015 | $1,364,206 | 923 | 923 | 2632 | $4,434,498 | 12/30/2018 |
Serbia and Montenegro | 9/24/2015 | $0 | 0 | 1 | 1 | $71,931 | 12/30/2018 |
Singapore | 9/24/2015 | $371,088 | 31 | 31 | 142 | $1,227,995 | 12/1/2015 |
Slovakia | 9/24/2015 | $64,516 | 59 | 59 | 127 | $199,250 | 10/28/2015 |
Slovenia | 9/25/2015 | $10,029 | 14 | 14 | 42 | $27,068 | 10/16/2015 |
South Africa | 9/25/2015 | $73,314 | 55 | 55 | 185 | $425,571 | 10/20/2015 |
South Korea | 9/24/2015 | $2,365,552 | 481 | 659 | 3490 | $24,746,984 | 9/22/2016 |
Spain | 10/30/2015 | $686,017 | 231 | 252 | 1208 | $3,307,843 | 6/9/2016 |
Sweden | 10/9/2015 | $0 | 0 | 89 | 177 | $1,008,546 | 12/1/2015 |
Switzerland | 9/24/2015 | $187,345 | 47 | 68 | 287 | $1,142,225 | 11/17/2015 |
Taiwan | 9/25/2015 | $762,442 | 53 | 84 | 611 | $7,687,807 | 12/21/2015 |
Thailand | 10/15/2015 | $129,235 | 53 | 53 | 214 | $713,665 | 12/1/2015 |
Turkey | 9/25/2015 | $111,323 | 79 | 79 | 269 | $694,564 | 2/26/2019 |
Ukraine | 9/24/2015 | $148,959 | 150 | 150 | 441 | $494,226 | 12/30/2018 |
United Arab Emirates | 9/24/2015 | $309,317 | 27 | 27 | 105 | $1,519,432 | 12/31/2018 |
United Kingdom | 10/2/2015 | $1,154,463 | 431 | 431 | 1480 | $4,394,340 | 6/9/2016 |
Uruguay | 10/15/2015 | $25,043 | 10 | 10 | 57 | $131,656 | 12/30/2018 |
Venezuela | 10/23/2015 | $117,497 | 19 | 33 | 112 | $2,866,948 | 12/21/2015 |
Vietnam | 9/25/2015 | $39,441 | 47 | 47 | 53 | $111,779 | 12/30/2018 |
Rest of World | $6,806,718 | ||||||
Worldwide Total | $197,115,710 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Robert De Niro | Ben |
Anne Hathaway | Jules |
Supporting Cast
Rene Russo | Fiona |
Anders Holm | Matt |
Jojo Kushner | Paige |
Andrew Rannells | Cameron |
Adam DeVine | Jason |
Zack Pearlman | Davis |
Jason Orley | Lewis |
Christina Scherer | Becky |
Nat Wolff | Justin |
Linda Lavin | Patty |
Celia Weston | Doris |
Steve Vinovich | Miles |
C.J. Wilson | Mike |
Mary Kay Place | Jule's Mom |
Erin Mackey | Jane |
Christina Brucato | Emily |
Wallis Currie-Wood | ATF Interviewer #1 |
Molly Bernard | ATF Interviewer #2 |
Paulina Singer | ATF Receptionist |
Annie Funke | ATF Creative Team |
Christine Evangelista | ATF Creative Team |
Julee Cerda | ATF Creative Team |
Peter Vack | ATF Creative Team |
Nikki Granatell | ATF Creative Team |
Liza Binkley | ATF Creative Team |
Eshan Bay | ATF Tech Team |
Caitlin Kinnunen | ATF Tech Team |
Tristan Griffin | ATF Tech Team |
Sydney Morton | Customer Service Rep |
Brandon Tyler Harris | Customer Service Rep |
Elena Shaddow | Customer Service Rep |
Liz Holtan | Customer Service Rep |
Claire Saunders | Mailroom Intern |
G. Keith Alexander | Senior Intern |
Susan Feldman | Couple in Elevator |
Mark D. Sikes* | Couple in Elevator |
Drena De Niro | Hotel Manager |
Max Von Essen | Businessman at Starbucks |
George Merrick | Businessman at Starbucks |
Casey Benjamin | Mom at School |
Ruby Motz | Child at School |
Emma Angstadt | Maddie |
Eliud Kauffman | Warehouse Foreman |
Jenny Fellner | Barista |
Sean Kleier | Bartender |
Elliot Villar | Escalade Driver |
Tiffany Chen | Tai Chi Instructor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nancy Meyers | Director |
Nancy Meyers | Screenwriter |
Nancy Meyers | Producer |
Suzanne Farwell | Producer |
Celia Costas | Executive Producer |
Stephen Goldblatt | Director of Photography |
Kristi Zea | Production Designer |
Robert Leighton | Editor |
Randall Poster | Music Supervisor |
George Drakoulias | Music Supervisor |
Theodore Shapiro | Composer |
Jacqueline Demeterio | Costume Designer |
Bernard Telsey | Casting Director |
Laray Mayfield | Casting Director |
Tiffany Little Canfield | Casting Director |
Deb Dyer | Co-Producer |
Jeffrey JP Wetzel* | Co-Producer |
Deb Dyer | Unit Production Manager |
Jeffrey JP Wetzel* | First Assistant Director |
Derek Wimble | Second Assistant Director |
Kevin Tent | Additional Editor |
Mary Bailey | Script Supervisor |
Corinne Villa | First Assistant Film Editor |
Danny Miller | First Assistant Film Editor |
Zach Fine | Assistant Editor |
W. Steven Graham | Supervising Art Director |
Doug Huszti | Art Director |
Susan Bode-Tyson* | Set Decorator |
Mark Agnes | Costume Supervisor |
Mandy Lyons | Hairstylist |
Christine Fennell-Harlan | Hairstylist |
Louise McCarthy | Make up |
Joanna McCarthy | Make up |
Stefan Mentz | Associate Producer |
Christin Mizelle | Associate Producer |
David Vaccari | Additional Casting-Casting Associate |
Jennifer Yoo | Additional Casting-Casting Assistant |
Conrad Woolfe | Additional Casting-Casting Assistant |
Bruce Jones | Visual Effects Supervisor |
Mark Russell | Visual Effects Supervisor |
Hameed Shaukat | Visual Effects Supervisor |
Mitchell Ferm | Visual Effects Producer |
Dennis Drummond | Supervising Sound Editor |
Sean Massey | Supervising Sound Editor |
Andrew Silver | Supervising Music Editor |
Tateum Kohut | Re-recording Mixer |
Greg Orloff | Re-recording Mixer |
Lisa Rodgers | Post-Production Supervisor |
Heidi Vogel | Post-Production Supervisor |
Katrina Schiller | Music Editor |
Alison Fisher | Dialogue Editor |
Jamey Scott | Sound Effects Editor |
Alex Hillkurtz | Second Unit Director |
G. A. Aguilar | Second Unit Director |
Bruce Jones | Second Unit Director |
John Silvestri | First Assistant Director |
Christopher Surgent | First Assistant Director |
Travis Rehwaldt | Second Assistant Director |
Victor Paguia | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.