Australia Box Office for The Man Who Killed Don Quixote (2018)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $47,813 | Details |
| Worldwide Box Office | $2,454,089 | Details |
| Home Market Performance | ||
| North America DVD Sales | $80,062 | Details |
| North America Blu-ray Sales | $53,614 | Details |
| Total North America Video Sales | $133,676 | |
| Further financial details... | ||
Synopsis
Toby, a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth—a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?
Metrics
Movie Details
| Australia Releases: | April 12th, 2019 (Wide), released as The Man Who Killed Don Quixote |
| Video Release: | June 4th, 2019 by Screen Media Video |
| MPAA Rating: | Not Rated |
| Running Time: | 132 minutes |
| Keywords: | Voiceover/Narration, Movie Director, Set in Spain, Life in a Small Town, Mental Illness, Faulty Memory |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Multiple Creative Types |
| Production/Financing Companies: | Tornasol Films, Kinology, Recorded Picture Company, Entre Chien et Loup, Ukbar Filmes, TVE., Movistar Plus, Eurimages, Wallimage, Alacran Pictures |
| Production Countries: | Belgium, France, Portugal, Spain, United Kingdom |
| Languages: | English, Spanish |
Limited and VOD Releases: Taking a Highway to Hell
April 12th, 2019
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Her Smell is arguably the biggest hit on this week’s list of new films in limited release. Meanwhile, Penguin Highway has 100% positive reviews and Wild Nights With Emily isn’t that far behind. Hopefully all three, and maybe some others on this week’s list, can find an audience.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/04/12 | - | $12,628 | 8 | $1,579 | $12,628 | 1 | |
| 2019/04/19 | - | $8,180 | -35% | 9 | $909 | $26,457 | 2 |
| 2019/04/26 | - | $5,311 | -35% | 5 | $1,062 | $37,661 | 3 |
| 2019/05/03 | - | $2,784 | -48% | 5 | $557 | $42,422 | 4 |
| 2019/05/10 | - | $1,796 | -35% | 7 | $257 | $45,090 | 5 |
| 2019/05/31 | - | $597 | 1 | $597 | $47,813 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $12,628 | 8 | 9 | 35 | $47,813 | 6/4/2019 |
| Bulgaria | 11/2/2018 | $2,078 | 0 | 0 | 0 | $17,168 | 2/26/2019 |
| Czech Republic | 7/6/2018 | $5,966 | 35 | 35 | 35 | $5,966 | 7/19/2018 |
| France | 5/18/2018 | $0 | 0 | 0 | 0 | $868,171 | 6/15/2018 |
| Italy | 9/27/2018 | $226,827 | 0 | 0 | 0 | $384,654 | 10/8/2018 |
| Netherlands | 7/27/2018 | $29,137 | 31 | 31 | 88 | $104,725 | 9/12/2018 |
| North America | 4/10/2019 | $12,756 | 10 | 756 | 57 | $391,963 | |
| Poland | 8/10/2018 | $50,757 | 0 | 0 | 0 | $50,757 | 1/1/2019 |
| Portugal | 2/17/2022 | $17,097 | 43 | 43 | 92 | $43,045 | 10/20/2022 |
| Russia (CIS) | 9/27/2018 | $71,557 | 279 | 279 | 304 | $170,117 | 2/12/2019 |
| Slovakia | 7/6/2018 | $1,782 | 19 | 19 | 29 | $4,071 | 9/7/2018 |
| South Korea | 5/23/2019 | $14,972 | 40 | 40 | 63 | $39,074 | 6/13/2019 |
| Spain | 6/1/2018 | $96,689 | 109 | 109 | 256 | $224,220 | 8/14/2018 |
| Turkey | 12/7/2018 | $4,130 | 24 | 24 | 54 | $13,474 | 12/27/2018 |
| United Kingdom | 1/31/2020 | $88,871 | 25 | 25 | 25 | $88,871 | 2/5/2020 |
| Worldwide Total | $2,454,089 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Adam Driver | Toby |
| Jonathan Pryce | Don Quixote |
| Olga Kurylenko | Jacqui |
| Stellan Skarsgård | The Boss |
| Joana Ribeiro | Angelica |
Supporting Cast
| Oscar Jaenada | Gypsy |
| Jason Watkins | Rupert |
| Sergi Lopez | Farmer |
| Rossy de Palma | Farmer’s Wife |
| Hovik Keuchkerian | Raul/Knight of the Mirrors |
| Jordi Molla | Alexei Mishkin |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Terry Gilliam | Director |
| Terry Gilliam | Screenwriter |
| Tony Grisoni | Screenwriter |
| Gerardo Herrero | Producer |
| Mariela Besuievsky | Producer |
| Amy Gilliam | Producer |
| Gregoire Melin | Producer |
| Sebastien Delloye | Producer |
| Pandora Da Cunha | Co-Producer |
| Pablo Iraola | Co-Producer |
| Jeremy Thomas | Executive Producer |
| Peter Watson | Executive Producer |
| Alessandra Lo Savio | Executive Producer |
| Giorgia Lo Savio | Executive Producer |
| Javier Lopez Blanco | Executive Producer |
| François Touwaide | Executive Producer |
| Yousaf Bokhari | Line Producer |
| Nicola Pecorini | Director of Photography |
| Lesley Walker | Editor |
| Teresa Font | Editor |
| Roque Banos | Composer |
| Benjamin Fernandez | Production Designer |
| Edou Hydallgo | Set Decorator |
| Pierre Mertens | Sound Mixer |
| Thomas Gauder | Re-recording Mixer |
| Lena Mossum | Costume Designer |
| Irene Lamb | Casting Director |
| Camilla Valentine Isola | Casting Director |