El Hombre que mato a Don Quijote (2018)

El Hombre que mato a Don Quijote
Theatrical Performance
Domestic Box Office $391,963Details
International Box Office $2,062,126Details
Worldwide Box Office $2,454,089
Home Market Performance
Est. Domestic DVD Sales $79,902 Details
Est. Domestic Blu-ray Sales $50,854 Details
Total Est. Domestic Video Sales $130,756
Further financial details...

Synopsis

Toby, a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth—a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

Metrics

Opening Weekend:$12,756 (3.3% of total gross)
Legs:30.73 (domestic box office/biggest weekend)
Domestic Share:16.0% (domestic box office/worldwide)
Theater counts:10 opening theaters/756 max. theaters, 0.1 weeks average run per theater
Infl. Adj. Dom. BO $461,276

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,301-10,400) 10,368 $391,963
All Time International Box Office (Rank 8,701-8,800) 8,711 $2,062,126
All Time Worldwide Box Office (Rank 12,201-12,300) 12,287 $2,454,089
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,752 $391,963

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: April 10th, 2019 (Special Engagement) by Fathom Events, released as The Man Who Killed Don Quixote
April 19th, 2019 (Limited) by Screen Media Films, released as The Man Who Killed Don Quixote
International Releases: May 18th, 2018 (Wide), released as The Man Who Killed Don Quixote (France)
June 1st, 2018 (Wide) (Spain)
July 6th, 2018 (Wide), released as Muž, který zabil Dona Quijota (Czech Republic)
July 6th, 2018 (Wide), released as Muž, ktorý zabil Dona Quijota (Slovakia)
July 27th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: June 4th, 2019 by Screen Media Video, released as The Man Who Killed Don Quixote
MPAA Rating: Not Rated
Running Time: 132 minutes
Comparisons: vs. Dolor y gloria
Create your own comparison chart…
Keywords: Voiceover/Narration, Movie Director, Set in Spain, Life in a Small Town, Mental Illness, Faulty Memory
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Multiple Creative Types
Production/Financing Companies: Tornasol Films, Kinology, Recorded Picture Company, Entre Chien et Loup, Ukbar Filmes, TVE., Movistar Plus, Eurimages, Wallimage, Alacran Pictures
Production Countries: Belgium, France, Portugal, Spain, United Kingdom
Languages: English, Spanish

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,301-10,400) 10,368 $391,963
All Time Domestic Inflation Adjusted Box Office (Rank 10,101-10,200) 10,117 $461,276
All Time Domestic Non-Sequel Box Office (Rank 9,401-9,500) 9,451 $391,963
Top 2019 Movies at the Domestic Box Office (Rank 201-300) 266 $391,963
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,752 $391,963
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 3,001-3,100) 3,029 $461,276
Top 2019 Limited Release Movies at the Domestic Box Office (Rank 101-200) 120 $391,963
All Time Domestic Box Office for Original Screenplay Movies (Rank 5,301-5,400) 5,340 $391,963
All Time Domestic Box Office for Live Action Movies (Rank 9,201-9,300) 9,261 $391,963
All Time Domestic Box Office for Multiple Creative Types Movies 34 $391,963
All Time Domestic Box Office for Drama Movies (Rank 2,801-2,900) 2,853 $391,963
All Time Domestic Box Office for Not Rated Movies (Rank 1,101-1,200) 1,121 $391,963
All Time Domestic Box Office for Fathom Events Movies 43 $391,963

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 19, 2019 65 $12,756   10 $1,276   $327,624 1
May 17, 2019 56 $9,104   12 $759   $362,807 5
May 24, 2019 64 $7,047 -23% 11 $641   $373,658 6
May 31, 2019 57 $4,674 -34% 10 $467   $380,679 7
Jul 5, 2019 73 $1,046   12 $87   $390,833 12
Jul 12, 2019 75 $1,130 +8% 2 $565   $391,963 13

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Apr 10, 2019 8 $314,868   756 $416   $314,868 1

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 5, 2019 19 $314,868   756 $416   $314,868 1
May 10, 2019 53 $17,519   14 $1,251   $353,703 4
May 17, 2019 57 $12,908 -26% 12 $1,076   $366,611 5
May 24, 2019 69 $9,394 -27% 11 $854   $376,005 6
May 31, 2019 60 $8,529 -9% 10 $853   $384,534 7
Jun 7, 2019 - $4,546 -47% 4 $1,137   $389,080 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 4/12/2019 $12,628 8 9 35 $47,813 6/4/2019
Bulgaria 11/2/2018 $2,078 0 0 0 $17,168 2/26/2019
Czech Republic 7/6/2018 $5,966 35 35 35 $5,966 7/19/2018
France 5/18/2018 $0 0 0 0 $868,171 6/15/2018
Italy 9/27/2018 $226,827 0 0 0 $384,654 10/8/2018
Netherlands 7/27/2018 $29,137 31 31 88 $104,725 9/12/2018
Poland 8/10/2018 $50,757 0 0 0 $50,757 1/1/2019
Portugal 2/17/2022 $17,097 43 43 92 $43,045 10/20/2022
Russia (CIS) 9/27/2018 $71,557 279 279 304 $170,117 2/12/2019
Slovakia 7/6/2018 $1,782 19 19 29 $4,071 9/7/2018
South Korea 5/23/2019 $14,972 40 40 63 $39,074 6/13/2019
Spain 6/1/2018 $96,689 109 109 256 $224,220 8/14/2018
Turkey 12/7/2018 $4,130 24 24 54 $13,474 12/27/2018
United Kingdom 1/31/2020 $88,871 25 25 25 $88,871 2/5/2020
 
International Total$2,062,126 10/20/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 8,701-8,800) 8,711 $2,062,126
All Time International Non-Sequel Box Office (Rank 7,701-7,800) 7,761 $2,062,126
All Time International Box Office for Original Screenplay Movies (Rank 4,701-4,800) 4,716 $2,062,126
All Time International Box Office for Live Action Movies (Rank 7,201-7,300) 7,248 $2,062,126
All Time International Box Office for Multiple Creative Types Movies 11 $2,062,126
All Time International Box Office for Drama Movies (Rank 2,201-2,300) 2,228 $2,062,126
All Time International Box Office for Not Rated Movies (Rank 801-900) 860 $2,062,126
All Time International Box Office for Fathom Events Movies 16 $2,062,126

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 12,201-12,300) 12,287 $2,454,089
All Time Worldwide Non-Sequel Box Office (Rank 11,101-11,200) 11,113 $2,454,089
All Time Worldwide Box Office for Original Screenplay Movies (Rank 6,601-6,700) 6,626 $2,454,089
All Time Worldwide Box Office for Live Action Movies (Rank 10,501-10,600) 10,525 $2,454,089
All Time Worldwide Box Office for Multiple Creative Types Movies 22 $2,454,089
All Time Worldwide Box Office for Drama Movies (Rank 3,101-3,200) 3,129 $2,454,089
All Time Worldwide Box Office for Not Rated Movies (Rank 1,201-1,300) 1,220 $2,454,089
All Time Worldwide Box Office for Fathom Events Movies 38 $2,454,089

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Adam Driver Toby
Jonathan Pryce Don Quixote
Olga Kurylenko Jacqui
Stellan Skarsgård The Boss
Joana Ribeiro Angelica

Supporting Cast

Oscar Jaenada Gypsy
Jason Watkins Rupert
Sergi Lopez Farmer
Rossy de Palma Farmer’s Wife
Hovik Keuchkerian Raul/Knight of the Mirrors
Jordi Molla Alexei Mishkin

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Terry Gilliam Director
Terry Gilliam Screenwriter
Tony Grisoni Screenwriter
Gerardo Herrero Producer
Mariela Besuievsky Producer
Amy Gilliam Producer
Gregoire Melin Producer
Sebastien Delloye Producer
Pandora Da Cunha Co-Producer
Pablo Iraola Co-Producer
Jeremy Thomas Executive Producer
Peter Watson Executive Producer
Alessandra Lo Savio Executive Producer
Giorgia Lo Savio Executive Producer
Javier Lopez Blanco Executive Producer
François Touwaide Executive Producer
Yousaf Bokhari Line Producer
Nicola Pecorini Director of Photography
Lesley Walker Editor
Teresa Font Editor
Roque Banos Composer
Benjamin Fernandez Production Designer
Edou Hydallgo Set Decorator
Pierre Mertens Sound Mixer
Thomas Gauder Re-recording Mixer
Lena Mossum Costume Designer
Irene Lamb Casting Director
Camilla Valentine Isola Casting Director

Limited and VOD Releases: Taking a Highway to Hell

April 12th, 2019

Penguin Highway

Her Smell is arguably the biggest hit on this week’s list of new films in limited release. Meanwhile, Penguin Highway has 100% positive reviews and Wild Nights With Emily isn’t that far behind. Hopefully all three, and maybe some others on this week’s list, can find an audience. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Toby, a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth—a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

Metrics

Opening Weekend:$12,756 (3.3% of total gross)
Legs:30.73 (domestic box office/biggest weekend)
Domestic Share:16.0% (domestic box office/worldwide)
Theater counts:10 opening theaters/756 max. theaters, 0.1 weeks average run per theater
Infl. Adj. Dom. BO $461,276

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,301-10,400) 10,368 $391,963
All Time International Box Office (Rank 8,701-8,800) 8,711 $2,062,126
All Time Worldwide Box Office (Rank 12,201-12,300) 12,287 $2,454,089
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,752 $391,963

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: April 10th, 2019 (Special Engagement) by Fathom Events, released as The Man Who Killed Don Quixote
April 19th, 2019 (Limited) by Screen Media Films, released as The Man Who Killed Don Quixote
International Releases: May 18th, 2018 (Wide), released as The Man Who Killed Don Quixote (France)
June 1st, 2018 (Wide) (Spain)
July 6th, 2018 (Wide), released as Muž, který zabil Dona Quijota (Czech Republic)
July 6th, 2018 (Wide), released as Muž, ktorý zabil Dona Quijota (Slovakia)
July 27th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: June 4th, 2019 by Screen Media Video, released as The Man Who Killed Don Quixote
MPAA Rating: Not Rated
Running Time: 132 minutes
Comparisons: vs. Dolor y gloria
Create your own comparison chart…
Keywords: Voiceover/Narration, Movie Director, Set in Spain, Life in a Small Town, Mental Illness, Faulty Memory
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Multiple Creative Types
Production/Financing Companies: Tornasol Films, Kinology, Recorded Picture Company, Entre Chien et Loup, Ukbar Filmes, TVE., Movistar Plus, Eurimages, Wallimage, Alacran Pictures
Production Countries: Belgium, France, Portugal, Spain, United Kingdom
Languages: English, Spanish

Lead Ensemble Members

Adam Driver Toby
Jonathan Pryce Don Quixote
Olga Kurylenko Jacqui
Stellan Skarsgård The Boss
Joana Ribeiro Angelica

Supporting Cast

Oscar Jaenada Gypsy
Jason Watkins Rupert
Sergi Lopez Farmer
Rossy de Palma Farmer’s Wife
Hovik Keuchkerian Raul/Knight of the Mirrors
Jordi Molla Alexei Mishkin

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Terry Gilliam Director
Terry Gilliam Screenwriter
Tony Grisoni Screenwriter
Gerardo Herrero Producer
Mariela Besuievsky Producer
Amy Gilliam Producer
Gregoire Melin Producer
Sebastien Delloye Producer
Pandora Da Cunha Co-Producer
Pablo Iraola Co-Producer
Jeremy Thomas Executive Producer
Peter Watson Executive Producer
Alessandra Lo Savio Executive Producer
Giorgia Lo Savio Executive Producer
Javier Lopez Blanco Executive Producer
François Touwaide Executive Producer
Yousaf Bokhari Line Producer
Nicola Pecorini Director of Photography
Lesley Walker Editor
Teresa Font Editor
Roque Banos Composer
Benjamin Fernandez Production Designer
Edou Hydallgo Set Decorator
Pierre Mertens Sound Mixer
Thomas Gauder Re-recording Mixer
Lena Mossum Costume Designer
Irene Lamb Casting Director
Camilla Valentine Isola Casting Director

Limited and VOD Releases: Taking a Highway to Hell

April 12th, 2019

Penguin Highway

Her Smell is arguably the biggest hit on this week’s list of new films in limited release. Meanwhile, Penguin Highway has 100% positive reviews and Wild Nights With Emily isn’t that far behind. Hopefully all three, and maybe some others on this week’s list, can find an audience. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,301-10,400) 10,368 $391,963
All Time Domestic Inflation Adjusted Box Office (Rank 10,101-10,200) 10,117 $461,276
All Time Domestic Non-Sequel Box Office (Rank 9,401-9,500) 9,451 $391,963
Top 2019 Movies at the Domestic Box Office (Rank 201-300) 266 $391,963
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,752 $391,963
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 3,001-3,100) 3,029 $461,276
Top 2019 Limited Release Movies at the Domestic Box Office (Rank 101-200) 120 $391,963
All Time Domestic Box Office for Original Screenplay Movies (Rank 5,301-5,400) 5,340 $391,963
All Time Domestic Box Office for Live Action Movies (Rank 9,201-9,300) 9,261 $391,963
All Time Domestic Box Office for Multiple Creative Types Movies 34 $391,963
All Time Domestic Box Office for Drama Movies (Rank 2,801-2,900) 2,853 $391,963
All Time Domestic Box Office for Not Rated Movies (Rank 1,101-1,200) 1,121 $391,963
All Time Domestic Box Office for Fathom Events Movies 43 $391,963

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 19, 2019 65 $12,756   10 $1,276   $327,624 1
May 17, 2019 56 $9,104   12 $759   $362,807 5
May 24, 2019 64 $7,047 -23% 11 $641   $373,658 6
May 31, 2019 57 $4,674 -34% 10 $467   $380,679 7
Jul 5, 2019 73 $1,046   12 $87   $390,833 12
Jul 12, 2019 75 $1,130 +8% 2 $565   $391,963 13

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Apr 10, 2019 8 $314,868   756 $416   $314,868 1

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 5, 2019 19 $314,868   756 $416   $314,868 1
May 10, 2019 53 $17,519   14 $1,251   $353,703 4
May 17, 2019 57 $12,908 -26% 12 $1,076   $366,611 5
May 24, 2019 69 $9,394 -27% 11 $854   $376,005 6
May 31, 2019 60 $8,529 -9% 10 $853   $384,534 7
Jun 7, 2019 - $4,546 -47% 4 $1,137   $389,080 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 4/12/2019 $12,628 8 9 35 $47,813 6/4/2019
Bulgaria 11/2/2018 $2,078 0 0 0 $17,168 2/26/2019
Czech Republic 7/6/2018 $5,966 35 35 35 $5,966 7/19/2018
France 5/18/2018 $0 0 0 0 $868,171 6/15/2018
Italy 9/27/2018 $226,827 0 0 0 $384,654 10/8/2018
Netherlands 7/27/2018 $29,137 31 31 88 $104,725 9/12/2018
Poland 8/10/2018 $50,757 0 0 0 $50,757 1/1/2019
Portugal 2/17/2022 $17,097 43 43 92 $43,045 10/20/2022
Russia (CIS) 9/27/2018 $71,557 279 279 304 $170,117 2/12/2019
Slovakia 7/6/2018 $1,782 19 19 29 $4,071 9/7/2018
South Korea 5/23/2019 $14,972 40 40 63 $39,074 6/13/2019
Spain 6/1/2018 $96,689 109 109 256 $224,220 8/14/2018
Turkey 12/7/2018 $4,130 24 24 54 $13,474 12/27/2018
United Kingdom 1/31/2020 $88,871 25 25 25 $88,871 2/5/2020
 
International Total$2,062,126 10/20/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 8,701-8,800) 8,711 $2,062,126
All Time International Non-Sequel Box Office (Rank 7,701-7,800) 7,761 $2,062,126
All Time International Box Office for Original Screenplay Movies (Rank 4,701-4,800) 4,716 $2,062,126
All Time International Box Office for Live Action Movies (Rank 7,201-7,300) 7,248 $2,062,126
All Time International Box Office for Multiple Creative Types Movies 11 $2,062,126
All Time International Box Office for Drama Movies (Rank 2,201-2,300) 2,228 $2,062,126
All Time International Box Office for Not Rated Movies (Rank 801-900) 860 $2,062,126
All Time International Box Office for Fathom Events Movies 16 $2,062,126

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 12,201-12,300) 12,287 $2,454,089
All Time Worldwide Non-Sequel Box Office (Rank 11,101-11,200) 11,113 $2,454,089
All Time Worldwide Box Office for Original Screenplay Movies (Rank 6,601-6,700) 6,626 $2,454,089
All Time Worldwide Box Office for Live Action Movies (Rank 10,501-10,600) 10,525 $2,454,089
All Time Worldwide Box Office for Multiple Creative Types Movies 22 $2,454,089
All Time Worldwide Box Office for Drama Movies (Rank 3,101-3,200) 3,129 $2,454,089
All Time Worldwide Box Office for Not Rated Movies (Rank 1,201-1,300) 1,220 $2,454,089
All Time Worldwide Box Office for Fathom Events Movies 38 $2,454,089

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.