Mexico Box Office for La maldición renace (2019)
Theatrical Performance (US$) | ||
Mexico Box Office | $1,872,870 | Details |
Worldwide Box Office | $49,503,117 | Details |
Home Market Performance | ||
North America DVD Sales | $638,701 | Details |
North America Blu-ray Sales | $421,171 | Details |
Total North America Video Sales | $1,059,872 | |
Further financial details... |
Synopsis
A house is cursed by a vengeful ghost that dooms those who enter it with a violent death.
Metrics
Movie Details
Production Budget: | $10,000,000 |
Mexico Releases: | February 14th, 2020 (Wide), released as La maldición renace |
Video Release: | March 10th, 2020 by Lionsgate Home Entertainment |
MPAA Rating: | R for disturbing violence and bloody images, terror and some language. (Rating bulletin 2600 (Cert #52323), 10/16/2019) |
Running Time: | 94 minutes |
Franchise: | Grudge |
Keywords: | Haunted House, Haunting, Reboot, Delayed Sequel, Supernatural Horror, Supernatural, Curses, Possessed, Suicide, Non-Chronological, 2000s, Terminal Illness, Faulty Memory, Police Detective |
Source: | Based on Movie |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Screen Gems, Stage 6 Films, Ghost House Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 24th, 2020
March 23rd, 2020
The COVID-19 outbreak had basically ended the theatrical market with most theaters closed. Only drive-ins are showing any signs of life. Unfortunately, this is having an effect on the home market as well, some of it positive, some of it very negative. There is a rush to get movies from theaters to the home market and that’s helping improve the list this week. On the other hand, uncertainty with supply chains and stores being open means we could have a very short list next weekend, and next month. There are some big releases this week, including 1917, while Birds of Prey leads the VOD list. However, for Pick of the Week, I went with a much older film, Leave Her to Heaven, which is getting a Criterion Collection release this week.
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Home Market Releases for March 10th, 2020
March 11th, 2020
It’s another terrible week on the home market. There are a couple of Oscar-bait releases to talk about, but neither are Pick of the Week contenders, at least in my opinion. There are no movies that are anything more than midlevel hits. The best new release of the week, at least in my opinion, is Love, Chunibyo & Other Delusions: Ultimate Collector’s Edition Blu-ray.
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Weekend Estimates: Bad Boys Enjoy Life at the Top
February 2nd, 2020
Bad Boys for Life is extending its run at the top of the chart the weekend with Sony projecting a total of $17.675 million as of Sunday morning. That’s down 48% from last weekend, which is another solid hold, and takes the film to the brink of $150 million at the domestic box office—it’s expected to have around $148 million by close of business. The studio is baking in a big 71% drop today thanks to competition with the Super Bowl, so it may end up doing just a little better than predicted.
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Weekend Predictions: The Box Office Looks far from Super
January 31st, 2020
It is Super Bowl weekend, which is one of the biggest media events of the year. Even people who have no interest in the NFL tend to at least pay attention to the game. Because of that, no studio wants to release a typical film this time of year and instead focus on counter-programming, usually female-led counter-programming. Neither The Rhythm Section nor Gretel and Hansel are expected to challenge Bad Boys for Life for first place, but the pair could be in a close race with each other. This weekend last year, no movie earned $10 million or more, while Miss Bala opened with less than $10 million. 2020 should end the month on a huge winning note.
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Weekend Estimates: Bad Boys are Doing Well
January 26th, 2020
Bad Boys for Life will remain in first place on the weekend chart with an estimated $34.0 million, which is down just 46% from the film’s opening weekend. This amazing hold not only beat predictions by a significant margin, it helped the film blow past $100 million yesterday. Its running tally will sit at $120.0 million at the end of the weekend, assuming the estimate holds. Internationally, the film held even better, earning $42 million on 12,700 screens in 58 markets for a total of $95 million so far. This includes a $4.7 million debut in Russia, as well as a $3.5 million hold in the U.K. The film is already ahead of the franchise average, both domestically and globally, while it is rapidly approaching first place in both. At this rate, not only will there be yet another sequel, I could see a spin-off happening as well.
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Friday Estimates: Audiences Turn Away from New Releases
January 25th, 2020
Bad Boys for Life remained in first place earning $8.93 million on Friday, down 62% from its opening Friday. This is significantly better than anticipated and it means the film could fall less than 50% during the full weekend. Regardless, the film will reach $100 million domestically tonight, becoming the first film released in 2020 to get to that milestone. Obviously it won’t be the last.
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Weekend Predictions: The Box Office will have a Gentle Weekend
January 23rd, 2020
It is a post-holiday weekend and the weekend before the Super Bowl. Needless to say, there are no prime releases coming out in theaters. The Gentlemen is the widest release of the week a should open in the top five, even if it doesn’t compete for top spot. The Turning is a low-budget horror movie, and we’ve already had one of those struggle at the box office this year. There’s little hope this one will be better. Finally, there’s The Last Full Measure, which is only opening nationwide, not even semi-wide. It’s not even going to make the top ten, so we will talk about that film with the other limited releases. This leaves Bad Boys for Life as the only real contender for first place this weekend. The question is more about how far it falls from last weekend. As for this weekend last year, we were in a similar situation with the two new releases, The Kid Who Would Be King and Serenity, failing to make any real impact, leaving Glass in first place for the second weekend in a row. The Upside was the only other film to earn more than $10 million that weekend, while this weekend we will have four, perhaps even five films above $10 million. 2020 should walk away with an easy win.
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Weekend Wrap-Up: Star Wars Earns Trilogy of Wins with $34.5 Million
January 7th, 2020
2020 got off to a great start with The Grudge opening better than expected, while most of the holdovers also held strong. Granted, it is still a post-holiday weekend and the total box office did fall 28% from last weekend earning $142 million. However, this is 2.4% higher than the first weekend of last year and that’s a much more important figure. It’s way too early for the year-to-date comparisons to matter, but 2020 did get off to a faster start than 2019 did and has a 7.7% / $17 million lead at $231 million to $215 million. Again, it is way too early to make any predictions, but any victory now will make it easier for 2020 to keep pace with last year during the inevitable slow times.
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Weekend Estimates: Skywalker Slips on Saturday, Still Scores First Place
January 5th, 2020
Star Wars: The Rise of Skywalker isn’t going to live up to projections based on Friday estimates, but it is still expected to land a little north of weekend predictions with an estimated weekend haul of $33.74 million for a three-week total of $450.80 million. A 53% decline at this time of year isn’t a great result and it is clear the film’s reviews and its mere B plus from CinemaScore are not doing it any favors. That said, it is still one of the biggest hits released in 2019, both domestically and worldwide. Internationally, the film is pulling in $50.5 million in 53 markets for totals of $468.0 million internationally and $918.8 million worldwide. The film had no major market openings this weekend, but it debuts in South Korea and the Philippines this coming weekend and that should help it hit $1 billion worldwide.
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Friday Estimates: Skywalker is still Sky High, Grudge Makes Many Moviegoers Mad
January 4th, 2020
It looks like it is going to be a good weekend at the box office, as Star Wars: The Rise of Skywalker is beating expectations at the box office, and it isn’t the only film to do so. The latest in the Star Wars franchise earned an estimated $11.0 million on Friday, putting it on pace for $37 million over the full weekend. The film needed about $31 million to remain on pace to hit $500 million domestically, so with this result, it is no longer a matter of if it will get there, but how fast it will get there. On the other hand, this is not enough to make a realistic run at The Lion King for second place on the 2019 domestic chart.
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Thursday Night Previews: Grudge Grabs $1.8 million in Previews
January 3rd, 2020
The Grudge is the only new wide release, so that should have given it an advantage this weekend and its previews suggest that will be the case. The film managed $1.8 million from previews on Thursday, which isn’t that far behind the $2.3 million Escape Room earned during its previews this time last year. Granted, its reviews are not going to be a selling point, but even so, the film has an excellent shot at topping my $10 million prediction by a huge margin. It looks like 2020 will get off to a fast start.
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Weekend Predictions: Can the Grudge Hold Audience’s Attention?
January 2nd, 2020
It is the first weekend of the new year and the only wide release to talk about is a low-budget horror movie, The Grudge, with nearly no buzz and almost no reviews. Unfortunately, it has almost no chance of matching last year’s low-budget horror film, Escape Room. Fortunately, this year’s holdovers, led by Star Wars: The Rise of Skywalker, will outpace last year’s holdovers giving 2020 its first win during the first weekend of the year.
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2020 Preview: January
January 1st, 2020
It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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The Grudge Trailer
October 30th, 2019
Horror movie starring Andrea Riseborough opens January 3 ... Full Movie Details.
A house is cursed by a vengeful ghost that dooms those who enter it with a violent death.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/02/14 | 4 | $969,305 | 0 | $969,305 | 1 | ||
2020/02/21 | 8 | $292,351 | -70% | 0 | $1,594,642 | 2 | |
2020/02/28 | - | $69,631 | -76% | 301 | $231 | $1,817,218 | 3 |
2020/03/06 | - | $13,176 | -81% | 72 | $183 | $1,864,968 | 4 |
2020/03/13 | - | $1,369 | -90% | 11 | $124 | $1,871,915 | 5 |
2020/03/20 | - | $326 | -76% | 3 | $109 | $1,872,870 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/13/2020 | $187,334 | 130 | 130 | 242 | $346,141 | 3/17/2020 |
Aruba | 1/2/2020 | $1,325 | 3 | 3 | 5 | $2,509 | 1/15/2020 |
Australia | 1/31/2020 | $1,490,258 | 184 | 184 | 1509 | $1,073,943 | 8/28/2020 |
Austria | 1/10/2020 | $125,984 | 59 | 62 | 254 | $331,682 | 10/19/2022 |
Bahrain | 1/2/2020 | $51,718 | 10 | 10 | 19 | $111,510 | 1/29/2020 |
Belgium | 1/15/2020 | $116,607 | 39 | 39 | 161 | $326,305 | 2/25/2020 |
Bolivia | 2/13/2020 | $15,827 | 20 | 20 | 33 | $33,502 | 3/9/2020 |
Brazil | 2/13/2020 | $335,249 | 468 | 468 | 835 | $663,514 | 3/23/2020 |
Cambodia | 1/2/2020 | $48,914 | 68 | 68 | 135 | $106,862 | 1/22/2020 |
Central America | 2/13/2020 | $89,213 | 120 | 120 | 151 | $134,650 | 3/2/2020 |
Chile | 2/20/2020 | $53,981 | 60 | 60 | 102 | $107,608 | 3/17/2020 |
Colombia | 2/13/2020 | $157,964 | 180 | 180 | 296 | $280,465 | 3/2/2020 |
Croatia | 1/2/2020 | $60,093 | 54 | 54 | 132 | $133,374 | 2/4/2020 |
Curacao | 1/2/2020 | $2,641 | 3 | 3 | 8 | $7,191 | 1/22/2020 |
Czech Republic | 1/2/2020 | $99,389 | 101 | 101 | 185 | $187,260 | 10/19/2022 |
Denmark | 1/2/2020 | $114,653 | 51 | 51 | 152 | $269,549 | 10/19/2022 |
Dominican Republic | 2/27/2020 | $8,754 | 26 | 26 | 51 | $21,204 | 3/17/2020 |
Ecuador | 2/14/2020 | $104,356 | 42 | 42 | 146 | $264,161 | 3/9/2020 |
Egypt | 1/1/2020 | $73,436 | 22 | 22 | 77 | $276,548 | 3/17/2020 |
Estonia | 1/3/2020 | $26,387 | 21 | 21 | 48 | $62,938 | 1/29/2020 |
Finland | 1/10/2020 | $117,855 | 60 | 60 | 211 | $298,028 | 3/17/2020 |
France | 1/15/2020 | $694,387 | 178 | 179 | 781 | $1,721,408 | 2/25/2020 |
Germany | 1/9/2020 | $525,991 | 232 | 234 | 1195 | $1,265,569 | 3/11/2020 |
Greece | 1/9/2020 | $82,990 | 46 | 46 | 90 | $206,394 | 1/29/2020 |
Hungary | 1/2/2020 | $146,382 | 38 | 48 | 188 | $329,599 | 10/19/2022 |
Iceland | 1/3/2020 | $11,553 | 8 | 8 | 16 | $25,987 | 1/29/2020 |
India | 1/3/2020 | $253,718 | 532 | 532 | 556 | $359,684 | 1/22/2020 |
Indonesia | 12/31/2019 | $776,682 | 589 | 589 | 915 | $1,318,019 | 1/29/2020 |
Iraq | 1/2/2020 | $19,161 | 10 | 10 | 29 | $62,785 | 2/19/2020 |
Israel | 1/2/2020 | $78,896 | 15 | 15 | 96 | $277,317 | 10/19/2022 |
Italy | 2/27/2020 | $0 | 0 | 9 | 16 | $73,234 | 7/17/2020 |
Jamaica | 1/1/2020 | $7,181 | 4 | 4 | 9 | $17,409 | 1/22/2020 |
Jordan | 1/2/2020 | $22,591 | 4 | 4 | 11 | $63,500 | 1/29/2020 |
Kenya | 3/6/2020 | $1,258 | 14 | 14 | 19 | $1,939 | 3/17/2020 |
Kuwait | 1/2/2020 | $182,224 | 18 | 18 | 38 | $422,011 | 2/12/2020 |
Latvia | 1/3/2020 | $9,928 | 8 | 8 | 23 | $28,646 | 2/4/2020 |
Lebanon | 1/2/2020 | $33,141 | 19 | 19 | 35 | $60,143 | 2/4/2020 |
Lithuania | 1/3/2020 | $60,327 | 14 | 14 | 34 | $131,464 | 1/29/2020 |
Malaysia | 1/2/2020 | $278,817 | 250 | 320 | 780 | $607,518 | 2/19/2020 |
Mexico | 2/14/2020 | $969,305 | 0 | 301 | 387 | $1,872,870 | 10/19/2022 |
Middle East Region | 1/2/2020 | $380,843 | 13 | 13 | 29 | $917,656 | 1/22/2020 |
Mongolia | 1/3/2020 | $38,541 | 9 | 9 | 29 | $71,954 | 1/29/2020 |
Netherlands | 1/10/2020 | $242,857 | 73 | 73 | 305 | $811,906 | 10/19/2022 |
New Zealand | 1/30/2020 | $51,485 | 44 | 44 | 118 | $146,359 | 10/19/2022 |
North America | 1/3/2020 | $11,404,113 | 2,642 | 2,642 | 7,144 | $21,216,148 | |
Norway | 1/24/2020 | $120,303 | 109 | 109 | 264 | $325,849 | 3/11/2020 |
Oman | 1/2/2020 | $36,356 | 19 | 19 | 31 | $58,081 | 1/22/2020 |
Pakistan | 1/3/2020 | $47,578 | 54 | 54 | 177 | $161,936 | 3/9/2020 |
Paraguay | 2/13/2020 | $6,369 | 17 | 17 | 22 | $9,949 | 3/9/2020 |
Peru | 2/13/2020 | $192,649 | 123 | 123 | 168 | $293,703 | 2/26/2020 |
Philippines | 1/15/2020 | $531,194 | 239 | 239 | 556 | $1,260,894 | 2/19/2020 |
Poland | 1/3/2020 | $171,062 | 97 | 97 | 252 | $386,593 | 10/19/2022 |
Portugal | 1/1/2020 | $105,947 | 45 | 45 | 154 | $288,833 | 10/19/2022 |
Qatar | 1/2/2020 | $90,478 | 13 | 13 | 30 | $157,109 | 1/29/2020 |
Romania | 1/3/2020 | $180,859 | 78 | 78 | 316 | $470,968 | 3/5/2020 |
Russia (CIS) | 1/16/2020 | $1,080,966 | 865 | 865 | 1964 | $1,959,284 | 10/19/2022 |
Serbia and Montenegro | 1/2/2020 | $25,271 | 25 | 25 | 77 | $62,105 | 2/25/2020 |
Singapore | 1/2/2020 | $93,552 | 33 | 33 | 88 | $182,464 | 2/4/2020 |
Slovakia | 1/2/2020 | $74,017 | 59 | 59 | 181 | $148,843 | 6/16/2020 |
Slovenia | 1/2/2020 | $15,029 | 11 | 12 | 38 | $32,630 | 4/6/2020 |
South Africa | 1/17/2020 | $16,752 | 15 | 19 | 63 | $56,776 | 3/24/2020 |
Spain | 1/1/2020 | $452,045 | 296 | 307 | 948 | $1,610,449 | 10/19/2022 |
Suriname | 1/9/2020 | $1,792 | 1 | 1 | 4 | $5,671 | 2/12/2020 |
Sweden | 1/3/2020 | $297,607 | 111 | 111 | 381 | $809,601 | 3/17/2020 |
Switzerland | 1/9/2020 | $102,934 | 37 | 37 | 147 | $259,922 | 3/17/2020 |
Syria | 1/2/2020 | $9,416 | 2 | 2 | 4 | $16,251 | 1/15/2020 |
Taiwan | 2/27/2020 | $57,941 | 79 | 79 | 208 | $154,314 | 3/24/2020 |
Thailand | 2/13/2020 | $92,495 | 101 | 101 | 192 | $262,655 | 10/19/2022 |
Trinidad | 1/1/2020 | $32,551 | 14 | 14 | 35 | $56,850 | 1/29/2020 |
Turkey | 2/21/2020 | $35,035 | 167 | 167 | 333 | $64,965 | 10/31/2024 |
Ukraine | 1/16/2020 | $199,806 | 290 | 290 | 549 | $361,739 | 2/12/2020 |
United Arab Emirates | 1/2/2020 | $346,387 | 62 | 62 | 128 | $597,392 | 1/29/2020 |
United Kingdom | 1/24/2020 | $603,739 | 390 | 390 | 984 | $1,507,511 | 3/11/2020 |
Uruguay | 2/13/2020 | $13,701 | 9 | 9 | 24 | $29,030 | 3/23/2020 |
Venezuela | 2/14/2020 | $6,935 | 46 | 46 | 47 | $12,632 | 10/19/2022 |
Vietnam | 1/3/2020 | $271,725 | 209 | 209 | 629 | $810,242 | 1/29/2020 |
Rest of World | $39,413 | ||||||
Worldwide Total | $49,503,117 | 10/31/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Andrea Riseborough | Detective Muldoon |
Supporting Cast
Demián Bichir | Goodman |
John Cho | Peter |
Betty Gilpin | Nina Spencer |
William Sadler | Detective Wilson |
Frankie Faison | Wiliam Matheson |
Tara Westwood | Fiona Landers |
Dave Brown | Sam Landers |
Lin Shaye | Faith Matheson |
Jacki Weaver | Lorna Moody |
Junko Bailey | Kayako Ghost |
Zoe Fish | Melinda Landers |
John Hansen | Burke |
Joel Marsh Garland | Detective Greco |
Bradley Sawatzky | Officer Michaels |
Stephanie Sy | Amnio Nurse |
Stephen Ratzlaff | Dr. Maher |
Marina Stephenson-Kerr | Woman Neighbor |
Maria Grant | Orderly |
Nancy Sorel | Agent Cole |
Ray Strachan | Agent Horne |
Adam Brooks | Agent Palmer |
Ernesto Griffith | Psychiatric Hospital Orderly |
Tracy Penner | Nurse |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nicolas Pesce | Director |
Nicolas Pesce | Screenwriter |
Nicolas Pesce | Story by |
Jeff Buhler | Story by |
Takashi Shimizu | Screenwriter |
Sam Raimi | Producer |
Robert Tapert | Producer |
Taka Ichise | Producer |
Roy Lee | Executive Producer |
Doug Davison | Executive Producer |
John Powers Middleton | Executive Producer |
Schuyler Weiss | Executive Producer |
Nathan Kahane | Executive Producer |
Erin Westerman | Executive Producer |
Brady Fujikawa | Executive Producer |
Andrew Pfeffer | Executive Producer |
Zachary Galler | Director of Photography |
Jean Andre Carriere | Production Designer |
Ken Blackwell | Editor |
Gardner Gould | Editor |
Patricia J. Henderson | Costume Designer |
The Newton Brothers* | Composer |
The Newton Brothers* | Composer |
Kelli Konop | Co-Producer |
Romel Adam | Co-Producer |
Stephanie Holbrook | Casting Director |
Carmen Kotyk | Casting Director |
Rhonda Baker | Co-Producer |
Eve Stewart | Unit Production Manager |
Ronaldo Nacionales | First Assistant Director |
Michelle Fitzpatrick | Second Assistant Director |
Chris Slater Johnson | Second Assistant Director |
Jeff Betancourt | Additional Editor |
Rick Skene | Stunt Coordinator |
Danielle Depeyre | Script Supervisor |
Sara McCudden | Set Decorator |
Louis-Rene Landry | Art Director |
Edgar Ozolins | Sound Mixer |
Tony Kenny | Special Effects Coordinator |
J.R. Kenny | Special Effects Coordinator |
Sandy Soke | Sets Supervisor |
Brandi Boulet | Make up |
Neal Baksh | Location Manager |
Renee Minasian | Post-Production Supervisor |
Brooks Larsen | First Assistant Editor |
Eric R. Brodeur | First Assistant Editor |
Bryan Parker | Supervising Sound Editor |
Jeffrey A. Pitts | Sound Designer |
Angelina Faulkner | Dialogue Editor |
Paul Bercovitch | Dialogue Editor |
Michael Baird | Dialogue Editor |
Ron Eng | Dialogue Editor |
Susan Dudek | Dialogue Editor |
Michael Baird | Sound Effects Editor |
Joshua Adeniji | Sound Effects Editor |
Igor Yashin | Foley Editor |
Ilia Popel | Foley Editor |
Rustam Gimadiev | Foley Mixer |
Jason Dotts | Re-recording Mixer |
Gabe Serrano | Re-recording Mixer |
Ben Zales | Music Editor |
Nicholas Fitzgerald | Music Editor |
Andrew Silver | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.