Australia Box Office for Foxcatcher (2014)
| Theatrical Performance (US$) | ||
| Australia Box Office | $406,955 | Details |
| Worldwide Box Office | $19,303,058 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,779,601 | Details |
| North America Blu-ray Sales | $1,230,200 | Details |
| Total North America Video Sales | $3,009,801 | |
| Further financial details... | ||
Synopsis
When Olympic Gold Medal winning wrestler Mark Schultz is invited by wealthy heir John du Pont to move on to the du Pont estate and help form a team to train for the 1988 Seoul Olympics at his new state-of-the-art training facility, Schultz jumps at the opportunity, hoping to focus on his training and finally step out of the shadow of his revered brother, Dave. Driven by hidden needs, du Pont sees backing Schultz’s bid for Gold and the chance to “coach” a world-class wrestling team as an opportunity to gain the elusive respect of his peers and, more importantly, his disapproving mother. Flattered by the attention and entranced by du Pont’s majestic world, Mark comes to see his benefactor as a father figure and grows increasingly dependent on him for approval. Though initially supportive, du Pont’s mercurial personality turns and he begins to lure Mark into an unhealthy lifestyle that threatens to undermine his training. Soon du Pont’s erratic behavior and cruel psychological game-play begin to erode the athlete’s already shaky self-esteem. Meanwhile du Pont becomes fixated on Dave, who exudes the confidence both he and Mark lack, knowing that these are things even his money cannot buy. Fueled by du Pont’s increasing paranoia and alienation from the brothers, the trio is propelled towards a tragedy no one could have foreseen.
Metrics
Movie Details
| Production Budget: | $24,000,000 |
| Australia Releases: | January 29th, 2015 (Wide) |
| Video Release: | March 3rd, 2015 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for some drug use and a scene of violence. (Rating bulletin 2326, 6/11/2014) |
| Running Time: | 134 minutes |
| Keywords: | Olympics, Wrestling, 1980s, Mental Illness, Epilogue, Biographical Drama, Biography, Dysfunctional Family, Adult Child Dealing with the Death of a Parent, Death of a Spouse or Fiancée / Fiancé, Mixed Martial Arts |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Annapurna Pictures |
| Production Countries: | United States |
| Languages: | English |
DVD Sales: Mockingjay Leaves DVD Sales a Little Hungry
March 22nd, 2015
There was a flood of new releases on this week's DVD sales chart, including five of the top six best-sellers for the week. Leading the way was Hunger Games: Mockingjay, Part 1 with 718,000 units / $9.98 million. This is well below what Catching Fire opened with, but still enough to keep the studio happy.
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Blu-ray Sales: Hunger Games Fills Up on Blu-ray
March 22nd, 2015
Hunger Games: Mockingjay, Part 1 led the new releases earning first place on the Blu-ray Sales Chart. It wasn't quite as strong as last week's winner, Big Hero 6; however, it did sell better than Catching Fire did. The Blu-ray sold 1.39 million units / $27.92 million, which is even more impressive when you note it was on sale for only two days, not the usual five days for a new release. Its opening week Blu-ray share was 66%, which is great no matter what its genre was.
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DVD and Blu-ray Releases for March 3rd, 2015
March 3rd, 2015
This is not a great week for new releases on the home market. The Hunger Games: Mockingjay, Part 1 is by far the biggest new title and its DVD and Blu-ray Combo Pack is going to sell a ton of units. However, its reviews are not up to the level required to make it our Pick of the Week. Conversely, Foxcatcher is award-worthy, but the DVD and Blu-ray Combo Pack doesn't have enough extras to be a Pick of the Week. It seemed like every choice for Pick of the Week wasn't quite up to the level needed, so I'm going to go outside the box and pick To Write Love On Her Arms on DVD, which is a film I've been waiting to see for about three years.
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2014 Awards Season: Oscar Highlight: Best Director
February 20th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the Best Director category, which is neither among the most nor among the least competitive categories. We definitely have a favorite, but we also have another nominee with a better than average shot at winning.
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2014 Awards Season: Oscar Highlight: Best Original Screenplay
February 17th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two writing categories, starting with Best Original Screenplay. This is actually a two-horse race and for once, I'd be happy with either of the two leading contenders winning.
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2014 Awards Season: Oscar Highlight: Best Lead Actor
February 13th, 2015
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With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two leading actor categories, finishing with Best Lead Actor. As I previously mentioned, three of the four actor races are not even close; however, this is the one exception and there is a two-horse race to pay attention to.
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2014 Awards Season: Oscar Highlight: Best Supporting Actor
February 12th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two supporting actor categories, finishing with Best Supporting Actor. Like the Best Supporting Actress category, Best Supporting Actor isn't even close and one of the five nominees is absolutely running away with things.
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Per Theater Chart: Sniper Expands Wide, but Still Secures Top Spot
January 21st, 2015
American Sniper expanded wide, but it still earned first place on the per theater chart with an average of $25,111 in more than 3,000 theaters. Second place went to Still Alice, which opened with an average of $17,667 in 12 theaters. Those were the only two films to reach the $10,000 club over the three-day weekend, but Ode to me Father came close enough that it probably got there over the four-day weekend.
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Weekend Estimates: American Sniper Shatters January Record
January 18th, 2015
American Sniper was confidently expected to top the box office charts this weekend, and to give Clint Eastwood his best weekend as a director, but no-one was predicting that the film would break the record for the biggest weekend in January by over $20 million. As of Sunday morning, that’s what Warner Bros. is projecting for the film with their official weekend estimate standing at $90,205,000 from 3,555 theaters. Since the film had already played for three weeks in exclusive engagements, it will also grab the crown for biggest fourth weekend at the box office.
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2014 Awards Season: Oscars - Nominations
January 17th, 2015
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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2014 - Awards Season: BAFTA - Nominations
January 11th, 2015
The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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2014 - Awards Season: WGA - Nominations
January 10th, 2015
The Writers Guild of America nominations were latest to be announced, but were there any real surprises? Yes. Birdman didn't get a nomination, but Guardians of the Galaxy did. More on that later. Besides those two films, there are not a lot of surprises here and the usual contenders are present, including Boyhood and The Imitation Game, but there are also some other notable films missing.
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2014 - Awards Season: PGA - Nominations
January 10th, 2015
The Producers Guild of America nominations were announced and there's not a lot of surprises among the three categories. Birdman, Boyhood, The Imitation Game, and others continue to get accolades, but there are also some films that are being passed over too often.
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Per Theater Chart: American Shoots for the Top
December 31st, 2014
American Sniper led the way on the per theater chart with an estimated average of $152,500 in four theaters. This is the second best per theater average of the year, behind just The Grand Budapest Hotel and ahead of The Imitation Game. Second place for the weekend was Selma, which earned an average of $30,076 in 19 theaters during their Oscar-qualifying run. Two Days, One Night was a surprise entry in the $10,000 club earning an average of $24,118 in two theaters. It earned amazing reviews, but it didn't have as much buzz behind it as other film's that opening on Christmas. Into the Woods was the best of the wide releases in the $10,000 club earning an average of $12,726 in 2,440 theaters. Last week's winner, Inherent Vice, was next with an estimated average of $12,500 in 16 theaters. The overall box office leader, The Hobbit: The Battle of the Five Armies, earned an average of $10,689, while The Imitation Game was right behind with $10,618. The final film in the $10,000 club was Mr. Turner with an average of $10,498 in 24 theaters.
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Per Theater Chart: Going Once, Going Vice...
December 22nd, 2014
The $10,000 club was crowded this weekend with six films earning per theater averages of more than $10,000. This includes Inherent Vice, which led the way for the second time in a row earning an average of $29,055 in five theaters. This bodes well for its wide expansion in January. Speaking of expanding, The Imitation Game expanded from 25 theaters to 34 theaters earning an average of $25,253 in the process. It has already earned some measure of mainstream success and with room to grow, it will stay in theaters for a while. Mr. Turner was the best of the new limited releases earning an average of $21,728 in five theaters. Song of the Sea was next with $17,967 in one theater. The overall box office champ, The Hobbit: The Battle of the Five Armies, earned an average of $14,122, which is lower than anticipated, but still pretty good. Finally, P.K. opened with an average of $13,108 in 272 theaters. It is rare that we get to talk about a Bollywood film in the $10,000 club.
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Per Theater Chart: Holdovers Versus Vice and Vice Versa
December 16th, 2014
Inherent Vice won top spot on the per theater chart with an average of $65,637 in five theaters. This is the fifth best per theater average for the year, which is much better than expected. Second place went to The Imitation Game with an average of $34,010 in 25 theaters. It still has plenty of room to expand. The final film in the $10,000 club was Wild with an average of $13,198 in 116 theaters. It too has some room to expand, while it has also reached some level of mainstream success.
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2014 - Awards Season: Golden Globes - Nominations
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
Per Theater Chart: Imitation Remains Real
December 10th, 2014
The Imitation Game remained in first place on the per theater chart with an average of $48,658 in 8 theaters over the weekend. It also reached $1 million in the process, barely. The best new release of the week was Wild with an average of $28,896 in 21 theaters. This film will hit major milestones very soon. She's Beautiful When She's Angry just managed to earn a spot in the $10,000 club with $10,505 in one theater. Meanwhile, Zero Motivation just missed the $10,000 club with $9,427 in one theater. However, it was a Wednesday release and it earned $13,145 over five days. Had it opened on Friday instead, it very likely would have reached the $10,000 club.
Weekend Estimates: Hunger Games Unchallenged at Top
December 7th, 2014
With no new wide releases, the weekend after Thanksgiving will see a comfortable victory at the box office for The Hunger Games: Mockingjay - Part 1. Now playing in its third weekend, the film will gross around $21.6 million, taking it to a total of $257.7m, virtually equal with The Lego Movie in third place for the year. Weekend performances for returning movies were down across the board coming off the holiday, with, in the top 10, only Gone Girl and Birdman down less than 40%.
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Per Theater Chart: Imitation Scores Game-Winning Goal
December 3rd, 2014
The Imitation Game led the way on the per theater chart with an incredible average of $119,838 in four theaters. This is the second best per theater average of the year, behind only The Grand Budapest Hotel. Second place went to The Hunger Games: Mockingjay, Part 1, with an average of $13,725 during its sophomore stint. The final film in the $10,000 is The Babadook, which earned an average of $10,002 in three theaters.
Per Theater Chart: Mockingjay Makes a Mockery of the Per Theater Chart
November 26th, 2014
The Hunger Games: Mockingjay, Part 1 not only earned first place on the overall box office, but it also led the way on the per theater chart with an average of $29,366. Foxcatcher earned an average of $19,764 in 24 theaters. It is nearly at $1 million and has room to grow further. The Theory of Everything expanded again, but still remained in the $10,000 club with an average of $10,798 in 141 theaters.
Weekend Estimates: Mockingjay Sets 2014 Record with Disappointing Debut
November 23rd, 2014
If you could sum up 2014 at the box office in one sentence, this weekend’s headline probably comes close. The Hunger Games: Mockingjay — Part 1 is the film we’ve been waiting for all year: the third film in a franchise that has already topped $150 million on each of its previous two opening frames, with the weekend before Thanksgiving all to itself, and reviews that, if not stellar, are at least very respectable for a franchise tentpole. A weekend of $150 million plus seemed a very good bet, and something bigger still couldn’t be ruled out. But, come Sunday, Lionsgate is projecting a $123 million weekend, down about 20% from previous installments. That is, of course, a fantastic weekend by most measures: it’s the 15th-best weekend of all time, and easily the biggest opening weekend in 2014. But this will now be the first year since 2010 without a $150m+ weekend, and the debate about the waning influence of theater-going on the industry will undoubtedly be re-opened.
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Per Theater Chart: None of the Competition could Catch Foxcatcher
November 19th, 2014
Foxcatcher was the latest Oscar-hopeful to top the per theater chart earning an average of $45,146 in six theaters. This practically guarantees some measure of mainstream success; however, unless it can earn some Awards Season nominations, it likely won't expand truly wide. Likewise, The Theory of Everything expanded to 41 theaters earning an average of $17,937. It also reached its first major milestone over the weekend and will earn more in the future. The overall number one film, Dumb and Dumber To, was next with an average of $11,450, while The Homesman was right behind with an average of $11,358 in four theaters.
Weekend Estimates: Dumb and Dumber Top
November 16th, 2014
The box office chart is starting to take on a decidedly seasonal look, with a comedy sequel topping the chart, a smattering of Oscar hopefuls doing well in limited release, and not a single top 10 film dropping by more than 50% from last weekend. The comedy sequel, Dumb and Dumber To, will narrowly win the weekend with a shade over $38 million, per Universal’s Sunday estimate. That’s $2 million more than Big Hero 6 will post in its second weekend in release. The animated adventure will be off just 36% from last weekend. Also posting an impressive hold from a big opening weekend is Interstellar, with $29.1 million—39% below its opening frame.
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Limited Release: Foxy Releases
November 14th, 2014
It's a long list this week, but you could eliminate nearly all of the films and concentrate on just Foxcatcher and Rosewater. These two films are earning the vast majority of the buzz. They are not the only films worth seeing, Red Army looks particularly good, but I worry no other film will thrive.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/01/30 | 17 | $145,587 | 42 | $3,466 | $145,587 | 1 | |
| 2015/02/06 | 21 | $83,330 | -43% | 42 | $1,984 | $280,833 | 2 |
| 2015/02/13 | 26 | $31,881 | -62% | 34 | $938 | $344,651 | 3 |
| 2015/02/20 | 30 | $22,012 | -31% | 28 | $786 | $379,933 | 4 |
| 2015/02/27 | 34 | $6,440 | -71% | 14 | $460 | $393,410 | 5 |
| 2015/03/06 | 33 | $6,293 | -2% | 15 | $420 | $397,251 | 6 |
| 2015/03/13 | 46 | $1,587 | -75% | 11 | $144 | $397,570 | 7 |
| 2015/03/20 | 60 | $1,188 | -25% | 9 | $132 | $406,955 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/29/2015 | $145,587 | 42 | 42 | 195 | $406,955 | 7/1/2015 |
| Brazil | 1/23/2015 | $117,681 | 39 | 39 | 86 | $303,286 | 11/5/2018 |
| France | 1/21/2015 | $473,533 | 0 | 0 | 0 | $1,043,751 | 8/21/2018 |
| Hong Kong | 3/6/2015 | $26,018 | 13 | 13 | 19 | $47,714 | 11/25/2018 |
| Italy | 1/8/2015 | $0 | 0 | 0 | 0 | $304,978 | 11/6/2018 |
| Mexico | 1/16/2015 | $74,147 | 0 | 0 | 0 | $315,865 | 8/30/2018 |
| North America | 11/14/2014 | $270,877 | 6 | 759 | 3,428 | $12,096,300 | 12/6/2019 |
| Poland | 1/9/2015 | $19,109 | 0 | 0 | 0 | $48,838 | 12/30/2018 |
| Russia (CIS) | 11/20/2014 | $0 | 0 | 492 | 824 | $335,292 | 11/19/2018 |
| South Korea | 2/6/2015 | $0 | 0 | 0 | 0 | $186,822 | 9/25/2018 |
| Spain | 2/6/2015 | $154,841 | 99 | 99 | 322 | $374,668 | 11/27/2018 |
| Taiwan | 3/6/2015 | $22,535 | 24 | 24 | 31 | $41,345 | 11/2/2018 |
| Turkey | 1/30/2015 | $34,379 | 34 | 34 | 53 | $72,024 | 12/30/2018 |
| United Kingdom | 1/9/2015 | $1,330,616 | 0 | 0 | 0 | $2,548,126 | 8/27/2018 |
| Rest of World | $1,177,094 | ||||||
| Worldwide Total | $19,303,058 | 12/6/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Steve Carell | John Eleuthère du Pont |
| Channing Tatum | Mark Schultz |
| Mark Ruffalo | Dave Schultz |
Supporting Cast
| Vanessa Redgrave | Jean du Pont |
| Sienna Miller | Nancy Schultz |
| Anthony Michael Hall | Jack |
| Guy Boyd | Henry Beck |
| Dave "Doc" Bennett* | Documentary Filmmaker |
| Brett Rice | Fred Cole |
| Jackson Frazer | Alexander Schultz |
| Samara Lee | Danielle Schultz |
| Francis J. Murphy III | Wayne Kendall |
| Jane Mowder | Rosie |
| Lee Perkins | Corporal Daly |
| Robert Haramia | Banquet Guest |
| David Zabriskie | Dan Bane |
| Bryan Cook | Ben Langer |
| Daniel Hilt | Roberto Garcia |
| Zach Rey | Foxcatcher Wrestler #1 |
| Reece Humphrey | Foxcatcher Wrestler #2 |
| J.D. Bergman | Foxcatcher Wrestler #3 |
| Corey Jantzen | Foxcatcher Wrestler #4 |
| Frederick Feeney | Seoul Referee |
| Mark Schultz | Weigh-in Official #1 |
| Kemp Lee | Weigh-in Official #2 |
| Jake Herbert | Mark's Opponent at Trials |
| Donald Modrick | Front Gate Guard |
| Richard E. Chapla Jr. | Broiler Hut Cashier |
| Kevin Cooke | Photographer |
| Gabrielle B. Burton | School Secretary |
| Bill Ehrin | Broiler Hut Patron |
| Roger Callard | Helicopter Pilot |
| Dan Anders | General |
| Stan Dziedzic | USA Wrestling Rep #1 |
| Sam Dziedzic | USA Wrestling Rep #2 |
| Bruce Baumgartner | USA Wrestling Rep #3 |
| Sam Brehm | Hank Church |
| Barry Vlanich | D.C. Partygoer |
| Joey Russo | Olympic Trials Referee |
| Ken Williams | Coach Ken |
| Gene Mills | Worlds Referee |
| John C. Baxter | Worlds Announcer |
| Rick Steigerwald | Wexler Trainer |
| Mark Snider | MMA Referee |
| Jazz Securo | MMA Announcer |
| Corey Walker | MMA Backstage Official |
| Alan Oppenheimer | Du Pont Dynasty Narrator |
| David Miller | USA Wrestling Rep #2 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Bennett Miller | Director |
| E. Max Frye | Screenwriter |
| Dan Futterman | Screenwriter |
| Megan Ellison | Producer |
| Bennett Miller | Producer |
| Jon Kilik | Producer |
| Anthony Bregman | Producer |
| Chelsea Barnard | Executive Producer |
| Ron Schmidt | Executive Producer |
| Mark Bakshi | Executive Producer |
| Michael Coleman | Executive Producer |
| Tom Heller | Executive Producer |
| John P. Giura | Executive Producer |
| Scott Robertson | Co-Producer |
| Greig Fraser | Director of Photography |
| Jess Gonchor | Production Designer |
| Stuart Levy | Editor |
| Conor O Neill | Editor |
| Jay Cassidy | Editor |
| Kasia Walicka Maimone | Costume Designer |
| Rob Simonsen | Composer |
| West Dylan Thordson | Additional Music |
| Susan Jacobs | Music Supervisor |
| Jeanne McCarthy | Casting Director |
| Bill Corso | Make up |
| Kathrine Gordon | Hairstylist |
| Dennis Liddiard | Key Makeup Artist |
| Kristin Gore | Associate Producer |
| Hank Bedford | Associate Producer |
| Ron Schmidt | Unit Production Manager |
| Richard E. Chapla Jr. | Production Supervisor |
| Scott Robertson | Assistant Director |
| Jonas Spaccarotelli | Assistant Director |
| Jeff Hubbard | Assistant Director |
| Steve Parys | Assistant Director |
| Alyssa Batchelor | Assistant Director |
| Stuart MacPhee | Post-Production Supervisor |
| Tracy Scott | Script Supervisor |
| Georgina Marquis | Production Supervisor |
| David Massachi | Editor |
| Mike Azevedo | Assistant Editor |
| Julia Bloch | Assistant Editor |
| Brooks Larsen | Assistant Editor |
| Alexandra Yalakidis | Assistant Editor |
| Andreas Fehrle | Assistant Editor |
| Pete Snell | Music Editor |
| Suzana Peric | Music Editor |
| Jennifer Dunnington | Music Editor |
| John Carbonara | Music Editor |
| Jake Jackson | Score Recordist |
| Brad Ricker | Art Director |
| Katherine Lucas | Set Decorator |
| Kate Dougherty | Set Designer |
| Rori Bergman | Additional Casting |
| Matt Maisto | Additional Casting |
| Darcie Buterbaugh | Costume Supervisor |
| Jim Emswiller | Sound Mixer |
| Paul Hsu | Supervising Sound Editor |
| Ronald Eng | Supervising Sound Editor |
| Deb Adair | Re-recording Mixer |
| Beau Borders | Re-recording Mixer |
| Tom Fleischman | Re-recording Mixer |
| Peter Bucossi | Stunt Coordinator |
| Jake Braver | Visual Effects Supervisor |
| Raymond M. Tasillo | Special Effects Coordinator |
| Jim Rider | Visual Effects Supervisor |
| Mark Casey | Visual Effects Supervisor |
| Dan Schrecker | Visual Effects Supervisor |
| Jon Tanimoto | Visual Effects Supervisor |
| Chris Anderson | Visual Effects Producer |
| Karen Czukerberg | Visual Effects Producer |
| John Bair | Visual Effects Producer |
| Renuka Ballal | Visual Effects Producer |
| Colleen Bachman | Visual Effects Producer |
| Joseph Bell | Visual Effects Producer |
| Jess Gonchor | Second Unit Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.