United Kingdom Box Office for The Finest Hours (2016)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $723,874 | Details |
Worldwide Box Office | $49,252,761 | Details |
Home Market Performance | ||
North America DVD Sales | $3,252,761 | Details |
North America Blu-ray Sales | $1,970,054 | Details |
Total North America Video Sales | $5,222,815 | |
Further financial details... |
Synopsis
On February 18, 1952, a massive nor’easter struck New England, pummeling towns along the Eastern seaboard and wreaking havoc on the ships caught in its deadly path, including the SS Pendleton, a T-2 oil tanker bound for Boston, which was literally ripped in half, trapping more than 30 sailors inside its rapidly-sinking stern. As the senior officer on board, first assistant engineer Ray Sybert soon realizes it is up to him to take charge of the frightened crew and inspire the men to set aside their differences and work together to ride out one of the worst storms to ever hit the East Coast. Meanwhile, as word of the disaster reaches the U.S. Coast Guard station in Chatham, Massachusetts, Warrant Officer Daniel Cluff orders a daring operation to rescue the stranded men. Despite overwhelming odds, four men, led by Coast Guard Captain Bernie Webber, set out in a wooden lifeboat with an ill-equipped engine and little, if any, means of navigation, facing frigid temperatures, 60-foot high waves and hurricane-force winds.
Metrics
Movie Details
Production Budget: | $70,000,000 |
United Kingdom Releases: | February 19th, 2016 (Wide) |
Video Release: | May 24th, 2016 by Walt Disney Home Entertainment |
MPAA Rating: | PG for intense sequences of peril. (Rating bulletin 2401 (Cert #50087), 11/25/2015) |
Running Time: | 116 minutes |
Keywords: | Extreme Weather, On a Boat, Disaster, Rescue, Ensemble, 1950s, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Thriller |
Source: | Based on Real Life Events |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Walt Disney Pictures, Whitaker Entertainment, Red Hawk Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 24th, 2016
May 24th, 2016
There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it.
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Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million
February 8th, 2016
Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday.
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Weekend Wrap-Up: Kung Fu Wins with $41.28 million lifting Box Office Along the Way
February 2nd, 2016
Kung Fu Panda 3 led the way during the weekend with $41.28 million over the weekend. This was below admittedly optimistic predictions, but still great for this time of year. The rest of the new releases were not as strong and it is likely all three will lose money in the end. Fortunately, Kung Fu Panda 3 was strong enough to help the overall box office grow. The overall box office rose 22% to $139 million. More impressively, and more importantly, the box office was 38% higher than the same weekend last year. Year-to-date, 2016 has pulled in $1.01 billion, reaching the $1 billion mark faster than last year. It wasn't the fastest year to get there, as 2010 holds that record thanks to Avatar. 2016 has regained the lead over 2015 at 1.9% or $19 million. Obviously the usually caveats apply here: It is far too early and that lead is far too small to be of real significance. That said, it is always better to be ahead than to be behind, no matter how small that lead it.
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Weekend estimates: Kung Fu Panda posts solid $41 million
January 31st, 2016
Kung Fu Panda 3 is making a solid start domestically this weekend with Fox projecting a $41 million debut. That’s the weakest start for any film in the franchise, behind the $47.7 million opening of Kung Fu Panda 2, and Kung Fu Panda’s $60.2 million back in 2008. The downward trend is in large part explained by the January release of the third movie, compared to June and May for the previous two. In fact, it still technically has a shot at having the best first weekend for a film in January, a record currently held by Ride Along with $41.5 million, although American Sniper really has bragging rights, with $89.3 million when it expanded wide last year. More importantly, Kung Fu Panda 3 opened with an estimated $57 million in China, a record for an animated film in the territory, and $75 million internationally.
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Friday Estimates: Panda Tops Tepid Friday
January 30th, 2016
Kung Fu Panda 3 topped the chart on Friday with $10.5 million. There are not a lot of animated films that open this time of year, so it is hard to find a good comparison. If the film has the same internal multiplier as The LEGO Movie, then it will earn $42.4 million over the weekend, which would be a record opening for January. However, that movie was an original film, while this is the third film in its franchise. That will probably hurt it enough that $40 million is a more likely number. That's still a good opening, plus it is earning much more in China ($40.34 million after just two days of release) so there’s little reason to worry about its financial prospects.
Thursday Night Previews: Hours is Merely Fine
January 29th, 2016
Kids movies rarely have "midnight" shows and that was the case with Kung Fu Panda 3. This left The Finest Hours with the perfect opportunity to grab some of the spotlight. It only managed $375,000 during its previews, which is $200,000 less than In the Heart of the Sea managed late last year. It is closer to the $400,000 Selma earned before its wide expansion. The two films do have similar release dates and are based on real life events, but an action film should do better than a drama when it comes to previews. Even if we are being generous, $12 million looks like the high end for the weekend and that's terrible compared to its $85 million production budget. Less then $10 million is just as likely and that could result in someone losing their job.
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Weekend Predictions: Kung Fu vs. Sniper
January 28th, 2016
There are three, three and a half, wide releases coming out this week. (I've seen reports that Jane Got a Gun is opening in 600 to 1,200 theaters. Even the high end will likely keep it out of the top ten.) Of the three truly wide releases, only Kung Fu Panda 3 is expected to be a significant hit. In fact, it will likely earn more than the rest of the top five combined. On the other hand, The Finest Hours will likely bomb compared to its $85 million production budget, while Fifty Shades of Black will be a financial hit only because its production budget is very low. This means for Kung Fu Panda 3 the only real competition is from last year, when American Sniper earned $30.66 million. Kung Fu Panda 3 should top that by about $20 million. Additionally, no other film earned more than $10 million last year, while this year there could be five films in the top five reaching that mark. 2016 should bounce back in the year-over-year comparison after two soft weeks.
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2016 Preview: January
January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/19 | 11 | $355,197 | 424 | $838 | $355,197 | 1 | |
2016/02/26 | 20 | $72,477 | -80% | 230 | $315 | $631,231 | 2 |
2016/03/04 | 46 | $8,884 | -88% | 46 | $193 | $694,351 | 3 |
2016/03/11 | 62 | $2,064 | -77% | 16 | $129 | $704,471 | 4 |
2016/03/18 | 62 | $1,518 | -26% | 8 | $190 | $708,459 | 5 |
2016/03/25 | 63 | $1,435 | -5% | 3 | $478 | $713,119 | 6 |
2016/04/08 | 87 | $524 | 3 | $175 | $723,108 | 8 | |
2016/04/15 | - | $460 | -12% | 3 | $153 | $723,874 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/3/2016 | $188,852 | 63 | 63 | 121 | $353,534 | 4/12/2016 |
Australia | 3/4/2016 | $176,610 | 183 | 183 | 317 | $363,584 | 6/9/2016 |
Belgium | 1/27/2016 | $55,759 | 82 | 82 | 82 | $55,759 | 6/9/2016 |
Bolivia | 1/28/2016 | $44,634 | 12 | 14 | 33 | $111,022 | 12/31/2018 |
Brazil | 2/18/2016 | $253,253 | 171 | 171 | 244 | $384,305 | 6/9/2016 |
Bulgaria | 2/5/2016 | $37,064 | 42 | 42 | 121 | $101,092 | 2/26/2019 |
Cambodia | 1/28/2016 | $18,760 | 10 | 10 | 10 | $22,962 | 12/31/2018 |
Central America | 3/3/2016 | $0 | 0 | 4 | 5 | $270,169 | 3/29/2016 |
Chile | 3/3/2016 | $115,071 | 69 | 69 | 76 | $160,910 | 12/31/2018 |
Colombia | 1/28/2016 | $197,824 | 212 | 212 | 267 | $304,987 | 12/31/2018 |
Czech Republic | 1/28/2016 | $24,234 | 64 | 64 | 64 | $24,234 | 12/31/2018 |
Ecuador | 2/5/2016 | $0 | 0 | 79 | 160 | $554,575 | 12/31/2018 |
Egypt | 2/3/2016 | $24,467 | 1 | 1 | 2 | $55,709 | 12/31/2018 |
France | 2/24/2016 | $298,285 | 202 | 202 | 202 | $300,577 | 6/9/2016 |
Germany | 3/31/2016 | $32,296 | 57 | 57 | 57 | $32,296 | 6/9/2016 |
Greece | 3/17/2016 | $38,912 | 18 | 18 | 33 | $84,824 | 6/9/2016 |
Hong Kong | 2/25/2016 | $620,348 | 54 | 54 | 134 | $1,196,108 | 6/9/2016 |
India | 2/5/2016 | $0 | 0 | 20 | 20 | $293,008 | 6/9/2016 |
Indonesia | 1/29/2016 | $728,174 | 292 | 292 | 319 | $1,611,331 | 12/31/2018 |
Iraq | 2/4/2016 | $14,053 | 6 | 6 | 13 | $36,024 | 12/31/2018 |
Israel | 1/28/2016 | $68,364 | 47 | 47 | 82 | $96,757 | 12/31/2018 |
Italy | 3/31/2016 | $26,297 | 15 | 15 | 15 | $26,297 | 6/9/2016 |
Japan | 2/27/2016 | $876,030 | 407 | 407 | 810 | $2,221,112 | 6/9/2016 |
Kenya | 2/5/2016 | $0 | 0 | 18 | 18 | $21,827 | 12/31/2018 |
Kuwait | 2/4/2016 | $218,195 | 14 | 14 | 47 | $837,144 | 12/31/2018 |
Lebanon | 2/4/2016 | $43,581 | 10 | 10 | 25 | $183,460 | 12/31/2018 |
Malaysia | 2/18/2016 | $295,151 | 120 | 120 | 355 | $628,349 | 6/9/2016 |
Mexico | 2/26/2016 | $375,024 | 0 | 65 | 65 | $872,330 | 6/9/2016 |
Netherlands | 1/28/2016 | $43,790 | 47 | 47 | 47 | $43,790 | 6/9/2016 |
New Zealand | 2/5/2016 | $92,125 | 89 | 89 | 221 | $210,353 | 6/9/2016 |
North America | 1/29/2016 | $10,288,932 | 3,143 | 3,143 | 10,273 | $27,569,558 | 9/11/2017 |
Oman | 2/4/2016 | $66,405 | 10 | 14 | 31 | $178,209 | 12/31/2018 |
Peru | 1/28/2016 | $122,591 | 72 | 72 | 119 | $258,479 | 12/31/2018 |
Philippines | 3/2/2016 | $161,295 | 130 | 130 | 130 | $161,295 | 12/31/2018 |
Poland | 1/29/2016 | $59,929 | 0 | 0 | 0 | $120,806 | 12/31/2018 |
Portugal | 2/4/2016 | $68,173 | 59 | 59 | 155 | $222,475 | 6/9/2016 |
Romania | 1/29/2016 | $0 | 0 | 43 | 43 | $272,810 | 12/31/2018 |
Russia (CIS) | 2/4/2016 | $155,408 | 0 | 981 | 2692 | $3,195,800 | 12/31/2018 |
Singapore | 2/18/2016 | $179,805 | 33 | 33 | 73 | $318,022 | 6/9/2016 |
South Africa | 2/5/2016 | $0 | 0 | 75 | 75 | $154,605 | 6/9/2016 |
Taiwan | 3/11/2016 | $0 | 0 | 11 | 16 | $1,158,023 | 6/9/2016 |
Thailand | 1/28/2016 | $186,731 | 130 | 130 | 217 | $359,113 | 6/9/2016 |
Turkey | 1/29/2016 | $106,842 | 76 | 76 | 156 | $286,093 | 2/26/2019 |
Ukraine | 2/4/2016 | $155,379 | 199 | 199 | 500 | $525,342 | 12/31/2018 |
United Arab Emirates | 2/4/2016 | $640,364 | 72 | 72 | 183 | $1,541,392 | 12/31/2018 |
United Kingdom | 2/19/2016 | $355,197 | 424 | 424 | 733 | $723,874 | 6/9/2016 |
Uruguay | 3/3/2016 | $14,641 | 8 | 8 | 15 | $23,557 | 12/31/2018 |
Rest of World | $724,879 | ||||||
Worldwide Total | $49,252,761 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Chris Pine | Bernie Webber |
Supporting Cast
Casey Affleck | Raymond Sybert |
Ben Foster | Richard Livesey |
Eric Bana | Daniel Cluff |
Holliday Grainger | Miriam |
John Ortiz | Seaman Wallace Quirey |
Josh Stewart | Tchuda Southerland |
Keiynan Lonsdale | Eldon Hanan |
Michael Raymond-James | Seaman D.A. Brown |
Kyle Gallner | Andy Fitzgerald |
John Magaro | Ervin Maske |
Graham McTavish | Frank Fauteux |
Beau Knapp | Mel Gouthro |
Abraham Benrubi | George "Tiny" Meyers |
Rachel Brosnahan | Bea Hansen |
Ben Koldyke | Donald Bangs |
Matthew Maher | Carl Nickerson |
Alexander Cook | John Stello |
Polly Pillsbury | Local Townsfolk |
Peg Saurman Holzemer | Local Townsfolk |
Larry Eudene | Pendleton Crew #3 Whistle Blower |
Gene Harrison | Pendleton Crew Member #5 |
Joseph Barrett | Medic |
Lance Norris | Fisherman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Craig Gillespie | Director |
Paul Tamasy | Screenwriter |
Scott Silver | Screenwriter |
Eric Johnson | Screenwriter |
Casey Sherman | Based on the Book by |
Michael J. Tougias | Based on the Book by |
Jim Whitaker | Producer |
Dorothy Aufiero | Producer |
Doug Merrifield | Executive Producer |
Javier Aguirresarobe | Director of Photography |
Michael Corenblith | Production Designer |
Tatiana S. Riegel | Editor |
Louise Frogley | Costume Designer |
Carter Burwell | Composer |
Doug Merrifield | Line Producer |
Robert Mazaraki | Production Supervisor |
Vincent Lascoumes | Assistant Director |
Christophe Le Chanu | Assistant Director |
Emma Barber | Assistant Director |
Chad Goyette | Assistant Director |
Doug Merrifield | Unit Production Manager |
Mindy Marin | Casting Director |
Kara Lipson | Additional Casting-Casting Associate |
Tom Williams | Sound Mixer |
Christine Whitaker | Associate Producer |
Diane Durant | Script Supervisor |
Dan Boccoli | Assistant Editor |
Jered Zalman | Assistant Editor |
Michael McCusker | Editor |
Adam Milo Smalley | Music Editor |
Jon Mooney | Music Editor |
Michael Farrow | Score Mixer |
William Ladd Skinner | Art Director |
Ravi Bansal | Art Director |
Sam Avila | Assistant Art Director |
Susan Benjamin | Set Decorator |
Lorrie Campbell | Set Designer |
Robert Johnson | Set Designer |
Bria Kinter | Set Designer |
Masako Masuda | Set Designer |
Richard Reynolds | Set Designer |
Steven Saylor | Set Designer |
Clint Wallace | Set Designer |
Robert Woodruff | Set Designer |
Caroline Errington | Costume Supervisor |
Whitney James | Make up |
Mary Mastro | Hairstylist |
Mark P. Stoeckinger | Sound Editor |
Alan Rankin | Sound Designer |
Andy Koyama | Re-recording Mixer |
Dean A. Zupancic | Re-recording Mixer |
Martyn Zub | Re-recording Mixer |
Todd Toon | Sound Effects Editor |
Tim Walston | Sound Effects Editor |
Stephen P. Robinson | Sound Effects Editor |
Albert Gasser | Sound Effects Editor |
Ann Scibelli | Sound Effects Editor |
Michele Perrone | Dialogue Editor |
Kevin Scott | Stunt Coordinator |
Kevin L. Jackson | Stunt Coordinator |
Kevin Hahn | Visual Effects Supervisor |
Seth Maury | Visual Effects Supervisor |
Aaron Weintraub | Visual Effects Supervisor |
Mark Hawker | Special Effects Supervisor |
Craig Tex Barnett* | Special Effects Coordinator |
Paul V. Molles | Visual Effects Producer |
Felix Crawshaw | Visual Effects Producer |
Veronique Messier Lauzon | Visual Effects Producer |
Sarah McMurdo | Visual Effects Producer |
Tom Goodenough | Animation Supervisor |
Robert Caban | Special Effects |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.