Michael McCusker
| Best known as an Editor based on credits in that role in 13 films, with $2,476,977,323 worldwide aggregate box office (rank #76) |
| Best-known technical roles: Indiana Jones and the Dial of Destiny (Editor), Logan (Editor), Ford v. Ferrari (Editor), The Wolverine (Editor), The Girl on the Train (Editor) |
| Most productive collaborators: James Mangold, Phedon Papamichael, Jez Butterworth, John-Henry Butterworth, Andrew Buckland |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Editor | 13 | $1,081,221,223 | $1,395,756,100 | $2,476,977,323 |
| Cinematographer | 1 | $76,423,035 | $182,328,335 | $258,751,370 | |
| Associate Editor | 1 | $52,131,264 | $29,987,772 | $82,119,036 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 401-500) | 404 | $76,423,035 |
| Top Grossing Editor at the Domestic Box Office | 72 | $1,081,221,223 |
| Top Grossing Cinematographer at the International Box Office (Rank 201-300) | 279 | $182,328,335 |
| Top Grossing Editor at the International Box Office | 77 | $1,395,756,100 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 301-400) | 320 | $258,751,370 |
| Top Grossing Editor at the Worldwide Box Office | 76 | $2,476,977,323 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jun 30, 2023 | Indiana Jones and the Dial … | Editor | $174,480,468 | $209,482,589 | $383,963,057 |
| Aug 14, 2020 | Unhinged | Editor | $20,831,465 | $16,507,639 | $37,339,104 |
| Nov 15, 2019 | Ford v. Ferrari | Editor | $117,624,357 | $106,766,349 | $224,390,706 |
| Mar 3, 2017 | Logan | Editor | $226,277,068 | $387,925,247 | $614,202,315 |
| Oct 7, 2016 | The Girl on the Train | Editor | $75,395,035 | $98,883,179 | $174,278,214 |
| Jan 29, 2016 | The Finest Hours | Editor | $27,569,558 | $21,683,203 | $49,252,761 |
| Jan 15, 2016 | 13 Hours: The Secret Soldie… | Editor | $52,853,219 | $16,558,151 | $69,411,370 |
| Aug 1, 2014 | Get on Up | Editor | $30,569,935 | $2,769,933 | $33,339,868 |
| Jul 26, 2013 | The Wolverine | Editor | $132,556,852 | $283,900,000 | $416,456,852 |
| May 13, 2011 | Hesher | Editor | $382,946 | $382,946 | |
| Jun 23, 2010 | Knight and Day | Cinematographer | $76,423,035 | $182,328,335 | $258,751,370 |
| Nov 26, 2008 | Australia | Editor | $49,554,002 | $165,526,808 | $215,080,810 |
| Sep 7, 2007 | 3:10 to Yuma | Editor | $53,606,916 | $17,564,909 | $71,171,825 |
| Nov 18, 2005 | Walk the Line | Editor | $119,519,402 | $68,188,093 | $187,707,495 |
| Apr 25, 2003 | Identity | Associate Editor | $52,131,264 | $29,987,772 | $82,119,036 |
| Averages | $80,651,701 | $114,862,301 | $187,856,515 | ||
| Totals | 15 | $1,209,775,522 | $1,608,072,207 | $2,817,847,729 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 401-500) | 404 | $76,423,035 |
| Top Grossing Editor at the Domestic Box Office | 72 | $1,081,221,223 |
| Top Grossing Cinematographer at the International Box Office (Rank 201-300) | 279 | $182,328,335 |
| Top Grossing Editor at the International Box Office | 77 | $1,395,756,100 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 301-400) | 320 | $258,751,370 |
| Top Grossing Editor at the Worldwide Box Office | 76 | $2,476,977,323 |