Spain Box Office for Fantasy Island (2020)
Theatrical Performance (US$) | ||
Spain Box Office | $1,130,212 | Details |
Worldwide Box Office | $48,518,957 | Details |
Home Market Performance | ||
North America DVD Sales | $1,018,179 | Details |
North America Blu-ray Sales | $826,185 | Details |
Total North America Video Sales | $1,844,364 | |
Further financial details... |
Synopsis
The enigmatic Mr. Roarke makes the secret dreams of his lucky guests come true at a luxurious but remote tropical resort. But when the fantasies turn into nightmares, the guests have to solve the island’s mystery in order to escape with their lives.
Metrics
Movie Details
Production Budget: | $7,000,000 |
Spain Releases: | February 14th, 2020 (Wide) |
Video Release: | April 14th, 2020 by Sony Pictures Home Entertainment July 13th, 2020 by Sony Pictures |
MPAA Rating: | PG-13 for violence, terror, drug content, suggestive material and brief strong language. (Rating bulletin 2611 (Cert #52515), 1/8/2020) |
Running Time: | 110 minutes |
Keywords: | Modern Adaptation, Supernatural, Wish Granters, Revenge, Tortured as Punishment, Bullies, Remake with a Different Genre, Supernatural Horror, Surprise Twist, Zombies, Accidental Death |
Source: | Based on TV |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Blumhouse, Columbia Pictures, Tower of Babble |
Production Countries: | United States |
Languages: | English |
DEG Watched At Home Chart: Preying for a Miracle
May 21st, 2020
Birds of Prey hit DVD / Blu-ray / 4K last week, and that helped it shoot up the DEG Watched at Home chart from eighth place last week to land in first place. It looks like Warner Bros. should break even on this film before too long. On the downside, the studio only had two other entries in the top twenty, leaving Sony in first place in that regard with five releases in the top twenty this week.
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DVD and Blu-ray Releases for May 12th, 2020
May 13th, 2020
It’s a good week for DVDs and Blu-rays with several that are worth picking up. This includes Birds of Prey, which is the biggest new release of the week and its DVD / Blu-ray / 4K Ultra HD releases are loaded with extras. The Great Escape is a better movie and the Criterion Collection DVD / Blu-ray also has plenty of extras, but it is a double-dip. Both were in contention for the Pick of the Week title, but in the end, I went with The Great Escape.
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DEG Watched At Home Chart: Bad Boys Continues Sony’s Good Year
April 30th, 2020
Bad Boys for Life rose to first place on this week’s DEG watched at home chart, thanks to its release on DVD and Blu-ray. This wasn’t Sony’s only entry in the in the top five. In fact, the studio was tied with Disney / Fox with five in the top twenty.
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VOD Releases: Go on a World Tour from Your Own Home
April 9th, 2020
This could turn out to be the most important weekend for the movie industry in decades. It’s the weekend
Trolls: World Tour comes out on the home market. This is the first major motion picture with a planned saturation level release that is not being pushed back due to the Covid-19 outbreak, but is instead coming out on Video on Demand. In a few years, we might look back at this week as the week the movie industry changed fundamentally, if this film is a big enough hit to convince studios that theatrical releases are unnecessary.
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Thursday Night Previews: Invisible Man Makes a Showy Entrance
February 28th, 2020
The Invisible Man is easily the best-reviewed horror film released in 2020 so far. It also looks like it should be one of the highest grossing, as it pulled in $1.65 million in previews on Thursday. The current 2020 champ is Fantasy Island, which didn’t even have previews, so we can’t us that film as a comparison. However, both Gretel and Hansel and The Turning earned between $400,000 and $500,000, so this is a stellar debut in comparison. It is still too early to tell if it will match predictions, but I remain cautiously optimistic.
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Weekend Wrap-Up: Sonic Repeats on Top, Call Makes it Close
February 25th, 2020
It was a mixed weekend, but at least there was a relatively close race for top spot. This close race happened in part because The Call of the Wild beat expectations by a huge margin, but also because Sonic the Hedgehog fell faster than anticipated. This left the overall box office down 34% from last weekend to just $102 million, but drop-offs like this are normal for post-holiday weekend. Unfortunately, this was also 19% lower than the same weekend last year and this isn’t normal. Year-to-date, 2020 still has a lead over 2019, but it has shrunk to 6.2% or $82 million at $1.41 billion to $1.33 billion. Hopefully this recent weakness is only temporary.
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International Box Office: Sonic Speeds its Way to $100 million Globally
February 20th, 2020
Sonic The Hedgehog opened with $43 million in 40 markets for an early worldwide total of just over $101 million. This is a fantastic start for a film that cost $90 million to make and there’s already talk of not just a sequel, but a Sonic Cinematic Universe. The film’s biggest individual market was Mexico, where it opened with $6.82 million, while the U.K. was right behind with $6.17 million on 619 screens.
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Weekend Wrap-Up: Sonic Sets Records and Returns 2020 to the Top
February 19th, 2020
The long weekend turned out to be a lot more lucrative than many predicted, especially on the top. Sonic the Hedgehog broke records for a video game adaptation opening with $58.02 million over the three-day weekend and $70.00 million including Monday. It wasn’t the only success story of the weekend, as Fantasy Island did well for a low-budget horror movie and The Photograph did well enough to break even, eventually. The overall box office rose dramatically from last weekend, up 64%. However, it was a holiday weekend, so impressive growth was expected. More importantly, the box office was up 26% from the same weekend last year. And while the misalignment in Valentine’s Day did have an effect, this is still a good result for the box office. 2020 has opened a nearly $100 million lead on 2019, up by $99 million or 8.4% at $1.28 billion to $1.18 billion. A few more weeks like this and I will start to become optimistic.
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Weekend Estimates: Sonic is Faster than a Speeding Pikachu
February 16th, 2020
Sonic the Hedgehog was in a close race with Detective Pikachu for the best weekend by a video game adaptation of all time, based on Friday’s estimates, however, that has changed. The film’s opening weekend estimates are $57 million over three days and $68 million over four, which is well above Detective Pikachu’s three-day opening weekend of $54.37 million. That said, this film’s reviews have slipped just below the reviews Detective Pikachu earned and Detective Pikachu didn’t open on a holiday, so that does make a difference. Regardless of whether or not you consider Sonic the Hedgehog to be the true video game box office champion, it is smashing predictions. Interestingly, the films demographics was 56% general audiences and only 44% families. Perhaps adult fans of the video game franchise decided to check out the movie for themselves. Boys under 12 outnumbered girls under 12 by a 69% to 31% margin, so this one is definitely leaning male. We have no international details, but the film is reportedly earning $100 million globally, which is a fantastic start for a movie that cost $90 million to make. I suspect Paramount is already working on a sequel.
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Friday Estimates: Sonic Laps the Competition
February 15th, 2020
Love is in the air and it is moving fast. Sonic the Hedgehog decimated the competition, and predictions, earning $21.0 million on Friday. To put this into perspective, the next-best film is projected to earn just over $21 million over the four-day weekend. The film’s reviews have slipped, but they do remain in the overall positive level, while its A from CinemaScore is going to be a big help going forward. Paramount is projecting $60.0 million for the four-day weekend, but I suspect they are being overly cautious. Either way, it is clearly the studio’s biggest hit in over a year and will become their first $100-million movie since Bumblebee.
If the estimate holds, it will also be the best single day for a movie based on a game, bettering the $20.575 million earned by Pokémon: Detective Pikachu on its opening day back in September.
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Thursday Night Previews: Sonic Speeds its way to $3 million
February 14th, 2020
Sonic the Hedgehog started its box office run with $3 million in midnight previews on Thursday. This is twice as much as The Lego Movie 2: The Second Part earned during its Thursday previews last year. I’m not saying Sonic will open with twice as much as that film did during its opening weekend, but there are reasons to be optimistic that it will top our predictions. Its reviews remain solid and there is a lack of direct competition with Dolittle slipping out of the top five this weekend. We will have a better idea where it is heading tomorrow, but so far I’m pleased.
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Weekend Predictions: Will Audience Love Sonic and the Other New Releases?
February 13th, 2020
Valentine’s Day and Presidents Day combine into one long weekend. It’s a great early weekend of the year and there are four films hoping to take advantage of the holiday to get off to a fast start. Unfortunately, four films is too many for all of them to succeed and it looks like one or two will fall between the cracks. Sonic the Hedgehog is the biggest release of the week and will likely earn more during its opening weekend than any of the three other films will earn in total. This includes The Photograph, the only new release that is earning overwhelmingly positive reviews. It looks like Fantasy Island will have some of the worst reviews of the year. Finally, Downhill has the quietest buzz and that’s going to kill it more than its mixed reviews will. Meanwhile, this weekend last year, Alita: Battle Angel opened with $28.5 million, while The Lego Movie 2: The Second Part earned $20.8 million during its sophomore stint. Sonic the Hedgehog should top that with ease. In fact, there are some who think it will top those two films’ combined weekend hauls. If so, then 2020 will return to its winning ways.
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2020 Preview: February
February 1st, 2020
We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others.
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Fantasy Island Trailer
November 13th, 2019
Horror movie starring Michael Peña and Lucy Hale opens February 14 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/02/14 | 7 | $519,423 | 288 | $1,804 | $519,423 | 1 | |
2020/02/21 | 10 | $213,715 | -59% | 292 | $732 | $892,096 | 2 |
2020/02/28 | 15 | $69,660 | -67% | 198 | $352 | $1,093,200 | 3 |
2020/03/06 | 23 | $18,264 | -74% | 67 | $273 | $1,176,762 | 4 |
2020/03/13 | - | $47 | -100% | 2 | $24 | $1,130,212 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 2/13/2020 | $1,243 | 4 | 4 | 5 | $5,294 | 2/26/2020 |
Australia | 2/14/2020 | $673,069 | 217 | 217 | 832 | $1,514,788 | 6/9/2020 |
Austria | 2/21/2020 | $71,880 | 61 | 61 | 188 | $200,326 | 3/17/2020 |
Bahrain | 2/13/2020 | $34,481 | 9 | 9 | 17 | $56,500 | 3/9/2020 |
Belgium | 2/19/2020 | $110,770 | 36 | 36 | 104 | $290,072 | 3/11/2020 |
Brazil | 9/24/2020 | $0 | 0 | 0 | 0 | $393,593 | 11/20/2020 |
Bulgaria | 2/14/2020 | $29,787 | 0 | 11 | 11 | $76,230 | 3/17/2020 |
Cambodia | 2/14/2020 | $29,646 | 85 | 85 | 141 | $47,099 | 3/9/2020 |
Croatia | 2/20/2020 | $46,393 | 50 | 50 | 131 | $120,343 | 3/17/2020 |
Curacao | 2/13/2020 | $2,157 | 3 | 3 | 6 | $5,855 | 3/11/2020 |
Czech Republic | 2/14/2020 | $63,343 | 103 | 103 | 260 | $128,297 | 10/19/2022 |
East Africa | 2/13/2020 | $765 | 1 | 2 | 8 | $7,445 | 3/17/2020 |
Egypt | 2/13/2020 | $44,505 | 22 | 22 | 62 | $108,769 | 3/17/2020 |
Estonia | 2/14/2020 | $20,710 | 18 | 18 | 40 | $61,854 | 3/11/2020 |
France | 2/12/2020 | $1,286,529 | 233 | 236 | 809 | $2,996,755 | 3/11/2020 |
Germany | 2/20/2020 | $473,728 | 368 | 368 | 1121 | $1,048,265 | 3/24/2020 |
Hong Kong | 2/13/2020 | $215,316 | 104 | 104 | 211 | $347,504 | 3/24/2020 |
Hungary | 2/13/2020 | $115,169 | 47 | 56 | 184 | $245,343 | 10/19/2022 |
India | 2/14/2020 | $57,245 | 227 | 227 | 234 | $75,558 | 2/25/2020 |
Indonesia | 2/12/2020 | $1,021,693 | 561 | 561 | 984 | $1,579,136 | 3/24/2020 |
Iraq | 2/13/2020 | $10,187 | 8 | 8 | 17 | $23,459 | 3/2/2020 |
Israel | 2/13/2020 | $135,751 | 33 | 33 | 143 | $378,735 | 10/19/2022 |
Italy | 2/13/2020 | $380,509 | 0 | 20 | 20 | $563,842 | 10/19/2022 |
Jamaica | 2/14/2020 | $0 | 0 | 6 | 6 | $16,783 | 2/26/2020 |
Jordan | 2/13/2020 | $12,563 | 5 | 5 | 14 | $28,014 | 3/17/2020 |
Kenya | 2/14/2020 | $8,992 | 24 | 24 | 55 | $16,862 | 3/9/2020 |
Kuwait | 2/13/2020 | $52,611 | 12 | 12 | 15 | $81,385 | 3/2/2020 |
Latvia | 2/14/2020 | $13,316 | 7 | 7 | 25 | $41,129 | 3/17/2020 |
Lebanon | 2/13/2020 | $22,755 | 17 | 17 | 27 | $37,274 | 3/9/2020 |
Lithuania | 2/14/2020 | $45,816 | 13 | 13 | 44 | $143,500 | 6/10/2020 |
Malaysia | 2/27/2020 | $332,658 | 341 | 341 | 756 | $683,349 | 3/23/2020 |
Mexico | 3/6/2020 | $137,174 | 0 | 0 | 0 | $583,493 | 10/19/2022 |
Middle East Region | 2/13/2020 | $228,877 | 14 | 14 | 43 | $657,237 | 3/9/2020 |
Netherlands | 2/14/2020 | $195,255 | 77 | 78 | 277 | $507,664 | 10/19/2022 |
New Zealand | 2/13/2020 | $12,712 | 9 | 9 | 38 | $32,957 | 3/24/2020 |
Nigeria | 2/14/2020 | $19,460 | 51 | 54 | 209 | $66,503 | 3/24/2020 |
North America | 2/14/2020 | $12,310,420 | 2,784 | 2,784 | 10,169 | $26,441,782 | |
Oman | 2/13/2020 | $23,040 | 20 | 20 | 38 | $39,987 | 3/2/2020 |
Pakistan | 2/14/2020 | $15,750 | 54 | 54 | 96 | $38,393 | 3/17/2020 |
Philippines | 2/12/2020 | $407,339 | 195 | 195 | 287 | $560,217 | 3/2/2020 |
Poland | 2/14/2020 | $115,334 | 59 | 59 | 148 | $203,646 | 10/19/2022 |
Portugal | 2/14/2020 | $122,789 | 53 | 53 | 165 | $330,690 | 10/19/2022 |
Qatar | 2/13/2020 | $47,876 | 14 | 14 | 23 | $85,371 | 3/2/2020 |
Romania | 2/14/2020 | $114,481 | 80 | 80 | 237 | $214,390 | 3/23/2020 |
Russia (CIS) | 3/5/2020 | $977,429 | 1048 | 1048 | 2516 | $2,103,217 | 10/19/2022 |
Serbia and Montenegro | 2/13/2020 | $23,387 | 29 | 29 | 78 | $73,375 | 3/17/2020 |
Singapore | 2/13/2020 | $101,892 | 34 | 34 | 109 | $204,933 | 3/24/2020 |
Slovakia | 2/27/2020 | $37,967 | 60 | 60 | 95 | $67,580 | 7/21/2020 |
Slovenia | 2/13/2020 | $17,867 | 14 | 14 | 42 | $49,720 | 4/6/2020 |
South Africa | 2/14/2020 | $22,459 | 22 | 27 | 77 | $173,700 | 3/11/2020 |
Spain | 2/14/2020 | $519,423 | 288 | 292 | 847 | $1,130,212 | 10/19/2022 |
Suriname | 2/13/2020 | $2,177 | 1 | 1 | 4 | $5,866 | 3/23/2020 |
Switzerland | 2/12/2020 | $32,432 | 11 | 35 | 105 | $150,643 | 3/17/2020 |
Syria | 2/13/2020 | $11,378 | 2 | 2 | 5 | $18,775 | 3/2/2020 |
Taiwan | 2/14/2020 | $341,012 | 99 | 99 | 315 | $725,125 | 3/24/2020 |
Trinidad | 2/12/2020 | $35,837 | 17 | 17 | 68 | $115,443 | 3/25/2020 |
Turkey | 3/6/2020 | $74,491 | 205 | 205 | 354 | $123,594 | 10/19/2022 |
Ukraine | 2/13/2020 | $384,060 | 290 | 290 | 660 | $710,163 | 3/17/2020 |
United Arab Emirates | 2/13/2020 | $196,521 | 59 | 59 | 106 | $334,286 | 3/17/2020 |
United Kingdom | 3/6/2020 | $511,133 | 408 | 408 | 762 | $899,571 | 3/18/2020 |
Vietnam | 2/14/2020 | $335,570 | 215 | 215 | 440 | $547,066 | 3/2/2020 |
Worldwide Total | $48,518,957 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Michael Peña | Mr. Roarke |
Supporting Cast
Maggie Q | Gwen Olsen |
Lucy Hale | Melanie |
Austin Stowell | Randall |
Jimmy O. Yang | Brax |
Portia Doubleday | Sonja |
Ryan Hansen | Bradley |
Michael Rooker | Morgan |
Mike Vogel | Lieutenant Sullivan |
Parisa Fitz-Henley | Julia |
Kim Coates | Devil Face |
Robbie Jones | Rocklin |
Jeriya Benn | Lila |
Charlotte McKinney | Aphrodite |
Josh McConville | Sarge |
Tane Williams-Accra | Fischer |
Edmund Lembke-Hogan | Himoff |
Ian Roberts | The Surgeon |
Evan Evagora | Nick Taylor |
Goran D. Kleut | Valet Milton |
Josh Randall | Valet Chester |
Joshua Diaz | Alejandro |
Andrew Lees | Will |
Nick Slater | Greg |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jeff Wadlow | Director |
Jeff Wadlow | Screenwriter |
Christopher Roach | Screenwriter |
Jillian Jacobs | Screenwriter |
Christopher Roach | Producer |
Jillian Jacobs | Producer |
Jason Blum | Producer |
Couper Samuelson | Executive Producer |
Jeanette Volturno-Brill | Executive Producer |
Toby Oliver | Director of Photography |
Marc Fisichella | Production Designer |
Sean Albertson | Editor |
Bear McCreary | Composer |
Lisa Norcia | Costume Designer |
Ryan Turek | Co-Producer |
Robin Mulcahy Fisichella | Co-Producer |
James Moran | Co-Producer |
Nikki Barrett | Casting Director |
Terri Taylor | Casting Director |
Sarah Domeier Lindo* | Casting Director |
Jennifer Scudder Trent | Co-Producer |
Alan D'Antoni | Stunt Coordinator |
Robin Mulcahy Fisichella | Unit Production Manager |
James Moran | First Assistant Director |
Marc Newland | Second Assistant Director |
Sean Albertson | Co-Producer |
Lisa Norcia | Associate Producer |
Kurt Nishimura | Associate Producer |
Elizabeth Martins | Production Supervisor |
Renee Minasian | Post-Production Supervisor |
Phil Thomas | Art Director |
Thomas Salpietro | Set Decorator |
Laurajane Miles* | Script Supervisor |
Jacqueline Leung | Make-up and Hair Designer |
Anthony Faifai | Location Manager |
Lance Millar | Location Manager |
Tim Alverson | Additional Editor |
Kurt Nishimura | First Assistant Editor |
Scott Milligan | First Assistant Editor |
Derek Larsen | Assistant Editor |
Kali Kasashima | Assistant Editor |
Jamie Hardt | Sound Designer |
Angela Hackner | Dialogue Editor |
Martin Jacob Lopez | Sound Effects Editor |
Diego Staub | Foley Mixer |
Kevin Aragunde | Foley Mixer |
Jamie Hardt | Re-recording Mixer |
Martin Jacob Lopez | Re-recording Mixer |
Ryan Sanchez | Score Mixer |
Tamas Kurina | Score Recordist |
Milton Gutierrez | Score Recordist |
Mike Baber | Music Editor |
Nate Hill | Music Editor |
Sam Ewing | Additional Music |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.