Jillian Jacobs
Best known as a Screenwriter based on credits in that role in 3 films, with $143,811,701 worldwide aggregate box office (rank #1,496) |
Best-known technical roles: Truth or Dare (Screenwriter), Fantasy Island (Screenwriter), Fantasy Island (Producer) |
Most productive collaborators: Jeff Wadlow, Lucy Hale, Christopher Roach, Tyler Posey, Michael Reisz |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 1 | $0 | $0 | $0 |
In Technical Roles | Screenwriter | 3 | $67,852,797 | $75,958,904 | $143,811,701 |
Producer | 1 | $26,441,782 | $22,077,175 | $48,518,957 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 2,301-2,400) | 2,322 | $26,441,782 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,501-1,600) | 1,558 | $67,852,797 |
Top Grossing Producer at the International Box Office (Rank 2,501-2,600) | 2,526 | $22,077,175 |
Top Grossing Screenwriter at the International Box Office (Rank 1,401-1,500) | 1,457 | $75,958,904 |
Top Grossing Producer at the Worldwide Box Office (Rank 2,401-2,500) | 2,495 | $48,518,957 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,496 | $143,811,701 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2020 Preview: February
February 1st, 2020
We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others.
More...
All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 2, 2021 | Fear Street Part 1: 1994 | ||||
Averages | n/a | n/a | n/a | ||
Totals | 1 | n/a | n/a | n/a |
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 14, 2020 | Fantasy Island | Producer Screenwriter |
$26,441,782 | $22,077,175 | $48,518,957 |
Apr 13, 2018 | Truth or Dare | Screenwriter | $41,411,015 | $53,881,729 | $95,292,744 |
Averages | $33,926,399 | $37,979,452 | $71,905,851 | ||
Totals | 2 | $67,852,797 | $75,958,904 | $143,811,701 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Feb 14, 2020 | Fantasy Island | $12,310,420 | 2,784 | $26,441,782 | $48,518,957 | 54.5% |
Averages | $12,310,420 | 2,784 | $26,441,782 | $48,518,957 | 54.5% | |
Totals | 1 | $26,441,782 | $48,518,957 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Feb 14, 2020 | Fantasy Island | $12,310,420 | 2,784 | $26,441,782 | $48,518,957 | 54.5% |
Apr 13, 2018 | Truth or Dare | $18,667,855 | 3,068 | $41,411,015 | $95,292,744 | 43.5% |
Averages | $15,489,138 | 2,926 | $33,926,399 | $71,905,851 | 49.0% | |
Totals | 2 | $67,852,797 | $143,811,701 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 2,301-2,400) | 2,322 | $26,441,782 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,501-1,600) | 1,558 | $67,852,797 |
Top Grossing Producer at the International Box Office (Rank 2,501-2,600) | 2,526 | $22,077,175 |
Top Grossing Screenwriter at the International Box Office (Rank 1,401-1,500) | 1,457 | $75,958,904 |
Top Grossing Producer at the Worldwide Box Office (Rank 2,401-2,500) | 2,495 | $48,518,957 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,496 | $143,811,701 |