France Box Office for Dark Phoenix (2019)
Theatrical Performance (US$) | ||
France Box Office | $11,144,000 | Details |
Worldwide Box Office | $246,356,895 | Details |
Home Market Performance | ||
North America DVD Sales | $8,160,268 | Details |
North America Blu-ray Sales | $13,900,738 | Details |
Total North America Video Sales | $22,061,006 | |
Further financial details... |
Synopsis
The X-Men face their most formidable and powerful foe: one of their own, Jean Grey. During a rescue mission in space, Jean is nearly killed when she is hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. Wrestling with this entity inside her, Jean unleashes her powers in ways she can neither comprehend nor contain. With Jean spiraling out of control, and hurting the ones she loves most, she begins to unravel the very fabric that holds the X-Men together. Now, with this family falling apart, they must find a way to unite—not only to save Jean’s soul, but to save our very planet from aliens who wish to weaponize this force and rule the galaxy.
Metrics
Movie Details
Production Budget: | $200,000,000 |
France Releases: | June 7th, 2019 (Wide) |
Video Release: | September 3rd, 2019 by Fox Home Entertainment |
MPAA Rating: | PG-13 for intense sequences of sci-fi violence and action including some gunplay, disturbing images, and brief strong language. (Rating bulletin 2577 (Cert #51347), 5/8/2019) |
Running Time: | 114 minutes |
Franchise: | X-Men |
Keywords: | Marvel Comics, Mutants, Psychics, Good vs. Evil, Friends turned Enemies, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure |
Source: | Based on Fiction Book/Short Story |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Super Hero |
Production/Financing Companies: | Marvel Studios, Kinberg Genre, Twentieth Century Fox, Hutch Parker |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 17th, 2019
September 18th, 2019
It’s one of those weeks on the home market. There are almost no new releases to talk about and the ones worth talking about all have caveats when it comes to my recommendations. That is to say, while there are a number of DVDs / Blu-ray that I recommend buying, there are none that really rise to the level of Pick of the Week. This leaves Spider-Man: Far from Home as the Pick of the Week, despite it coming out only on VOD so far.
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Home Market Releases for September 3rd, 2019
September 4th, 2019
It’s another short week with not a lot to talk about. The biggest release of the week is Men in Black International, but it missed expectations by a significant margin. The best first-run release is Booksmart, which also missed expectations by a significant margin, but it is still good enough to be a Pick of the Week contender. In fact, it’s only competition is My Hero Academia: Season Three, Part Two. It came down to a literal coin toss and My Hero Academia won, but both deserve the title.
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International Box Office: Toy Story Still has Stories to Tell
June 27th, 2019
Toy Story 4 dominated the international chart with $120.0 million in 37 markets, representing 64% of the international marketplace. Interestingly, China wasn’t the film’s biggest market, as it had an absolute monster debut in Mexico taking top spot there with $23.82 million. The film also dominated the chart in the U.K. with $16.90 million, which isn’t as strong as its opening here, but still impressive. Likewise, the film managed $13.4 million in China, which is good for an animated film there. Good, but not great. The film broke the record for an opening by an animated film in Brazil with $9.6 million and did nearly as well in neighboring Argentina with $7.5 million. It was also impressive in South Korea with $7.47 million on 1,335 screens over the weekend for a total opening of $8.55 million.
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Weekend Predictions: Can Toy Story 4 Save June’s Box Office Run?
June 20th, 2019
June has not lived up to expectations and unless Toy Story 4 is a record-breaking hit, we are going to end the month with a loss. I don’t think it will break records, but it will easily be the biggest hit of the month. Also opening this week is Child’s Play, the reboot to the long-running horror franchise of the same name. Finally, Anna is the latest film from Luc Besson and many are comparing it to Lucy. It’s not going to do that well. It likely won’t reach the top five. This weekend last year, Jurassic World: Fallen Kingdom opened with $148.02 million. I really hope Toy Story 4 tops that; however, even if it does, nothing playing this weekend is going to compare with Incredibles 2’s run last year, so 2019 is going to lose in the year-over-year comparison.
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International Box Office: Men in Black: International Lives Up to Its Name
June 20th, 2019
Men in Black: International did substantially better internationally with $68.22 million on 40,600 screens in 65 markets over the weekend for a total opening of $73.03 million. Its worldwide total was $103.06 million, which isn’t a bad start for a film that cost $110 million to make. It needs to have great legs and a strong home market run to break even any time soon, but this isn’t a number that should cause the studio to panic either. The film’s biggest single market was China where it earned first place with a total opening of $25.90 million, including $25.35 million on 21,000 screens over the weekend. It only managed third place in South Korea with $3.45 million on 1,055 screens over the weekend for a total opening of $4.88 million. Overall, the film is about 20% behind Men in Black 3’s opening in the same markets; however, this film also cost nearly 50% less to make, so financially, it is an improvement.
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Weekend Wrap-Up: Weekend Bests Estimates, Still Clobbered by Incredibles
June 18th, 2019
There is some good news to report, as the weekend final numbers beat both the projections based on Friday estimates and Sunday’s estimates. There’s also some bad news. Even with this improvement, the weekend was really soft at the box office. Men in Black: International led the way with just $30.04 million during its opening weekend, while only two other films topped $10 million over the weekend. This left the overall box office down 18% from last weekend to just $135 million. This is 50% lower than the same weekend last year; a decline that we normally only see when there is a misalignment in a holiday. However, in this case, it was due to Incredibles 2, which earned more by itself than the total box office did this year. This has left 2019 further behind 2018 and it is now off last year’s pace by 7.0% or $370 million at $4.99 billion to $5.36 billion. Several weeks worth of gaining ground has gone in a single weekend.
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Weekend Estimates: Black Skies for MiB
June 16th, 2019
According to weekend estimates, Men in Black: International is topping projections based on Friday estimates, but is still weaker than predicted with $28.5 million. This is a pleasant surprise, as the film’s reviews are terrible and its B from CinemaScore strongly suggested weaker legs. Maybe it will continue to surprise going forward. The film is doing much better internationally with $73.7 million on 41,400 screens in 56 markets. This includes $26.3 million in China, $5.1 million in Russia, $4.9 million in South Korea, and $3.9 million in Mexico. On the downside, the film has opened in most major markets, so it will be mostly coasting on holdovers at this point. It should still earn enough to cover its production budget worldwide, but that’s not enough to break even in any timely fashion.
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Friday Estimates: Toy Story 4 needs to be a Monster Hit
June 15th, 2019
It is going to be a really bad weekend. All of the progress we made since Endgame came out could be erased in a week and if Toy Story 4 isn’t a monster hit, then 2019 will be in serious trouble, again. Men in Black: International led the way on Friday, but it only managed $10.4 million. Sony is projecting a $26.2 million opening weekend, which would be the studio’s biggest opening of the year so far. In fact, it would be the studio’s third biggest hit of the year after just three days. Yikes. The film’s reviews are terrible and it only managed a B from CinemaScore, so I don’t expect long legs. There are some rumors going around that the film didn’t cost as much as its official $110 million production budget, but even if those are true, this is still not a good start. Maybe it will thrive internationally.
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Thursday Night Previews: Men in Black Open Darker than Phoenix
June 14th, 2019
Men in Black: International only managed $3.1 million during its previews on Thursday, which is well below the previews earned by Dark Phoenix ($5.9 million) and Godzilla: King of Monsters ($6.3 million). All three films have similar reviews and all three are part of long running franchises, so sadly this means Men in Black: International will likely have similar legs. Sony is still projecting $30 million over the weekend, but I’m not so sure anymore.
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Weekend Predictions: Can Men in Black Open in the Black?
June 13th, 2019
It’s a busy weekend at the box office with the potential for four new entries in the top ten. Unfortunately, only one of those films, Late Night, is earning good reviews. The other films’ reviews range from mediocre reviews to depressing reviews. Likewise, the four film’s box office chances range from mediocre, with Men in Black: International expected to open south of $30 million, to depressing, with some suggesting Late Night and / or The Dead Never Die missing the Mendoza Line. This weekend last year, Incredibles 2 opened with $182.69 million. That’s more than the entire box office will make this weekend. 2019 is going to get crushed in the year-over-year comparison.
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International Box Office: Dark Phoenix is Brighter Internationally
June 13th, 2019
Dark Phoenix may have struggled domestically, but it is doing a lot better internationally. The film opened with $107.0 million in 53 markets with Japan being the lone major market it didn’t debut in. China was the film’s biggest single market, representing $44.44 million of its total haul, including $31.85 million over the weekend. The film cracked $5 million in South Korea with a total opening of $5.58 million on 868 screens, including $2.82 million over the weekend. It had nearly identical results in the U.K. ($4.78 million in 615 theaters) and Mexico ($4.65 million). Unfortunately, for all of the film’s success on the international stage, the film is only looking to save face, as it cost $200 million to make and there’s nearly no chance it will recoup that in a timely fashion.
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Weekend Wrap-Up: New Releases Miss Expectations and Estimates
June 11th, 2019
It was a mixed weekend at the box office with neither of the two new releases matching expectations. Not only that, but most of the top five missed estimates as well. This led to a result 5.6% lower than last weekend falling to $164 million. I was really expecting growth this weekend. The Secret Life of Pets 2 led the way with $46.65 million, while Dark Phoenix really struggled with just $32.83 million. Aladdin was arguably the only real bright spot in the top five this weekend. Fortunately, this weekend last year was even worse and 2019 was able to win the year-over-year comparison by a whopping 37%. This allowed 2019 to close the gap between it and 2018 to just $300 million or 5.9% at $4.78 billion to $5.08 billion. That’s still a large gap, but it is far cry from where it once was.
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Weekend Estimates: Pets Don’t have a Fiery Rebirth with Just $47 million
June 9th, 2019
Neither of the two wide releases matched expectations over the weekend and in both cases, it could be the end of their respective franchises. The Secret Life of Pets 2 is earning first place with $47.11 million, which isn’t a bad result for a family film that cost $80 million to make. However, this estimate is 55% lower than the first film’s opening weekend. Internationally, it is adding $16.0 million over the weekend to its three-week total, which sits at $49.0 million. Additionally, it has yet to open in most international markets, so it should have long legs on this chart. However, it still isn’t living up to the original. Universal has to be looking at this numbers and deciding to move on from the franchise, even though this film will very likely break even sooner rather than later. Even a moderate decline for a hypothetical third film would put profitability in question.
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Friday Estimates: Dark Day at the Box Office
June 8th, 2019
June might be in trouble, as both of the wide releases stumbled out of the gate missing expectations. The Secret Life of Pets 2 managed first place on Friday, but with just $16.5 million. This is 57% lower than the first film managed during its opening day. Unlike the first film, school was still in session for a lot of the film’s target audience during Friday, so that could help its legs over the weekend. Universal is projecting a $47 million opening weekend, but it might climb to $50 million. Even so, that’s still a serious decline over the first movie. The film did match the original at CinemaScore earning an A minus, so its weaker reviews aren’t going to be much of an issue. Additionally, the movie only cost $80 million to make, so even a $45 million opening won’t prevent the film from breaking even sooner rather than later.
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Thursday Night Previews: Dark Phoenix Sinks Below Apocalypse
June 7th, 2019
Dark Phoenix had the best Thursday previews with $5 million. However, while this is tops for the weekend, it is well below comparisons. For example, Godzilla: King of the Monsters earned $6.3 million during its previews last week, while Apocalypse managed $8.2 million in previews back in 2016. Additionally, the film also has the worst reviews of these films, so it will likely have the shortest legs. That said, for a lot of high school and college students, this weekend is the start of the summer holidays, so that should help its legs during its opening weekend. Because of this, I’m still cautiously optimistic about our $52 million prediction.
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Weekend Predictions: Can Dark Phoenix Soar Above Pets 2?
June 6th, 2019
It could be a real race on the box office chart this weekend. The Secret Life of Pets 2 isn’t generating as much buzz as I was expecting, while there is actually some good news surrounding Dark Phoenix’s box office chances. There’s no good news regarding its reviews, that’s for sure. Also coming out this weekend is Late Night, but it is now coming out in limited release with a wide expansion next week. That’s not a good sign. This does leave one more spot in the top five for a holdover, meaning Aladdin, Godzilla: King of the Monsters, and Rocketman will all remain in the top five for at least one more weekend. This weekend last year, Ocean’s 8 opened with a decent $41.61 million and both The Secret Life of Pets 2 and Dark Phoenix should top that. 2019 should start the month with an easy win.
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2019 Preview: June
June 1st, 2019
While the final weekend in May isn’t over yet, we can safely say the month was merely okay. It managed to keep pace with last May, but I was really hoping to cut into 2019’s deficit by a significant margin. June is not looking any better, at least not compared to 2018. There are two potential monster hits, The Secret Life of Pets 2 and Toy Story 4, as well as a trio of $100 million hits, Dark Phoenix, Men in Black: International, and Annabelle Comes Home. On the surface, this looks excellent; however, last June was even better on top with Incredibles 2 and Jurassic World: Fallen Kingdom earning a combined $1 billion domestically. Granted, the only other $100 million hit was Oceans 8, so this year should have a lot better depth. I don’t think it will be enough to gain any ground in the year-over-year comparison, which is the only way to really judge how a month is doing at this point.
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Dark Phoenix Trailer 3
April 17th, 2019
Superhero action movie starring Sophie Turner opens June 7 ... Full Movie Details.
The X-Men face their most formidable and powerful foe: one of their own, Jean Grey. During a rescue mission in space, Jean is nearly killed when she is hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. Wrestling with this entity inside her, Jean unleashes her powers in ways she can neither comprehend nor contain. With Jean spiraling out of control, and hurting the ones she loves most, she begins to unravel the very fabric that holds the X-Men together. Now, with this family falling apart, they must find a way to unite—not only to save Jean’s soul, but to save our very planet from aliens who wish to weaponize this force and rule the galaxy.
More...
X-Men: Dark Phoenix Trailer
March 4th, 2019
Superhero action movie starring Sophie Turner opens June 7 ... Full Movie Details.
The X-Men face their most formidable and powerful foe: one of their own, Jean Grey. During a rescue mission in space, Jean is nearly killed when she is hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. Wrestling with this entity inside her, Jean unleashes her powers in ways she can neither comprehend nor contain. With Jean spiraling out of control, and hurting the ones she loves most, she begins to unravel the very fabric that holds the X-Men together. Now, with this family falling apart, they must find a way to unite—not only to save Jean’s soul, but to save our very planet from aliens who wish to weaponize this force and rule the galaxy.
More...
Dark Phoenix Trailer
September 27th, 2018
Super hero action movie starring Sophie Turner opens February 14 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/06/07 | - | $3,800,000 | 0 | $3,800,000 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/7/2019 | $450,000 | 0 | 0 | 0 | $923,403 | 8/18/2019 |
Australia | 6/7/2019 | $1,899,683 | 441 | 441 | 1057 | $3,613,173 | 8/27/2019 |
Brazil | 6/7/2019 | $2,900,000 | 0 | 213 | 213 | $6,943,000 | 7/21/2019 |
Bulgaria | 6/7/2019 | $50,410 | 0 | 0 | 0 | $174,390 | 8/8/2019 |
China | 6/5/2019 | $31,870,000 | 114887 | 114887 | 138931 | $59,090,000 | 7/12/2019 |
Czech Republic | 6/7/2019 | $156,159 | 146 | 146 | 355 | $397,095 | 7/11/2019 |
France | 6/7/2019 | $3,800,000 | 0 | 0 | 0 | $11,144,000 | 7/27/2019 |
Germany | 6/7/2019 | $1,724,000 | 0 | 0 | 0 | $4,345,000 | 8/11/2019 |
India | 6/7/2019 | $2,300,000 | 0 | 0 | 0 | $2,300,000 | 6/13/2019 |
Indonesia | 6/14/2019 | $3,500,000 | 0 | 0 | 0 | $5,898,000 | 7/12/2019 |
Italy | 6/6/2019 | $1,033,878 | 0 | 30 | 60 | $2,964,000 | 10/19/2022 |
Japan | 6/21/2019 | $1,724,000 | 0 | 0 | 0 | $4,235,000 | 8/11/2019 |
Lithuania | 6/7/2019 | $22,207 | 127 | 127 | 278 | $67,645 | 7/10/2019 |
Mexico | 6/7/2019 | $4,642,176 | 0 | 0 | 0 | $10,130,000 | 10/19/2022 |
Netherlands | 6/7/2019 | $695,521 | 110 | 111 | 486 | $1,726,000 | 7/27/2019 |
North America | 6/7/2019 | $32,828,348 | 3,721 | 3,721 | 11,844 | $65,845,974 | |
Philippines | 6/7/2019 | $2,400,000 | 0 | 0 | 0 | $3,700,000 | 7/1/2019 |
Poland | 6/7/2019 | $214,565 | 0 | 0 | 0 | $633,990 | 7/11/2019 |
Portugal | 6/7/2019 | $217,399 | 78 | 78 | 297 | $673,527 | 10/19/2022 |
Russia (CIS) | 6/6/2019 | $3,417,431 | 1505 | 1509 | 4924 | $7,083,000 | 7/12/2019 |
Slovakia | 6/7/2019 | $66,332 | 72 | 72 | 162 | $150,493 | 7/11/2019 |
South Korea | 6/5/2019 | $2,819,717 | 868 | 868 | 1358 | $6,400,000 | 10/19/2022 |
Spain | 6/7/2019 | $1,351,196 | 371 | 371 | 1474 | $3,523,000 | 8/11/2019 |
Taiwan | 6/7/2019 | $2,300,000 | 0 | 0 | 0 | $3,300,000 | 1/3/2020 |
Turkey | 6/5/2019 | $270,909 | 577 | 577 | 1727 | $1,079,570 | 10/19/2022 |
United Kingdom | 6/5/2019 | $4,804,629 | 615 | 615 | 1942 | $9,162,000 | 7/21/2019 |
Rest of World | $30,854,635 | ||||||
Worldwide Total | $246,356,895 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Sophie Turner | Jean Grey / Phoenix |
James McAvoy | Charles Xavier |
Michael Fassbender | Erik Lehnsherr / Magneto |
Jennifer Lawrence | Raven Darkhölme / Mystique |
Nicholas Hoult | Hank McCoy / Beast |
Tye Sheridan | Scott Summers / Cyclops |
Alexandra Shipp | Storm |
Kodi Smit-McPhee | Kurt Wagner / Nightcrawler |
Evan Peters | Peter Maximoff / Quicksilver |
Supporting Cast
Jessica Chastain | Alien Shapeshifter |
Olivia Munn | Psylocke |
Lamar Johnson | |
Andrew Stehlin | Red Lotus |
Kota Eberhardt | Selene |
Daniel Cudmore | |
Josh McLaglen | Doctor #1 |
Joey Coleman | Jean Grey’s Uncle |
Michael Kipka | Astronaut #3 |
Dave Campbell | Detective #3 |
Kendel Joy | Student |
Melissa Toussaint | UN Delegate Haiti |
David Patrick Green | UN News Director |
Olivier Lamarche | Local Cop |
Maurizio Terrazzano | Lakehouse Husband |
Christopher Hayes | UN Reporter #1 |
Eric Clark | U.N. Lead Guard |
Andre Bedard | Astronaut #2 |
Frédéric Gilles | World Leader #1 |
Sebastien Beaulac | National Guard Officer |
Karen Ivany | Launch Anchor |
Emilio La Torre | Brazilian Kid #2 |
Eldon Hunter | Journalist |
Sebastian MacLean | Astronaut #5 |
Amir Sám Nakhjavani | Local Cop |
Xavier Sotelo | U.N. Delegate Spain |
Sébastien Bolduc | Mutant |
George Chiang | Chinese U.N. Reporter |
Alex Gravenstein | NASA Tech #1 |
Serge Martineau | Admiral |
Alexandre Bélanger | Businessman |
Christian Labbé | CIA Agent |
Simon Alain | Lakehouse Guest |
Aalia Adam | Local Reporter |
Jam Ali | Police Officer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Simon Kinberg | Director |
Simon Kinberg | Screenwriter |
Chris Claremont | Story based on the Dark Phoenix Saga by |
John Byrne | Story based on the Dark Phoenix Saga by |
Simon Kinberg | Producer |
Bryan Singer | Producer |
Hutch Parker | Producer |
Lauren Shuler Donner | Producer |
Lee Smith | Editor |
Hans Zimmer | Composer |
Mauro Fiore | Director of Photography |
Brian Smrz | Second Unit Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.