Romania Box Office for The Broken Hearts Gallery (2020)
Theatrical Performance (US$) | ||
Romania Box Office | $22,475 | Details |
Worldwide Box Office | $4,835,599 | Details |
Further financial details... |
Synopsis
What if you saved a souvenir from every relationship you’ve ever been in? Lucy, a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Hearts Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself.
Metrics
Movie Details
Romania Releases: | October 23rd, 2020 (Wide) |
Video Release: | November 10th, 2020 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for sexual content throughout and some crude references, strong language and drug references. (Rating bulletin 2634 (Cert #52730), 6/17/2020) |
Running Time: | 109 minutes |
Keywords: | Romance, Relationships Gone Wrong, Relationship Advice, Love Triangle, Artists, Disrupted by 2020 COVID-19 pandemic |
Source: | Original Screenplay |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Tri-Star Pictures, Stage 6 Films, No Trace Camping, Telefilm Canada, Ontario Creates |
Production Countries: | Canada, United States |
Languages: | English |
Weekend estimates: Honest Thief wins weekend with $3.7 million
October 18th, 2020
Honest Thief will top the domestic box office this weekend with a $3.7 million opening that is in line with expectations, and provides more evidence that the theatrical business is at least stable in the United States. Relatively good numbers for the re-release of The Nightmare Before Christmas bolster that argument, although 2 Hearts is underperforming hopes. Overall, it’s a story of two steps forward, one step back.
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Weekend predictions: movies are showing better legs during the pandemic
September 24th, 2020
Disney’s announcement earlier this week that it is moving its upcoming MCU releases into 2021, starting with Black Widow taking over Shang Chi’s previous slot on May 7, was a body-blow to the theatrical business. October’s release schedule is now looking very thin indeed. November isn’t looking much better, and there’s a high probability that at least one of No Time to Die, Soul, and The Croods: A New Age will slip from their current planned release dates.
This weekend has four films technically opening wide: the re-release of The Empire Strikes Back, Shortcut (an Italian horror movie from Gravitas Ventures, opening in around 600 locations), and two movies honoring Ruth Bader Ginsberg, On the Basis of Sex and RBG. However, all of them are such special cases that they don’t fit our prediction model. Instead, I’ll focus on a rare piece of good news: films currently playing in theaters are showing better week-to-week legs than was the case before the pandemic.
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Weekend estimates: Mulan posts disappointing $23.2 million opening in China, Tenet crosses $200 million worldwide
September 13th, 2020
The return of major new theatrical releases in the United States is great news for the industry, but this past few days have shown just how tough it will be to recover from the effects of the pandemic. After Tenet’s seemingly not-too-good, not-too-bad opening last weekend, two studios revealed what they really thought at end of the week, with Warner Bros. pushing Wonder Woman 1984 back to December 25, and Universal shifting Candyman to sometime in 2021. Clearly business isn’t good enough (yet) to support movies that could be very profitable under normal circumstances.
Warner Bros. and Universal do earn some credit for sticking with a theatrical strategy for the films, at least for now. Disney, meanwhile, have (amongst other things) been criticized for releasing Mulan on Disney+ here in the United States, and didn’t get the best of news this weekend for their international theatrical strategy, as the film rolled out in China with a modest $23.2 million.
New numbers for Tenet, and an opening weekend estimate for The Broken Hearts Gallery also give us new insight into progress in the domestic market.
Here’s a round-up of the weekend numbers released so far.
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Weekend prediction: The Broken Hearts Gallery
September 10th, 2020
With theaters slowly reopening in North America, albeit with significant capacity restrictions, and new releases returning to theaters after a long, lonely, Summer, we thought it was time to take a look at our weekend predictions. Traditionally, these have been compiled through a combination of research and judgment, much like the predictions you’ll see on many web sites, trade publications, and newspapers. While our predictions have always stacked up well compared to everyone else, going forwards we wanted to do something that more closely embodies the ethos of The Numbers: providing objective, data-based analysis of the movie industry.
I’m pleased to announce our new weekend previews, which will be based on a model we’re developing that uses our huge database of movie box office and metadata to predict the weekend box office for movies currently playing in theaters. The prediction model debuts this week with an analysis of Sony’s The Broken Hearts Gallery, and we’ll be refining and expanding the model and predictions over the weeks to come.
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The Broken Hearts Gallery Final Trailer
September 8th, 2020
Romantic comedy starring Geraldine Viswanathan opens in theaters on Friday ... Full Movie Details.
What if you saved a souvenir from every relationship you’ve ever been in? Lucy, a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Hearts Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself.
More...
September Preview: Tenet Heads a Month with a Wide Release Planned Every Weekend
September 1st, 2020
We finally had some wide releases in August, and things went well, relatively speaking. Antebellum was pulled from the schedule at the last minute, leaving Unhinged as the only semi-wide release for the weekend of August 21, and that helped it open better than anticipated with $4 million. Then The New Mutants had the best opening since the pandemic first caused theaters to close, with $7 million last weekend.
That record won’t last long as Tenet is now playing in US theaters, officially as an “Early Access” release on Monday, Tuesday, and Wednesday, then “In Theaters” (which seems to be basically the same thing, only more so) from Thursday. It should outpace The New Mutants’ running tally, and maybe as early as its opening day. Not only will it have the biggest opening in months, it should stay in first place for the entire month, mainly due to a lack of competition. Three other films are getting wide releases, and each on their own weekend, so there’s no competition between them; however, that’s the end of the good news as the buzz for all three films is quiet. In fact, the buzz for Antebellum is in some ways louder, and that will be going direct to Apple TV on September 18.
Here’s the complete rundown of major movies coming to theaters this month.
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The Broken Hearts Gallery Trailer
June 22nd, 2020
Romantic comedy starring Geraldine Viswanathan opens in theaters on July 17 ... Full Movie Details.
What if you saved a souvenir from every relationship you’ve ever been in? Lucy, a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Hearts Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/10/23 | 3 | $12,534 | 32 | $392 | $12,534 | 1 | |
2020/10/30 | 5 | $6,131 | -51% | 26 | $236 | $20,402 | 2 |
2020/11/06 | 8 | $1,020 | -83% | 18 | $57 | $22,475 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/18/2020 | $94,485 | 157 | 157 | 549 | $303,728 | 12/11/2020 |
New Zealand | 9/24/2020 | $11,548 | 40 | 45 | 139 | $44,261 | 10/19/2022 |
North America | 9/11/2020 | $1,126,401 | 2,209 | 2,221 | 10,389 | $4,066,487 | 2/20/2024 |
Portugal | 9/25/2020 | $8,988 | 31 | 31 | 65 | $24,236 | 10/19/2022 |
Romania | 10/23/2020 | $12,534 | 32 | 32 | 76 | $22,475 | 11/11/2020 |
United Kingdom | 8/7/2020 | $0 | 0 | 472 | 1111 | $318,774 | 9/30/2020 |
Rest of World | $55,638 | ||||||
Worldwide Total | $4,835,599 | 2/20/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Geraldine Viswanathan | Lucy |
Dacre Montgomery | Stranger |
Supporting Cast
Utkarsh Ambudkar | Max Vora |
Molly Gordon | Amanda |
Phillipa Soo | Nadine |
Bernadette Peters | Eva Woolf |
Suki Waterhouse | Chloe |
Sheila McCarthy | Cheryl Gulliver |
Nathan Dales | Jeff |
Ego Nwodim | Harvard |
Megan Ferguson | Randy |
Nikki Duval | Willhemina |
Emma Hunter | New York Woman |
Taylor Hill | Taylor |
Tattiawna Jones | Dr. Amelia Black |
Arturo Castro | Marcos |
Tricia Black | Goodwill Worker |
Ray Kahnert | Butler |
Elon Gold | Schmuli |
Raymond Ablack | Clayton |
Nicholas Carella | Karaoke Emcee |
Trent Pardy | Yan |
Bradley Hamilton | Bartender |
Okiki Kendall | Stroller Woman |
Bernard Kay | Joe (Old Guy #1) |
Jack Newman | Richard (Old Guy #2) |
Mel White | Lev - Gallery Owner |
Stephanie Ng Wan | Real Estate Agent |
Melanie Leishman | Bookstore Owner |
Celeste Bruno | Cigarette Girl |
Izaak Smith | Cigarette Guy |
Chris Sandiford | Barista |
Jacki Glick | PP Volunteer |
Cameos
Roy Choi | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Natalie Krinsky | Director |
Natalie Krinsky | Screenwriter |
David Gross | Producer |
Jesse Shapira | Executive Producer |
Jeff Arkuss | Executive Producer |
Josh Phillips | Executive Producer |
Mason Novick | Executive Producer |
Mandy Teefey | Executive Producer |
Selena Gomez | Executive Producer |
Natalie Krinsky | Executive Producer |
Chantelle Tabrizi | Executive Producer |
Andrew Robinson | Executive Producer |
Mathew Hart | Executive Producer |
Michelle Knudsen | Executive Producer |
Laurie May | Executive Producer |
Noah Segal | Executive Producer |
Jacki Glick | Supervising Producer |
Alar Kivilo | Director of Photography |
Zazu Myers | Production Designer |
Lea Carlson | Costume Designer |
Shawn Paper | Editor |
Melany Mitchell | Music Supervisor |
Genevieve Vincent | Composer |
Jenny Lewis | Casting Director |
Sara Kay | Casting Director |
Jennifer Smith | Casting Director |
Lisa Zagoria | Casting Director |
Judy Chui | Location Manager |
Jenny “Mac” McLauchlin | Script Supervisor |
Philip Stall | Sound Mixer |
Jason Clarke | Art Director |
Vladislav Fedorov | Set Designer |
Khanh Quach | Set Designer |
David Edgar | Set Decorator |
Aline Gilmore | Costume Supervisor |
Jennifer Lantz | Sets Supervisor |
Catherine Viot | Make up |
Reneé Chan | Hairstylist |
Mike Hamilton | Special Effects Coordinator |
Whitney Brown | Line Producer |
Mary Fraser | Production Manager |
Aric Dupere | First Assistant Director |
W. Michael Beard | Post-Production Supervisor |
Sam Seig | Additional Editor |
Bronte Jovevski | Visual Effects Producer |
David McCallum | Supervising Sound Editor |
Paula Fairfield | Supervising Sound Designer |
Krystin Hunter | Dialogue and ADR Editor |
Adam Stein | Sound Effects Editor |
David Rose | Sound Effects Editor |
Kevin Banks | Music Editor |
Andrew Tay | Re-recording Mixer |
Bret Killoran | Re-recording Mixer |
Justin Moshkevich | Score Mixer |
Adam Michalak | Score Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.