Curacao Box Office for Black and Blue (2019)
Theatrical Performance (US$) | ||
Curacao Box Office | $41,833 | Details |
Worldwide Box Office | $22,730,144 | Details |
Home Market Performance | ||
North America DVD Sales | $1,505,208 | Details |
North America Blu-ray Sales | $1,274,621 | Details |
Total North America Video Sales | $2,779,829 | |
Further financial details... |
Synopsis
A rookie cop inadvertently captures the murder of a young drug dealer on her body cam. After realizing that the murder was committed by corrupt cops, she teams up with the one person from her community who is willing to help her as she tries to escape both the criminals out for revenge and the police who are desperate to destroy the incriminating footage.
Metrics
Movie Details
Production Budget: | $12,000,000 |
Curacao Releases: | October 24th, 2019 (Wide) |
Video Release: | December 31st, 2019 by Sony Pictures Home Entertainment March 2nd, 2020 by Sony Pictures |
MPAA Rating: | R for violence and language. (Rating bulletin 2600 (Cert #52040), 10/16/2019) |
Running Time: | 108 minutes |
Keywords: | Beat Cops, Corrupt Cops, Drug Dealer, Gangs, Revenge, Fugitive / On the Run, Action Thriller, Framed |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Royal Viking Entertainment, Hidden Empire Film Group, Screen Gems |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 21st, 2020
January 21st, 2020
It’s an odd week for the home market, as there are four wide releases coming out this week, which is more than most weeks. However, none of them were $100 million hits domestically, so it feels slow on top. That said, The Addams Family did come close to that mark and Zombieland: Double Tap was a solid midlevel hit. As for high quality releases, Jay And Silent Bob Reboot will very likely please fans of the franchise, but I’m unsure about its ability draw in newcomers. Finally, the Pain & Glory is the best of the best and only the lack of substantial extras prevents it from winning Pick of the Week with ease. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as well. Pain & Glory does win, but it is relatively close.
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Weekend Wrap-Up: Dark Fate Might have Terminated the Franchise
November 5th, 2019
It was a bad weekend at the box office, with Terminator: Dark Fate missing expectations by a significant degree. Harriet was able to beat expectations, but it wasn’t enough to truly compensate. Furthermore, Arctic Dogs and Motherless Brooklyn were practically non-factors at the box office. The box office did grow 9.5% from last weekend reaching $115 million. More importantly, this was 21% lower than this weekend last year. 2019’s deficit grew to 5.6% or $540 million and is now behind 2018’s pace by $9.15 billion to $9.70 billion. It is important to point out that while 2019 is being crushed by 2018, it is still on pace to be the second largest box office of all time, while its ticket sales are better than 2017’s pace, so as disappointing as the year as been so far, there are still reasons to celebrate.
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Weekend Wrap-Up: Maleficent Holds Off Joker for Top Spot
October 28th, 2019
It was a super close race for top spot on the weekend box office chart with Maleficent: Mistress of Evil and Joker neck-and-neck. In fact, they changed positions over the weekend and even reversed positions from the weekend estimates. Both of these films topped expectations by a small degree, as did most of the new releases. Unfortunately, this wasn’t enough, as the box office fell 24% from last weekend to $105 million. This is also lower than the same weekend last year, but by a tiny 0.7% margin. I’m not going to get upset about a decline this small, but it does mean 2019 has fallen further behind 2018’s pace with the deficit growing to $520 million / 5.4% at $9.00 billion to $9.52 billion.
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Weekend Estimates: Joker Wrestles First Place from Maleficent, Probably
October 27th, 2019
Joker is returning to first place on the weekend chart with $18.9 million, which is a tiny bit ahead of expectations. However, it is in a close enough race with Maleficent: Mistress of Evil that the pair could switch places when the final numbers show up tomorrow and I wouldn’t be too surprised. Internationally, the film is earning an estimated $47.8 million on 14,000 screens in 79 markets for totals of $571.5 million internationally and $849.1 million worldwide. It is now the highest-grossing R-rated film of all time worldwide, and is on pace to become the first R-rated film to reach $1 billion globally.
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Friday Estimates: Joker Returns to the Top
October 26th, 2019
Joker wasn’t gone from top spot for long, as it earned first place on Friday with $5.46 million, putting it on pace for close to $19 million over the weekend. This is very close to our prediction, but it is ranking better, due to marginally-weaker-than-expected competition. It also reportedly became the highest grossing R-rated movie of all time, at least worldwide. It is not going to catch up to The Passion of the Christ domestically.
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Thursday Night Previews: Black and Blue in the Green
October 25th, 2019
Black and Blue had the best previews on Thursday with $675,000. I was not expecting the film to have the best previews last night, nor was I expecting it to earn this much. Additionally, its reviews are have improved and are now mixed, in fact, they are currently exactly 50% positive, so it could surprise and top $10 million during its opening weekend. Just over $8 million is more likely, but this is still a solid debut for this time of year.
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Weekend Predictions: Halloween Scares Away Wide Releases
October 25th, 2019
The final weekend before Halloween is rarely a good time to release a film and the paltry selection of new releases on this list shows this year will be no different. The Current War: Director’s Cut is the only film earning good reviews, but it is opening in the fewest theaters by far. Countdown has the worst reviews, but it is a horror film opening just before Halloween, so its opening weekend could be okay. Black and Blue is in the middle in terms of reviews, theater count, and box office chances. Sadly, it is very likely all three films will open below $10 million over the weekend. There’s a slim chance none of them open in the top five. By comparison, this weekend last year saw only one wide release, Hunter Killer, which bombed. This year will be much better in terms of new releases, but none of the holdovers will match Halloween on top. 2019 does have much better depth, so I think we will get a small win in the year-over-year comparison.
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2019 Preview: October
October 1st, 2019
September ended on a bit of a weak note, but overall the month was excellent helping 2019 gain some ground on 2018. Can October continue this trend? There are certainly some potential box office hits coming out this month, starting with Joker, which opens the first weekend of the month and should be the biggest hit of the month. Maleficent: Mistress of Evil is aiming for $150 million and should be a hit, even if it doesn’t match the original at the box office. There are also a handful of films with an outside shot at getting to $100 million and I wouldn’t be shocked if one of them made it to that milestone. Meanwhile, last October, Venom broke records during its opening weekend, while A Star is Born had stellar legs helping both earn more than $200 million domestically. I don’t think the top two films will be able to match that this year, but we do have better depth, for the most part, so perhaps 2019 will continue its winning ways and close ground, at least by a little bit.
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Black and Blue Trailer
June 24th, 2019
Action movie starring Naomie Harris opens October 25 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/10/25 | - | $6,665 | 3 | $2,222 | $6,665 | 1 | |
2019/11/01 | - | $4,946 | -26% | 4 | $1,237 | $16,231 | 2 |
2019/11/08 | - | $2,362 | -52% | 4 | $591 | $21,696 | 3 |
2019/11/15 | - | $3,514 | +49% | 5 | $703 | $30,634 | 4 |
2019/11/22 | - | $2,382 | -32% | 4 | $596 | $35,435 | 5 |
2019/11/29 | - | $1,034 | -57% | 1 | $1,034 | $38,715 | 6 |
2019/12/06 | - | $1,001 | -3% | 2 | $501 | $40,779 | 7 |
2019/12/13 | - | $345 | -66% | 1 | $345 | $41,833 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 10/24/2019 | $3,736 | 3 | 3 | 7 | $16,572 | 11/20/2019 |
Curacao | 10/24/2019 | $6,665 | 3 | 5 | 24 | $41,833 | 12/18/2019 |
Germany | 11/14/2019 | $27,361 | 103 | 103 | 154 | $104,536 | 12/18/2019 |
India | 11/8/2019 | $9,766 | 166 | 166 | 166 | $9,766 | 11/13/2019 |
Jamaica | 10/23/2019 | $25,049 | 6 | 6 | 17 | $113,841 | 12/11/2019 |
Kenya | 11/1/2019 | $8,547 | 20 | 20 | 48 | $22,396 | 12/10/2019 |
New Zealand | 10/25/2019 | $5,764 | 7 | 7 | 23 | $14,806 | 12/3/2019 |
Nigeria | 10/25/2019 | $21,770 | 59 | 65 | 216 | $78,207 | 12/3/2019 |
North America | 10/25/2019 | $8,376,846 | 2,062 | 2,062 | 4,393 | $22,012,729 | 4/27/2021 |
Norway | 11/29/2019 | $0 | 0 | 9 | 11 | $18,200 | 12/18/2019 |
South Africa | 11/8/2019 | $3,529 | 6 | 6 | 32 | $17,206 | 1/8/2020 |
Suriname | 10/24/2019 | $851 | 1 | 1 | 4 | $3,114 | 11/26/2019 |
Trinidad | 10/23/2019 | $35,104 | 18 | 18 | 57 | $138,379 | 12/18/2019 |
United Kingdom | 10/25/2019 | $33,162 | 100 | 100 | 132 | $88,393 | 11/26/2019 |
Rest of World | $50,166 | ||||||
Worldwide Total | $22,730,144 | 4/27/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Naomie Harris | Alicia West |
Tyrese Gibson | Milo “Mouse” Jackson |
Supporting Cast
Frank Grillo | Terry Malone |
Mike Colter | Darius |
Reid Scott | Kevin Jennings |
Beau Knapp | Smitty |
Nafessa Williams | Missy |
James Moses Black | Deacon Brown |
Frankie Smith | Tez |
Michael Papajohn | SRT Leader |
Nelson Bonilla | Officer Doyle |
Rebecca Chulew | Police Officer |
Timothy Bell | Brody |
Tony Janning | Partner |
Deneen Tyler | Captain Regina Hackett |
Oscar Gale | Gas Station Owner |
Kurt Deville | Apartment Homie 3 |
Troy Faruk | Buick Homie #2 |
Lucy Golden | Detective #1 |
Anthony Michael Frederick | Officer #1 |
Vermyttya Erahn | Kingston’s Lady |
Kenneth Kynt Bryan | Police Officer’s Friend |
Michelle L. Clarke | Police Officer |
Drew Williams | Guard |
Craig Leydecker | Shift Sergeant |
Tim Rosipko | Paramedic |
Sam Malone | Tattooed Homie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Deon Taylor | Director |
Sean Sorensen | Producer |
Peter A. Dowling | Screenwriter |
Roxanne Avent | Executive Producer |
Joshua Throne | Executive Producer |
Dante Spinotti | Director of Photography |
Frank J. Zito III* | Production Designer |
Peck Prior | Editor |
Geoff Zanelli | Composer |
Lauren Bott | Costume Designer |