United Kingdom Box Office for Black Mass (2015)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $4,896,457 | Details |
Worldwide Box Office | $98,837,872 | Details |
Home Market Performance | ||
North America DVD Sales | $6,524,786 | Details |
North America Blu-ray Sales | $5,264,954 | Details |
Total North America Video Sales | $11,789,740 | |
Further financial details... |
Synopsis
In 1970s South Boston, FBI Agent John Connolly persuades Irish mobster James "Whitey" Bulger to collaborate with the FBI and eliminate a common enemy: the Italian mob. The drama tells the story of this unholy alliance, which spiraled out of control, allowing Whitey to evade law enforcement, consolidate power, and become one of the most ruthless and powerful gangsters in Boston history.
Metrics
Movie Details
Production Budget: | $53,000,000 |
United Kingdom Releases: | November 27th, 2015 (Wide) |
Video Release: | January 12th, 2016 by Warner Home Video |
MPAA Rating: | R for brutal violence, language throughout, some sexual references and brief drug use. (Rating bulletin 2359, 2/4/2015) |
Running Time: | 122 minutes |
Keywords: | Hitmen, Biography, 1970s, Set in Boston, Organized Crime, Mafia, FBI, True Crime, Confidential Informant, 1980s, Crime Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Warner Bros., Cross Creek Pictures, Le Grisbi, Free State Pictures, Head Gear Films, RatPac Entertainment, Dune Entertainment, Vendian Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 16th, 2016
February 15th, 2016
There's no major release this week. I was tempted to give Spectre the Pick of the Week honor, but the screener arrived too late to get the review done over the weekend. None of the big releases are worth the Pick of the Week title. There are a number of smaller releases that are worth considering for Pick of the Week, including The Kid, which tops the list.
On a side note, this week's list is a little shorter than I would have liked, because the people who run Amazon are morons. They've changed the New Releases page, again, making it even harder to find a list of new releases for the week. Additionally, there are some films, like Black Mass, that weren't on the list of releases for this week before the changes were made. I understand why physical stores reorganize every once and a while, because if people have to walk to the store to find something, they are more likely to buy something else on a whim. However, these people physically walked to the store, so if they don't buy what they came for, it will be a wasted effort. On the other hand, people go to Amazon by clicking a button. Making it harder to find new releases for that week won't make it more likely they will buy something else. It means they are more likely to not buy anything at all.
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Home Market Releases for January 12th, 2016
January 12th, 2016
It is a busy week for first run releases with four of them on this week's list. Of these, The Martian is the biggest and the best. It would have been the Pick of the Week except for two things. One, the screener is late. Two, David Bowie passed away over the weekend. He died after an 18-month battle with cancer and just two days after his last album came out. This is the the most poignant Rock'n'Roll death since Freddie Mercury and it seems fitting to give Blackstar the title of Pick of the Week.
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2015 Awards Season: SAG Nominations
December 9th, 2015
The Screen Actors Guild nominations were announced today and there are at least a few surprises to talk about. Trumbo led the way with three nominations, but there were six films with two nods apiece. Six!
Weekend Wrap-Up: Hotel Transylvania Climbs into the Record Book
September 28th, 2015
Hotel Transylvania 2 was surprisingly strong this past weekend, topping expectations and entering the record book. It wasn't the only new release of the week. The Intern matched expectations nearly perfectly. On the other hand, Everest struggled and The Green Inferno barely made a peep. The overall box office pulled in $138 million, which is 22% higher than last weekend and 29% higher than the same weekend last year. 2015's lead over 2014 has grown to $470 million or 6.3%. This year we have a running tally of $7.96 billion compared to $7.49 billion from last year. There's just three months left in the year, so 2015's lead looks safer and safer every passing weekend.
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Weekend Estimates: Hotel Transylvania 2 Breaks September Record
September 27th, 2015
Hotel Transylvania 2 is off to an impressive start this weekend with a new record weekend for September, according to Sony’s estimate released on Sunday. The animated comedy is expected to earn $47.5 million, beating the record held by the first film in the franchise, which debuted with $42.5 million this time in 2012. It’s also on the high end of expectations, which had it coming in the high 30s or low 40s. It’s a welcome turnaround for Adam Sandler, after a string of flops, but even more so for Sony Pictures, which has had a dismal year so far, with no film earning more than Pixels $76.7 million before now.
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Weekend Predictions: Busy September Weekend is Quantity Over Quality
September 25th, 2015
There are two wide releases this week, a wide expansion, and a semi-wide release. That's a lot of films to talk about. Of the three new films, none of them are earning more than 50% positive reviews. This is sadly typical of this time of year. Hotel Transylvania 2 is easily the biggest new release of the week and the only film with a shot at $40 million. The second wide release, The Intern, and the wide expansion, Everest, should be in a tight race for second place with $20 million each. On the other hand, The Green Inferno, the semi-wide release, is staring down the barrel of the Mendoza Line. If you look at the top three films from last year and compare them to the top three films from this year, they look about the same. The Equalizer's opening is on low the end of Hotel Transylvania 2's range of expectations. Additionally, the depth this year looks better than last year. 2015 should end the month on a high note in the year-over-year comparison.
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Weekend Wrap-Up: New Releases Fail to Reach High Heights
September 22nd, 2015
While the two new releases landed in first and second as expected, their box office numbers were not as strong. The Maze Runner: The Scorch Trials failed to match The Maze Runner, which is not a good sign for the franchise going forward. Black Mass did well, for a September release. Meanwhile, Everest might be considered the best new release of in the top ten, which is not surprising as it is being released by Universal. Finally there's Captive, the latest victim of the Mendoza Line. Overall, the box office was still strong and rose 10.0% from last week to $112 million. It was also 9.6% higher than the same weekend last year. Year-to-date, 2015 saw its lead expand to 5.8% over 2014 at $7.78 billion to $7.36 billion.
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Weekend Estimates: Maze, Mass and Everest Make Solid Debuts
September 20th, 2015
Maze Runner: The Scorch Trials will win the weekend at the box office, according to studio estimates released on Sunday, with a very solid $30.3 million. That’s down a bit from The Maze Runner’s $32.5 million this weekend last year, but the difference is small enough that a good performance on Sunday and slight increases in the actuals for Friday and Saturday could actually push the sequel slightly ahead. Either way, the franchise seems on fairly solid ground, although the increase in budget for the second film to $61 million from $34 million the first time around suggests it won’t be as profitable. As always, international box office will be key, and early signs there are good, with $78 million already in the bank.
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Friday Estimates: Maze Runner and Black Mass Make Strong Starts
September 19th, 2015
The Fall Season starts in earnest this weekend with the release of a Young Adult, dystopian-future action movie and an Older Adult dramatic thriller (not to mention a couple of pieces of counter-programming) vying for box office dollars, and, in one case, Oscar attention. Both films are getting off to good starts, based on Friday’s estimates. Maze Runner: The Scorch Trials is off to the best start with $11 million for the day and a projected weekend around $30 million. Black Mass will have to settle for second place with $8.8 million on Friday and around $25 million for the weekend.
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Weekend Predictions: Which New Release will Climb to the Top?
September 18th, 2015
It's a sort of busy week this week, with two wide releases, The Maze Runner: The Scorch Trials and Black Mass, as well as two limited releases with a shot at reaching the top ten, Captive and Everest. The Scorch Trials is the latest Young Adult Adaptation franchise. The first film crossed $100 million domestically, so this one hopes to grow at the box office. Black Mass is early Oscar-bait, but the reviews suggest it won't quite get there. Captive is the latest faith-based film and it likely won't go anywhere. Everest gets an early IMAX opening before its wide release next week. This weekend last year was the weekend The Maze Runner opened. Since sequels tend to open faster than their predecessors, 2015 should come out on top in the year-over-year comparison.
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2015 Preview: September
September 1st, 2015
As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/11/27 | 5 | $1,913,444 | 441 | $4,339 | $1,913,444 | 1 | |
2015/12/04 | 6 | $717,802 | -62% | 444 | $1,617 | $3,597,936 | 2 |
2015/12/11 | 7 | $444,458 | -38% | 389 | $1,143 | $4,503,227 | 3 |
2015/12/18 | 14 | $78,768 | -82% | 116 | $679 | $4,727,302 | 4 |
2015/12/25 | 21 | $17,140 | -78% | 37 | $463 | $4,752,123 | 5 |
2016/01/01 | 23 | $28,459 | +66% | 35 | $813 | $4,821,610 | 6 |
2016/01/08 | 26 | $23,858 | -16% | 36 | $663 | $4,862,049 | 7 |
2016/01/15 | 40 | $5,694 | -76% | 15 | $380 | $4,880,542 | 8 |
2016/01/22 | 42 | $4,256 | -25% | 12 | $355 | $4,887,838 | 9 |
2016/01/29 | 71 | $552 | -87% | 2 | $276 | $4,890,455 | 10 |
2016/02/19 | 89 | $120 | 1 | $120 | $4,896,457 | 13 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/22/2015 | $324,354 | 107 | 107 | 257 | $717,969 | 11/25/2015 |
Australia | 10/9/2015 | $828,851 | 269 | 269 | 864 | $2,033,291 | 12/16/2015 |
Austria | 10/16/2015 | $84,308 | 26 | 27 | 105 | $235,737 | 12/8/2015 |
Belgium | 11/25/2015 | $118,654 | 30 | 37 | 132 | $351,685 | 6/9/2016 |
Bolivia | 9/24/2015 | $8,943 | 7 | 7 | 9 | $16,964 | 12/30/2018 |
Brazil | 11/12/2015 | $362,115 | 143 | 143 | 388 | $935,973 | 12/16/2015 |
Bulgaria | 11/13/2015 | $22,217 | 40 | 40 | 129 | $83,806 | 12/31/2018 |
Central America | 9/17/2015 | $102,594 | 76 | 76 | 76 | $102,594 | 9/22/2015 |
Chile | 10/22/2015 | $45,112 | 31 | 31 | 54 | $87,836 | 12/30/2018 |
Croatia | 10/15/2015 | $0 | 0 | 21 | 63 | $97,958 | 12/30/2018 |
Czech Republic | 11/19/2015 | $0 | 0 | 47 | 59 | $58,521 | 12/30/2018 |
Denmark | 10/15/2015 | $0 | 0 | 28 | 28 | $345,373 | 11/10/2015 |
Ecuador | 9/25/2015 | $17,830 | 21 | 21 | 31 | $50,964 | 12/30/2018 |
Estonia | 10/2/2015 | $17,784 | 8 | 11 | 19 | $35,002 | 10/13/2015 |
Finland | 12/4/2015 | $47,186 | 56 | 56 | 138 | $146,180 | 12/29/2015 |
France | 11/25/2015 | $1,032,234 | 275 | 277 | 765 | $2,096,120 | 12/16/2015 |
Germany | 10/15/2015 | $745,265 | 185 | 195 | 794 | $2,076,733 | 12/1/2015 |
Greece | 10/15/2015 | $175,902 | 78 | 78 | 130 | $376,304 | 10/27/2015 |
Hong Kong | 10/29/2015 | $102,010 | 22 | 22 | 32 | $150,214 | 11/25/2015 |
Hungary | 11/12/2015 | $61,634 | 0 | 48 | 48 | $1,193,585 | 12/30/2018 |
Iceland | 10/2/2015 | $0 | 0 | 5 | 8 | $62,873 | 12/30/2018 |
India | 9/18/2015 | $141,274 | 52 | 52 | 52 | $141,274 | 9/22/2015 |
Indonesia | 9/18/2015 | $214,720 | 142 | 142 | 210 | $540,615 | 12/30/2018 |
Iraq | 10/1/2015 | $7,565 | 2 | 2 | 6 | $15,696 | 12/30/2018 |
Israel | 10/22/2015 | $94,758 | 20 | 20 | 77 | $284,614 | 12/30/2018 |
Italy | 10/8/2015 | $1,216,666 | 0 | 352 | 434 | $2,537,030 | 12/21/2015 |
Japan | 1/30/2016 | $955,268 | 265 | 265 | 795 | $3,308,549 | 6/9/2016 |
Latvia | 10/2/2015 | $9,950 | 9 | 9 | 9 | $9,950 | 12/30/2018 |
Lebanon | 10/1/2015 | $24,403 | 3 | 3 | 14 | $156,230 | 12/30/2018 |
Lithuania | 10/2/2015 | $0 | 0 | 10 | 10 | $41,414 | 10/17/2015 |
Mexico | 11/20/2015 | $347,429 | 0 | 63 | 70 | $943,278 | 6/9/2016 |
Netherlands | 10/15/2015 | $230,955 | 64 | 64 | 291 | $783,991 | 11/24/2018 |
New Zealand | 10/9/2015 | $92,527 | 49 | 53 | 216 | $238,694 | 12/16/2015 |
North America | 9/18/2015 | $22,635,037 | 3,188 | 3,188 | 13,669 | $62,575,678 | 8/29/2016 |
Peru | 10/29/2015 | $25,489 | 15 | 15 | 30 | $55,688 | 12/30/2018 |
Philippines | 10/21/2015 | $57,814 | 58 | 58 | 62 | $78,834 | 12/30/2018 |
Portugal | 10/8/2015 | $161,764 | 58 | 69 | 262 | $469,232 | 11/17/2015 |
Romania | 10/2/2015 | $99,752 | 57 | 57 | 129 | $228,467 | 12/30/2018 |
Russia (CIS) | 10/29/2015 | $1,025,255 | 850 | 850 | 1889 | $2,113,906 | 11/20/2018 |
Serbia and Montenegro | 10/29/2015 | $0 | 0 | 12 | 22 | $61,979 | 12/30/2018 |
Singapore | 9/17/2015 | $108,044 | 15 | 15 | 45 | $268,361 | 11/3/2015 |
Slovakia | 11/19/2015 | $33,662 | 37 | 37 | 61 | $57,202 | 12/1/2015 |
Slovenia | 10/22/2015 | $0 | 0 | 12 | 12 | $24,364 | 11/10/2015 |
South Africa | 10/16/2015 | $42,940 | 49 | 49 | 98 | $87,025 | 10/27/2015 |
Spain | 10/23/2015 | $513,305 | 216 | 219 | 772 | $1,675,252 | 12/16/2015 |
Sweden | 9/25/2015 | $240,896 | 74 | 74 | 113 | $667,876 | 10/20/2015 |
Switzerland | 10/15/2015 | $131,870 | 33 | 33 | 112 | $294,453 | 12/8/2015 |
Taiwan | 10/23/2015 | $194,484 | 69 | 69 | 158 | $400,456 | 11/17/2015 |
Turkey | 10/16/2015 | $75,074 | 57 | 57 | 147 | $235,859 | 12/30/2018 |
Ukraine | 10/29/2015 | $132,071 | 127 | 127 | 333 | $266,720 | 12/30/2018 |
United Arab Emirates | 10/1/2015 | $265,125 | 23 | 23 | 57 | $943,950 | 12/30/2018 |
United Kingdom | 11/27/2015 | $1,913,444 | 441 | 444 | 1528 | $4,896,457 | 6/9/2016 |
Uruguay | 10/29/2015 | $682 | 5 | 8 | 16 | $20,377 | 12/30/2018 |
Rest of World | $3,158,719 | ||||||
Worldwide Total | $98,837,872 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Johnny Depp | James "Whitey" Bulger |
Joel Edgerton | John Connolly |
Benedict Cumberbatch | Billy Bulger |
Kevin Bacon | FBI Agent Charles McGuire |
Jesse Plemons | Kevin Weeks |
Peter Sarsgaard | Brian Halloran |
Dakota Johnson | Lindsey Cyr |
Corey Stoll | Fred Wyshak |
Supporting Cast
Rory Cochrane | Stephen Flemni |
David Harbour | John Morris |
Adam Scott | FBI Agent Robert Fitzpatrick |
Julianne Nicholson | Marianne Connolly |
W. Earl Brown | John Martorano |
Bill Campbell | John Callahan |
Juno Temple | Deborah Hussey |
Mark Mahoney | Mickey Maloney |
Brad Carter | John McIntyre |
Scott Anderson | Tommy King |
Lonnie Farmer | DEA Agent Eric Olsen (Interrogator) |
Mary Klug | Mom Bulger |
Erica McDermott | Mary Bulger |
Luke Ryan | Douglas Cyr |
Owen Burke | Buddy Leonard |
Lewis D. Wheeler | Jeremiah O'Sullivan |
Robert Walsh | Voice of Sr. FBI Official |
Billy Meleady | Joe Cahill |
Jamie Donnelly | Mrs. Cody |
David DeBeck | Roger Wheeler |
David Conley | Officer Flynn |
Ciaran Crawford | Irish Nationalist |
Thomas Philip O'Neill | FBI Wire Tech |
Joey Vacchio | Joey, Big Italian |
Bill Haims | Gennaro Angiulo |
Anthony Molinari | Charlie McTiernan |
Todd Ryan Jones | Charlie's Friend |
Declan Mulvey | Charlie's Friend |
Bates Wilder | Agent James |
Marc Carver | Dick Lehr |
Richard Donelly | Gerard O'Neill |
Gary Galone | State Captain |
Brian A. White | Prisoner |
Peter J. Morse | FBI Agent |
Tom Kemp | Father Mackey |
Patrick M. Walsh, Jr. * | Michael Donahue |
Naheem Garcia | DEA Agent |
Kathryn A. Beauchamp | Nurse |
Stephen Curran | Drug Dealer |
Darin XL Maceachern* | Drug Dealer |
Cary 'Big Shug' Guy | Drug Dealer |
Sean Malone | Crook |
Jack Neary | Barman |
Jimmy Joe Maher | Boot Shop Owner |
Forry Buckingham | World Jai Alai Chairman |
Danny Demiller | Porthole Bartender |
Michael F. Murphy | Porthole Customer |
Alexander Cook | DEA Agent Dan Doherty |
Ava Cooper | Little Mary Bulger |
Stella Cooper | Kathleen Bulger |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Scott Cooper | Director |
Brian Oliver | Producer |
Tyler Thompson | Producer |
John Lesher | Producer |
Patrick McCormick | Producer |
Scott Cooper | Producer |
Mark Mallouk | Screenwriter |
Jez Butterworth | Screenwriter |
Gerard O'Niell | Based on the Book by |
Dick Lehr | Based on the Book by |
Brett Ratner | Executive Producer |
James Packer | Executive Producer |
Steven Mnuchin | Executive Producer |
Peter Mallouk | Executive Producer |
Ray Mallouk | Executive Producer |
Christopher Woodrow | Executive Producer |
Brett Granstaff | Executive Producer |
Gary Granstaff | Executive Producer |
Phil Hunt | Executive Producer |
Compton Ross | Executive Producer |
Masanobu Takayanagi | Director of Photography |
Stefania Cella | Production Designer |
David Rosenbloom | Editor |
Tom Holkenborg | Composer |
Francine Maisler | Casting Director |
Kasia Walicka Maimone | Costume Designer |
Patrick McCormick | Unit Production Manager |
Michele Ziegler | First Assistant Director |
Xanthus Valan | Second Assistant Director |
Adam Kassan | Co-Executive Producer |
Chuck Rock | Co-Executive Producer |
Michael Bassick | Co-Executive Producer |
Richard Mirisch | Associate Producer |
Claire Simpson | Additional Editor |
Steven Wayne | Production Supervisor |
Jeremy Woodward | Art Director |
Tracey Doyle | Set Decorator |
Bryan Felty | Set Designer |
Karl Martin | Set Designer |
Christina Todesco | Set Designer |
Jonny Winograd | First Assistant Editor/Visual Effects Editor |
Joe Rosenbloom | Assistant Editor |
Mark Mangini | Supervising Sound Editor |
Byron Wilson | Supervising Sound Editor |
Mark Mangini | Re-recording Mixer |
Ron Bartlett | Re-recording Mixer |
Chris Jenkins | Re-recording Mixer |
Piero Mura | Additional Editor-Effects Editor |
Ezra Dweck | Additional Editor-Effects Editor |
Ann Scibelli | Additional Editor-Effects Editor |
Paul Linden | Visual Effects Supervisor |
Tracy Scott | Script Supervisor |
Gloria Casny | Hairstylist |
Lucia Mace | Hairstylist |
Joel Harlow | Make up |
Ken Niederbaumer | Make up |
Ben Bornstein | Make up |
Katrina Schiller | Supervising Music Editor |
Jim Schultz | Music Editor |
Tom Holkenborg | Music Producer |
Chuck Jeffreys | Stunt Coordinator |
G. A. Aguilar | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.