Jez Butterworth
Best known as a Screenwriter based on credits in that role in 10 films, with $2,040,307,019 worldwide aggregate box office (rank #82) |
Best-known technical roles: Indiana Jones and the Dial of Destiny (Screenwriter), Spectre (Screenwriter), Ford v. Ferrari (Screenwriter), Edge of Tomorrow (Screenwriter), Black Mass (Screenwriter) |
Most productive collaborators: James Mangold, John-Henry Butterworth, Matt Damon, Christian Bale, Caitriona Balfe |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 10 | $706,348,183 | $1,333,958,836 | $2,040,307,019 |
Story Creator | 1 | $30,569,935 | $2,769,933 | $33,339,868 | |
Executive Producer | 1 | $30,569,935 | $2,769,933 | $33,339,868 | |
Producer | 1 | $9,540,691 | $12,252,214 | $21,792,905 | |
Director | 1 | $4,919,896 | $3,210,831 | $8,130,727 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2014 Preview: August
August 1st, 2014
July was... well... let's just pretend it didn't happen. Dawn of the Planet of the Apes did well, but week after week 2014 fell further behind 2013 in the year-to-date comparison. At the moment, we are roughly $400 million behind last year's pace and while I don't think August will continue the losing streak, there's really no chance August will put a dent in that number. It looks more and more likely that Guardians of the Galaxy will be a hit, especially given its early reviews, but it could be the last $100 million hit till October, if the bad buzz surrounding Teenage Mutant Ninja Turtles turns into bad ticket sales. Last August there were two films that reached $100 million, plus two others that came close. This August might match that, while the biggest film this year should top the biggest film from last year. I think the slump 2014 is suffering through will end the first weekend and overall I think it will cut the deficit a little bit. That said, summer 2014 will still end as one of the worst recent summers at the box office.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jun 30, 2023 | Indiana Jones and the Dial … | Screenwriter | $174,480,468 | $206,928,188 | $381,408,656 |
Aug 20, 2021 | Flag Day | Screenwriter | $424,667 | $517,523 | $942,190 |
Nov 15, 2019 | Ford v. Ferrari | Screenwriter | $117,624,357 | $106,766,349 | $224,390,706 |
Nov 6, 2015 | Spectre | Screenwriter | $200,074,175 | $679,003,169 | $879,077,344 |
Sep 18, 2015 | Black Mass | Screenwriter | $62,575,678 | $36,262,194 | $98,837,872 |
Aug 1, 2014 | Get on Up | Screenwriter Story Creator Executive Producer |
$30,569,935 | $2,769,933 | $33,339,868 |
Jun 6, 2014 | Edge of Tomorrow | Screenwriter | $100,206,256 | $266,822,724 | $367,028,980 |
Nov 5, 2010 | Fair*Game | Producer Screenwriter |
$9,540,691 | $12,252,214 | $21,792,905 |
Aug 17, 2007 | The Last Legion | Screenwriter | $5,932,060 | $19,425,711 | $25,357,771 |
Feb 1, 2002 | Birthday Girl | Director Screenwriter |
$4,919,896 | $3,210,831 | $8,130,727 |
Averages | $70,634,818 | $133,395,884 | $204,030,702 | ||
Totals | 10 | $706,348,183 | $1,333,958,836 | $2,040,307,019 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Feb 1, 2002 | Birthday Girl | $2,370,809 | 1,000 | $4,919,896 | $8,130,727 | 60.5% |
Averages | $2,370,809 | 1,000 | $4,919,896 | $8,130,727 | 60.5% | |
Totals | 1 | $4,919,896 | $8,130,727 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 5, 2010 | Fair*Game | $651,082 | 436 | $9,540,691 | $21,792,905 | 43.8% |
Averages | $651,082 | 436 | $9,540,691 | $21,792,905 | 43.8% | |
Totals | 1 | $9,540,691 | $21,792,905 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 30, 2023 | Indiana Jones and the … | $60,368,101 | 4,600 | $174,480,468 | $381,408,656 | 45.7% |
Aug 20, 2021 | Flag Day | $42,953 | 196 | $424,667 | $942,190 | 45.1% |
Nov 15, 2019 | Ford v. Ferrari | $31,474,958 | 3,746 | $117,624,357 | $224,390,706 | 52.4% |
Nov 6, 2015 | Spectre | $70,403,148 | 3,929 | $200,074,175 | $879,077,344 | 22.8% |
Sep 18, 2015 | Black Mass | $22,635,037 | 3,188 | $62,575,678 | $98,837,872 | 63.3% |
Aug 1, 2014 | Get on Up | $13,585,915 | 2,469 | $30,569,935 | $33,339,868 | 91.7% |
Jun 6, 2014 | Edge of Tomorrow | $28,760,246 | 3,505 | $100,206,256 | $367,028,980 | 27.3% |
Nov 5, 2010 | Fair*Game | $651,082 | 436 | $9,540,691 | $21,792,905 | 43.8% |
Aug 17, 2007 | The Last Legion | $2,746,312 | 2,002 | $5,932,060 | $25,357,771 | 23.4% |
Feb 1, 2002 | Birthday Girl | $2,370,809 | 1,000 | $4,919,896 | $8,130,727 | 60.5% |
Averages | $23,303,856 | 2,507 | $70,634,818 | $204,030,702 | 47.6% | |
Totals | 10 | $706,348,183 | $2,040,307,019 |